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A MAHOGANY DISPLAY CABINET, EARLY 20th CENTURY, with pierced broken arch pediment above the astragal glazed door revealing shelved interior with blind cut frieze and sides above the outset base with single panelled door, similar frieze and sides and on plinth base235cms high.

A VICTORIAN WALNUT VENEERED AND MARQUETRY INLAID LOW TABLE, the oval top with moulded rim raised on quadripartite blind cut cabriole legs with paw feet on castors, 57cms x 144cms x 107cms.

AN EBONISED SPECIMEN / DISPLAY TABLE CABINET, LATE 19th CENTURY, the blind cut frame with glazed top and sides and raised on tapering supports, 72cms x 47cms x 35cms.

A GEORGIAN STYLE MAHOGANY THREE TIERED DUMBWAITER the raised blind cut back with dental frieze above three open shelves with glazed panels on short bun feet 121cm x 107cm x 47cm

A GEORGIAN STYLE MAHOGANY FRAMED DISPLAY CABINET by Edwards and Roberts the moulded cornice with DENTIL frieze above a blind cut panel with a pair of timber glazed doors revealing glass shelved interior the outset base with moulded rim above two fireze drawers on ancanthus carved cabriole legs with paw feet joined by a platform stretcher 262cm x 104cm x 48cm

A PAIR OF CHERRYWOOD SINGLE SLEIGH BEDS each with curved toprail and foot board joined by a blind panel 100cm wide

Blind Craft ottoman with upholstered top

A 19th century Continental walnut and marble topped centre table of circular form, the centre inlaid with specimen marbles depicting exotic birds and flowers amidst malachite surround, all within an Anthenian and Greek Key border and further radiating marble surround to a marquetry inlaid floral surround, blind carved frieze to a triform base with leaf carved scroll decoration, diameter 110cm

A George III mahogany hall table, the rectangular top above blind fret carved frieze, on square chamfered supports, w.152cm, d.69cm, h.78cm Condition Report / Extra Information Top probably associated or cleaned back as it is an inferior grain and colour to the base.Frieze good.Stands well.Legs possibly cut down (based on moulding).Minor age wear all over.

A William IV mahogany pedestal sofa table, having twin blind frieze drawers over a quatraform base, w.94cm (leaves down), d.66cm, h.73cm

A circa 1900 Sheraton Revival fiddleback mahogany and inlaid bonheur du jour, the raised superstructure having brass gallery, twin hinged concave compartments over blind drawers, each with fine marquetry and penwork inlays of classical urns issuing flowers and foliage, above a gilt tooled leather inset writing surface and three further frieze drawers, w.114cm, d.63cm, h.97cm

An early Victorian mahogany servery, having twin blind frieze drawers, raised on ring turned and tapering forelegs, w.125cm, h.91cm, d.59cm

A Mahogany Corner Cabient with eight pane door and blind fretwork friezes

'Meads House at Burniston', pencil drawing signed and dated Baynes 1883, The River Arun at Arundel, watercolour unsigned 13cm x 33cm and Horses Resting, colour print after William Henderson signed in pencil with blind stamp 31cm x 36cm (3) Condition Report Click here for further images, condition, auction times & delivery costs

'Feline Tales II', limited edition giclee 136/195 after Cyril Croucher signed titled and numbered in pencil with blind stamp 44cm x 22cm Condition Report Click here for further images, condition, auction times & delivery costs

'Feline Tales III', limited edition giclee 54/295 after Cyril Croucher signed titled and numbered in pencil with blind stamp 44cm x 22cm Condition Report Click here for further images, condition, auction times & delivery costs

Baby African Elephants, limited edition colour print no.79/850 after Dorothea Buxton-Hyde signed and numbered in pencil with blind stamp 'Amber Roche Publications' 37cm x 35cm Condition Report Click here for further images, condition, auction times & delivery costs

'The Old Forge', limited edition colour print no. 630/850 after David Shepherd signed and numbered in pencil with blind stamp 53cm x 71cm Condition Report Click here for further images, condition, auction times & delivery costs

'Casting the Fly' and 'Playing a Salmon' pair hand finished colour etchings pub. Thomas Ross after Douglas Adams (British fl 1880-1905), Shooting Game, colour print after Heywood Hardy and 'Saved', print after Sir Edwin Landseer pub. Cassell & Co with blind stamp max 34cm 49cm (4) Condition Report Click here for further images, condition, auction times & delivery costs

An early 20th Century Chippendale Revival mahogany sideboardThe raised back with a blind fret work frieze over a single shelf, supported on two channelled uprights above a rectangular moulded top, two central drawers over a recess and flanked by two cupboard doors raised on channelled uprights, 168 x 137 x 57cm.

An 18th Century oak cased thirty hour long case clock, Rob Webster, SalopThe case with a blind fret work frieze over an 11 inch brass dial mounted with open work leafy spandrels Roman and Arabic numerals, a date aperture and signed Rob Webster, Salop, with a thirty hour movement, the face flanked by two reeded columns, the case with similarly reeded quarter columns flanking a cross banded shaped door, the lower part with a plain front panel raised on bracket feet, complete with weight and pendulum, 207cm high. CONDITION REPORT: Working order unknown. Movement appears to be complete. Lower part of back board has been replaced.

An Edwardian mahogany standing corner cabinet with pierce swan neck pediment, blind fret carving over astral glazed doors on cabriole legs

MAHOGANY BIJOUTERIE TABLE BY EDWARDS AND ROBERTS OF LONDONthe top of square serpentine outline with gadrooned border, with plush, clean floral fabric lined interior, on square tapered blind fretted legs joined by four pierced and scrolling stretchers, 68cm high, 38cm wide

BRITISH PRIME MINISTERS: David Lloyd George (1863-1945) British Prime Minister 1916-22. A.L.S., D Lloyd George, on two sides of a blind embossed House of Commons correspondence card, n.p. (London), 6th June 1898, to Miss. Lewis. Lloyd George confirms that 4.30pm tomorrow suits him and continues to add 'Mr. Alfred Thomas M.P. will join us on the terrace'. Accompanied by the original envelope hand addressed by Lloyd George.. Also including a note signed, D Lloyd George, on one side of a postcard, War Office, n.d. (annotated August 1915 in pencil to the verso), to Daisy Astin. The manuscript note, in an unidentified hand, states that Lloyd George is pleased to send his autograph. Accompanied by the original envelope signed ('D Lloyd George') to the lower left corner; Stanley Baldwin (1867-1947) British Prime Minister 1923-24, 1924- 29 & 1935-37. A good T.L.S., Stanley Baldwin, three pages, 4to, 10 Downing Street, Whitehall, 21st June 1928, to Sir Courtenay Mansel, on the printed stationery of the Prime Minister. Baldwin sends his best wishes to his correspondent for their fight in the Carmarthen Division and continues 'Our political opponents have accused the Government of apathy and of failure to tackle the problems of Unemployment, the necessitous areas and the depressed industries. I would ask the electors to reject these misrepresentations and to look at the other side of the shield. Not only has the Government carried out every pledge which it made at the General Election, but in its Budget of 1928 it has produced a bold and constructive scheme of rating reform which is a genuine attempt to bring back prosperity to those areas and to those industries', also adding 'Since the War the great basic industries, which employ the largest proportion of the working population and are responsible for no less than two-thirds of this country's export trade, have been going through especially difficult times, owing to severe foreign competition and heavy costs of production. The best solution of the problem lies in cheaper production, which must mean better trade, less unemployment, cheaper prices and better wages. It is in this direction that the Government has found it possible to come to the relief of industry', explaining that the scheme has been designed 'as to give the greatest help to those areas and to those industries which are most in need of it' and referring in particular to the coal, iron and steel industries ('upon which the prosperity of South Wales so largely depends') as well as agriculture which has also been helped by the introduction of a Credits Bill 'which will make it easier for people to purchase and equip farms and to obtain working capital with which to develop them'. Baldwin concludes his letter 'These are practical steps which cannot fail to help the industries concerned on the road to prosperity. Every step on that road means better conditions for the workers and more opportunities of employment, and it is because this reform which the Conservative Government has introduced really holds out hopes of better times for everybody connected with industry that I feel confident that it will receive the support of the electors'. A letter of interesting political content. A small pinhole appears to the upper left corner of each page and with a few extremely light, very minor spots of foxing, none of which significantly affect the text or signature. G (1) to VG, 3 Sir Courtenay Mansel (1880-1933) Welsh Landowner and Farmer, Barrister and Liberal Party Politician who later joined the Conservatives. Baldwin's letter is written at the time of the Carmarthen By-Election of 1928 at which Mansel was chosen by the Conservative Party as their candidate. In a tight contest the Liberal candidate William Nathaniel Jones won by the narrow majority of 47 votes over Labour's Daniel Hopkin. Mansel came bottom of the poll with just under 30% of the votes.

GUSTAV III: (1746-1792) King of Sweden 1771-92. Assassinated. A good D.S., Gustaf, a fine, bold example, as King, at the conclusion, two pages, folio, Stockholm, 1st April 1778, in Swedish. The manuscript document is a military commission appointing Baron Carl Friedric Vennett to be a Second Lieutenant in the Jamptland Regiment. Countersigned at the foot by Baron Wadenstierna. With an attractive blind embossed paper seal affixed immediately below the King's signature and with various other official stamps in the blank left margins of each page. With blank integral leaf. VG

George III oak longcase clock by John Bown of Matlock, the hood with pagoda top, blind fret frieze, square glazed door flanked by cylindrical pillars, trunk with long arch shaped door and standing on bracket feet, engraved brass dial with Roman and Arabic numerals and calendar aperture, 30 hour movement, 224cm high inclusive of finials Condition: Please see extra images and TELEPHONE department if you require further information

Salvador Dali (Spanish 1904-1989) - Limited edition signed etching engraving with watercolour - Les Cheveaux Surrealistes, published by La Société d'Editions d'art Les Heures Claires, Paris from an edition of 145 on Japon Nacre, signed and numbered in pencil, artists blind stamp to lower left margin, 45.5cm x 37cm A.R. Provenance: Ex collection of Dr and Mrs Albaretto Condition: **General condition consistent with age

A Georgian mahogany cabinet, with glazed upper section opening to reveal shelves, having two blind panel doors to the base, width 54ins

A late 19th century oak cabinet, in Gothic style, on a stand, with a blind fret moulded and panelled frieze, having two moulded panel doors with small ebonised marquetry panels with further panels to the side, the based fitted with two drawers raised on cup and cover front legs and reeded rear legs, united by stretchers, width 44ins Condition report: General condition very much as found, shows signs of old repair, moulding bar missing to door, cabinet and stand might be a marriage, depth 16.25ins, width 44ins, height 75.25ins.

A Chinese Chippendale design single chair, with cane seat and blind fret back

A 19th century mahogany linen press, the blind panel doors opening to reveal five slide out trays, with two short drawers over two long drawers to the base, width 49ins

AFTER LAWRENCE JOSSET "Young boy with catch", colour print, artist blind studio stamp lower left

A pair of Colefax and Fowler "Honeysuckle" glazed cotton interlined curtains, together with two matching Roman blinds and two pairs of Colefax and Fowler "Caroline" glazed cotton interlined curtains with matching pelmets and assorted bed drapes CONDITION REPORTS The honeysuckle blind measures approximately 140 cms in width and 146 cms in length. Has various areas of staining and discolouration, brown marks etc throughout. the other blind has had the support sticks removed or never placed in the first place. Has striped discolouration to it. Measures 127 cms in depth x 160 cms in width. The honeysuckle curtains measure approximately 156 cms x 77 cms in width. Lining is faded and discoloured, has some other discolouration. One pair of Caroline curtains measure approximately 87 cms in width and 107 cms in length - have striped discolouration and discolouration to the top and are made in three sections but one has the border at the bottom and the other has the border at the top. The second pair measure approximately 193 cms in length x 119 cms in width. Have some discolouration to the linings and the outside as well and a couple of small areas of stainng. The long drapes are approximately 42 cms in width and measures approximately 230 cms in length and have a permanent gathering to the centre - see image for more details. Has some discolouration, staining in striped pattern.

AFTER REBECCA LARDNER "Health farm", limited edition colour print No'd. 13/20, artist's proof, artist's blind studio bit stamp lower left, signed in pencil lower right, together with Certificate of Authenticity verso

A Mayall's black and white photograph of a lady in Victorian dress blind stamped, label verso and a tinted photograph of a gentleman in uniform, both in oval mounts and glazed frames, largest 21cm by 16cm

Fraser King, study of figures playing instruments, Maestro, Aspects of an Orchestra at Work - The Orchestra of St John's Smith Square, limited edition colour print 273/450, signed and inscribed in pencil, blind stamped, 27cm by 35cm

Gordon King, two colour prints of seated women with flowers, both signed in pencil and blind stamped, 41cm by 28cm

Sir William Russell Flint, figures at the beach with small boats, limited edition colour print 627/850, numbered in pencil, blind stamped, 27cm by 34.5cm

A George III style mahogany tallboy, circa 1930, with moulded cornice, blind fretwork frieze, two short and three long drawers to the upper section and with slide and three further drawers to the lower section and all raised on bracket feet. Width across cornice 56 cm. CONDITION REPORT: The cornice has two small scuffs to the top edge on the left hand side. The blind fretwork carving to the frieze is in good condition. It is also in good condition on the canted angles. All drawer fronts are in generally good order with no significant losses. There are minor scuffs and scratches but no real issues. There is a small veneer loss just to the right of the top corner of the right hand top drawer. The sides of both the top and base are in good condition. The bracket feet are in good order and original. The drawer linings are oak. Depth at cornice 40.3 cm. Width across cornice 55.4 cm, depth at waist 40 cm, width at waist 55 cm, depth of base moulding 42.7 cm, width across front feet 59.4 cm. All handles and lock escutcheons match and are present.

A George II mahogany bureau bookcase, mid 18th century with breakarch pediment, dentil cornice with blind fret decorated frieze, panel doors enclosing an interior of adjustable shelves, blind fret carved drawers and pigeon holes, the bureau base fitted with similar blind fret carved drawers, cupboard and pigeon holes above two short and three long drawers, later brass handles, on ogee bracket feet 226 x 131 x 60cm (88 x 51 x 23in) One door is slightly warped, later handles, colour is good and the interior is fitted with blind fret drawers

A French boulle work and ormolu bonheur du jour, mid 19th century ebonised mahogany with red tortoiseshell, cut brass and pewter inlays, ormolu border mounts with glazed doors and two drawers to the top. The lower half with a leather lined out-folding writing desk, blind frieze drawer and on swept legs and sabot 132 x 84 x 55cm (51 x 33 x 21in) The condition is considered to be good, with no obvious losses or restoration

A walnut Davenport desk, late 19th century, profusely inlaid in the Damascus tradition, with a raised back, blind drawers, a slope enclosing further small drawers, a pen drawer to the side and with further drawers enclosed by a cupboard, on shaped feet 109 x 57 x 60cm (43 x 22 x 23in) Evidence of slight timber shrinkage in the writing slope and raised inlaid decoration

GOOD QUALITY VICTORIAN MAHOGANY LADY'S WRITING DESK, having low added back, moulded edged top, two satinwood strung drawers above blind panelled, inlaid, cupboards, flanking a 'C' scroll moulded and foliate inlaid arch, all on baluster turned and fluted tapering legs with ceramic casters. Bearing label: 'R. Garnet and Sons, Warrington, established 1824'. Probably originally a dressing table. 128 x 59 x 81cm.

LATE VICTORIAN PITCH PINE, THREE DOOR, LIBRARY BOOKCASE, having moulded cornice over three sliding glazed doors revealing adjustable shelves to the interior, projecting base with three double, blind panel cupboard doors, on a platform support. 213 x 51 x 231cm. CONDITION REPORT: Basically sound condition, runs of beading are detached, a little dry in places, with scuffs and wear commensurate with age.

VICTORIAN WALNUT MUSIC CANTERBURY, having arched foliate pierced fretwork ends and baluster turned spindles to the dividers, the base with a blind frieze drawer, standing on baluster turned legs with brass cups and casters. 60 x 44cm. CONDITION REPORT: Some damage to fretwork in one end panel with losses, otherwise, rather dry and grubby but basically sound.

EARLY 19TH CENTURY WELSH OAK, TWO STAGE PRESS CUPBOARD, having moulded cornice over a pair of blind, arch panelled doors with bone escutcheons flanked by turned pillasters and revealing two fitted shelves to the interior, on a projecting base with two short and three long drawers, standing on stile feet. 130 x 58 x 197cm. CONDITION REPORT: A little dry but reasonable colour, various mouldings are detached, but some remain with the lot. Minor restoration required but basically sound.

19TH CENTURY MAHOGANY LOW TWO STAGE PRESS CUPBOARD, having a pair of strung, inlaid, blind panel doors revealing sliding shelves to the interior, the projecting base with matching two short and one long cock beaded drawers, on bracket feet. 120 x 55 x 138cm. CONDITION REPORT: Basically sound condition, short length of moulding missing from one side with similar problem on the other, minor losses to cock beading in places, but basically good overall.

18TH CENTURY MAHOGANY KNEEHOLE DESK OR DRESSING TABLE, having moulded edged top over frieze drawer opening to reveal brushing slide and fitted interior, three cock beaded drawers to each pedestal flanking recessed blind panel centre door on bracket feet. 90 x 54 x 81cm high. CONDITION REPORT: A little faded and pale, losses and damage to cock beading particularly on frieze drawer but also on other drawers, handles are not original, one does not match, otherwise basically sound. Feet appear to be replacements.

LARGE EDWARDIAN BOW FRONTED, INLAID, MAHOGANY CHINA DISPLAY CABINET, having moulded cornice with drop finials above single centre glazed door flanked by glazed side panels and revealing two glass shelves to the interior on a panelled base with centre blind panel cupboard, standing on foliate carved and fluted, tapering legs. 125 x 44 x 199cm. CONDITION REPORT: a little dry and faded in places, some losses to the finials of the frieze, otherwise good.

EDWARDIAN INLAID MAHOGANY BREAK FRONT CABINET, having moulded dentil cornice over serpentine, bow fronted cabinet with a pair of centre doors, revealing an arrangement of shelves to the interior, the projecting base of serpentine form with four blind cupboards, all overall with foliate inlaid decoration and cross banding, standing on square legs with spade feet. 161 x 52 x 218cm. CONDITION REPORT: Overall in fair condition, some wear, marks and stains, commensurate with age, no immediately apparent serious damage. Doors are not warped. Locks appear to be original.

LATE 17TH CENTURY OAK DRESSER BASE, having planked, moulded edged top over three moulded frame frieze drawers, above two unusual Maltese Cross geometrically moulded, blind panel cupboards, flanking two arch blind panels, on a platform base. 195 x 53 x 82cm. CONDITION REPORT: Overall basically in good condition commensurate with age, the skirted base is a replacement. A little faded, worn and stained in places.

EARLY 19TH CENTURY NORTH WALES OAK AND PINE TWO STAGE FOOD CUPBOARD, having moulded cornice over pair of blind panelled doors with pierced centre panels, projecting base with two short drawers over two further blind panel cupboards, all with later knobs, on stile feet. 107 x 48 x 186cm CONDITION REPORT: Overall in good original condition, general wear and tear commensurate with its age, minor damage and losses, with repairs to the return of one short side cornice.

VICTORIAN WELSH OAK DOUBLE CORNER CUPBOARD, having swept cornice over a pair of moulded, glazed doors revealing two shelves to the interior, the base with mahogany veneered frieze over two blind panel doors on bracket feet. 115 x 50 x 209cm. CONDITION REPORT: Overall clean condition with little or no noted damage, fair wear and tear accepted.

20TH CENTURY ITALIAN 'CALLIGARIS' RED AND WHITE FOUR DOOR BLIND CUPBOARD, with glass shelves to the interior, on chrome feet. 123 x 63 x 143cm. CONDITION REPORT: Good condition, no damage or significant wear, minor scuffs on back corners.

LARGE LATE 19TH CENTURY PITCH PINE DRESSER, having moulded cornice over angular, arched frieze with three shelves to the boarded back, the base with moulded edge over three moulded frieze drawers with two blind panel doors flanking centre dog kennel, on platform base. 210 x 48 x 234cm. CONDITION REPORT: Basically sound condition, scorch mark to one drawer front, scuffed and worn, commensurate with long term use, but basically sound. A little dry in places.

VICTORIAN MAHOGANY BLIND PANELLED HANGING CORNER CUPBOARD, having two strung outlined panelled doors revealing three fitted shelves to the interior, single centre drawer, flanked by two dummies to the base. 74 x 42 x 122cm. CONDITION REPORT: Some wear and tear commensurate with age, basically sound.

18TH CENTURY WELSH OAK CUPBOARD on stand, a reconstruction with two blind, fielded panelled doors under a moulded cornice with fall front cupboard below, on a three drawer base with arched frieze. 167 x 43 x 191cm. CONDITION REPORT: Generally reconstructed and altered over the years, now in very much off-farm, scruffy and grubby condition, ripe for restoration.

GOOD QUALITY 18TH CENTURY STYLE WELSH OAK DRESSER, having projecting moulded cornice over the boarded rack back with two shelves, base with moulded edge top over three cock beaded drawers having brass swan neck handles, three blind, raised and fielded panel cupboard doors below on bracket feet. 162 x 49 x 208cm. CONDITION REPORT: A little grubby with paint splash in places, but basically sound with no damage.

A Jewsbury and Brown Prattware advertising dish with oval panel The Blind Fiddler, 12½" (2 hairline cracks); a Jewsbury and Brown white stoneware matchstand/ashtray; a similar matchstrike

An early 20th Century mahogany double sized gramophone cabinet, the right-hand side top fitted turntable above blind fret decorated frieze and two cupboard doors, raised on cabriole legs, 112cms wide.