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Click here to subscribeAfter Andy Warhol,American 1962-1987,Coca Cola; offset lithograph in colours on Arches paper,with printed artist's signature,numbered 38/100 in pencil,stamped Leo Castelli, New York, and 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.5 cm,(unframed)
After Andy Warhol,American 1928-1987,Corice Arman;offset lithograph in colours on Arches paper, with printed artist's signature, numbered 28/100 in pencil,stamped Leo Castelli, New York, and 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57.5 x 38.6 cm,(unframed)
Banksy,British b.1974-Walled Off Hotel Souvenir (Girl With Balloon / There is Always Hope), 2019; hand-painted resin sculpture with West Bank Separation Wall base,inscribed 1106 DW Mini on the underside,dimensions: 10 x 12 x 10 cm (including stone base),(ARR)Note: this lot is accompanied by the original receipt from The Walled Off Hotel, with their blind stamp and ink stamp.
David Hockney OM CH RA,British b. 1937- Red Pots in the Garden, 2017 (Folio);giclée print on 330 gsm Somerset Enhanced Radiant White 100% cotton rag paper with hand-finished edges, printed and produced in the UK, exclusively for Tate, 2017, with their blind stamp, dimensions: 35 x 45 cm, (framed)(ARR)Note: together with original black folio.
After Andy Warhol,American 1962-1987,Superman; offset lithograph in colours on Arches paper,with printed artist's signature,numbered 8/100 in pencil,stamped Leo Castelli, New York, and 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.5 cm,(unframed)
After Andy Warhol,American 1928-1987,Campbell’s Tomato Soup;offset lithograph in colours on wove,numbered 91/100 in pencil, with artist's printed signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38 cm,(unframed)
Christopher Wool,American b.1955- Apocalypse Now; giclée print on wove,numbered 61/89 in pencil,with a printed signature, and an 'Edition Impression Art Certified' blind stamp,image: 37.5 x 32.3 cm, (framed)Note: together with the book 'Christopher Wool', Banks, Eric, and Holzwarth, Hans Werner (Editor), published by Taschen, 2012; and a Christopher Wool offset lithographic poster - Untitled (Guggenheim Poster), 2013, published by Solomon R. Guggenheim Museum, New York, 2013.
After Andy Warhol,American 1928-1987,Mickey Mouse (black);screenprint in colours on wove,numbered 31/100 in pencil, and stamped with artist's signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38 cm,(unframed)
After Andy Warhol,American 1928-1987,Queen Elizabeth II;offset lithograph in colours on wove,numbered 53/100 in pencil, with artist's printed signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38 cm,(unframed)
David Hockney OM CH RA, British b. 1937- Garden, 2015 (Folio);giclée print on 330 gsm Somerset Enhanced Radiant White 100% cotton rag paper with hand-finished edges, printed and produced in the UK, exclusively for Tate, 2017, with their blind stamp, sheet: 35 x 45 cm, (framed)(ARR)Note: together with original black folio.
Christopher Wool, American b.1955- Why?; giclée print on wove,numbered 78/89 in pencil, with a printed signature, and an 'Edition Impression Art Certified' blind stamp,image: 44.2 x 31.4 cm, (framed)Note: together with the book 'Christopher Wool', published by Guggenheim Museum Publications, 2013; and a Christopher Wool offset lithographic poster - Untitled (Guggenheim Poster), 2013, published by Solomon R. Guggenheim Museum, New York, 2013.
Christopher Wool,American b.1955- Untitled (You Make Me); giclée print on wove,numbered 81/89 in pencil,with a printed signature, and an 'Edition Impression, Art Certified' blind stamp,image: 44.4 x 29.4 cm, (framed)Note: together with the book 'Christopher Wool', Banks, Eric, and Holzwarth, Hans Werner (Editor), published by Taschen, 2012; and a Christopher Wool offset lithographic poster - Untitled (Guggenheim Poster), 2013, published by Solomon R. Guggenheim Museum, New York, 2013.
A Chinese Chippendale style side chair, 20th century with lacquered panel to back, loose cushion and cane seat raised on moulded blind fretwork legs. Height 99 cm, width across seat 53 cm. CONDITION REPORT: The chair is structurally sound with no loose joints. It is in generally good condition and of good colour. The front top edge of the arched back is rubbed and bruised with small losses to the polish and timber. It is slightly rough to touch. The back is in good order as are the stiles. The bergere seat beneath the cushion is in good condition. All fretwork corner spandrels are present. The legs are all in good order as are the stretchers. The only real blemish is to the front edge of the top rail as stated.
Laurence Stephen LOWRY (1887-1976) Three Men and a Cat Lithograph Signed in pen and with the Fine Art Guild blind stamp from an edition 850Image size 25 x 17cm There is light mount burn present on perimeter of the piece, this is particularly evident on the bottom edge (please see additional image). The print has not been examined out of the frame and appears to be in good condition.
Bernard Howell LEACH (1887-1979) Lion Tile, 1974 LithographSigned and numbered 63/100 in pencilImage size 43 x 52cmPaper size 57 x 77cmPublished by Curwen Studio 1974, CP blind stamp lower leftThere is a minor crease to the bottom edge of the piece (please see additional image), along with a mark present to the top of the frame. Other than this, the piece is in excellent condition.
Wilhelmina BARNS-GRAHAM (1912-2004) Millennium Series Pink (2000) Screenprint, signed & dated 2000, numbered 37/75, 24cm x 30.5cm. Graal Press blind stamp to lower right corner. Millennium Gallery, St Ives, 2004It is difficult to fault the condition of this screenprint. Excellent condition and well presented.
GEORGE III MAHOGANY LONGCASE CLOCK NORMAND MACPHERSON OF EDINBURGH, CIRCA 1760 with two train eight day movement, the brass dial with Roman and Arabic numeral chapter ring, subsidiary seconds dial and calendar aperture, pierced brass spandrels and maker's plaque to lunette, the blind fretted hood with urn finial and broken pediment, moulded dentil cornice, bracket feet222cm highCondition generally good to fair. Wear as per use and age. Has been cleaned. Some splits to wood (I.e. right hand side of hood - also crack to pane here, and base). Presented with weights, pendulum and key, though have not tested mechanism. Additional images are however available.
Brazil/Pernambuco -- Photographer: Théophile Auguste Stahl (1828-1877) and Adolpho Schmidt. Views of Recife and surroundings. Mid-1850s. 5 albumen prints, 3 oval and 2 with rounded corners. Each circa 21,5 x 17 cm. Each mounted to board (slightly soiled), each with photographer's blindstamp on the mount.Théophile Auguste Stahl is considered one of the most important photographers working in Brazil in the 19th century and his photographs are known for their high technical and aesthetic quality. Born in Italy, he arrived in Brazil in 1853 and settled in the city of Recife, where he opened a total of three studios. One of these large studios in rua Nova can be seen on a photo offered here on which probably both owners can be seen. In 1858, he teamed up with the photographer and chemist Adolpho Schmidt and the Hamburg painter Germano Wahnschaffe. The photographer's blind stamp shows the joint company, which existed until 1861. – Some retouched spots, otherwise in good condition.Lit.: Gilberto Ferrez/Weston J. Naef. Pioneer Photographers of Brazil 1840-1920, Center for Inter-American Relations 1976.
Rome 1931 -- Chancellor Brüning visiting Benito Mussolini in Rome. 1931. Vintage gelatin silver press print. 18 x 23,8 cm. Agency blind stamp in lower right and Luce agency stamp and typed text label affixed to the verso.In 1931, a year of crisis, Chancellor Brüning led a delegation to Rome to meet with Mussolini. Questions of disarmament and general economic matters, such as reparations were discussed. A visit to the Pope was also planned. The photo offered here shows the Italian Minister of Justice Grandi, Chancellor Brüning, Mussolini, Foreign Minister Curtius and Ambassador C. v. Schubert (from left to right). – A few light handling marks, otherwise in very good condition.
NETSUKE EN BOIS REPRÉSENTANT DES AVEUGLESPar Taketomo, XIXe siècleA WOOD NETSUKE OF BLIND MENBy Taketomo, 19th centuryThe two blind men shoving at each other, one with a walking stick, the pommel of which hits the chin of his rival, a small greyhound dog leaping up to bite the left sleeve of one blind man; signed Taketomo. 4.8cm (1 7/8in) high.Footnotes:木彫根付 盲人 銘「竹友」 19世紀Provenance:Acquired by the grandmother of the current owner, and thence by descent.For further information on this lot please visit Bonhams.com
A FINE ENGLISH MAHOGANY CARVED SIDE TABLE 19th century, of rectangular form with solid panel top above a shell carved frieze, on cabriole legs carved with blind fret interlacing, on bold paw feet151cm wide x 72cm deep and 73cm highCondition Report: Please see images The top is 19th century, the base may be earlier Some light marks to surface and some scuffing to the feet, otherwise good condition
A GEORGE III STYLE MAHOGANY NARROW TALL CHESTthe moulded dentil cornice, above a band of blind fretwork, over six graduated cockbeaded drawers, with brass drop handles, raised on short cabriole legs, claw and ball feet. 153.5cm high, 52.5cm deep, 67cm wideCondition Report: Very good condition No key Top drawer open, the rest are locked Small repair to top left of cornice
Shakespeare (William). The National Shakespeare. A facsimile of the text of the first folio of 1623, 3 volumes, London: William Mackenzie, [1888-89], photogravure frontispieces and plates on India paper by J. Nöel Paton, some browning to some text leaves, top edge gilt, remainder untrimmed, publisher's dark green full morocco, boards with large recess embossed roundel in gilt and blind, occasional light rubbing to extremities, folioQTY: (3)NOTE:The publisher's description advertises this facsimile as, "...a scrupulously accurate reproduction of the original, including all those peculiarities of paging, spelling, and punctuation to which so much interest is now attached. It will be printed in a special antique type, such as was actually employed in the 'First Folio', upon hand-made paper, with rough edges, specially manufactured for this work, to maintain the antique character of the edition." This special edition with India plates was bound in morocco and priced at five guineas per volume.
Doyle (Arthur Conan). The Lost World, 1st edition, 1st issue of the large paper edition, London: Hodder & Stoughton, [1912], 13 tipped-in illustrations on brown paper, light spotting to fore edges, illustrated endpapers, top edge gilt, original light blue cloth, lettered in gilt, footprint design in blind to covers, slight fading to spine, one or two small, marks, large 8vo QTY: (1)NOTE:Green & Gibson A37c. The large paper edition, one of 190 copies. "Although 1000 copies were prepared, only 190 were bound. The remainder were were transferred to the second issue." (Green & Gibson).
Firminger (Rev. W. K.). Thacker's Guide to Calcutta, 1st edition, Calcutta: Thacker, Spink & Co., 1906, xiv, 271 pp., 6 pp. adverts, and 55 pp. publisher's catalogue at rear, folding plan of Calcutta loosely inserted to rear pastedown, 14 monochrome plates after photographs, one or two old oval ink stamps ('Capital', Calcutta), rear hinge loosened, original dark blue cloth-backed pictorial boards, spine lettered in gilt, rubbed and slight wear to edges, together withMalleson (Colonel G. V.). Seringapatam Past and Present. A Monograph, reprinted, London: Luzac & Co., Madras: Higgin Botham & Co., 1909, viii, 79pp, 3 pp. advertisements at end, some scattered spotting, original cloth-backed printed boards, some marks, plusKarkaria (R. P., editor). The Charm of Bombay, An Anthology of Writings in Parise of the First City in India, with a foreword by H. E. Lord Willingdon, Governor of Bombay, 1st edition, Bombay: D. B. Taraporevala, Sons & Co., 1915, XXVII, 627 pp., original gilt-and blind-stamped red cloth, very lightly rubbed, all 8voQTY: (3)
Travel & Topography. A collection of travel & topography reference & related, including Fynes Morysons Itinerary, 4 volumes, by Moryson, James MacLehose, 1908, pencil inscription to volume 1, some light spotting the endpapers, original red cloth, some fading & light rubbing to the spine & boards, 8voEquatoria; The Lado Enclave, by Stigand, 1st edition, London: Constable, 1923, maps, pencil inscription to the front endpaper, original boards, slightly rubbed, 8voThe Deserts of Southern France, 2 volumes, 1st edition, by Baring-Gould, London: Methuen, 1894, frontispiece, bookplates to the front endpapers, original gilt decorated boards, lightly rubbed to head & foot, 8voAsiatic Russia, 2 volumes, by Wright & Eveleigh, 1st edition,1903, 3 folding maps to the rear pocket of volume 2, ex-library copies with associated stamps & presentation plates, some loose leaves, blind stamp to front boards, boards rubbed, scuffed and rubbed to the edges, & further travel & topography reference, mostly original cloth, G/VG, 8vo Approximately 60 volumesQTY: (3 shelves)Please note that lots 375-430 are off-site in Bourton-on-the-Water and can only be viewed online and any purchases collected from there by prior arrangement.
* Payne (Charles Johnson, pseud. Snaffles). Happy are they who Hunt for their own Pleasure and not to Astonish others, Richard Wyman & Co. Ltd. circa 1926, colour photolithograph with a coloured remarque of a huntsman taking a crashing fall at a five bar gate, signed in pencil by the artist to the lower left, blind stamp of the Fine Art Trade Guild, some spotting to the backing paper, overall size 545 x 770 mm, framed and glazedQTY: (1)
England & Wales. Jenner (Thomas & Hollar Wenceslaus), The Kingdome of England & Principality of Wales Exactly Described with every Sheere & the small Townes in every one of them, in Six Mappes, Portable for every Mans Pocket....., Printed Coloured and sold by John Garrett at the South Entrance of the Royal Exchange, circa 1688, letterpress title detached, six (complete) folding engraved map sheets with contemporary outline colouring, old folds strengthened on the verso with near-contempoary green linen, slight wear to old folds, slight staining, 18th-century manuscript ownership signature to the front endpaper, bookplate of Joseph Crawhall, contemporary blind-panelled sheep with two brass clasps, upper board detached, worn and frayed, binding size 205 x 90 mmQTY: (1)NOTE:R. W. Shirley. Early Printed Maps of the British Isles 1477 - 1650, number 537. John Garrett State 4 (Skelton D) with the date of 1676 partially erased and struck through and with the dots added to the sandbanks in the Wash and shoals and sandbanks added off 'Shepye' in 'Thames Mouth'. Known as the 'Quartermaster's Map' as it was described in the preface of the 1644 edition, " Useful for all Comanders (sic) for Quarteringe of Souldiers & all sorts of Persons that would be informed, where the Armies be; never so commodiously drawne before this'.
* Faulkner (C.W., & Co.). Unknown early Misfitz pack, circa 1905, the complete deck of 72 cards, depicting 24 characters, in groups of 3 from each of 8 nursery rhymes or fairy tales, after designs by G. Lambert (all but 2 characters with artist's initials in image), the characters divided into 3 cards and including the title of, plus a line from, the relevant tale or rhyme, dusty, some light toning or spotting, several corner creases, slight wear to some corners (3 with small loss), couple of short edge tears, one card with minor surface loss centrally, one with wear to upper long edge (associated with moderate surface loss from verso), one with small pale dampstain to blank area, versos type 3 (green with shields and flags), each card 68 x 92 mm, in later unrelated box, together with: Fairy Folk Misfitz, circa 1910, the complete pack of 60 cards, comprising 20 sets making up 10 characters twice, lightly dusty, some (generally minor) creases, versos type 4 (blue lozenge with bubbles), each card 67 x 94 mm, original instruction leaflet, somewhat browned, few spots, horizontal folds with short end splits, original box, browned and spotted, base corners split, lid rubbed with slight wear to corners, plus:Kings & Queens of England, circa 1918, the complete pack of 54 cards, comprising 18 sets making up 9 characters twice, few creases, scarce minor finger-soiling, two cards with small surface loss (one to white border, the other to lower corner of background), one card with slight wear to blank corner, versos type 5 (red spider web), each card 60 x 95 mm, in later unrelated box, with two other defective Misfitz packs: Nursery Rhymes, circa 1905, 54 (of 72) cards, comprising 18 characters (of 24), with original instruction leaflet and lid only (repaired) of original box; and a mixed Misfitz deck of 60 cards, circa 1918, comprising 10 characters from Fairy Folk and 10 from Fairy TalesQTY: (5)NOTE:First item: a scarce Misfitz card game, in the style of Faulkner's early Fairy Legends deck, but not recorded in Bargains! The History & Games of C.W. Faulkner & Co., by Neil Darbyshire (2000). The only records we have found of this pack is an old eBay part-record on the Worthpoint website (possibly the same pack?), and a description on the BoardGamesGeek website (where it is incorrectly called Fairy Folk Misfitz). The type 3 versos indicate this is an early reissue of a first series deck. The fairy tales or nursery rhymes depicted are: Hey Diddle Diddle, A Frog He Would A Wooing Go, There Was An Old Woman Who Lived In A Shoe, Three Blind Mice, Cinderella, The Three Bears, Dick Whittington, Little Red Riding Hood.
Kingsley (Rev. Charles). The Water-Babies a Fairy Tale for a Land Baby, 1st edition, 1st issue, London & Cambridge: Macmillan and Co, 1863, with L'Envoi at leaf b, frontispiece, advertisement leaf at front, half-title with contemporary ownership inscription to upper, some minor spotting, original green cloth, stamped in gilt and blind, rebacked, covers worn, corners bumped, 8vo, together with a duplicate 2nd issue, plusDean & Son (T. publishers). The Colored Nursery Picture Everyday Book, Series the First, The Home First Book, edited by Mrs. Charles Butler, circa 1852, hand-coloured lithographed frontispiece and general title, 2 full-page woodcut part-titles and woodcut illustrations throughout, all hand-coloured, previous owner's notes in pencil to free front endpaper, closed tear to b6, Marjorie Moon bookplate to verso of free front endpaper, C Wiley booklabel to front pastedown, inner front hinge partly split, original blind-tooled cloth with gilt-lettering, portion of spine torn but still present, small 4to, and Farrar (Frederick W.). Eric, or Little by Little by Farrar, 1st edition, Edinburgh: Adam and Charles Black, 1858, including 'sadistic' passage that was removed in later editions (p. 365), spotting mainly to preliminaries, final leaves and endpapers, previous ownership inscription to free front leaf, part of a signed letter from the author tipped onto free front leaf, Edward Philips Thompson bookplate to front pastedown, quarter calf boards, upper cover detached, 1894, and a duplicate copy, 1894, with a letter from the author, both 8voQTY: (5)
Astronomy. Astronomical Diagrams, London: James Reynolds, [1851], thirteen engraved plates on stiff card, with original colouring, some with painted tissue backing, minor soiling to outer margins, loose as issued in original blue blind stamped cloth with gilt title, 4toQTY: (1)NOTE:Fine copy. James Reynolds produced a variety of educational charts between approximately 1840 and 1870, on thick card, with explanatory notes.The plates depict: Chart of the Heavens; The Sun and Solar Phenomena; Transparent Solar System; Transparent Diagram of the Phases of the Moon; Eclipses and the Theory of Tides; Telescopic View of the Moon; The Earth and its Atmosphere; Diagram of Meteorology; Methods of Ascertaining the Longitude; Comets; The Earth's Annual Revolution around the Sun; Methods of Ascertaining the Latitude; The Planets.
Schottus (Andreas). Adagialia sacra Novi Testamenti, Selecta & exposita ab Andr. Schotto. Compendifacta in gratiam studiosae Juventutis, Opera C. B. [i.e. Clement Barksdale], Oxford: Excudebat L. Lichfield & veneunt apud Tho. Robinson, 1651, browning to margins of first and last few leaves, modern calf, 12mo, together with:Josephus (Flavius). The famous and Memorable Workes of Josephus ... Faithfully translated out of the Latin, and French, by Tho. Lodge, Doctor in Physicke, [London]: Printed by Humfrey Lownes, for G. Bishop, S. Waterson, and Tho. Adams, 1609, title with printer's woodcut device and early ownership signatures at head including Thomas Stamiford (leaf torn to fore-margin and lined to verso), following two preliminary leaves strengthened to fore-margins, lacking one preliminary leaf, closed tear to 2E2 and fore-margin of 2E3 torn, final three leaves of tables torn with some text loss (final leaf lined to verso), occasional light damp stains to upper outer corners, modern blind panelled calf, folio QTY: (2)NOTE:1. Wing S890.2. STC 14810.
Philosophy. Natural Philosophy Diagrams, London: James Reynolds, drawn and engraved by John Emslie [1850], eleven engraved plates on stiff card, with original colouring, light soiling to outer edges, loose as issued in original green blind stamped cloth with title in gilt, 4to, together with the accompanying booklet: Introduction to Natural Philosophy: comprising a popular account of The Laws of Matter and Motion, Mechanical Powers and Machinery; The Science of Hydrostatics, Hydraulics, Pneumatics, Acoustics, Optics, Electricity, Magnetism, and Chemistry. To Accompany Reynold's Series of Popular Diagrams of Natural Philosophy, comprising 250 illustrations, London: James Reynolds, bound with green printed paper wrappers, fine condition, plus an advertising pamphlet promoting: Improved Modern Education, Catalogue of Reynold's Educational Diagrams and Pictorial Illustrations of Science. A valuable means of imparting knowledge by visual representation for schools, families or private instruction; with a list of Historical Charts, Scientific Atlases, Maps &c., London: Reynolds, 8 p.p QTY: (1)NOTE:James Reynolds produced a collection of educational charts between approximately 1840 and 1870. They were mainly produced on a thick card, with some explanatory notes.The plates include: Properties of Bodies; Mechanical Powers; Motion and Machinery; Hydrostatics; Hydraulics; Pneumatics; Acoustics; Optics; Electricity; Magnetism; Chemistry.
Binding. Catalogue of the Books in the Library at the Assay Office Birmingham, London: Chiswick Press, 1914, ink initials to title-page 'M.G.W', free front endpaper with embossed '421 Harborne Road, Edgbaston, Birmingham', loose book plate for Frank Garrett to front endpapers, rear pastedown with 'F. Garrett, Binder' stamp in gilt to lower edge, all edges gilt, gilt & blind decorated brown morocco, some minor discolouration to front board, spine gilt decorated, 4toQTY: (1)NOTE:Frank Garrett was a noted bookbinder associated with the Birmingham School of Art, regularly exhibiting at the Arts and Crafts exhibitions of the period, and whose work was prominently featured in The Art of the Book (produced by The Studio in 1914).
Juvenalis (Decimus Junius). The Satires of Decimus Junius Juvenalis. Translated into English Verse. By Mr. Dryden, and several other eminent hands. Together with the satires of Aulus Persius Flaccus. Made English by Mr. Dryden, with explanatory notes ... To which is prefix'd a Discourse concerning the original and progress of satire..., London: Jacob Tonson, 1693, half-title, occasional spotting to margins, endpapers renewed, contemporary calf, rebacked, folio, board corners worn, folio, together with:[Sidney, Philip], [The Countesse of Pembrokes Arcadia: written by Sir Philip Sidney Knight. Now the sixth time published, with some new additions. Also a supplement of a defect in the third part of this historie, by Sir W. Alexander. London: Printed by W. S. for Simon Waterson, 1627], title provided in facsimile, long closed tear to B4 and shorter closed tear to 2D2, some worm holes to margins, light staining at head, hinges crudely repaired, contemporary blind panelled sheep, old reback, joints split, folio, plus four other 17th-century antiquarian including Weever (John), Ancient Funerall Monuments within the united Monarchie of Great Britaine, Ireland, and the Islands adiacent..., London: Printed by Thomas Harper, 1631; Seneca, The Workes of Lucius Annaeus Seneca, both Morrall and Naturall..., Translated by Tho. Lodge, D. in Physicke, London: Printed by William Stansby, 1614; Cowley (Abraham), [The Works ..., 7th edition, London: Printed by J. M. for Henry Herringman, 1681], title provided in facsimile, and one other defective volumeQTY: (6)
Austen (Jane). Pride and Prejudice: a novel, 3 volumes, 2nd edition, London: T. Egerton, 1813, half-titles, first 4 leaves of volume 3 torn to upper right-hand corner (neatly restored, not touching text), two small marginal tears to B3 of volume 1, occasional light spotting (a few leaves slightly heavier), bound to style in modern blue half morocco over brown marbled boards, spines divided into compartments by gilt borders, 2 compartments lettered in gilt, 4 compartments with small devices in blind, 12moQTY: (3)NOTE:Gilson A4; Keynes 4.Published in the same year as the first edition. 'No alterations were made in this edition by the author, though a few obvious misprints have been corrected' (Keynes). 'The size of the edition is not known. Sales, as with the second edition of SS, do not seem to have been brisk' (Gilson).
Wells (H.G). The Island of Doctor Moreau, 1st edition, 1st issue, London: William Heinemann, 1896, frontispiece, publisher's advertisements to rear (The Time Machine on terminal leaf, advertisement's commencing with 'The Manxman' and ending with 'Out of Due Season'), lightly toned, rear hinge cracked to base, original pictorial yellow cloth, monogram in blind to rear cover, rubbed & marked, 8voQTY: (1)
Yorkshire. Teesdale (Henry & Stocking C.), To the Nobility, Gentry & Clergy of Yorkshire, this map of the county constructed from a survey commenced in the year 1817 & corrected in the years 1827 & 1828 is respectfully dedicated by the proprietors, April 21st, 1818, Teesdale & Co. and C. Stocking, April 21, 1828, large scale engraved map with contemporary hand colouring, sectionalised and laid on linen on three sheets, calligraphic title, compass rose, table of explanation and a table of the altitudes of the principal mountains and an uncoloured engraved vignette of the North West View of York Cathedral, some offsetting from the title, slight spotting, marbled endpapers, edged in green silk, overall size 1840 x 2230 mm, contained in a contemporary blind-stamped gilt morocco book box, some wear and rubbing to the extremitiesQTY: (1)
* Matthews (Rodney, 1945-). The Knave on Trial, original illustration for Alice in Wonderland, 1990, pencil on tracing paper, title, copyright, and date to margin in pencil, some overall toning and spotting, mount aperture 38 x 58 cm, framed and glazed (58 x 77 cm), together with a letter of authenticity signed by the artist and dated 2012, together withThe Knave on Trial, Bristol: Carouche Fine Art, 1990, giclée print, publisher's embossed blind stamp to lower left, limited edition 483/750 copies signed and numbered in pencil by artist to lower margin, some minor surface abrasions, sheet size 45 x 64 cm, framed (54 x 73 cm)QTY: (2)NOTE:This illustration was produced for Lewis Carroll's Alice in Wonderland, illustrated by Rodney Matthews and published by Templar Books in 2008. The illustration appears in colour on pp.82/83.Matthews applied for a place on a commercial design course at the West of England College of Art after a stint working with his father, an engineer. At Bristol he was taught by Anthony Rossiter, a painter of English landscapes. Matthews worked in advertising agencies before going freelance in 1970. His illlustrations have been used in various forms including greetings cards, calendars, fantasy novels and album covers.
Occo (Adolf). Imperatorum Romanorum numismata a Pompeio Magno ad Heraclium ab Adolfo Occone olim congesta; nunc Augustorum iconibus, perpetuis historico-chronologicis notis, pluribusque additamentis illustrata..., Milan: Ludouici Montiae, 1683, engraved frontispiece, title in red and black with printer's engraved device illustration, engraved illustrations to text, slight fraying to edges of initial leaves, light damp staining at head, later endpapers, contemporary vellum, calf reback, joints splitting, folio, together with:Madox (Thomas), Formulare Anglicanum: or, A collection of ancient charters and instruments of divers kinds, taken from the originals, placed under several heads, and deduced ... from the Norman Conquest to the end of the reign of King Henry the VIII, London: Jacob Tonson and R. Knaplock, 1702, title in red and black, 2 folding engraved plates (torn to lower inner blank corners), some toning and scattered spotting, endpapers renewed, contemporary panelled calf, rebacked, with blind and gilt decoration and morocco title label, folioQTY: (2)
Lee (Frederick George). More Glimpses of the World Unseen, 1st edition, London: Chatto & Windus, 1878, blind stamp to the front endpaper, front gutter split, some light marginal toning, origial decorated brown cloth, spine lightly rubbed to head & foot, 8vo, together with:Mr. Colston, Reports of Forensic Meetings, held during the year 1848, in connection with the system pursued at the academy, Swansea: Ivey and Pearse, 1849, period inscription to the front endpaper, small tear to the head of the title page, some light toning & minor marks, original embossed green cloth, boards & spines slightly marked & rubbed, 8vo, plusBaynes (Robert E.), Lessons on Thermodynamics [Clarendon Press Series], Oxford: Clarendon Press, 1878, later inscriptions to the front endpapers, extensive period marginal annotations throughout, some light toning, contemporary red half morocco, boards & spine lightly rubbed, 8vo, and other 19th & early 20th-century science & medical literature & reference, some leather bindings, many original cloth, some paperbacks, G/VG, 8vo/4toQTY: (5 shelves)
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![Astronomy. Astronomical Diagrams, London: James Reynolds, [1851], thirteen engraved plates on stiff card, with original colou](https://cdn.globalauctionplatform.com/6810be4c-aba0-4a1d-b78f-b0050118a8d8/ea6ab0a1-4cf1-4287-a577-b01501095bbc/468x382.jpg)
![Philosophy. Natural Philosophy Diagrams, London: James Reynolds, drawn and engraved by John Emslie [1850], eleven engraved pl](https://cdn.globalauctionplatform.com/6810be4c-aba0-4a1d-b78f-b0050118a8d8/4dd62327-2f97-4561-b5ec-b01501096836/468x382.jpg)
