We found 44913 price guide item(s) matching your search

ELLIS Mrs (SARAH). The Wives of England, their Relative Duties, Domestic Influence & Social Obligations. London. n.d. (Preface 1843), 8vo, blind stamped cloth

DICKENS, Charles OUR MUTUAL FRIEND Chapman & Hall, 1865 First edition. Two volumes. 8vo. Original purple cloth with elaborate gilt titles on the spines and blind stamped device on upper covers. Cloth a little worn with some rubbing to the corners. Volume one has a water stain on the the frontispiece and to a lesser extent on the title page, but other than this the contents are in a fresh, clean state. A good set. Illustrated by Marcus Stone. Smith I 15 (2)

FLEMING, Ian. THUNDERBALL. Jonathan Cape, London 1961. First edition. 8vo. Black cloth with skeletal hand blind-stamped to upper cover. Near fine copy in dustwrapper with very slightly darkened spine and a couple of minor creases.

FLEMING, Ian. THUNDERBALL. Jonathan Cape, London 1961. First edition. 8vo. Black cloth with skeletal hand blind-stamped to upper cover. Bump to corner. Dustwrapper rubbed to extremities and small tape repairs to verso at head and tail of spine. FLEMING, Ian. ON HER MAJESTY'S SECRET SERVICE. Jonathan Cape, London 1963. First edition. 8vo. Black cloth with wavy white line to upper cover. Binding slightly cocked, spotting to top edge. Dustwrapper rubbed with tape repairs to verso at head and tail of spine. FLEMING, Ian. YOU ONLY LIVE TWICE. Jonathan Cape, London 1964. First edition. 8vo. Black cloth, staining to upper board, ink owner's name to front free endpaper. In dustwrapper a little darkened to spine. FLEMING, Ian. THE MAN WITH THE GOLDEN GUN. Jonathan Cape, London 1965. First edition, second issue. 8vo. Black cloth. Near fine in dustwrapper with faint crease to lower panel. (4)

Late 19th/early 20th century mahogany bijouterie table with blind fret carved and glazed top, glazed sides, on moulded straight legs with pierced corner brackets, pierced stretchers with under shelf, 16" wide

18th century oak long case clock, the hood with a blind fret carved panel, column sides, brass and silvered dial engraved with scrolls and foliage, by Jerry Berry, N. Petherton, with date aperture, thirty hour movement, 79" high

AN EDWARDIAN CHIPPENDALE STYLE MAHOGANY OCCASIONAL TABLE, the triangular top above a frieze of blind fret decoraion, on three slender tapering legs with raised stretcher with turned centre, 15.5" wide

A mahogany desk, circa 1920, in Chippendale Revival style, the bevelled rectangular top with tooled leather insert above two cockbeaded frieze drawers, the lockplate stamped Hobbs & Co, London above a deep drawer disguised as two drawers and two short drawers between blind fretwork corners and raised on acanthus carved cabriole legs and claw and ball feet and casters, 51" wide, 27.5" deep, 30" high

A pair of mahogany display cabinets, 20th century, reconstructed from earlier timber, each with a blind fretwork cornice and honeycomb ribbed glazed door enclosing glass shelves and raised on cabriole front legs, 28.5" wide, 12" deep, 63" high (2)

A mahogany framed canopied bed, circa 1920, with dentil moulded cornice and fluted frieze above a green floral silk back screen and side drapes and canopy, matching bedclothes and stop fluted front pilasters with acanthus carved lower sections and on square blind fret legs, 60" wide, approx 80" long, approx 96" high

A Georgian mahogany chest on chest with blind fret carving over two short and three long drawers, with three further drawers below raised on bracket feet.

A VICTORIAN MAHOGANY CHIFFONIER BOOKCASE, having two door glazed top on projecting base with cushion drawer, two blind cupboards with flanking pilasters, upon platform base. c1890. 44.5" Wide x 85" High.

AN EDWARDIAN MAHOGANY CUPBOARD BOOKCASE, having open top under moulded cornice, the base with cushion drawer over two blind panel doors on platform support.84" High x 43" Wide.

A LATE VICTORIAN YELLOW OAK TWO STAGE PRESS CUPBOARD, having moulded cornice above two blind doors, two short and two long drawers below. Lacks feet. 75" High x 45" Wide.

AN EARLY 19TH CENTURY CARMARTHENSHIRE OAK PRESS CUPBOARD, in two stages, the upper with moulded cornice over two blind panelled doors, the projecting base with three short drawers over three long graduated drawers, standing on tall bracket feet. c1820. 44" Wide x 77" High.

A 19TH CENTURY CONTINENTAL TWO STAGE PRESS CUPBOARD, in mixed woods having upper two door blind cupboard, the base with two freize cushion drawers above two blind cupboard doors on bracket feet. (possibly German). 95" High x 57" Wide.

A GEORGIAN STYLE DOUBLE CUPBOARD, having dentil and strap work freize under moulded cornice, two astragal glazed doors above two blind panel doors on pierced bracket feet. (early 20th century) 38" Wide x 64" High.

A 19th century mahogany chiffonier with galleried back above a blind drawer and two arched doors

Sir William Russell Flint, (1880-1969) "A QUESTION OF COLOUR", A SIGNED LIMITED EDITION PRINT published in 1961 by Frost & Reed, unnumbered (but one of 751 copies produced), signed in pencil lower right, blind stamp lower left, image size 45cm x 61cm, (17.7in x 24in), in wash-lined card mount, framed under glass

THREE SIGNED CECIL ALDIN "OLD ENGLISH INNS" SERIES PRINTS, "The Mermaid, Rye", "The Golden Cross, Oxford", and "The King's Head, Malmesbury", each printed and published by Eyre & Spottiswoode, with Fine Art Trade Guild blind-stamp, the first two having border vignette, 38cm x 33cm, (15in x 13in), all in wash-lined card mounts, the first two in ebonised frames under glass, the third in oak frame, unglazed, all with original label verso

A 19TH-CENTURY GEORGE-III STYLE INLAID MAHOGANY LONG-CASE CHIMING CLOCK, the hood having a pagoda-shaped top with blind-fretted panel and three brass ball-and-spire finials, stop-fluted columns with brass inlay and capitals, the sides having scale-fretted brass panels and satinwood crossbanding, the trunk door with moulded edge and broken-arched top inlaid with boxwood and harewood neo-classical arabesques in the manner of Edwards and Roberts, within satinwood banding and ebony and boxwood stringing, the panelled base similarly inlaid with a large lobed shell, on moulded plinth with integral bracket feet, 254cm, (100in) high overall; the three-train movement, quarter-striking and chiming on eight bells, having a brass arched dial with matted centre and silvered chapter ring inscribed Richard Gibb, London, with Roman hour and arabic minute numerals, strike/silent dial to the arch and baroque-style crowned cherub-and-scroll and dolphin spandrels, with winding and case keys

A GOOD GEORGE IV MAHOGANY SIDEBOARD of Scottish type, having twin brass tubular backrails with urn finials on balustroid supports, the rectangular top above a blind-fronted panelled drawer on bat's wing quadrants, between a deep drawer and a cupboard, both with circular brass backplate ring handle, the latter fitted with an oak cellaret, both of shortened form, the sides having a small drawer and cupboard respectively, on Gillows-style reeded turned tapering legs, 199cm x 76cm x 95cm high, excluding backrail/ 143.5cm overall, (78.3in x 30in x 37.4in/56.5in)

A VICTORIAN INLAID ROSEWOOD LAP DESK the lid and front inlaid with fine foliate scrollwork in mother-of-pearl, the mahogany-lined interior having a green plush blind-tooled writing slope, covered stationery well and pen compartment enclosing secret drawer and having two ink bottles (one with Sheffield plated cover), the sides having recessed handles, 40.5cm, (16in) long

A VICTORIAN FOUR PIECE TEA AND COFFEE SET of urn form with beaded edging, turned finial on domed lid, leaf capped loop handle, scroll embossed spout, the body embossed with scrolling foliage, flowers and blind cartouche, on similar pedestal, coffee pot 11 1/4" high

A VICTORIAN FIVE PIECE TEA SET of tapering form with anthemion banding, and blind cartouche, the teapot with turned finial on flat lid, scrolled handle and moulded foot, 9 3/4" wide

A TOILET TRAY of oblong form with bead and reel edge, chased with blind cartouche on a reeded ground, 11 1/4" wide, Birmingham 1916, 13ozs 4dwts

A VICTORIAN TANKARD, the tapering sides chased with foliage surrounding a blind cartouche, loop handle and moulded foot, 4 3/4" high, London 1879, 8ozs 19dwts

A VICTORIAN SILVER SNUFF BOX of oblong form, bright cut with flower heads around a blind cartouche on an engine turned ground, 2 1/4" wide, Birmingham 1885, 1oz 18dwts

A VICTORIAN RUBY GLASS SCENT BOTTLE of panelled form, each end having an engine turned lid with blind cartouche, 5" long

SIR WILLIAM RUSSELL FLINT, The Girl from Orio, reproduction in colours, unsigned, limited edition with blind stamp, plate size 14 3/4" x 22 1/4", white frame

GEORGE BAXTER, The Gems of the Great Exhibitions, No.2, coloured oil print with blind stamp, 4 1/2" x 9", gilt frame and another (2)

ENGLISH SCHOOL, Silhouette Portrait of a Soldier, full length profile to the right, cut paper on card with watercolour background, unsigned, blind stamp for the Hubbard Gallery, 19th century, 11" x 6 1/2", maple frame

After Laurence Stephen Lowry (1887-1976), 'Britain at Play', colour reproduction, signed in pencil and with the blind stamp of the Fine Art Trade Guild, from an edition of 850, 45 x 60cm (17 5/8 x 23 5/8in)

A Ridgeway blue-printed plate, "Blind Boy", woman holding the hand of a blind boy seated upon basket, circa 1820, unmarked, 9.75in.

LUCAN. Pharsalia; translated into English Verse by Nicholas Rowe, engraved frontispiece, folded map, engraved decorations, 19th century blind decorated calf, folio, 1718

An early 20th century mahogany breakfront sideboard, three centre drawers with blind fret decoration, raised back with dentil pediment, 153cm x 117cm high

A Mahogany Longcase Grand-daughter Clock, 58½ ins (149 cms) in height. The 6½ inch (16.5 cm) brass dial having a painted rocking boat in the arch above a silvered chapter ring encompassing an engraved centre of scrolling foliage and mounted with decorative face mask spandrels to the corners. The hood's moulded swan-neck pediment carved with rose blooms to the terminals and having turned finials either side above scrolling blind fret-carving with fluted side columns flanking the dial. The trunk having a band of blind fretwork above a long narrow lipmoulded door with shaped top, flanked by recessed fluted quarter columns above carved brick-work corner detailing, leading down to the moulded base with canted corners and ogee bracket feet.

'Banks of Bristol' reproduction Georgian style crossbanded mahogany and rosewood breakfront sideboard with boxwood string inlay fitted three drawers to the frieze with brass knobs, the cupboards below enclosed by two pairs of blind panel doors flanked by reeded Corinthian columns with brass capitals, 195cm wide

Pair of 19th Century buhl decorated ebonised side cabinets having decorative ormolu mounts, the blind panel doors each with three French porcelain oval floral decorated panels, 81cm wide

BARHAM (REV. RICHARD HARRIS) - THOMAS INGOLDSBY, THE INGOLDSBY LEGENDS, illus. Arthur Rackham, London 1930 a fine copy with gilt edges, full blue Morocco with incised pictorial image, gilt tooling, raised spine bands, by Riviere & Sons, spine faded; W. Pogony - The Rubaiyat of Omar Khayyam, sixteen colour plates, light foxing, full calf with gilt and blind tooling (2)

BY AND AFTER JAMES PRIDDY Kentish landscape, coloured etching, signed in pencil, Warwick Galleries blind stamp, 12.75in. x 15.75in. (32.5 x 40cms)

BY AND AFTER ALICE BARNWELL Cadgwith, Cornwall, coloured etching, signed in pencil, Warwick Galleries blind stamp, 9.75in. x 13.75in. (24.75 x 35cms)

A VICTORIAN CHIPPENDALE STYLE CARVED MAHOGANY FIREPLACE with breakfront, blind fretwork and dentil cornice, acanthus panel, foliate carved scrolled pilasters, the mantle piece 70" wide, overall height 57", internal measurement 41" wide by 39 1/2" high.

A QUEEN ANNE WALNUT LONGCASE CLOCK having an 11 1/2" square brass dial, with embossed spandrels and silvered chapter ring, second hand and date aperture, engraved decoration, signed John Free Oxon, the case with blind fretwork cornice, panel door with herringbone crossbanding and plain base with moulded edge, 87" high overall. John Free Oxford 1676-1726, apprentice to John Knibb from 1696-1705.

A George III style mahogany standing corner cabinet, 19th Century, the concave frieze with dentil and blind fretwork ornament, glazed astragal door enclosing three shaped shelf tiers and glazed base cupboard door with single shelf tier, on bracket feet, height 201cm x width 91cm.

A mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the brass 14 1/4in dial with automaton moonphase and with inscription James Butler Fecit Bolton, the silvered chapter ring with Roman numerals and Arabic five-minute divisions about a subsidiary seconds dial and date aperture, the case with flame mahogany panels, blind fret canted corners, reeded pilasters and a shaped door, the hood with broken pediment and two eagle and ball finials, 240cm high

Alfred Cohen, 1920-2001. the dancing couple, gouache on cloth, unframed, 117x64cm.; 46x25.25in. (4), The present work was commissioned from the artist to be used as a window blind. To be sold together with 3 similar works by the same hand, all unframed.

Circle of Joseph Stannard (1797-1830) "Blind Mans Buff", Figures Outside an Inn with a Stone Bridge Spanning a River in the Foreground, possibly on the River Yare] Oil on canvas,, 46cm by 61cm (18in by 24in)

A Lady's Kingwood and Brass Reinforced Travelling Writing Slope, circa 1850], rectangular, the sloping lid centred by a brass cartouche inscribed "Miss Hounsfield", revealing blind tooled velvet writing slope, lidded pen and ink compartments to the rear, flush side handles, 36cm wide

A Mahogany Display Cabinet], en suite to the previous lot, the raised ledge back over moulded top and a blind-fretted frieze, over three astragal-glazed doors enclosing glass shelves, between fretted stiles, on block feet, numbered "L 60466", 126cm by 153cm by 44cm

A Mahogany Plant Stand], the square moulded top over a blind-fretted frieze, on square chamfered and blind-fretted legs with block feet, joined by a pierced X stretcher, stamped several times "GILLOWS" and numbered "L 63071", 90cm by 40cm by 40cm

A Victorian Mahogany Chippendale Revival Desk], the superstructure with a fretted and finialled back rail over a large niche with fret-pierced spandrels flanked by small blind-fretted cupboards with niches under and flanked by cluster columns, the leather-lined top over seven blind-fretted drawers about the kneehole, on cluster-columns legs, the centre drawer is stamped "EDWARDS & ROBERTS", 121cm by 109cm by 70cm

An Ivory Okimono of a Dog with Two Puppies, Meiji period], the parent wearing a ruff as its litter play beneath its paws, unsigned, 6.3cm long; [An Ivory Okimono Netsuke of an Ornamental Helmet Maker, Meiji period], seated with a large Samurai battle helmet, 2.8cm; and [A Marine Ivory and Nut Group of Three Blind Men under an Umbrella] (restorations/additions) (3)

Sir William Russell Flint, RA A RECLINING NUDE, Reproduction printed in colours, published in 1963 by Frost and Reed Ltd., signed in pencil, blind stamp to corner, 35 x 61cm

An early 20th Century mahogany library table, the moulded top over three frieze drawers and three opposing drawers on blind fret carved legs

A cased one string fiddle, with mahogany and pine soundbox having beech neck, applied with blind fretwork carving to terminal, in baize lined case with bow..

An octagonal oriental carved hardwood table, the tray top with blind fretwork scrolled decoration inlaid with mother of pearl, the sides with pierced arched window style apertures framed by Islamic panels with further mother of pearl inlay bordered by diamond blind fretwork borders, with pierced fretwork carving to feet. (13in x 18.5in).

An oak bureau bookcase, the top with astragal glazed doors enclosing adjustable shelves having moulded caddy cornice, the desk with fallfront applied with blind fretwork carving in beaded panel, having fitted interior of pigeonholes and central drawer, above two long drawers flanked by fluted stiles, raised on barleytwist legs joined by rectangular stretchers. (36in x 17.25in x 77in).

A late eighteenth century walnut cased longcase clock, with moulded cornice above carved blind fretwork frieze, with square door having turned columns enclosing a movement by Wilson of Stamford, the silvered square associated dial with Roman chapters and date aperture, the trunk with cushion moulded panelled door having circular glass bob lenticle aperture, raised on moulded plinth base with square panel - some alterations. (84.75in).

An Edwardian mahogany cheval mirror, the frame with bevelled plate carved with acanthus scrolling and bobbin moulded rim, supported on channelled columns with brass urn finials, having ball and claw feet with further acanthus carving to knees, joined by blind fretwork stretcher. (71.25in).