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A Pretty Miniature Serpentine Fronted Chest of Four Graduated Long Drawers and Slide, Brass Drop Handles and Blind Carved Side Rails, 30 cm Wide x 22 cm Deep x 32 cm High

A late 19th century envelope top card table with blind fret carved frieze drawer (lacking undertier)

A Royal Worcester 'Blind Earl' pattern dessert and part tea service, of comport, 12 inch bowl and six 8 inch bowls; cream jug, sugar bowl with cover and six of teacups, saucers and side plates, each moulded and painted with rose stems, (28).

A George III mahogany eight-day longcase clock with 'High Water at Bristol Key', circa 1770, the four-pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture, subsidiary seconds dial and signed 'Tho's Bullock, Bath' to the foliate engraved centre within an applied Roman numeral chapter ring with Arabic five minute markers, and mask and scroll pattern cast spandrel applied corners, the arch with moonphase calibrated with high water markers, the arch-top case with cavetto cornice and Corinthian columns to hood over break-arch door flanked by blind fret canted angles to trunk, on tall plinth base with bracket feet, 215cm high. Thomas Bullock is recorded in Moore, A J 'The Clockmakers of Bristol 1650-1900' as working in Bath 1764-73.

A Scottish George III inlaid mahogany longcase clock, circa 1800, the four-pillar rack and bell striking movement with 13 inch silvered brass single sheet break-arch Roman numeral dial with calendar and subsidiary dials to centre and floral engraved decoration to spandrels, the arch signed 'Ja's Howden, Edinburgh' within conforming engraved scrolls, the swan neck pedimented case with blind fret infill and fluted pilasters to hood, over shaped-top line inlaid door flanked by fluted quarter columns to trunk, the plinth with quarter rosette inlaid corners, on bracket feet, 222cm high. James Howden is recorded in Baillie, G H 'Watchmakers & Clockmakers of the World' as working in Edinburgh 1764-1810, 'A maker of repute'.

Victorian figured walnut two section collectors cabinet, the upper section fitted twenty graduated drawers with recessed brass handles enclosed by a pair of arch shaped mirror panel doors with carved moulding and initials 'J.W.', the lower section also fitted twenty graduated drawers with recessed brass handles enclosed by a pair of blind panel doors with moulded beading, both sections flanked by foliate carved scrolls, 117cm wide

Victorian mahogany two section bookcase having a moulded cornice, the adjustable shelves enclosed by three arch shaped glazed panel doors flanked with carved scrolls, the lower section with conforming blind panel doors and scrolls, 163cm wide x 231cm high

AN EDWARDIAN MAHOGANY DISPLAY CABINET with carved front enclosing shelves with blind fret decoration and reeded sides, 48" wide, 44" high

SPIELMAN, M H & LAYARD, G S - Kate Greenaway: London, Adam and Charles Black, 1905, no. ltd deluxe ed 132-500 pub, includes orig pencil drawing authenticated by John Greenaway, 4to, orig blind-stamped white cloth, (rubbed soiled, with weak hinges and distressed spine), gilt; teg, dec endpapers [miniature facsimile of the nursery wall paper]; [ii] + [xx] + 301pp; colour and b-w ills, inner hinges split, frontis loose, generally poor copy of a very sought after title

An oak longcase clock, the square brass 30cm dial with Roman and Arabic chapter ring and pierced floral spandrels, the leaf engraved centre with subsidiary seconds dial and silvered calendar sector, inscribed 'Joseph Marshall, Leicester', eight day movement, striking on a bell, the square hood with blind fretwork frieze and flared cornice, brass mounted plain freestanding pillars, arched ovolo moulded trunk door, 200cm high

A Regency mahogany pembroke table, with D-shaped leaves, cockbeaded drawer and blind drawer to frieze, brass rosette loose ring handles, on draught moulded trestle supports joined by ringed lotus moulded pole stretcher, the four reeded splayed legs with brass paw socket castors, 102cm x 124cm, early 19th century

An early Victorian oak pembroke breakfast table, with D-shaped leaves, cockbeaded drawer and blind drawer to frieze, turned handles, on lotus moulded tapering legs, brass socket castors, 105.5cm x 86cm, c.1840

An early George III oak wall cupboard, the astragal moulded door with raised-and-fielded panel inlaid to the centre with a star, enclosing ten drawers and a shelf, the blind fretwork frieze beneath a dentil cornice, now on a later open stand, 70cm wide, 96cm high, 167 high overall, c.1760

An early Victorian mahogany pembroke breakfast table, with ovolo lip and rounded rectangular leaves, cockbeaded drawer and blind drawer to the beaded frieze, on lotus turned tapering legs, brass socket castors, 105cm x 87.5cm, c.1840 .

An early Victorian mahogany pembroke breakfast table, with D-shaped leaves, cockbeaded drawer and blind drawer to frieze with turned handles, on lotus moulded tapering legs, brass socket castors, 105.5cm x 86cm, c.1840 (faults)

A William IV mahogany rectangular worktable, with curl veneers and rosewood crossbands above two shallow and two blind opposing drawers, turned handles, the two-stage pillar with octagonal base, the incurved rectangular platform on scroll feet, 51cm x 35cm, 74cm high, c.1835

A good George III mahogany cylinder desk, the tambour front enclosing a fitted interior above a sliding easel writing surface, the kneehole frieze fitted five shallow drawers with brass angular loop handles and outlined with ebony stringing, a slide to each end above two blind drawers, the reverse with five blind drawers around an arch, on square tapering legs, brass socket castors, 115cm wide, 71cm deep, 101cm high, c.1800

A ANTIIQUE MAHOGANY SERVING TABLE in the manner of Thomas Chippendale, the top with a gadrooned edge, the friezes with applied C scroll carvings and centred with a shell and scroll carved cresting, square section blind fretted tapering legs, carved block feet, carved corner brackets, 73 1/2" wide, 30 3/4" deep and 34" high.

A GEORGE III MAHOGANY HANGING CORNER CUPBOARD with swan neck fretwork and dentil moulded cornice above a blind fretwork frieze and panelled flame veneered door, flanked by fluted sides enclosing a painted interior with three shaped shelves, 31" wide and 48 1/2" high.

An 18th century and later mahogany corner cabinet, the replacement flared cornice over a blind fret carved frieze, above 2 fielded panel doors on later stand with cabriole legs and pad feet, 187cm high

A 19th century and later mahogany chest on chest with dentil moulded cornice over blind fret carved frieze, fitted with two short and three long drawers, the lower section fitted with a brushing slide above three long drawers on high bracket feet, 186cm high

WILLMOTT (REV. ROBERT ARIS), Editor, Poets of the Nineteenth Century, new ed, blind-stamped red morocco, gilt borders and spine, a.e.g., n.d., and others poetry and literature (18) LOCATION A

COOK (JAMES) The Three Voyages of Captain Cook Round the World, new edition, portrait frontis, folding map, 26 (of 28) engraved plates, contemporary blind-stamped calf, rebacked with original spine laid down, worn but varnished and hinges reinforced, 1824--DARWIN (CHARLES) A Naturalist's Voyage, Journal of Researches Into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S. 'Beagle' Round the World, 16th thousand, prize binding, 1884--DUFFERIN (LORD) Letters From High Altitudes, 1st ed, plates but missing the folding maps, contemp. half calf, sprung, 1857 (3) LOCATION B

SERMONS. A composite volume of printed sermons by various vicars, the earliest published 1819, most publishedin the 1840s, period calf gilt--A KEMPIS (THOMAS) Of The Imitation of Christ, new ed, blind-stamped calf, 1861 LOCATION O

THE DECAMERON OF BOCCACCIO, Illustrated By Thomas Derrick, double-pp. coloured frontis and 10 coloured plates, Italian binding of blind-stamped green and tan calf richly gilt, a little faded on lower cover, gilt dentelles, a.e.g., silk endpapers, London, Chatto & Windus, 1924 LOCATION D

FOX (George) A Journal Or Historical Account of The Life, Travel, Sufferings, Christian Experiences and Labour of Love....of George Fox, 3rd ed, corrected, contemporary calf, rubbed, small folio, 1765--BEVERIDGE (WILLIAM) Private Thoughts Upon Religion, 2 vols, 10th ed, engr. plates, contemp. calf gilt, rubbed, 1728--FLEETWOOD (REV. JOHN) The Life of Our Blessed Lord and Saviour Jesus Christ...Stereotype edition, engr. frontis and pictorial title, plates, contemp. tree calf gilt, joints cracking, occas. foxing, 4to, Liverpool, n.d.--THE NATIONAL COMPREHENSIVE FAMILY BIBLE, col. frontis and title, plates, maps, contemp. blind-stamped morocco gilt, a.e.g., 4to, Henry Williams & Co. n.d.--SUNDAY AT HOME, 1865-67, bound copies in contemp. half morocco gilt, 1895 in contemp. cl.--GOOD WORDS, 1867, contemp. half calf--HOME WORDS, 1882 & 3 together, contemp. half morocco (10) LOCATION S

A mahogany bowfront sideboard with glazed door enclosing two shelves flanked by pair of blind cupboard doors, raised on carved squat cabriole supports

A Georgian style corner display cupboard on stand, with blind fretwork decoration over single glazed door

A William IV mahogany framed bergere chair, the arms carved with cherubic faces, a blind carved frieze and raised on turned fluted legs.

A PAIR OF JEWEL BOXES of circular form, the hinged lids embossed with ribbon and husk swags around blind cartouche, raised on four pad feet, 2 1/4" wide, Birmingham 1914

A CIGARETTE BOX of oblong form, the lid with blind cartouche on banded engine turned ground, 5 1/4" wide, Birmingham 1925, and a similar cigarette box (2)

AN EDWARDIAN STRUT MIRROR of arched oblong form, the bevelled plate within a pierced and embossed surround with flower heads, scrolls, trellis and central blind cartouche, 10 1/2" high, Chester 1903

AN EDWARDIAN TROPHY CUP embossed with scrolling foliage around blind cartouche, on pedestal stem with moulded girdle and spreading foot, 8 1/2" high, London 1906, 8ozs

A CONTINENTAL BOWL of bellied oval form with frilled rim, the whole embossed with scrolling foliage around blind cartouche, 19th century, 4 3/4" wide, 3ozs 12dwts

AN EDWARDIAN RING BOX of oblong form, the whole embossed with birds and foliage around a blind cartouche, 4" wide, London 1903

ELIZABETH FRINK, Eagle, limited edition lithograph, 93/150, signed in pencil with blind stamp, 25 1/4" x 18 1/2", white frame

AN EDWARDIAN LONGCASE CLOCK, the eight day striking movement with arched brass dial chased with eagle and inscribed, secondary dial, the back plate stamped Salisbury, in mahogany case, the arched moulded cornice on fluted Corinthian columns, canted trunk with blind fret banding and wavy edged door, similar base, on plinth, presentation inscription plaque dated 1906

A WALNUT CENTRE TABLE, the moulded edged canted oblong top with stringing, yew and rosewood banding, carved blind fret frieze with scrolled brackets and long drawer, wrythen turned legs on bun feet and castors joined by a bobbin turned H stretcher with turned finials, 19th century possibly earlier, 54" x 24", label for W Tomlinson, Norwich

After Henri de Toulouse- Lautrec- Dance hall scene; lithograph in colours, numbered 978/5000 in pencil and bears publisher's blind stamp, 39.5x31.5cm: Late 20th century school- Floral still life studies; watercolours, a pair, both signed and dated 1987 in pencil: together with a quantity of prints and reproductions, (14)

An 18th Century walnut longcase clock by Samuel Holbin of Bitton, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial, the arch showing phases of the moon and silvered scale worded "High Water at Bristol Key" to the eight day two train movement striking on a bell, contained in figured walnut case, the hood with later shaped and moulded pediment above moulded cornice and blind fret ornament, arched trunk door inlaid with chequered bandings and crossbanded, and with conforming plinth, on bracket feet, 95ins high (lacking pendulum and weights and in need of some restoration)

AFTER D WILKIE, ENGRAVED BY J BURNET, HANDCOLOURED ENGRAVING, 'The Blind Fiddler', 14" x 21"

SIR WILLIAM RUSSELL FLINT, SIGNED IN PENCIL TO MARGIN, LIMITED ARTIST'S PROOF WITH BLIND STAMP FROM AN EDITION OF 500, PUBLISHED 1944 BY W J STACEY, 'The (Green) Parrot, Almeria, (faded), 12" x 18"

SIR WILLIAM RUSSELL FLINT, SIGNED IN PENCIL TO MARGIN, ARTIST'S LIMITED EDITION COLOURED PROOF WITH BLIND STAMP FROM AN EDITION OF 625, PUBLISHED 1953 BY FROST AND REED, 'Under the Palace Terrace' (Compiegne), 17" x 24"

SNAFFLES (CHARLES JOHNSON PAYNE), SIGNED TO MARGIN COLOURED PRINT WITH BLIND STAMP, PUBLISHED BY MESSRS FORES LIMITED, 'Sight to take Home and Dream About - ', overall size 19" x 22", (A/F)

ARTHUR DELANEY, SIGNED IN PENCIL TO MARGIN, 2 ARTIST'S COLOURED PROOFS WITH BLIND STAMPS, 'Neepsend Post Office', 'Wicker Arches', 13" x 18", (2)

A pair of Geroge II baluster casters, one cover partly blind, on moulded foot, 12.5cm h, by Francis Spilsbury, maker's mark and lion passant only, 8ozs

A Portuguese miniature walnut bureau, with engraved silver heart shaped keyplates and brass furniture, having stepped interior, panelled sides and three moulded serpentine drawers, 30cm h; 30 x 20cm, 18th c The mouldings on the top and sides stained to resemble coromandel, the interior lacking two of the small drawers, another of the drawers with a diagonally cracked and repaired front. The three drawers to the front with replaced blind brass locks to the interiors, of pleasing colour and unusual

A Victorian walnut davenport, the sliding top with a turned gallery and fitted interior, having an ink drawer and slide above three drawers and opposing blind drawers, retaining J BRAMAH locks, 86cm h; 52 x 57cm Of excellent quality and in fine original condition, the leather inlet to the top rather scuffed and worn but probably original, insignificant ring mark/bubbling of the veneers in one place on the top

A LARGE CRYSTOLEUM. "Blind Man Buff" by FRED MORGAN

A 19th century mahogany high back open armchair, the carved arched top rail above a pierced splat, padded scrolling arms and overstuffed leather seat supported on blind fret worked square section legs united with an H-shaped stretcher

By and after Beryl Cook, 'Shall We Dance', coloured lithograph, limited edition 294/650, signed in pencil, and blind trade guild stamp to margin, 20" x 14 1/4".

After Helen Bradley, Going Home Through the Snow, reproduction colour print, from a limited edition of 850, signed in pencil and blind trade guild stamp to the margin, 10 1/2" x 14 3/4".

Defoe (Daniel) - The Life and Strange Surprising Adventures of Robinson Crusoe, illustrated, no date, brown morocco, blind tooling, rubbed.

A late Victorian walnut mirror-backed sideboard, with shaped and shelved back supported by turned pillars, the breakfront base having blind fret drawers over a shaped and glazed centre, flanked by naturalistic carved doors, on turned feet, 57" wide, 92" high.

A George III mahogany bureau bookcase, with a blind fret carved and moulded cornice, over a pair of astragal glazed doors, the fall front opening to reveal a fitted interior, over four long graduated drawers with later brasswork, flanked by quarter turned reeded column stiles, on bracket feet, 115cm

A George III mahogany framed wing armchair, the legs with blind fret lattice carving and pierced spandrels

A set of twelve carved mahogany dining chairs, in the Chinese Chippendale taste, with arched top rails, geometric pierced backs and cane seats on blind fret carved square legs, two carvers, ten singles

After Charles Johnson Payne ('Snaffles', 1884-1967), 'Andsome is - wot 'andsome does', colour print, signed in pencil on the mount, with snaffles blind stamp and printed remarque, 47 x 42cm (18 1/2 x 16 1/2in) overall

John Ogborne (1755-1837) after Angelica Kauffman, 'Abelard offering Hymen to Eloisa', coloured engraving, published 1785 by J Thane, 27cm (10 1/2in) diameter, together with Peltro William Tomkins (1760-1840) after Angelica Kauffman, 'Blind Man's Buff', coloured engraving, published 1783 by J Birchall, 25cm (9 3/4in) diameter, both in gilt gesso frames

Victorian sideboard, glazed display cabinet, blind fretwork, above Chinese Chippendale revival sideboard, open shelf carved, cabriole legs