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Early 19th century inlaid mahogany corner cupboard with broken pediment and blind fretwork decoration, astragal glazed door above enclosing shelves and two panelled doors below, on bracket feet, 219cm high x 97cm wide

Pair of good quality interlined crewel work curtains with foliate leaf and branch design on cream ground, each curtain 216cm drop x 183cm wide, together with a matching Roman blind, 129cm drop x 119cm wide

Pair of good quality interlined yellow brocade curtains, each 245cm drop x 224cm wide, one other matching single curtain, 244cm drop x 102cm wide and a matching Roman blind, 145cm drop x 145cm wide

18th century longcase clock with eight day movement striking on a bell, brass break arch dial with brass chapter ring, subsidiary seconds and calendar dials and foliate engraved centre with scroll spandrels, signed in the arch - Jno Hardie, Morpeth, in an oak case with blind fret decoration and shaped door, hood with fluted columns and pierced swan-neck pediment and two brass urn finials (key, weights and pendulum present), 225cm overall height

Georgian bracket clock with eight day fusee timepiece movement, break arch dial with silvered chapter ring, matted centre and face mask spandrels signed - Ja. Green, London, in a walnut case with blind fret decoration, glass side panels and caddy top with swing handle, on bracket feet, some veneer loose (door key, winding key and pendulum present), 49cm overall height to handle

Helen Bradley (1900 - 1979), signed coloured print - beach scene, with blind stamp, in glazed gilt frame, 48cm x 62cm

George III mahogany bureau bookcase with broken arch pediment, Greek key and blind fretwork, two panelled doors enclosing adjustable shelves, fall-flap, fitted interior, four long graduated drawers with gilt brass fancy swan-neck handles, on ogee bracket feet, circa 1770, 117cm wide x 246cm high CONDITION REPORT Good overall condition. Large split to flap, replacement handles, split to side. Good overall colour

George III mahogany bureau bookcase with blind fretwork cornice, two astragal glazed doors enclosing three adjustable shelves, fall-flap and fitted interior with four long graduated drawers below with brass swan-neck handles, on bracket feet, 232cm high x 110cm wide x 59.5cm deep CONDITION REPORT Good overall condition. Split to flap. Replacement handles. Split to side. Good overall colour

A SELORIEZ ?, Girl in a flower meadow, signed Limited Edition print, 141/275, blind stamped, 48cm x 60cm

A Limed Oak Bedroom Suit Comprising Single Wardrobe, Dressing Table with Blind Carved Drawer

A reproduction granddaughter clock with brass dial, silvered chapter ring, striking spring driven movement, in a mahogany case with broken swanneck pediment, turned finials, pendant mouldings and blind fret carved decoration, shaped panelled door, on panelled base with bracket feet

Memoirs of Marmontel, written by himself; containing his literary and political life, and anecdotes of the principal characters of the eighteenth century. In four volumes. By Himself, Longman, Hurst, etc. London. 1806. 4 vols. Second Edition. Scarce. Full contemporary calf, with dark green morocco half-title and blind gilt tooling to spine. Overall in V. G. condition. Inscription of Sir Pryse to front board. [4].

A stained oak monks bench with fold over top above a hinged top seat over blind fretwork raised on turned baluster supports joined by stretchers 100cm x 54cm x 95cm

A late Victorian display cabinet on vitrine, with blind fret carved decoration, tapering square legs and spade feet, joined by an undertier, 75 cm wide See illustration

An early 20th century mahogany display cabinet, with blind fret carved decoration, 113 cm wide

Australia.- Bayliss (Charles) - [Views of Sydney, New South Wales], album of 18 mounted albumen prints, all with blind-stamp lower left corner "C.Bayliss Photo Sydney", manuscript captions beneath, foxing to mounts, some fading to edges, original half roan, worn, covers detached, backstrip lacking, images 153 x 208mm., oblong 4to, Sydney, [c.1880]. Images include: George Street from Wynyard Street, Wynyard Square, Zig-Zag Lithgow, Prince Alfred Hospital, Pitt Street, Government House from the Domain, Coogee [beach], Circular Quay, Elizabeth Bay, Balmain Regatta.

Brunfels (Otto) - [Contrafayt Kreuterbuch nach rechter vollkommener art…], 2 parts in 1 vol., full-page woodcut coat of arms, 2 full-page farm and forest scenes, numerous illustrations, all illustrations and initials coloured in a contemporary hand throughout , part 1 lacking title and Z3, part 2 lacking A2 & 3, L2, N1 and P6, P5 defective with less than half the leaf present, some tears and repairs, mostly marginal but occasionally larger and extending into text or image, some edges frayed, much finger-soiling and marginal staining, contemporary blind-stamped pigskin over wooden boards, worn and soiled, lacking clasps, small folio, Strassburg, Hans Schotten, 1532-37; sold not subject to return. Despite the faults, the colouring in this copy makes it a most attractive work.

Luther (Martin) - Colloquia oder Tischreden, second edition, black letter, title in red and black with woodcut of Luther and Graf zu Mansfelt (the dedicatee) kneeling at the foot of the Crucifixion, full page woodcut with coat-of-arms on following leaf, woodcut medallion portrait of printer on colophon, very browned, slight worming, later ink inscription of F.Van de Velde on front pastedown and rear free endpaper, contemporary blind-stamped alum-tawed pigskin over wooden boards, upper board with date 1568 in blind, rubbed and stained, lacking clasps, corners worn, [Not in Adams], folio, Eisleben, Urban Gaubisch, 1567. Scarce second edition of Luther's table-talk, collected over a period of four years and edited by J.Aurifaber. It was first published by Gaubisch the prevvio

Plinius Secundus (Caius) - Historiae naturalis libri xxxvii, 2 vol., engraved double-page map, 11 engraved plates of coins and head-piece to dedication, woodcut initials and ornaments, offsetting, contemporary blind-stamped vellum, vol.1 upper joint split at head, both vol. lightly soiled, Paris, A.-U.Coustelier , 1723; and 9 others, 16th and 17th century Continental, most defective, v.s. (10)

English. The Bible, Translated according to the Ebrew and Greeke English. The Bible, Translated according to the Ebrew and Greeke , 2 parts in one, lacks 3U4 & 5, Geneva version, black letter, double column, 2 titles in woodcut borders, N.T. title holed, touching text, lower corners torn, touching border, tears to*2, 3L7 and corner of 3R1, upper margin trimmed affecting some headlines, pen-and-ink caricature of a dandy on N.T. title verso, few scribbles elsewhere, some staining and marking, nineteenth-century calf, ruled in blind, rubbed and marked, [Herbert 286], bound with Two Concordances, 4to, Robert Barker , 1606.

Dickens (Charles) - Oliver Twist, 3 vol., first edition , first issue , half-titles to vol.1 and 2, 25 etched plates by George Cruikshank, vol.1 with 4pp. undated advertisements at end, vol.3 with 2pp. advertisements at beginning, most plates browned, some foxing and soiling throughout text, vol.1 titles slightly torn, hinges weak, original purple ribbed cloth with arabesque design stamped in blind, spines lettered in gilt but without publisher's name at foot (denoting earlier state), rubbed and spine ends chipped, [Smith I pp 28-37; Gimbel A27; Eckel pp 59-61], 8vo, Richard Bentley, 1838. First issue with the "fireside" plate at the end of volume 3. The second issue appeared within a week of the first and "Boz" was replaced by the author's name on the title-pages. This copy does not have the list of illustrations in volume one suggesting, as with the binding, that this is of the earlier state, though no formal precedence appears to have been given.

* Wilhelmina BARNS-GRAHAM (1912-2004) Silkscreen print ‘Water Dance Porthmeor III’ Bears blind stamp GRAAL Press Unsigned, numbered 3/70, Circa 2003 22.75” x 30” (57.8cm x 76.2cm) Note: Prints published in 2003 before the death of the artist in early 2004 were numbered but unsigned

* Leslie Moffat WARD (1888-1978) Red conte drawing Seated male nude With blind stamp E.S.K (Examined South Kensington Art School. Timed drawing 90mins) Signed and dated 1909 10” x 7.5” (25.4cm x 19cm)

* Leslie Moffat WARD (1888-1978) Red conte drawing Reclining male nude – inset study of a hand With blind stamp E.S.K (Examined South Kensington Art School Timed drawing 65 mins) Signed with monogramme and dated 1909 7.5” x 10” (19cm x 25.4cm)

* John PIPER (1903-1992) Watercolour/gouache & black ink Standing figure of a standing nude Blind stamp Schoellers & Parole paper 12.5” x 18.5” (31.7cm x 46.9cm) Provenance: Panter & Hall

L. S. LOWRY Landscape with Farm Buildings Limited edition lithographic print, pencil signed, signed to the plate and dated 1954, blind stamp, published in 1974 by Venture Prints Ltd, England, 42cm x 52cm CONDITION REPORT: By Venture prints Good condition Framed and glazed

L. S. LOWRY The Harbour Limited edition lithographic print, pencil signed, plate signed and dated 1957, Pub 1972 by Venture Prints, England, blind stamp, 44cm x 57cm CONDITION REPORT: By Venture prints Framed and glazed Good condition

L.S. LOWRY The Family Limited edition lithographic print, biro signed, blind stamps for Fine Art Trade Guild, plate signed and dated 1965, 28cm x 22cm CONDITION REPORT: Good condition Framed and glazed Fine Art Guild stamp

L. S. LOWRY St Mary's, Berwick Limited edition lithographic black and white print, pencil signed numbered 471/500 and blind stamp, 29cm x 40cm CONDITION REPORT: Faded pale green hue

L. S. LOWRY Mrs Swindell's Picture Limited edition lithographic print, pencil signed, plate signed and dated 1967, and blind stamp for the Fine Art Trade Guild, 43cm x 33cm CONDITION REPORT: Fine Art Guild Stamp Good condition Framed and glazed

A good George II burr and figured walnut eight day longcase clock with interesting converted Duplex movement the five knopped pillar movement apparently converted from the original rare Duplex escapement to a later anchor escapement, the backplate with substantial full-width arched backcock with chamfered edges, the case with caddy top hood with stepped and foliate blind fretwork frieze and gilt brass mounted turned pilasters, the 12in. brass Roman dial with gilt mask spandrels signed to an oval reserve 'N. Delander London', with six-second calibrated subsidiary seconds at noon and chamfered date aperture at six, pull shutter closure to winding holes, the trunk with feather banded door on original strap hinges, the panelled base on stepped plinth with later block feet, 98in. (249cm.) high.

Tom Dodson Pencil Signed Limited & Numbered Edition Colour Lithograph Print. 121/850 Title 'Sunday School' 15x18'', mounted & framed behind glass. Fine Art Trade Guild Blind Stamp

Parker Duofold orange flat top fountain pen, clear imprint 1931 Red Permanite with 1931 Q2 date code, fine nib with comb feed, light tooth marks on blind cap, twin ring cap, some brassing on clip only

Japanese ivory Netsuke of a blind man with a stick trying to find a hole in a lily (5cm high), and another of a man holding a sack (4cm high).

A 19th century walnut blind fretwork panel

A William IV rosewood pedestal sofa table, fitted blind frieze drawers, on a square pedestal column and base with leaf carved decoration and scrolling legs on casters 72 x 140 x 67cm (28 x 55 x 26in) Provenance: From the collection of the late Christopher Hogwood CBE We consider the condition to be good

A George IV rosewood library table, leather lined top, fitted two blind frieze drawers, on reeded and leaf carved column end supports and brass terminal casters 76 x 154 x 109cm (30 x 60 x 43in) Provenance: From the collection of the late Christopher Hogwood CBE The condition is faded but good, restored at some stage with a recent leather

A mid 19th century walnut library table, green leather lined top, blind frieze drawers, on architectural scroll moulded standard end supports and shaped feet 76 x 140 x 76cm (30 x 55 x 30in) Provenance: From the collection of the late Christopher Hogwood CBE The leather top with some signs of wear, but otherwise the condition is good

A William IV brass inlaid carved mahogany bracket clock A William IV brass inlaid carved mahogany bracket clock, the dial inscribed for William Packer, London, circa 1830, the five pillar twin fusee bell striking movement with anchor escapement and holdfast for the large lenticular bob pendulum fitted to the shouldered backplate , the 8 inch circular cream painted Roman numeral convex dial bearing signature W'M. PACKER, 376, OXFORD ST. to centre and with pierced blued steel moon hands within hinged cast brass convex glazed bezel, the shaped-top case with stylised draped gadroon carved pediment and brass rosette centred line inlaid half round ebonised baton moulded frieze over applied stylised leaf carved decoration to quadrants around dial and brass strip inset canted front angles, the sides with brass ring handles above rectangular brass repeating Gothic-arch pierced ruby glazed blind frets, the rear with rectangular glazed door, the base with apron panel decorated with applied carved leafy spray within brass line inlaid border flanked by acanthus scrolls, on moulded skirt with brass ball feet, 46.5cm high.

An Empire mahogany bureau plat , circa 1810 An Empire mahogany bureau plat , circa 1810, the gilt and tooled leather inset rectangular top above flanking slides and three blind frieze drawers, each corner decorated with applied gilt-metal mask of Napoleon wearing laurel wreath above an Imperial eagle, on turned legs with gilt metal mounts, 75.5cm high, 200cm wide, 100.5cm deep

A Gothic Revival oak pedestal writing table , circa 1880 A Gothic Revival oak pedestal writing table , circa 1880, the tooled leather inset top above a single pedestal base, with a blind frieze drawer and cupboard door enclosing four graduated drawers, on a plinth base with bun feet, 76cm high, the top 107cm x 58cm

A Napoleon III lady's coromandel and tulipwood banded writing table A Napoleon III lady's coromandel and tulipwood banded writing table , circa 1870, the shaped top with gilt three-quarter gallery above single blind frieze drawer, on and cabriole legs each with gilt metal applied knees and caps, 75cm high, the top 62cm x 42cm

An Irish Regency mahogany bow front sideboard, with pedimented panel back, inlaid and crossbanded in satinwood, fitted two blind frieze drawers, undershelf and on tapering square legs 116 x 166 x 75cm (45 x 65 x 29in) Provenance: Country House, County Cork, Ireland and thence by descent Timber shrinkage crack in the top and possible reduction of the legs

A Chinese Chippendale style mahogany display cabinet, the pagoda top over a blind fret cut frieze and astragal glazed cupboard door, flanked by two open shelved side sections with pagoda tops and fret cut gallery, raised on moulded square supports, 174cm high x 160cm long

Reproduction oak sideboard, blind panel cupboards and fitted drawers, carved armorials.

Mahogany blind panelled hanging corner cupboard with foliate mouldings.

A French Gothic Revival gilt metal travelling timepiece, fashioned as a blind Gothic arch with figures in foreground, having silvered Roman chapter ring and set cylinder movement with anchor escapement. H.10cm

William James Yule (1867-1900) 'Actors on Stage' and 'Music Hall Performers' pen and ink, with 'WJY' blind stamp lower right 25 x 19 cm (10 x 7 1/2 in) Exhibited: Pyms Gallery, London, Spring 1983, nos. 68 and 69 (2)

Victorian Walnut veneered Lady s Work Table, the flip top lid with integral mirror and pull out tray, the body decorated with blind fretwork detail, raised on elegant side supports and small casters, 21" wide

Darwin (Charles) On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life... Fifth Thousand, 8vo, original green publisher's cloth, stamped in blind, lettered in gilt on spine, brown endpapers, label of Edmonds & Remnants, binders, half-title, folding table, 32 pp. advertisements dated January 1860 at end, [Freeman 376B], London, John Murray, 1860, second edition, second issue. See illustration

The Bible, that is, the Holy Scriptures, contained in the Old and New Testament, 8vo, contemporary blind-stamped calf, panelled sides, initials RR at head of upper cover, metal centre- and corner-pieces, one clasp (of 2), old rebacking, title within woodcut border, woodcut arms on verso of title, [ESTC], London, Robert Barker, 1606. See illustration

A signed coloured limited edition print of a woman carrying a large bunch of bananas on her head, signed indistinctly bottom right John Martines (?) and dated 1985, edition 68/100, with blind embossed stamp lower left Mourlot, Paris, 67 x 47 cm in simple wooden frame

A figured mahogany serpentine fronted chest of drawers of Georgian design, the cross banded top with matched veneer, the canted front corners with blind fret ornament, fitted brushing slide and four long graduated drawers on bracket feet, 34ins wide x 23ins deep x 32.5ins high

An early 20th Century Gentleman's mahogany wardrobe by Waring & Gillow of Georgian design, the upper part with moulded and dentil cornice, canted front corners with blind fret ornament to the upper part, fitted three sliding trays enclosed by a pair of panelled doors, three long graduated drawers under, on bracket feet, 42ins wide x 22ins deep x 66ins high (maker's marks stamped to locks)

Memoirs of Marmontel, written by himself; containing his literary and political life, and anecdotes of the principal characters of the eighteenth century. In four volumes. By Himself, Longman, Hurst, etc. London. 1806. 4 vols. Second Edition. Scarce. Full contemporary calf, with dark green morocco half-title and blind gilt tooling to spine. Overall in V. G. condition. Inscription of Sir Pryse to front board. [4].

A Victorian Mahogany Pot Cupboard with one blind panel door along with an octagonal occasional table.

A HARDWOOD HANGING WALL CABINET in the Chippendale manner, oak pediment with pierced decoration and further blind fretwork decoration to the astragal glazed door, opening to reveal glass shelves within, 61.5cm wide x 111cm high

A NEAR PAIR OF CHIPPENDALE STYLE MAHOGANY SERPENTINE FRONTED BATCHELORS CHEST OF DRAWERS each with a brushing slide over four drawers with blind fretwork decoration to the canted corners and standing on bracket feet, each approximately 80cm wide x 76cm high

Beryl Cook, ' Clubbing in the Rain, Print published by Alexander Gallery Publications Ltd. Bristol, 56x40cm, F&G. Blind stamped and pencil signed.

Beryl Cook, Print of smoking ladies playing cards, published by Alexander Gallery Publications Ltd. Bristol, 53x42cm, F&G. Blind stamped and pencil signed.