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Roth, Oriental Silverwork, Malay and Chinese, one volume, Truelove & Hanson, London, 1910. CONDITION REPORT: Top and bottom of spine knocked. White marks/scuff marks to part of surface, lettering good. Inside - generally good condition, very slightly yellowed at edges. Slight bashes to top corner of first few pages. Minimal discolouration, no apparent damage to pages. Slightly dirty finger prints 1-2. Yellow marks and pencil booksellers mark to 1st blank page.Front - slight watermarks to edges of cover, slightly dented. Slight discolouration of silver in lettering and blind stamp.Back - bashes to edges, watermarks worse in back cover and all over.

A Pratt ware tazza transfer decorated with ' The last Inn, by W. Mulready', 29cm diamater, together with a plaque of the same image, 29cm; a low tazza 'The blind fiddler, by Sir David Wilkie, number 123' and another similar (4)

A early 18th century ivory and paper fan, the leaf painted with Solomon and the Queen of Sheba, with gilt border, the reverse painted with three ladies playing ‘blind man’s buff’, engraved and painted sticks, mother of pearl guards, one AF, pattern when closed, 29cm

L. S. Lowry (British,1887 - 1976) "Ferry Boats", gouttelette in colours, Chelsea Green edition, 75/75, studio blind stamp together with certificate of authenticity, frame size 104cm x 89cm.

L.S. Lowry (British, 1887-1976), "Yachts", gouttelette in colours, Chelsea Green edition, 9/99, studio blind stamp together with certificate of authenticity, frame size 82cm x 95cm.

An Eastern hardwood sidetable with six blind drawers, W. 120cm, H. 80cm.

A window blind

A late 19th Century mahogany work table with padded compartment, blind fretted carved frieze, on cabriole supports united by an undertier, 22" wide

Sir William Russell Flint, by and after, Gitanas at La Galera, lithograph, signed by the artist in pencil to margin, published by Frost and Reed (1969), Fine Art Trade Guild blind stamp to margin, 67.5cm x 50cm, framed

Montague Dawson, after, The Silvered Way, lithograph, signed by the artist in pencil to margin, published by Frost and Reed (1937); Fine Art Trade Guild blind stamp to margin, 76cm x 52cm, framed

An oak mirror back sideboard, arched mirror flanked by blind fretworked panels and turned columns, gadrooned top, two short drawers flanked by fielded panel door cupboards, turned legs, circa 1900.

A reproduction chest on chest, ogee cornice, blind fretworked canted angles, four cockbeaded graduated drawers, pierced brass batwing escutcheons, swing handles to top, similar to base, ogee feet. 153cm high x 64cm wide x 46cm deep.

A Chinese glazed hardwood scholar's cabinet, Republic period, of rectangular outline, the door with blind fretwork cresting and apron opening to an interior with multiple stepped curio shelves, 83cm high, 50cm wide, 8.5cm deep.

A Chinese hardwood child's chair, 19th Century, the roll-top back with double-scroll carved splat, the seat inlaid with woven rush panel above a blind fret apron, raised on geometric legs joined with stepped stretchers, 77cm high, 41cm wide, 38cm deep.

A Victorian mahogany overmantel mirror, with an arrangement of shelves, mirrors, blind fret work and carved floral decoration, 91cm wide, 114cm high.

Hooker (Joseph Dalton). Himalayan Journals. Notes of a Naturalist in Bengal, the Sikkim and Nepal Himalayas, the Khasia Mountains, &c., A new edition, carefully revised and condensed, 2 volumes, John Murray, 1855 wood-engraved frontispiece to each volume, illustrated with woodcuts throughout, volume 2 head of title and frontispiece roughly opened with slight loss, armorial bookplate of Frederic Straker to front pastedowns, library shelfmark label below each, edges rough-trimmed, original light brown cloth, upper covers with gilt stamped vignettes, spines lettered in gilt with blind decoration, spines a little darkened, edges lightly rubbed, 8vo (2)

Camden (William). Britannia: or a Chorographical Description of Great Britain and Ireland, together with the Adjacent islands..., 2 volumes, 2nd edition, 1722, titles printed in red and black, engraved portrait frontispiece, ten engraved plates of coins, 51 (complete) double page engraved maps by Robert Morden, including two folding (Kent & Norfolk), Britannia Saxonica & Herefordshire loosely inserted, possibly supplied from another copy, Sussex with short repaired closed tear, map of Nottinghamshire with some creasing, two or three small paper repairs, near-contemporary gilt and blind-panelled calf, joints splitting, rubbed and scuffed, folio Chubb CXV. Maps are good dark impressions with large margins. (2)

England & Wales. Hollar (Wenceslaus), The Kingdome of England & Principality of Wales, exactly describe with every Sheere & the small Townes in every one of them, in Six Mappes, Portable for every Mans Pocket, published John Garrett, circa 1688, folding title, six (complete) uncoloured engraved folding maps, old folds strengthened on verso, occasional closed tears and splits along old folds, some dust soiling, near contemporary manuscript title on verso of each map, later marbled endpapers, library label to front endpaper, early 19th century blind and gilt decorated calf with relief panels, blind embossed armorial depicting a Talbot's head crest (for the Travers family) to upper board, upper hinge cracked, contrasting morocco label to spine, worn at head and foot of spine with a little wear at extremities, binding size 220 x 95 mm R.W.Shirley. Early Printed Maps of the British Isles, 1477 - 1650, no.537. Often called 'The Quartermaster's Map', Sheets 1, 2, 4 & 5 are from 1676 and sheets 3 & 6 from the1688 state.The map aquired its moniker owing to its usefulness to 'all Commanders for Quarteringe of Souldiers, & all sorts of Persons, that would be informed, Where the Armies be; never so Commodiously drawne before this.' It was used widely during the English Civil War particularly by the Parliamentarians with whom the publisher Thomas Jenner's sympathies lay. Jenner was a print and map seller who set up in business at the White Bear in Cornhill about 1618. Until the impending Civil War Jenner was not known for cartographic material. Then in 1643 he published a revised edition of the 'Direction for the English Traviller' whose plates he had acquired from his printer Matthew Simmons. Jenner had timed his move perfectly. The demand for maps to help the large numbers of people moving about the country at the time of the Civil War was on the increase. The market for the little atlas clearly proved so great that he was attracted to do more. He engaged the services of the noted engraver Wenceslaus Hollar to etch a reduction of Christopher Saxton's great wall map of 1583, therby enabling his customers to have a more detailed and yet still portable map of England and Wales. Its sucess can be measured by how often it was re-printed; however its portability probably resulted in the destruction of most examples and complete copies such as this example are rare. (1)

Ayrer (Jakob). Historischer Brocessus iuris, in welchem sich Lucifer uber Jesum... , Frankfurt, 1600, title printed in red and black with woodcut printer's device, old ink notes and inscriptions to pastedowns and title, some soiling and browning throughout, occasional light damp staining and a little worm-tracing to index leaves and register at rear, lacks final blank, contemporary blind-stamped vellum, some soiling and wear with loss to corners and at foot of spine, folio The second edition of this work first published in 1597. Not in Adams or BM. (1)

Book of Common Prayer, and Administration of the Sacraments, and Other Rites and Ceremonies of the Church, According to the Use of the United Church of England and Ireland: Together with the Psalter or Psalms of David, Oxford, Clarendon Press, 1815, 3T1 with closed medium tear, scattered light spotting, previous owner inscription, 1852 to front endpaper, residue from bookplate removal to front pastedown, endpapers partially toned, all edges gilt, contemporary navy straight-grained morocco by Rodwell of Oxford (pencil attributation to front endpaper), covers with blind panelled rolls and gilt fillets and corner flower sprays, enclosed within an elaborate gilt border, edges a little rubbed, folio Attractive Regency binding. (1)

Calvin (John). In librum Psalmorum commentarius, 1st edition, [Geneva:]Robert Estienne, 1557, large printer's woodcut device to title, engraved medallion portrait of Calvin from another work pasted to title verso, early leaves slightly damp frayed at margins not affecting text, title and early leaves with some damp staining and marginal browning, some old damp staining affecting text, bound with Institutio christianae religionis, in libros quatuor nunc primum digesta..., [Geneva:]Robert Estienne, 1559, printer's woodcut device to title, some light damp staining, marginal browning and damp fraying to margins of final leaves not affecting text, contemporary blind-stamped pigskin over boards with embossed initials H.B. supported by two lions at head of upper cover, crude plain vellum reback and vellum strengthening repairs to both fore-edges, lacks clasps, some wear, folio Provenance: Ex libris Guilel. Kemp, 1800 (inscribed to front free endpaper); 'Henricus Bokelmann, Hammone: Anno 1565...' (inscribed to old (?)pastedown remains and pasted to new front pastedown with modern pencil note beneath: 'H. Bokelmann: pupil of Luther: Schoolmaster at Husum'. The pencil note would appear to be a misattribution and referring to Peter Bo(c)kelmann (1509-1576)). Adams C286 & C360. (1)

Doran (Dr.). Their Majesties Servants. Annals of the English Stage from Thomas Betterton to Edmund Kean, 2 volumes bound in four, 1st edition, published Wm. H. Allen & Co., 1864, additional half title, title page repeated, portrait frontispiece, numerous engraved plates, extra illustrated, partially excised, a few leaves loose, top edge gilt, contemporary half morocco with gilt decorated spines, a little worn at extremities, 8vo, together with [Fellowes, W.D.][Historical Sketches of Charles the First, Cromwell..., volume 2 (only), circa 1828], lacking title and preliminaries, extra illustrated and with contemporary annotations throughout, possibly by the author, partially excised, bookplate of Dorset Fellow to front endpaper, upper hinge broken, all edges gilt, contemporary blind and gilt calf, spine partially lacking, rubbed and worn, 4to Sold as a collection of plates, not subject to return. (5)

Giannone (Pietro). The Civil History of the Kingdom of Naples..., Written in Italian, by Pietro Giannone, ... publishd anno 1723. Translated into English, by Captain James Ogilvie, 2 volumes, 1st edition, London: printed for W. Innys, G. Strahan, R. Willock, A. Millar, T. Green, J. Pote, J. Penn, A. Johnston, 1729-31, occasional dampstaining to volume 1, front free endpaper of volume 1 torn to margins, imprint to volume 2 "London: printed for the author; and sold by G. Strahan; W. Innys; C. Davis; and T. Green", contemporary blind panelled calf, old reback to volume 1, joints split, rubbed and some wear, folio ESTC T94250 (volume 1) & T94251 (volume 2). (2)

Josephus (Flavius). De Antiquitatibus, contra Appionem Grammaticum, libri duo. Et de Imperatrice Ratione, liber unus, in quo martyrium Machabæorum describitur, Lyon: Sebastianus Gryphius, 1528, title with woodcut printer's device, title relined and repaired with loss affecting lettering in first two lines, early ownership inscription, small text loss and repair to final text leaf, colophon leaf at rear with printer's woodcut device, some old browning and slight staining, recent endpapers, modern calf with contemporary blind-stamped calf relaid to upper and lower boards, small 8vo (1)

Pindar. Olympia, Pythia, Nemea, Isthmia, [edited by] Johannes Benedictus, Salmur: Petri Piededii, 1620, Greek and Latin text, some light soiling and browning, later calf, spine with raised bands, blind-stamped decorations and gilt-titled leather label, slightly rubbed, 4to (1)

Tagault (Jean). De Chirurgica Institutione libri quinque, his accessit sextus liber de materia chirurgica, authore Jacobo Hollerio, 2nd edition, Lyons: H. Rovilius, 1549, woodcut device on title, several woodcuts to text, some old dampstaining and dust-soiling, closed tear repair and upper outer blank corners of first three leaves repaired, contemporary blind-stamped calf, rebacked and corners restored, 8vo Cushing, Vesalius II-31; Durling 4299. (1)

Dean (& Son). Surprising Stories about The Mouse and Her Sons, and The Funny Pigs. With laughable coloured engravings, [1857], hand-coloured vignette title-page, full-page hand-coloured engraved illustrations (with occasional touches of additional later colouring in a juvenile hand), some scattered marks, p.23 with short closed tear extending slightly into image, ink inscriptions to reverse of frontispiece, blue endpapers with printed advertisements, contemporary ink ownership inscription on front free endpaper, original pink cloth stamped in blind and gilt, faded to brown in places, a few marks, and extremities a little frayed, 8vo, together with five other children's books, including Alice in Wonderland illustrated by Mabel Lucie Attwell Osborne, p.662. Part of Dean's Coloured Picture Book series. Contains three stories in verse: The Little Pig's Ramble from Home; The Little Pig's Tale; The Mouse and Her Sons. (6)

JEAN-FRANÇOIS JONVELLE 1943-2002 Nu au miroir 1980 ca. Stampa fotografica vintage alla gelatina sali d’argento. Timbro a secco dell’autore. Stampa realizzata per il libro “Jonvelle” pagina 185. 23,3 x 30,5 Vintage gelatin silver print. Photographer’s blind credit stamp. Print published with the book “Jonvelle” page 185. 9,1 x 12 in. 200

JEAN-FRANÇOIS JONVELLE 1943-2002 Le robe noir 1980 ca. Stampa fotografica vintage alla gelatina sali d’argento. Timbro a secco dell’autore. Stampa realizzata per il libro “Jonvelle” p. 131. 30 x 24 Vintage gelatin silver print. Photographer’s blind credit stamp. Print published with the book “Jonvelle” p. 131. 11,8 x 9,4 in. 300

LUIGI GHIRRI 1943-1992 Parma 1984 Stampa fotografica a colori con bordi bianchi, stampata 2000. Timbro a secco Luigi Ghirri. Titolo, data e firma Paola Ghirri, 1/7, recto. 40 x 50 Color C-print with white margins, printed 2000. Luigi Ghirri blind stamp. Titled, dated and signed Paola Ghirri, 1/7, recto. 15,7 x 19,6 in. Bibliografia / Literature Re, Luigi Ghirri e l’Architettura, Firenze, 2006, p. 26. Mussini, Luigi Ghirri, Milano, 2001, p. 252. Re, Luigi Ghirri Project Prints, Zurigo, 2012, p. 121. Bizzarri, Paolo Barbaro, Luigi Ghirri Lezioni di fotografia, Macerata, 2010, fig. 17. Il profilo delle nuvole, Milano, 1989, p. 20. 1200

A Georgian mahogany serpentine fronted chest of drawersThe cross banded top above two short and three long graduated drawers, applied with brass swan neck handles, flanked by blind fret canted corners, raised on shape bracket feet, width approx 122cm.

JOSEPH BISHOP PRATT (1854-1910) BritishYoung BoyMezzotintSigned in pencil to margin and with blind stamp, published by Colnaghi & Co., London and Knoedler & Co., New York27.5 x 35 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some very slight cockling/fading.

*AR LAWRENCE STEPHEN LOWRY (1887-1976) BritishLandscape with Farm BuildingsLimited edition printSigned in pencil to margin and with Fine Art Trade Guild blind stamp, published by Venture Prints Ltd, 197450 x 40 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear.

After LAWRENCE STEPHEN LOWRY (1887-1976) BritishLancashire League Cricket MatchLimited edition printNumbered 12/850 and with Adam Collection blind stamp, published by Adam Collection Ltd66 x 33 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some fading.

After Angelica Kaufman, Blind Mans Bluff; Beauty directed by Prudence rejects with scorn the solicitations of Folly, two coloured engravings, the first engraved by PWJ Tomkins, pupil of Bartelozzi, the second by JM Delattre, both published 1783, each 240 x 215mm. together with a coloured engraving of Winchester Cathedral after CJ Greenwood, (3)

A LARGE CARVED OAK AND WROUGHT IRON LAMP STANDARD, the scrolling top with six lights, the post with blind fretwork decoration, originally from The Prebendary, Thame, Oxfordshire, the post with scroll carved brackets and four spreading feet, 72cm wide x 240cm high

After Peter Wileman (British, b. 1946): 'Moonlight in Venice II', a limited edition giclee print on paper, 54/195, signed in pencil to lower right margin, gallery blind stamp, 25 by 20cm, framed and glazed 57 by 49.5cm overall, with certificate, purchased DeMontfort Fine Art, together with a limited edition print, 32/650, after an aquatint by William Daniell, of Limehouse docks, London, 46 by 79cm, framed and glazed 71 by 104cm overall. (2)

After Charles 'Snaffles' Johnson Payne: a group of three prints with blind 'bit' stamp and printed mounts, unsigned, comprising 'A Heilan Lad', 'Yi-Hai, Indian Cavalry (B. E. F.)', and 'Bon Voyage', all framed and glazed. (3)

After A.S. Harper: 'Poole Quay at Work', a limited edition print, no 39/850, signed in pencil lower right with JMH blind stamp lower left, 40 by 57cm.

Sir William Russell Flint, R.A., P.R.W.S. (1880-1969): a limited edition print of two female figures, 502 / 850, signed to the plate with WRF blind stamp, 40 by 57cm, together with a similar portrait of a woman in white with pink flowers, 306 / 750, signed to the plate with blind stamp, 40 by 44cm. (2)

An early 20th Century Chippendale style four piece mahogany bedroom suiteThe wardrobe with a caddy top above a blind fret work frieze over a central mirrored door flanked by two panelled cupboard doors, raised on carved cabriole legs with ball and claw feet, a conforming dressing table with a shaped bevelled mirror over two short and one long drawer, a chest of drawers with two short and two long drawers and a pot cupboard. Wardrobe 163 x 203 x 54cm.

Trollope A. : The Small House at Allington, 1868. 8vo. Original blind stamped red cloth, gilt. Engraved title page and frontis.'New edition with five illustrations' by Millais CONDITION REPORT: A generally well preserved early edition in the original cloth binding; minor wear at the extremities with slight loss. Text block & Illus very clean and bright. Please see additional images.

A late Georgian mahogany chiffonier, with two frieze drawers and two blind cupboards below, with a brass close style, width 36.5ins

A late Georgian oak bureau bookcase, having blind panel doors to the upper section, a stepped interior with pigeonholes and drawers and a well, fitted with two short drawers and two long drawers below with later carving, width 36ins

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition black and white print, "Great Ancoats Street", signed in pencil lower right, limited edition 190/850, with Harold Riley blind stamp lower left, 28.9 x 38.5cm, framed and glazed. (D) CONDITION REPORT: Presented in very good condition. Some staining to mount but none to image, good overall condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "Meeting Point", signed in pencil to lower right with Fine Art Trade Guild blind stamp, with letters to number, indicating 274/850, 49.5 x 72cm, framed and glazed. (D) CONDITION REPORT: Very minor discolouration to margin. Clear signature to blind stamp. No foxing or damage. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.

BERYL COOK (1926-2008); two signed limited edition colour prints, "Ladies who Lunch", limited edition 378/650, with AGP blind stamp to lower left, 45 x 47cm, unframed, and "The Dolphin Hotel", with Fine Art Trade Guild blind stamp and letters to number indicating 124/850, 51 x 40.5cm, framed and glazed, both signed in pencil to lower right (2). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.

GORDON KING (born 1939); a pair of signed limited edition prints, "The Letter" and "The Rose", studies of girls and mirrors, signed to lower right with FATG blind stamp and letter to number stamp, also numbered 363/850, 40 x 30cm and a further signed limited edition coloured print by the same artist "Camille", a reclining semi nude, signed to lower right FATG back stamp and letter to number stamp and numbered 481/850, 46 x 54cm, all three prints with gallery labels verso, all framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.

DAVID SHEPHERD; two signed limited edition coloured prints "Rhino Beware", limited edition 295/1300, with Solomon & Whitehead blind stamp to lower left, 54.5 x 82cm, and "The Masai", limited edition 364/850, with Fine Art Trade Guild blind stamp lower left and letters to number, 36 x 63cm, both signed in pencil lower right, framed and glazed (2). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.

ERIC RICHARD STURGEON (1920-1999); a signed limited edition coloured print of a village scene with figures signed to lower right with FATG blind stamp and letter to number stamp indicating 226 of 850, 47 x 77cm and a further signed coloured print by the same artist of a reclining female looking in a mirror, signed to lower right, 37 x 52cm, both framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.

A Mahogany-Mounted Water-Mill Hand-Painted and Hand-Coloured Magic Lantern Slide Dissolve Set, rackwork daytime, lever swan, static winter, lever nightime and snow-effect roller-blind slide, G, one crack, tape added to mounts (5)

A TRUE COPY of the Poll for the County of Salop. Began September 17th 1713. No printer or place, 1714. Bound with: A True copy of the Poll for the County of Salop. Begun April 12th 1722. Salop 1722. From the library of Lord Berwick of Attingham with blind-stamped armorials to spine. Stamp of Sir Thomas Phillips of Middle Hill, dated 1843, on front blank. Title pages soiled, top edge cut close. Half calf gilt, paper covered boards. Very scarce.

Breweryana - Watneys special bitter, a rectangular pub mirror printed with the Blind Beggar 44cm x 36cm; another navatte shaped, Ind Coope's double diamond in bottle , 42cm x 52cm ; another Draught Bass 19cm x 24cm

PAIR OF VICTORIAN STYLE POLYCHROME PRINTS- 'CHIDDREN NUTTING' AND 'BLIND MAN'S BUFF', APPROXIMATELY 48cm x 51cm

Japanese Meiji period Satsuma vase, the body with four shaped pictorial panels of figures in river and garden landscap scenes, surrounded by all over blind, carved decoration, gileded red seal mark and impressed mark and paper labels to base, 9 1/2 high

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print 'The Pond', published in 1974 by J.H. Mainstone Print Publications with letter to number blind stamp and Fine Art Trade Guild stamp lower-left detailing no.293/850, image 43.5 x 57.5cm. CONDITION REPORT When lifting the mount, you can see the discolouration, slight yellowing to the margin but the print is not stuck down, it is free from surface damage and is overall presented in good condition.

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print 'Station Approach', signed in pencil lower-right with Fine Art Trade Guild blind stamp lower-left and letter to number stamp indicating 52 in a limited edition of 850, 43 x 52cm, mounted. † CONDITION REPORT Colours are strong, very slight discolouration to image and mount, no visible signs of damage, nicely presented.

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print 'People Standing About', signed in pencil lower-right with Fine Art Trade Guild blind stamp lower-left and letter to number stamp indicating limited edition number 273 of 850, 33.5 x 49.5cm, framed and glazed. † CONDITION REPORT Very slight discolouration, overall good condition, and nicely presented.

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition black and white print 'The Reference Library',bearing blind stamp lower-left, 24 x 34.5cm, framed and glazed. † CONDITION REPORT Very slight discolouration, overall good condition, and nicely presented.

After Helen Bradbury (1900-1979); a signed limited edition coloured print 'On a Lovely Summer's Day', signed in pencil lower-right with Fine Art Trade Guild blind stamp lower-left and letter to number stamp indicating limited edition no.1, 44 x 54cm, framed.