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A group of 19thC and later prints, comprising after JH Englehurt, The Hippodrome, 12cm x 16.5cm, The Rival Doctors or Pills and Potions, 25cm x 33cm, Sporting Anecdotes Serious Times Three Blind Uns and a Bolter, 28cm x 38cm, after JF WSE Charborough Park, 11cm x 14cm, print of Brother's Water from Kirkstone Foot, Westmorland, 5.5cm x 9.5cm, silk embroidery bookmark of Merry Christmas and a Happy New Year, with train, 19thC, 32cm high, a Cabriolet and Stanhope coloured engraving, 17cm x 30cm, lacking glass, all framed. (7)

After Jeff Hunt. Defenders of the Realm, print with blind stamp, signed in pencil to margin, 32cm x 49cm, framed.

UMBERTO BRUNELLESCHI; gouache, 'The Dancer, Pochoir, c.1919', signed, with blind stamp lower left and inscribed on Langton Gallery Ltd label verso detailing the purchaser as Tessa Kennedy, image 41 x 31cm, framed and glazed.

CHINESE HARDWOOD SIDE CABINET, 20th Century, mother of pearl floral and bird inlaid details, inset glass top protector, two upper doors, interior shelf, twin lower cupboard doors, interior drawers, blind fretwork lower frieze, shaped apron, stile feet, original locks intact, 91.5cms (h), 61cms (w), 30.5cms (d)Provenance: private collection Conwy

ANTIQUE OAK OCCASIONAL FURNITURE two items, comprising lowboy, rectangular top, blind frieze drawer, twin small opening drawers, brass circular pommels, fancy backplates, swan neck handles, shaped apron, inlaid fan corbel detail, tapering square supports, 70cms (h), 81cms (w), 51cms (d), 13 pane astragal glazed single door wall hanging corner cupboard, painted interior shelves, broken swan neck pediment, canted and reeded corners, 115cms overall (h), 73cms (w), 37cms (d)Provenance: private collection Conwy

VICTORIAN MAHOGANY PRESS CUPBOARD, dentil moulded cornice, panelled twin opening doors, interior hanging rail, blind upper drawer, single long opening lower drawer, replacement fancy brass backplates, swing handles, corner bracket feet, 187cms (h), 133cms (w), 59cms (d)provenance: private collection Conwy

GEORGE III OAK LANCASHIRE MULE CHEST, crossbanded three plank lidded top, quarter cut reeded pillar end detail, panel sided, two blind drawers, four opening oak lined drawers, circular brass pommels, swan neck handles, corner bracket feet, 86cms (h), 183cms (w), 54cms (d)Provenance: private collection Conwy

NORTH WALES ANGLESEY OAK & PINE DRESSER circa 1830, wide back boarded three shelf rack, three plank base top, three opening frieze drawers, three blind drawers, twin flanking cupboard doors, all with turned wooden knobs, mother of pearl inset buttons, diamond shape ebony escutcheons, bobbin pillar outer detail, corner bracket feet, 220cms (h), 160cms (w), 47cms (d)Provenance: private collection Gwynedd

OAK HUTCH CUPBOARD, twin upper doors, blind fretwork detail, drop-down cupboard front base, turned and block supports, cross stretchers, 119cms (h), 70cms (w), 42cms (d)Provenance: private collection Flintshire

Littleton (Sir Thomas) Littletons Tenures in English Lately perused and amended, London, indistinctly dated 16.., 16mo, later vellum binding, aeg, with gilt line tooling and blind tooled title to spine, marbled endpapers, bound with five index leaves in manuscript before the title page, inscribed ‘Maurice Digges his booke 1653’, three pages of tables to backCollated, front boards warped, cover with staining and soiling, front hinge starting to crack, pages toned throughout with some browning to edges, perfuse marginal notes in a fine 17th century hand, minor foxing, page 60 and 73 with slight loss to lower edge

The Holy Bible containing the Old Testament and the New... London: Charles Bill, 1682. 8vo, title page and with further title page for the New Testament, London: Charles Bill, 1694; appended with the 'Psalms of David in Meeter' Edinburgh: George Mosman. 1643, contemporary blind stamped leather binding (showing remnants of gilding) with silver corner mounts and oval centrepiece engraved 'I. A.' to the cover and '1695' to the back coverLeather binding in good condition with inner corner mounts missing, back joint with split at top, hinges cracked, marbled endpapers worn, Endpapers soiled, neat inked name opposing title page, title page and a few following ages with losses and edgewear to lower edge and pages toned throughout, tear and loss to beginning of Genesis Chapter XXX, not collated

14 John Mayall / Eric Clapton LPs including: Blues Breakers (UK Mono Decca Orig), Turning Point, Raw Blues, Crusade (UK Stereo Decca Orig), Blind Faith (UK Polydor Orig), 461 Ocean Boulevard, The Blues Alone, etc.

11 Indie LPs/12" including: Radiohead (Hail To The Thief), The Smiths (Strangeways Here We Come), Charlatans, Wonder Stuff, Blind Melon (picture disc), Pearl Jam, System Of A Down (clear vinyl), Stone Roses, etc.

Registration - WHA 655H Chassis No. - 3102212925 M.O.T. - Exempt Odometer - 25,892 Resplendent in red-over-cream two-tone bodywork, this of Volkswagen’s 1600 Fastback is an eye-catching example of an already unusual car. A genuine right-hand drive model, rather than the more commonly found imported versions, ‘WHA 655H’ is a cherished example of the sleekly-styled Volkswagen Type 3 Fastback. This version has a manual four-speed gearbox, and uses the company’s air-cooled 1.6-litre engine, mounted – as all its other vehicles were at the time (the Beetle, Karmann Ghia, and Samba Bus) – in the rear. Fitted with period features such as the windscreen visor and roof-rack, as well as period-complementing items including the Firestone Car Cooler and upholstered speakers, extensive care and attention has been paid to ‘WHA 655H’. The interior matches the exterior colour scheme, with red leather and quilted white panelled upholstery, a fully carpeted interior, the addition of an audio system – with the control unit hidden inside the glovebox – and white rear window blind. Offered with incredibly low mileage for a family car that’s more than half a century old, this example has 25,892 miles on the clock, and is described as in good or excellent condition across the board. The Volkswagen Type 3 was a larger family-focused model aimed at expanding the German manufacturer’s range, following on from the Type 1 (Beetle), Type 2 (Bus) and Type 14 (Karmann Ghia coupe) – all featuring an air-cooled rear-engine, rear-wheel drive lay-out. Launched in 1961 as the Type 3 1500, Volkswagen initially offered customers a two-door Notchback saloon and two-door Variant estate. In 1965, a two-door Fastback version arrived, at the same time as the ‘1600’ 1.6-litre boxer engine. In the UK, the Fastback replaced the Notchback, as it was intended to elsewhere, but buyers on the continent maintained the Notchback’s popularity, so all three body shapes were offered elsewhere, until the Type 3 ceased production in 1973 when it was replaced by the first-generation Passat. · Beautifully cared for and maintained example of Volkswagen’s Type 3 1600 Fastback. · Low mileage model, with an indicated 25,892 miles. · Period colour scheme inside and out, with many supporting accessories.

20TH CENTURY SCHOOL FOR MOTOWN, 'Stevie Wonder', silver gelatin, 35cm x 37cm, bears Emi blind stamp.

20TH CENTURY SCHOOL FOR MOTOWN, 'The Supremes', silver gelatin, 35cm x 37cm, bears Emi blind stamp.

Benjamin Maud of London - 8-day mahogany longcase clock c 1770, with an open fretted swan necked pediment and urn finial, break arch hood door flanked by reeded pilaster with Corinthian capitals, trunk with blind fretwork, reeded quarter columns and a break arch trunk door with a glazed lenticle, short plinth with raised beaded moulding on a stepped base, brass break arch dial with spandrels, matted dial centre, recessed seconds and date apertures with a silvered chapter ring, cartouche name plate and engraved silvered boss depicting a bird of prey to the arch, with a recoil anchor escapement and rack striking, striking the hours on a cast bell. With weights and pendulum.Benjamin Maud is recorded as working in London pre-1760, becoming a member of the London Clockmakers Company in 1782. Maud's death is recorded in 1819.Dimensions: Height: 232cm  Length/Width: 40cm  Depth/Diameter: 20cm

Goodyer & Son of Guildford - George II mid 18th century 8-day oak longcase clock, c1740, with a caddy top and deep cornice with a blind frieze beneath, hood with glazed side panels, square hood door with attached pillars and gesso capitals, plain rectangular trunk with a long flat topped door on a plain plinth with applied skirting, brass dial with a matted centre and ring turned key holes, small seconds dial and square date aperture, slivered chapter ring with Roman numerals, five minute Arabic's, minute and quarter hour tracks and fretted steel hands, dial pinned directly to a two train weight driven rack striking movement with five ring turned movement pillars, striking the hours on a bell, with repeat chord. With weights, pendulum and key.James Goodyer and his son are both recorded as working in Guildford (Surrey) 1740- 50.Dimensions: Height: 189cm  Length/Width: 42cm  Depth/Diameter: 24cmCondition Report: Seat board replaced.

Late 19th to early 20th century Georgian design serpentine chest, moulded serpentine top with canted front corners, fitted with two short and three long cock-beaded drawers, with pressed brass handle plates and hoop handles, the canted uprights decorated with blind fretwork, on ogee bracket feetDimensions: Height: 87cm  Length/Width: 92cm  Depth/Diameter: 54cm

George III Chippendale design mahogany chest, moulded rectangular top with canted corners, wide canted uprights with blind fretwork decoration, two short and three long with moulded fronts, shaped brass handle plates, on ogee bracket feet Dimensions: Height: 77cm  Length/Width: 88cm  Depth/Diameter: 45cm

Registration: YM09TMY VIN: SAJKC73L98TH23651 Mileage Showing: 37,000 (60,000KM) Transmission: Automatic MOT: 19/07/2024Supplied new in Japan in 2009 this facelift model XJR with its 4.2 litre supercharged V8 is fitted with almost every optional extra including sunroof, heated and cooled front seats, heated rear seats, Alpine audio as well as parking sensors, adaptive cruise control and blind spot monitors.Fitted with a rare and sought after Black Bison kit by Wald - A world renowned aftermarket upgrade company comprising of front and rear bumpers, boot spoiler and side skirts as well as split rim alloy wheels.Imported to the UK in 2022 and showing no previous UK keepers. Showing 60,000 kilometres (37,000 miles) and MOT till July.Please see our walk around video for more information and engine start upGUIDE PRICE £10,000 - £12,000

Ben Nicholson, Urbino, print, 62 x 48cm, together with Gio, two large prints and another (4)Urbino print has no visible blind stamp and is unsigned.

Sidney Perrin (1908 - 1987), landscape scene, colour print, with Fine Art Trade Group blind embossed stamp lower left, signed in pencil by artist lower right and another landscape scene, colour print, with Fine Art Trade Group blind embossed stamp lower left, signed in pencil by artist lower right, each 40 x 58cm, each framed and glazed

Harriet M. Bennett (b.1877) - Blind man's buff, watercolour heightened with white, signed lower right, 17.5 x 31.5cm

Special Air Service. SAS War Diary 1941-1945, London: published by Extraordinary Editions Ltd. 2011 to celebrate the 70th anniversary of the Special Air Service Regiment on behalf of the SAS Regimental Association, edition no. 88/500, facsimile with colour and monochrome illustrations printed on thick paper, original blind-stamped light brown leather, large folio. (1)

Jonas Barber of Winster - a George III oak longcase clock, the hood with a caddy top and blind carved frieze, above a 10¼" square brass dial, having silvered chapter ring, cast brass spandrels, matted centre and with rolling date aperture, 30-hour weight driven movement striking on a bell, the case with crossbanding and raised on bracket feet, h.218cm, with weights and pendulumClock runs.Stands well.Case good with minor age wear only.Some veneer blistering and replacements to head.Seat board and cheeks replaced.Back of trunk reinforced.Dial and movement look to have been over-hauled, probably in the last 20-30 years.

A Victorian Carved Mahogany Armchair, late 19th century, recovered in slate-grey silk velvet, with rounded arms and squab cushion above a close-nailed blind-fret-carved seat rail, on stout cabriole legs with hairy paw feet85cm by 85cm by 95cmIn excellent condition throughout. Minor scuffs and bruising around the legs.

An Adam-Revival Carved Mahogany Bijouterie Table, late 19th century, the blind fret carved hinged lid enclosing a green velvet-lined interior above carved ram's head terminals, on acanthus-carved tapering legs with hoof feet71cm by 40cm by 77cm

Paré, Ambroise.Wund Artzney, oder Artzney spiegell... in welcher beneben klarer und gnugsamer Anleytung zur Wund Artzney auch eygentlicher und vollkommener Anatomischer Beschreibung aller Glieder, Bein, Mäußlin und Adern des Menschlichen Leibs außführlich... gelehrt wird, Wie man alle unnatürliche Geschwulst, Wunden, Geschwär, Krebs, Fisteln ... curieren soll. Von P. Uffenbach... auß der Lateinischen Edition J. Guillemeau .. in die Teutsche Sprach... transferiert. Mit 1 gefalt. Tabelle und ca. 250 Textholzschnitten. Frankfurt, C. Rötell für J. Fischer Erben, 1635. Schweinslederband d. Zt. mit Blind- und Rollenprägung und 2 Messingschliessen. 35,5x25,5 cm. 8 Bll., 984 S., 16 Bll.

A mahogany coffee table, the glazed top inset with embroidered panel worked in a floral design and raised on blind fret carved and chamfered supports. (H47cm, W56cm, D43cm) together with a small gate leg table. (H46cm) 

A collection of LP's, various dates and genres to include The Fall - The Wonderful and Frightening World Of..., Frank Zappa / The Mothers Of Invention - Uncle Meat, Van Morrison - Astral Weeks, Various Artists - The Roxy London WC2 (Jan - Apr 77), David G.A. Stephenson and Josh Stapleton - Robert Fraser's Groovy Arts Club Band (signed David Stephenson 10/1/19), Blind Faith - S/T, John Cale - Fear, Various - Marmalade Record Co. Show "Olympia 68", Neil Young - Harvest, The Police - Outlandos d' Amour, The Animals - Animal Tracks and The Kinks - Sunday Afternoon. (12)

A large collection of assorted 12" singles, various dates and genres to include: Status Quo - In The Army; Gary Moore & Phil Lynott - Out In The Fields; S'Express - Hey Music Lover; REO Speedwagon - Here With Me; Tina Turner - We Don't Need Another Hero; Irene Cara - Flashdance; David Bowie & Mick Jagger - Dancing In The Street; The Bluebells - Young At Heart; Pat Benatar - We Belong; Technotronic - Pump Up The Jam; T'Pau - China In Your Hand; Bill Withers - Lovely Day; Fairground Attraction - Perfect; Eurythmics & Aretha Franklin - Sisters Doing It For Themselves; Spandau Ballet - Through The Barricades; Blancmange - Blind Vision; Living In A Box - Blow The House Down (promo); Bros - I Owe You Nothing (white label prompt); Gibson Brothers - Oh What A Life; Red Box - Lean On Me; Frankie Goes To Hollywood - Relax; Simply Red - If You Don't now Me By Now; Terence Trent D'arby - Sign Your Name; Bruce Hornsby & The Range - The Valley Road; Stevie Wonder - I Just Called To Say I Love You; Daryl Hall & John Oates - Out Of Touch; Fleetwood Mac - Family Man; Paul Hardcastle - 19; Swing Out Sister - Where In The World; Culture Club - Do You Really Want To Hurt Me; Nik Kershaw - Wide Boy; and Big Country - Broken Heart; etc (approx 300)

Edwardian mahogany display cabinet with pierced arch pediment, two glazed doors and serpentine base with two doors and blind fretwork decoration, some losses throughout, 180cm high

John Wiltshire (b. 1969), watercolour,"Untitled/Harness" , study of a mummified rat, with artists blind stamp and signed in pencil to bottom right hand corner, unframed, 76cm x 57cm.

John Wiltshire (b. 1969), set of three watercolours, "Typhonus Wakes For Dawn, Forever", a study of mummified frogs, and other items, artists blind stamp, signed, 30cm x 21cm, unframed.

An exceptionally rare Scottish work on fossil fish.Dura Den, A Monograph of the Yellow Sandstone and its RemarkableFossil Remains, with illustrations, by John Anderson D.D. F.G.SE.P.S. etc. 96 pp. Illustrated with plates, some coloured (all present),and woodcuts. Publisher, Thomas Constable, Edinburgh, HamiltonAdams and Co. London. 1859. Original cloth decorated in blind. Gilttitle to spine. Slight wear at the top and bottom of the spine, but anexcellent copy of this rare title. A former ownership name to front freeendpaper 'A.P. Stevenson' in pencil, and underneath George West haswritten a neat note in ink identifying Stevenson as a naturalist and a'most excellent bookbinder of Dundee. I bought this book from him.'West was a lecturer in Botany at the University of Dundee from c.1906 to 1926. West has also tipped into the title page a pen and inksketch which he has signed of the area where Anderson found thefossils. On p. 37 in response to the Reverend author's praise of 'wiseProvidence' West has tipped in a poem of his own satiricallysuggesting 'Providence' is not so wise as all that. West held somestrong anti-clerical views.The first and only edition of this important monograph on thefossilized fish specimens discovered by the Church of Scotlandminister, John Anderson of Newburgh at Dura Den, a wooded gorgenear the village of Cupar in North Eastern Fife.Hand stamp of George West to the pastedown.(1)The following lots of books represent the library of George West.West's biographical details are hard to pin down, his date of birthunknown, (probably around the 1880's) and his death sometime after1945. He is known to have worked as an assistant and then lecturer inBotany at the University of Dundee from 1906. At that time theuniversity was a constituent college of St Andrews University. Westseems to have remained there until around 1926. In his publication'Practical Principles of Plain Photo Micrography' (1916) he describeshimself as a lecturer in Botany. Most of the books in the sale bear thehandstamp, 'George West' to the front pastedowns. Many volumes bearextracts from booksellers' catalogues with prices of the titles,suggesting that West liked to keep up with the current values of hislibrary.The books represent a working library and many are alsoannotated in pencil in his hand, cross-referencing other works andadding his comments. To the front of the first volume of Walker'sDiptera (see lot no.) he has inserted his handwritten poem, 'To theFuture Owners of this book'.Geordie has now turned up his toesAnd gone aloft to seek reposeFrom various varmints nips and stings,Especially those base mankind brings...........He trusts the child who gets this bookWill on the various notes just lookAnd feel that every pencil strokeHelps on the game dear Walker wrote...Although a botanist by profession, his main interest, judging byhis library appears to have been entomology and amongst the booksare some rare titles in that field many dating from the nineteenthcentury, a golden age for the natural sciences. Many of the giants inthe field of Entomology are represented in the books and there aregood sets of Curtis, Donovan and Stephens with many exquisite, hand-coloured illustrations. Geology was another of his interests, as well asmicroscopy.What little is known of George West is largely gleaned from apublication from Hereford Museum published in 2007. West haddonated a large collection of mineralogical specimens to the Museumin 1945. His connection with Hereford, however, appears to betenuous and the man remains something of an enigma.

John Wiltshire (b. 1969) watercolour, "Hollow Talk", (Alistair Crowley), artists blind stamp, signed in pencil to bottom left hand side, in two parts, 33cm x 23cm overall.

John Wiltshire (b. 1969), watercolour, "The Red Lion", artists blind stamp, signed in pencil to bottom left hand corner, unframed, 23cm x 37cm.

The Natural History of British Insects, by E[dward]Donovan. 16volumes in eight. Pub. for the author and F.C. and J. Rivington 1813(but 1792. See note below). Separate title pages for each volume. Halftitle is present in the first volume. Scattered, occasional foxing /offsetting to a few text pages. The 576 plates (complete as issued)remain in good, clean condition, with only occasional toning or spotsof foxing. The set is bound in polished calf with gilt ruling anddecorations in blind to the margins and with only a few, insignificant,small blemishes to the boards. Spines in six compartments withmorocco labels and uniform, repeated, gilt insect motif. Althoughshowing evidence of rubbing, the spines present well. Rubbed toexterior joints with very slight breaks between spine and boards to firstand last volumes but all bindings remain strong and secure. Marbledendpapers. A small, unobtrusive label bearing the number of plates toeach volume has been added, I presume by the owner, George West tothe foot of the spines. A very handsome set of this important work bythe Irish-born Donovan.Two old extracts from booksellers' catalogues listing similar sets havebeen tipped in at the front of volume one. Also at the front of the firstvolume is a helpful, handwritten note by West (signed with his initials)stating that 'The title page of Vol. 1 is dated 1813. This volume,however, was issued in 1792, and the title page was evidently printedin 1813 when the 16 volumes had been finished. Different copies of thecomplete work bear various dates on the title page.....The "NewEdition" on the title of Vol 1 probably refers to complete sets sold afterthe issue of the work in parts as there was no second edition properlyso called.'His note is borne out by the dating of the subsequent volumes. Thetitle page to volume two is dated 1793, to volume three, 1794 &c.A prospectus for 'The Naturalist's Repository or Monthly Miscellanyof Exotic Natural History by E. Donovan' is tipped onto the frontendpaper. Each volume is indexed with a general index to all 16volumes to the rear of the final volume.Throughout, West has added neat pencil annotations to text pagescross-referencing the text with other authorities. Occasionally, theannotations stray into his own experiences such as on p. 22 of volume5 where writes about his experiences in SW Scotland, the victim of thestinging fly, known as 'clegs' which left him 'almost blind for 3...days'.(8)The following lots of books represent the library of George West.West's biographical details are hard to pin down, his date of birthunknown, (probably around the 1880's) and his death sometime after1945. He is known to have worked as an assistant and then lecturer inBotany at the University of Dundee from 1906. At that time theuniversity was a constituent college of St Andrews University. Westseems to have remained there until around 1926. In his publication'Practical Principles of Plain Photo Micrography' (1916) he describeshimself as a lecturer in Botany. Most of the books in the sale bear thehandstamp, 'George West' to the front pastedowns. Many volumes bearextracts from booksellers' catalogues with prices of the titles,suggesting that West liked to keep up with the current values of hislibrary.The books represent a working library and many are alsoannotated in pencil in his hand, cross-referencing other works andadding his comments. To the front of the first volume of Walker'sDiptera (see lot no.) he has inserted his handwritten poem, 'To theFuture Owners of this book'.Geordie has now turned up his toesAnd gone aloft to seek reposeFrom various varmints nips and stings,Especially those base mankind brings...........He trusts the child who gets this bookWill on the various notes just lookAnd feel that every pencil strokeHelps on the game dear Walker wrote...Although a botanist by profession, his main interest, judging byhis library appears to have been entomology and amongst the booksare some rare titles in that field many dating from the nineteenthcentury, a golden age for the natural sciences. Many of the giants inthe field of Entomology are represented in the books and there aregood sets of Curtis, Donovan and Stephens with many exquisite, hand-coloured illustrations. Geology was another of his interests, as well asmicroscopy.What little is known of George West is largely gleaned from apublication from Hereford Museum published in 2007. West haddonated a large collection of mineralogical specimens to the Museumin 1945. His connection with Hereford, however, appears to betenuous and the man remains something of an enigma.

A selection of books on Beetles.The British Coleoptera Delineated, ed. W.E. Shuckard, drawn inoutline by W. Spry. Pub. Henry G. Bohn, York St Covent Garden.1861. Half leather, brown cloth, spine in six compartments with gilttitles. 83 text pages and 94 hand-coloured plates, complete. A pencilnote written by West to the pastedown states 'This work as issued wasbound together by Hancock's rubber solution, this substancedisintegrating the pages fell apart. The plates are now on guards andsewn.' It would appear, therefore that West had this copy rebound(rather nicely as it happens). The book presents well and the rebind isvery solid.WithA Manual of British Coleoptera, James Francis Stephens, pub.Longman, Orme Brown, Green, and Longmans. 1839. Half leather,green marbled, paper-covered boards. Octavo. 443pp. Touches of edgewear/rubbing, but a very solid, pleasing copy of this scarce title. Mildfoxing to front and rear endpapers. Occasional pencil annotationthroughout. The author, Stephens address is noted in pencil on p. vii.WithThe Naturalist's Library, The Natural History of Beetles, JamesDuncan. Pub. (Edinburgh) W.H. Lizars; S. Highley, 32 Fleet Street,London; and W. Curry, Jun. and co. Dublin. `1835. 269 pp. 30 hand-coloured plates. Frontispiece portrait of John Ray. Half leather,marbled, paper-covered boards. Some rubbing, furring to corners, andtop of spine leather peeling away from the back strip. Original titles onthe spine faded, and an old, paper label has been added.WithBritish Beetles, E. C. Rye, pub. Lovell Reeve & co. 1866. 280 pp. 16coloured plates, 15 bound to the rear. The first plate is bound as thefrontispiece. Brown cloth with large, gilt (rather scary) beetle to frontboard. Bookplate to pastedown. A good, solid copy.WithThe Young Beetle-Collectors Handbook, Dr. E. Hofmann. Pub. SwanSonnenschein 1908. 178pp. 20 coloured plates. Red cloth, slight fadeto spine. Gilt bettle illustration to cover. An attractive, solid copy.WithA Handbook of the Coleoptera or Beetles of Great Britain and Ireland,Herbert E. Cox pub. E.W. Janson 1874. Two matching volumes. 527pp and 366 pp. Original publisher's brown cloth. Vignette decorationin blind to front covers. Gilt titles to slightly faded spines. Slightseparation of signatures between pp 32 / 33 of volume with subsequentvery slight weakening of binding, but the book is still very solidlybound.(7)The following lots of books represent the library of George West.West's biographical details are hard to pin down, his date of birthunknown, (probably around the 1880's) and his death sometime after1945. He is known to have worked as an assistant and then lecturer inBotany at the University of Dundee from 1906. At that time theuniversity was a constituent college of St Andrews University. Westseems to have remained there until around 1926. In his publication'Practical Principles of Plain Photo Micrography' (1916) he describeshimself as a lecturer in Botany. Most of the books in the sale bear thehandstamp, 'George West' to the front pastedowns. Many volumes bearextracts from booksellers' catalogues with prices of the titles,suggesting that West liked to keep up with the current values of hislibrary.The books represent a working library and many are alsoannotated in pencil in his hand, cross-referencing other works andadding his comments. To the front of the first volume of Walker'sDiptera (see lot no.) he has inserted his handwritten poem, 'To theFuture Owners of this book'.Geordie has now turned up his toesAnd gone aloft to seek reposeFrom various varmints nips and stings,Especially those base mankind brings...........He trusts the child who gets this bookWill on the various notes just lookAnd feel that every pencil strokeHelps on the game dear Walker wrote...Although a botanist by profession, his main interest, judging byhis library appears to have been entomology and amongst the booksare some rare titles in that field many dating from the nineteenthcentury, a golden age for the natural sciences. Many of the giants inthe field of Entomology are represented in the books and there aregood sets of Curtis, Donovan and Stephens with many exquisite, hand-coloured illustrations. Geology was another of his interests, as well asmicroscopy.What little is known of George West is largely gleaned from apublication from Hereford Museum published in 2007. West haddonated a large collection of mineralogical specimens to the Museumin 1945. His connection with Hereford, however, appears to betenuous and the man remains something of an enigma.

John Wiltshire (b. 1969), watercolour,  "Two Pins", (Alistair Crowley), artists blind stamp, signed to the bottom left-hand corner, unframed, 29.5cm x 21.5cm.

John Wiltshire (b. 1969), watercolour,"Small Spaces" dated 2023 , study of a mummified Pheasant in tree, with artist blind stamp, signed and dated, 2009, 56cm x 38cm, unframed.

John Wiltshire (b. 1969), watercolour, "Harefield New Church", artists blind stamp, signed to bottom left hand corner, unframed, 29cm x 20.5cm.

Friend of Charles Darwin, Henry Denny (1803-1871)Monographia Psephalidarum et Scydmaenidarum Brittaniae, HenryDenny, pub. Norwich S Wilkin, Upper Haymarket, sold also by Burksand Kinnebrook; Matchett and Stevenson; J. Parsons, and John Stacy,Norwich: and in London by Baldwin, Cradock, and Joy, PaternosterRow and W. Wood 428 Strand. 1825 First edition. Octavo, publisher'stextured cloth, few small marks, nothing egregious. Paper label tospine. 74 pp. 2pp subscribers' list, slightly loose but still attached totext block. 14 hand-coloured plates. One or two pencil annotations. AVG copy in the original publisher's cloth of this scarce title on beetles.WithMonographia Anoplurorum Britanniae, or An Essay on the BritishSpecies of Parasitic Insects belonging to the Order Anoplura of Leach.by Henry Denny, pub. Henry G. Bohn, York Street, Covent Garden.1842. 262 pp. 26 coloured plates to rear. Publisher's catalogue.Original cloth decorated in blind. Small patch abraded to the frontboard. Spine ruled in gilt with gilt title. Couple of abrasions to thespine cloth with wear at the top and bottom. The back strip isdetaching but still in place. West's pencil annotations to the frontinclude a note where he chastises Denny writing 'The author of thisbook would have greatly increased its value had he reserved his piousoutbursts for a more suitable publication....'Hand stamp of George West to pastedowns of both titles.(2)The following lots of books represent the library of George West.West's biographical details are hard to pin down, his date of birthunknown, (probably around the 1880's) and his death sometime after1945. He is known to have worked as an assistant and then lecturer inBotany at the University of Dundee from 1906. At that time theuniversity was a constituent college of St Andrews University. Westseems to have remained there until around 1926. In his publication'Practical Principles of Plain Photo Micrography' (1916) he describeshimself as a lecturer in Botany. Most of the books in the sale bear thehandstamp, 'George West' to the front pastedowns. Many volumes bearextracts from booksellers' catalogues with prices of the titles,suggesting that West liked to keep up with the current values of hislibrary.The books represent a working library and many are alsoannotated in pencil in his hand, cross-referencing other works andadding his comments. To the front of the first volume of Walker'sDiptera (see lot no.) he has inserted his handwritten poem, 'To theFuture Owners of this book'.Geordie has now turned up his toesAnd gone aloft to seek reposeFrom various varmints nips and stings,Especially those base mankind brings...........He trusts the child who gets this bookWill on the various notes just lookAnd feel that every pencil strokeHelps on the game dear Walker wrote...Although a botanist by profession, his main interest, judging byhis library appears to have been entomology and amongst the booksare some rare titles in that field many dating from the nineteenthcentury, a golden age for the natural sciences. Many of the giants inthe field of Entomology are represented in the books and there aregood sets of Curtis, Donovan and Stephens with many exquisite, hand-coloured illustrations. Geology was another of his interests, as well asmicroscopy.What little is known of George West is largely gleaned from apublication from Hereford Museum published in 2007. West haddonated a large collection of mineralogical specimens to the Museumin 1945. His connection with Hereford, however, appears to betenuous and the man remains something of an enigma.

John Wiltshire (b. 1969), watercolour, "Harefield New Church", artists blind stamp, signed to bottom left hand corner, unframed, 30cm x 21cm.

John Wiltshire (b. 1969), an ink wash drawing, "The Rings", artists blind stamp, signed, 59cm x 41cm, unframed.

An Introduction to the Modern Classification of Insects, by J.O.Westwood, pub. Longman, Orme, Brown, Green, and Longmans, intwo volumes. Volume I 1839, 462 pp figures within the text, 1 hand-coloured plate; Volume II, 1840, 587 pp, figures within text. At therear is a 'Synopsis of the Genera of British Insects' 158 pp. A pencilnote to the pastedown of vol. I testifies to the esteem this work washeld in by West. 'This book seems to me the best written as a mainstayfor the general naturalist'.Both volumes are bound in uniform green, half leather with green,marbled, paper-covered boards. The endpapers are in matchingmarbled paper. The spines are darkened, the exterior joints rubbed, butthe books present as a solidly bound, handsome set.WithPopular British Entomology, Maria Catlow, pub. Reeve and Co. 1852(second edition). Octavo. 280pp 16 coloured plates some numberedout of sequence. (Plate no. 16 is the frontispiece). Publisher's browncloth decorated in blind. Gilt butterfly within gilt roundel to frontcover, the motif repeated in blind on rear cover. Spine cloth peelingbut still attached (a simple flaw to rectify). Slight wear at the top of thespine, else a rather good copy of this work by Maria Catlow [active c.1840-1874] worked closely with her sister, Agnes on her works ofnatural history.WithThe Entomologist's Text Book, J.O.Westwood, pub. Wm. S. Orr 1838.Octavo. 432pp. Five coloured plates. Original publisher's, green clothdecorated in blind, fade to spine. Internally clean. A good, solid copy.Bookplate to pastedown of Thomas Chapman showing a horned owl.Probably, Thomas Chapman [1842-1921] a Scottish entomologist.WithA Popular History of British Sea-Weeds, Rev. D. Landsborough, pubReeve and Benham 1851 (second edition). Octavo. 400pp pluspublisher's catalogue. Twenty coloured plates and two platesuncoloured. Original publisher's purple cloth, some fading, especiallyto the spine. Gilt vignette to front cover repeated in blind to rear cover.A strip at the top of the title page has been excised and replaced withold paper tape to make up for the loss. The front hinge is cracked withsubsequent loosening to the front board but still solidly enough bound.Extracts from old booksellers' catalogues tipped into pastedown andfront free endpaper. A good copy of this scarce title which wasproduced to serve the Victorian seaweed hunters.WithAn Introduction to Entomology, William Kirby and William Spence,sixth edition, pub. Longman, Brown, Green, and Longmans, 1843.Two volumes. Octavo. Vol. 1 pp 435. Three coloured plates. Vol II426pp, two coloured plates. Original publisher's green cloth. Giltvignette beetle to the front of both volumes with motif repeated inblind on the rear cover. Publisher's catalogue to the rear of volumeone. A few pencil annotations. To the front of volume one, a slip ofpaper has been pasted in with West's comments on the sixth edition;'The text has been slightly improved in places, but the most importantadditions are the detailed tables of contents.'Attractive, solid copies of the sixth edition.(5)The following lots of books represent the library of George West.West's biographical details are hard to pin down, his date of birthunknown, (probably around the 1880's) and his death sometime after1945. He is known to have worked as an assistant and then lecturer inBotany at the University of Dundee from 1906. At that time theuniversity was a constituent college of St Andrews University. Westseems to have remained there until around 1926. In his publication'Practical Principles of Plain Photo Micrography' (1916) he describeshimself as a lecturer in Botany. Most of the books in the sale bear thehandstamp, 'George West' to the front pastedowns. Many volumes bearextracts from booksellers' catalogues with prices of the titles,suggesting that West liked to keep up with the current values of hislibrary.The books represent a working library and many are alsoannotated in pencil in his hand, cross-referencing other works andadding his comments. To the front of the first volume of Walker'sDiptera (see lot no.) he has inserted his handwritten poem, 'To theFuture Owners of this book'.Geordie has now turned up his toesAnd gone aloft to seek reposeFrom various varmints nips and stings,Especially those base mankind brings...........He trusts the child who gets this bookWill on the various notes just lookAnd feel that every pencil strokeHelps on the game dear Walker wrote...Although a botanist by profession, his main interest, judging byhis library appears to have been entomology and amongst the booksare some rare titles in that field many dating from the nineteenthcentury, a golden age for the natural sciences. Many of the giants inthe field of Entomology are represented in the books and there aregood sets of Curtis, Donovan and Stephens with many exquisite, hand-coloured illustrations. Geology was another of his interests, as well asmicroscopy.What little is known of George West is largely gleaned from apublication from Hereford Museum published in 2007. West haddonated a large collection of mineralogical specimens to the Museumin 1945. His connection with Hereford, however, appears to betenuous and the man remains something of an enigma.

John Wiltshire (b. 1969), watercolour, "The Ships Rat", study of a mummified rat, artists blind stamp, signed in pencil, 33cm x 43cm.

Insecta Britannica, Lepidoptera, Tineina, by H. T. Stainton. PubLovell Reeve 1854. Octavo. 313pp. 10 uncoloured plates. Black clothdecorated in blind, small paper label to spine under gilt titles. A fewsmall marks, but a very good, solid copy of this title. Theadvertisement for Insecta Britannica has been stuck to the pastedown.Originally intended to be five volumes, a pencil note from Westindicates that volume IV was never published thus this volume and thethree volumes of Diptera in this lot constitute the entire run of InsectaBritannica.Insecta Britannica, Diptera, by Francis Walker, pub. Lovell Reeve,1851, 1853, 1856. Three volumes in original publisher's cloth. Vol. I,313 pp plus errata page. 10 uncoloured plates; Vol. II, 297pp pluserrata page. 10 uncoloured plates (numbered consecutively fromvolume I); Vol. III 352pp. 10 uncoloured plates (numberedconsecutively from volume II). All in original publisher's black clothdecorated in blind with gilt titles to spine. Wear to exterior joints ofspines, especially volume one but all still solidly bound. Vol I and IIhave the original prospectus tipped into the front. Manuscript notesmade by West loosely inserted with neat pen and ink drawings to Vol I.Touchingly, West has inserted a poem (signed with initials) 'To theFuture Owners of this book' (see introduction)(4)The following lots of books represent the library of George West.West's biographical details are hard to pin down, his date of birthunknown, (probably around the 1880's) and his death sometime after1945. He is known to have worked as an assistant and then lecturer inBotany at the University of Dundee from 1906. At that time theuniversity was a constituent college of St Andrews University. Westseems to have remained there until around 1926. In his publication'Practical Principles of Plain Photo Micrography' (1916) he describeshimself as a lecturer in Botany. Most of the books in the sale bear thehandstamp, 'George West' to the front pastedowns. Many volumes bearextracts from booksellers' catalogues with prices of the titles,suggesting that West liked to keep up with the current values of hislibrary.The books represent a working library and many are alsoannotated in pencil in his hand, cross-referencing other works andadding his comments. To the front of the first volume of Walker'sDiptera (see lot no.) he has inserted his handwritten poem, 'To theFuture Owners of this book'.Geordie has now turned up his toesAnd gone aloft to seek reposeFrom various varmints nips and stings,Especially those base mankind brings...........He trusts the child who gets this bookWill on the various notes just lookAnd feel that every pencil strokeHelps on the game dear Walker wrote...Although a botanist by profession, his main interest, judging byhis library appears to have been entomology and amongst the booksare some rare titles in that field many dating from the nineteenthcentury, a golden age for the natural sciences. Many of the giants inthe field of Entomology are represented in the books and there aregood sets of Curtis, Donovan and Stephens with many exquisite, hand-coloured illustrations. Geology was another of his interests, as well asmicroscopy.What little is known of George West is largely gleaned from apublication from Hereford Museum published in 2007. West haddonated a large collection of mineralogical specimens to the Museumin 1945. His connection with Hereford, however, appears to betenuous and the man remains something of an enigma.

The Entomologist's Useful Companion, by George Samouelle, pub.Thomas Boys. 1819 First edition. 496 pp. 12 plates coloured and aduplicate set of plates uncoloured to the rear of the book with somemild offsetting from the coloured to the uncoloured plates. Halfleather, green cloth. Titles in gilt to the spine. Raised bands. Mildrubbing to the exterior joints, but overall a pleasing, solid copy of thisrare work. Old ownership name to title page. Samouelle [1790-1846]was a curator at the British Museum but seems to have had somethingof a drink (or personality?) problem as he was let go in 1840.WithEssay on the Indigenous Fossorial Hymenoptera; comprising Adescription of all the British species of Burrowing Sand Wasps, W.E.Shuckard, pub. The Author, 31 Robert Street, Chelsea sold also byRichter and Co. 30 Soho Square. 1837. 259pp. 4 plates of insectwings, one with outline colour. Original brown cloth with decorationsin blind. Some abrasions to the spine with loss top and bottom. Pencilannotations and an extra two pages tipped in after the preface notedhere in pencil as being from an additional copy in West's possession. Avery scarce title.WithBritish Dragonflies, W. Lucas, pub. L. Upcott Gill. 1900 First edition.Brown cloth with black decorations and gilt highlights to the frontpanel and spine. Large octavo. 356 pp including the list of subscribers.Illustrated with coloured plates and b/w drawings. 27 coloured platescomplete. Occasional pencil annotation. A fresh copy of this classicwork.WithInsecta, From the Cyclopaedia of Anatomy of Physiology, by GeorgeNewport. Pub. Marchant, Printer Ingram-Court 1839. Offprint fromRobert Bentley Todd's Cyclopaedia of Anatomy of Physiology, 1839.128pp illustrated with woodcuts. Contents page in manuscript. Green,faded discoloured cloth with 'Newport's Insecta in gilt to the spine.Spine cloth with abrasions, and separating from the book, though stillattached. Newport [1803-1854] was a prominent entomologist.Presumably, this publication of the section he contributed to Todd'sCyclopaedia, he had bound up for himself or to give away tocolleagues and friends.WithBritish Vegetable Galls, An Introduction to their Study, Edward T.Connold, pub. Hutchinson & co. 1901. Quarto. 312pp. 130photographic plates. Green cloth boards are quite heavily mottled.Internally good.Includes a letter from the author, Connold asking his correspondent forblossoms and referring to a photographic print from which 'you willsee how I propose to illustrate the work on wild fruits I am now busyupon'. Also tipped in is an advertisement for a German work, DiePflanzengallen by Dr. H. Ross.(5)The following lots of books represent the library of George West.West's biographical details are hard to pin down, his date of birthunknown, (probably around the 1880's) and his death sometime after1945. He is known to have worked as an assistant and then lecturer inBotany at the University of Dundee from 1906. At that time theuniversity was a constituent college of St Andrews University. Westseems to have remained there until around 1926. In his publication'Practical Principles of Plain Photo Micrography' (1916) he describeshimself as a lecturer in Botany. Most of the books in the sale bear thehandstamp, 'George West' to the front pastedowns. Many volumes bearextracts from booksellers' catalogues with prices of the titles,suggesting that West liked to keep up with the current values of hislibrary.The books represent a working library and many are alsoannotated in pencil in his hand, cross-referencing other works andadding his comments. To the front of the first volume of Walker'sDiptera (see lot no.) he has inserted his handwritten poem, 'To theFuture Owners of this book'.Geordie has now turned up his toesAnd gone aloft to seek reposeFrom various varmints nips and stings,Especially those base mankind brings...........He trusts the child who gets this bookWill on the various notes just lookAnd feel that every pencil strokeHelps on the game dear Walker wrote...Although a botanist by profession, his main interest, judging byhis library appears to have been entomology and amongst the booksare some rare titles in that field many dating from the nineteenthcentury, a golden age for the natural sciences. Many of the giants inthe field of Entomology are represented in the books and there aregood sets of Curtis, Donovan and Stephens with many exquisite, hand-coloured illustrations. Geology was another of his interests, as well asmicroscopy.What little is known of George West is largely gleaned from apublication from Hereford Museum published in 2007. West haddonated a large collection of mineralogical specimens to the Museumin 1945. His connection with Hereford, however, appears to betenuous and the man remains something of an enigma.

British Entomology Being Illustrations and Descriptions of the Generaof Insects found in Great Britain and Ireland, Containing ColouredFigures from Nature of the most Rare and Beautiful Species and inmany instances of the Plants upon which they are found, by JohnCurtis. Printed for the author and sold by E. Ellis and Co., 92 GreatRussell Street, Bloomsbury; Simpkin and Marshall, Stationers' Court;and J.B. Bailliere, 219 Regent Street. 1823-1840.Half leather, marbled-paper-covered boards, some rubbing, The leatheron the spines largely dried out and the labels faded. A pencil note tothe front '16 guineas for the 16 volumes in 8' and a tipped-inhandwritten note in the hand of George West states 'This perfectlyclean copy of the British Entomology by John Curtis contains thewhole of the plates in 8 vols arranged numerically, although the titlepages are for the systemic arrangement. All the plates are of theoriginal and best colouring and are vastly superior to the later issues,the text being the same throughout.'The title pages would appear to have been specially printed for thebound-up sets once the issues were complete.A further note reads 'The last plate...is numbered 769 but the 205* aswell as 205 completes the total of 770 plates.'(Plate 205 is, indeed numbered twice and the total plate count is 770as issued. There is a duplicate plate 497 placed instead of plate no.697)Yet another pencil note records Curtis' address in 1825 as Lime Grove.The book has been extensively annotated in pencil throughout by Westciting other authorities and references.WithA Guide to an Arrangement of British Insects Being A Catalogue of allthe Named Species hitherto discovered in Great Britain and Ireland,by John Curtis F.L.S second edition, greatly enlarged. Printed for theauthor published and sold by J. Pigot and Co., 59 Fleet Street;Sherwood and Co., Paternoster Row; Simpkin and Marshall,Stationers' Court. 1837. Octavo. 294 pp 1 page advertisements forCurtis' British Entomology. Marbled paper covered cartonnage withcloth spine decorated in blind. Handwritten paper label to front boardand spine. The spine shows areas of wear with loss to the foot but isstill substantially in place. The book has been annotated in pencil byWest and a handwritten note to the front indicates where an insect isillustrated in Curtis' 'British Entomology'. Curtis' book was co-authored by James Charles Dale, Francis Walker and AlexanderHenry Haliday, whose contributions Curtis notes in the Preface. Thebook was intended by Curtis to act as an index to his 'BritishEntomology',.(9)The following lots of books represent the library of George West.West's biographical details are hard to pin down, his date of birthunknown, (probably around the 1880's) and his death sometime after1945. He is known to have worked as an assistant and then lecturer inBotany at the University of Dundee from 1906. At that time theuniversity was a constituent college of St Andrews University. Westseems to have remained there until around 1926. In his publication'Practical Principles of Plain Photo Micrography' (1916) he describeshimself as a lecturer in Botany. Most of the books in the sale bear thehandstamp, 'George West' to the front pastedowns. Many volumes bearextracts from booksellers' catalogues with prices of the titles,suggesting that West liked to keep up with the current values of hislibrary.The books represent a working library and many are alsoannotated in pencil in his hand, cross-referencing other works andadding his comments. To the front of the first volume of Walker'sDiptera (see lot no.) he has inserted his handwritten poem, 'To theFuture Owners of this book'.Geordie has now turned up his toesAnd gone aloft to seek reposeFrom various varmints nips and stings,Especially those base mankind brings...........He trusts the child who gets this bookWill on the various notes just lookAnd feel that every pencil strokeHelps on the game dear Walker wrote...Although a botanist by profession, his main interest, judging byhis library appears to have been entomology and amongst the booksare some rare titles in that field many dating from the nineteenthcentury, a golden age for the natural sciences. Many of the giants inthe field of Entomology are represented in the books and there aregood sets of Curtis, Donovan and Stephens with many exquisite, hand-coloured illustrations. Geology was another of his interests, as well asmicroscopy.What little is known of George West is largely gleaned from apublication from Hereford Museum published in 2007. West haddonated a large collection of mineralogical specimens to the Museumin 1945. His connection with Hereford, however, appears to betenuous and the man remains something of an enigma.

George III oak corner cupboard, with Greek Key cornice and blind fret frieze above a raised and fielded panel door with brass H hinges, W60cm D36cm H99cm

MAPPENWERKE / SAMMLUNGENShalom-Mappe 1992Mappe mit 12 Siebdrucken, Offsetdrucken und Fotografien verschiedener Künstler; zusammen mit Titelblatt mit Impressum in schwarzer Kartonmappe mit Umschlagbeschriftung in hebräischer Schrift. Jeweils signiert und mit rotem Editionsstempel auf der Rückseite. Ex. 80/80. Edition Politischen Club Colonia für Studien und Aktionen zum Frieden e.v. (PCC). Blattgröße jeweils von ca. 35 x 80 bis 60 x 80 cm (Mappe ca. 80,5 x 61,5 cm).(Ohne das Plakat von Uwe Loesch. Mappe mit Alters- und Gebrauchsspuren. Druck von Blume mit leichtem Kratzer/Bereibung. Der Druck von Franz Erhard Walther gebräunt.)Enthält Arbeiten von Anna und Bernhard Blume. Gegenseitig / Michael Buthe. o.T. / Walter Dahn. Krone / Felix Droese. Spiegelung / C.O. Paeffgen. Ingres / Georg Karl Pfahler. Formativ / Otto Piene. Blue hart / Bernard Schultze. Verschiedene Eigenschaften / K.R.H. Sonderborg. o.T. / Norbert Tadeusz. o.T. / Rosemarie Trockel. o.T. und Franz Erhard Walther. Blind.

MELCHIOR LECHTERTHOMAS VON KEMPEN: Die vier Bücher von der Nachfolge Christi. Auf Grundlage der Goerresschen Uebertragung durchgesehene Ausgabe. Berlin: Einhorn-Presse 1922. 37,2 x 23 cm. Mit Buchschmuck von Melchior Lechter (6 ganzs. Titelbll., 114 Symbolinitialen, 27 Schlussstücke, 4 Randbordüren). 327 SS., 1 nn. S., 3 Bll. OrEinband aus asiatischem Pflanzenstoff mit Blind- und Goldprägung und Papierumschlag in Pp.-Schuber.(Schuber gebräunt und fleckig. Umschlag besonders am Rücken gebräunt. Einband, Vorsätze und Druckvermerk stock- und gebrauchsfleckig. In den Rändern teils etwas gebräunt.)Nr. 456 von 1000 Ex. (GA 1005). Raub A 114. Der letzte von vier Drucken der Einhorn-Presse von Otto von Holten (Opus IV). - Vorliegendes Exemplar auf eigens angefertigtem Altbütten in Rot, Blau und Schwarz gedruckt. - Im Druckvermerk eigenhändig von Melchior Lechter in roter Tinte monogrammiert und nummeriert.

A Mahogany Bureau with blind fretwork frieze, 30'' wide x 40'' high.

Garden fork, muck forks, venetian blind, etc.

Victorian Gothic revival carved oak and polychrome bookcase, the rectangular moulded top over angled frieze with geometric carving on gilt ground and fitted four shelf interior flanked by painted and gilded blind lancet uprights, the side panels with gilt blind arches over geometric panels on polychrome painted ground, raised on plinth base with blind trefoil roundels, 95cm x 32cm x 138cm high

David Shepherd: an ornate gilt framed panoramic format signed limited edition coloured print entitled 'The Scavengers' - bearing FATG blind stamp - sold with another entitled 'In the Thick Stuff'

Dorothea Buxton-Hyde: a framed signed limited edition coloured print, depicting a perching barn owl - bearing blind stamp and numbered 19/850 - sold with M.N. Thackstone: a gilt framed signed limited edition coloured print study of a golden retriever - No. 58/380 and another dog study of black labradors

†Lionel Edwards: a Hogarth framed coloured print, depicting the Berkeley Hunt, in Castle Meadow - signed in pencil and bearing FATG blind stamp