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London Transport bus conductor's leather MONEY BAG with BUDGET KEY for opening the locker and destination blind boxes. This is a superb example, apparently unused, of this popular item which was used on Routemasters and preceding types. Has the LT bullseye logo on the front. Almost as new other than some surface scratches etc, seemingly from storage.[2]
London Transport TRAM DESTINATION BLIND for a standard car on Kingsway Subway route 35 out of Camberwell depôt. Dated July 26 1950 and perhaps one of the last to be made for this route which was withdrawn in April 1952. In used but good condition, ex-car, complete with both hems and retaining one of the original rollers. [1]
1940s/50s London Transport 'Restricted' DESTINATION BLINDS coded 'W' comprising a possibly complete blind dated 20.4.50 (top hem missing) for RT/RTW-operated routes 144 & 296 (night) from Leyton (T) garage, a short section of a similar blind plus another section for route 6 out of Hackney/Willesden garages. All in ex-use condition with some wear. [3]
London Transport items comprising an original 1947 copy of 'LONDON TRANSPORT CARRIED ON' (the LT WW2 story) in worn condition, an official LT COMMEMORATION PACK for the last RT in 1979 (poster, ticket, photographs and pewter medallion) in orginal envelope and a part 1970s DESTINATION BLIND (Routemaster canopy 'PP') with roller from Northfleet (NF) garage. [3]
John Steven Dews, British b.1949- "The Tweed in the Channel-1875"; colour reproduction print, signed within the plate, signed and numbered 542/600 in pencil, bears publisher's blind stamp, 57x78cm: John Steven Dews, British b.1949- "Summer Racing off Cowes"; colour reproduction print, signed within the plate, signed and numbered 507/850 in pencil and bears publisher's blind stamp, 52x68cm: together with one other colour reproduction print after the same hand and six others after different hands, all in glazed frames, various sizes, (9) (may be subject to Droit de Suite)
David Gentleman RDI, British b.1930- "Mansion House: a Banquet in the Egyptian Hall" commissioned in 1998 by the lord Mayor, the Lord Levene of Portsoken KBE, printed by Curwen Chilford Prints; lithograph printed in colours, signed, titled and inscribed 'PP3' in pencil, with issued introductory text, 57.5x48cm: Paul Hogarth OBE RA RE, British 1917-2001- “Dubrovnik Restituta”; lithograph printed in colours, signed, titled and inscribed 'P/P' in pencil, bearing artists blind stamp, 65.5x55cm, (2), (unframed), (may be subject to Droit de Suite)
NORNECK, ANTHONY; The Crucified Jesus..., engraved fronticepiece, A. Lowndes, 1705, LACTANTIUS-BALUZE, ETIENNE; Lucii Caecilii Firmiani Lactantii de Mortibus Persecutorum..., engraved fronticepiece, Utrecht, F.Halma, 1692, contemporary calf, tooled in blind:- Certain Sermons or Homilies appointed to be read in churches..., contemporary boards, lacking leather, C. Hitch, 1757, and two others similar, 4:- to & folio (5).
An Arts and Crafts oak bureau, with shaped top rail and blind fret carved central panel above fall front set with brass strapwork stylised floral hinges enclosing arrangement of pigeon holes flanked by two open wells above central drawer with brass heart shaped hinges above two further shelves flanked by pair of cupboard doors, width 109cm, height 28cm.
Jamie Wyeth, American (b. 1946) Color Lithograph ""Seagulls"" Signed in Pencil Lower Right, Numbered 67/300 and Embossed Blind stamp Lower Left. Toning From age or in Otherwise Good Condition. Framed Under Glass. Measures 24-1/2 Inches by 26-1/2 Inches (sight) Frame Measures 26-3/4 Inches by 29-1/4 Inches. Shipping $165.00
Ginger Baker (1939-) English Drummer from the band Cream & Blind Faith, two African wood carvings collected during his visit to Africa with his first wife Elizabeth Provenance: Remained with Baker`s wife until a recent Bonhams Auction in London. Sold with image of Baker and his family with similar carvings in background.
Venetian mahogany and ebonised regulator longcase clock, the movement with deadbeat escapement and maintaining power, the 12" circular dial with subsidiary seconds dial, the case with long glazed ebonised door flanked by canted corners, the ebonised hood with blind fret carving and gilt painted corners surmounted by an architectural pediment with scrolling brass top and Fleur de Lys finial, 81" high (pendulum)
Good period walnut eight day longcase clock with five pillar movement, the 12" brass arched dial signed Jos Norris, Abingdon on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, also with a silver sunburst engraved boss to the arch, the case of good patina and with long moulded featherbanded quarter veneered door, the hood surmounted by a rounded moulded arched pediment with pierced foliate blind fret carved frieze, 95" high (pendulum and two weights)
Black lacquered eight day longcase clock, the 12" square brass dial signed Robert Coster, Newbury on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long moulded door fitted with a circular lenticle and the hood surmounted by a flat pediment over a blind fret geometric carved frieze, 82" high (pendulum, two brass cased weights)
Fine walnut marquetry month going longcase clock with five pillar movement, the 11" square brass dial signed George Cooke, London to the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long moulded door fitted with a glass lenticle, the hood surmounted by a stepped cornice above a blind fret carved panel, 82.75" high (pendulum, two weights)
An antique carved oak four poster bed:, the moulded panelled canopy with a moulded cornice, the headboard with twin domed arch panels in gouged surrounds and with blind fret lattice panels above and guilloche panels below, having fluted square section uprights, approximately 236cm (7ft 9in) length, 181cm (5ft 11 1/4in) width.
A RUSSIAN ICON OF HOLY MARTYR PARASKEVA WITH LIFE SCENES, NORTHERN SCHOOL, LATE 16TH-EARLY 17TH CENTURY, the figure of Saint Paraskeva, venerated as the healer of the blind as well as the patron saint of trade and commerce, stands in a field of flowering plants, she holds her martyr`s cross in one hand and an open scroll in the other, a pair of angels places a crown upon her head, surrounding the central image are fourteen scenes from the saint`s life, including the many tortures she endured under Emperor Antoninus Pius and the Roman governor Tarasius. Egg tempera, gold leaf and gesso on wood panel with kovcheg. Two insert splints on the back, one missing, one-half of the other present. 103 x 80 cm (40 ½ x 31 1/2 in.)PROVENANCESotheby`s, New York, June 10-11, 1981, lot 541.Collection of Bernard Winters, Armonk, New York (acquired at the above auction)Bernard J. Winters was a philanthropist and art collector who was captivated by Russian icons. Over a fifty-year period, he worked closely with Sotheby`s, Christie`s, and private collectors to cultivate his collection. His monumental icons, as well as those purchased from Natalie Hays Hammond, daughter of John Hays Hammond, diplomat, were some of his favored items.
FIRST RUSSIAN DICTIONARY OF RUSSIAN WRITERS, NOVIKOV, Nikolai Ivanovich (1744-1818)Opyt istoricheskago slovaria o rossiiskikh pisateliakh [A Historical Dictionary of Russian Authors.] St. Peterburg: [N.I. Novikov,] 1772. 8vo (180 x 105mm). (Some light marginal soiling and spotting, occasional light dampstain.) Contemporary mottled Russian calf, spine with raised bands blind-tooled in compartments, edges red (spine expertly repaired at the head, light wear). Provenance: `B.S. 1714` (early shelf-mark and small label on the upper cover) -- some scattered marginalia in various hands.This book is one of only 606 copies printed, of which perhaps only 150 survive (Bytovt 1989). Opyt was already difficult to find in the early 19th Century. As Kaufman quotes Metropolitan Evgenii at that time, already the whole edition is gone, and hunters will only track one down with great difficulty It is the first book to contain the biography of Lomonosov, and continued for many years to be the sole reference for Russian readers of Lomonosov`s life, amongst many other important authors. References: Bytovt 1756; Bytovt, Moscow: 1989, p. 11; Kaufman, Slovari, p. 285; M.K., Katalog russkago otdela 156; S.K. 4668; Sopikov 7827.PROVENANCEChristie`s, London, November 21, 2012, Lot 92
A reproduction worcester Blind Earl pattern dish, Royal Copenhagen Sedum Villasum plate, Dresden porcelain bowl with pierced rim, a pair of Coalport Athlone-Marone plates, Derby Princess pattern cup and saucer and four plates, a pair of square flower encrusted vases and covers, capodimonte figurine etc (Qty).
A reproduction worcester Blind Earl pattern dish, Royal Copenhagen Sedum Villasum plate, Dresden porcelain bowl with pierced rim, a pair of Coalport Athlone-Marone plates, Derby Princess pattern cup and saucer and four plates, a pair of square flower encrusted vases and covers, capodimonte figurine etc (Qty).
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44913 item(s)/page