We found 44918 price guide item(s) matching your search

Quadratische Platte, Vergissmeinnnicht, Villeroy und Boch (Schramberg), um 1910Steingut. Platte mit Vergissmeinnichtdekor und Vergissmeinnichtkranz, Rand teilweise durchbrochen, zart farbig gefasst. Blindstempel "V&B S", Modellnr. 1313. Rand min. bestoßen und rückseitig gechipt. 38,5 x 21,5 cm Square plate, forget-me-not, Villeroy and Boch (Schramberg), around 1910 Earthware. Plate with forget-me-not decor and forget-me-not wreath, rim partly perforated and softly coloured. Blind stamp "V&B S", Model no. 1313. Rim min bumped and chipped on the back.

Wandteller, Meissen, um 1910Glattrandige Form mit blindgeprägtem Reliefdekor, im Fond eine Ansicht von Schloss Pillnitz in Unterglasurblau, darunter sächsisches Wappen und Bezeichnung "Pillnitz". Schwertermarke. Draht-Wandhaken. D. 25 cm Wall plate, Meissen, c. 1910 A smooth-rimmed form with blind-stamped relief decoration, a view of Pillnitz Palace in underglaze blue in the background, the Saxon coat of arms and the inscription "Pillnitz" below. Sword mark. Wire wall hook

Sechs Tellerchen mit Schale, Villeroy und Boch (Schramberg), Ende 19. / Anf. 20. Jh.Steingut. Runde Tellerchen, braun gefasst mit leuchtendem Kornblumendekor, Schale mit Griffen. Blindstempel (V & B S), Modellnr. 1616. Ränder min. bestoßen, Glasurkrakelee. D. 16,5 bzw. 34,5 cm Six small plates with a bowl, Villeroy and Boch (Schramberg) Earthware. Round form, brown coloured with bright cornflower decor, bowl with handles. Blind stamp, model no. 1616. Rims min. bumped, glazing craquelure.

Wandteller, Schramberg, Villeroy & Boch, ca. 1895-1910Steingut, Reliefdekor Sonnenrosen, gelb/ grün/braun glasiert. Blindprägestempel, blindgeprägte Form-Nr. "1632". D. 30 cm Creamware wall plate, relief decoration: sun flowers. Polychrome glaze. Blind stamp, model no. "1632". Schramberg, V & B, ca. 1895-1910. D. 30 cmJugendstil

Knieende Frau, Kieler Kunstkeramik, ca. 1930Entwurf Gustl Kaiser 1924. Majolika mit feinmaschig krakelierter cremefarbener Glasur und Bemalung. Blindprägemarke und Farbstempelmarke mit (handgeschriebener) Formnr. "1". H. 26,5 cm Lit.: vgl. Manitz, B./Andresen, H.-G.: Kieler Kunst-Keramik, Neumünster 2004, Tafel II. Kneeling woman, Kiel art pottery, ca. 1930. Design Gustl Kaiser 1924. Majolica with fine-meshed crackled cream-coloured glaze and painting. Blind embossing mark and colour stamp mark with (handwritten) form no. "1". H. 26,5 cm

Wandteller, Schramberg, Villeroy & Boch, um 1905/10Steingut, florales Jugendstil-Relief Seerosen, Seerosenblatt-Rand durchbrochen. Mangan/ Gelb/ Grün glasiert. Prägestempel und gepr. Form-Nr. "1478". D. 30,5 cm Art nouveau wall plate with water lilly relief decoration, polychrome glaze. Blind stamp, model number. Schramberg, V& B, ca. 1905/10. D. 30,5 cmJugendstil

Kanne und 4 verschiedene Krüge, Grenzhausen, R. MerkelbachEntwurf Paul Wynand um 1908-10. Steinzeug, Lehmglasur, Jugendstil-Reliefdekore. Zinndeckel. Blindprägemarke, Modellnr. 2268, 2110, 2121, 2122 und 2179. Zinndeckel am Krug min. ged. H. 12-14 cm bzw. 25 cm Jug and 4 different pitchers, Grenzhausen, R. Merkelbach. designed by Paul Wynand around 1908-10. Stoneware, clay glaze, art nouveau relief decorations. Tin lid. Blind embossing mark, model no. 2268, 2110, 2121, 2122 and 2179. Tin lid on the jug min. dimmed. h. 12-14 cm and 25 cm respectively.

Colin Graeme (fl. 1858-1910) Shooting Dogs in the field, pair of monochrome prints, pub. 1900 by Jesse Boot, with blind stamp, signed in pencil, 34cm x 47cm (2)

Geo.III mahogany chest on chest, with dentil cornice and blind fret frieze above two short and three long drawers enclosed by fluted canted angles, a brushing slide and three further long drawers below all with brass swan neck handles, on shaped bracket feet, W110cm D53cm H185cm

A George III mahogany chest on chest, decorated with blind fret work and quarter columns, 103cm by 57cm by 180cm

Mary Fedden OBE RA RWS (British, 1915-2012), 'The Orange Mug', lithograph, signed and numbered 520/550 in pencil in the margin, published by Bow Art (with blind stamp), image size 23cm x 27.5cm, paper size 32cm x 41cm.

§ Lincoln Townley (British, b.1972). 'Michael Caine, chrome edition' limited edition print depicting Michael Caine. 2020. From an edition of 5. With artist's blind stamps, numbered 5/5 with Lincoln Townley studio certificate of authenticity verso signed by the artist. Image size 40cm x 40cm. Lincoln Townley explores the darker side of the human personality, painting abstract portraits of celebrities. Townley's work has been featured in The Royal Academy in 2015 and 2016. He has been commissioned to paint the world's biggest icons by Mastercard and commissioned by The British Academy of Film and Television Arts Los Angeles to paint celebrities in 2016 and 2017. His painting of boxer Muhammad Ali sold for $623,000 in 2017. Described by Michael Caine as "The next Andy Warhol" Townley has exhibited widely including a Retrospective at The Saatchi Gallery, London 2016. Provenance: purchased directly from the artist's studio. Edition is sold out. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org.uk for more information. Condition Report: § Very good condition, with no discernible damage.

A 19th century Chippendale style chest on chest, the upper section having two short drawers over three graduated long drawers, blind fret cut canted corners, and dentil cornice, the base fitted with three graduated long drawers, having brass swan-neck handles to the drawers, raised on bracket feet, max width 45ins x max depth 23ins x height 72.5ins

A 19th century mahogany linen press, having two blind panel doors, opening to reveal three slide-out trays, with two drawers below, width 55ins x depth 23.5ins, having a glazed upper section with two glazed doors, opening to reveal shelves

JUVENILE INTEREST. 'Ten Little Nigger Boys,' 'More Beasts (for worse Children),' 'Picture-Book of Natural History in three languages,' 'Complete Version of ye Three Blind Mice,' and four other late 19th and early 20th century books.(8)

A LATE 19th C. MAHOGANY PEDESTAL DESK WITH A BLIND FRET BAND ENCLOSING THE RED LEATHER INSET TOP, THE KNEEHOLE DRAWER FLANKED BY BANKS OF FOUR DRAWERS ON PLINTH FEET. W 107 x D 71 x H 79cms.

A 19th C. LINE INLAID MAHOGANY CORNER CUPBOARD, THE BLIND FRET TOP OVER GLAZED DOORS, THE BASE WITH SATIN WOOD BANDED PANELLED DOORS. W 90 x D 80 x H 208cms.

A magnificent and rare Henry VIII joined oak aumbry or livery cupboard, circa 1520, the front following a traditional arrangement for enclosed livery cupboards dated  to the first-half of the 16th century - divided into three horizontal sections or registers, the top row with a central intertwined foliate carved panel, flanked by a pair of pierced gothic tracery and ‘Tudor-rose’ carved doors, the middle-section having a pair of blind fretwork short drawers, the lower-section with a matching pierced and carved door, flanked by a pair of 'Romayne'-type profile bust panels,  on stile supports, the sides with four linenfold-carved panels,  good iron lockplates, 133cm wide, 60.5cm deep, 144cm high   The rarity of this high-status cupboard is enhanced by the presence of drawers. Drawers were seldom found on late 15th to early 16th century English furniture. Furthermore, they are normally comparatively crude, with the drawer(s) simply running on a baseboard or supported either on carcase rails and/or a simple under- bearer. Here, however, the drawers are supported not only by the frame, but importantly by the edges of their base boards. Both drawer side linings are inset, allowing the baseboard edges to be exposed and engaged within grooved drawer runners fitted to the frame of the cupboard. This method of construction allows for smooth operation of the drawers. For related early 16th century English cupboards, having a similar three-level arrangement of drawers, fixed-panels and cupboard doors, see: Murray Adams-Acton, Apollo, 'Early Oak cupboards and Hutches', May 1933, pp. 181 - 186. The Burrell Collection, Glasgow, has no less than six comparable cupboards. Two of them have linenfold panelled sides [Museum Nos. 14.416 & 14.425], one has pierced cupboard doors [museum no. 14.417], and another has similar tracery carving [Museum No. 14.417]. The remaining two cupboards are both highly celebrated examples - one [museum no. 14.413] is illustrated in Murray Adams-Acton, Domestic Architecture and Old Furniture (1929), p. 46a, fig. 82a and again in Ralph Edwards, The Dictionary of English Furniture (1986), Vol. II, p. 184. The other, known simply as the 'Wynn Cupboard' [Museum no. 14.436], has the addition of a canopy superstructure, but again with the same arrangement of cupboards and drawers. It was made for John Wyn ap Maredudd (d. 1550), of Gwydir Castle, Conwy Valley, around 1525- 1545. This cupboard is illustrated in Percy Macquoid, A History of English Furniture: The Age of Oak (1925), colour plate III, and again in Richard Bebb, Welsh Furniture 1250 - 1950: A Cultural History of Craftsmanship and Design (2007) Vol. I. p. 202, pl. 325. A cupboard carved with Romayne profile busts is in the Victoria and Albert Museum, London, [Museum No. W.11-1986]. One further example, but only a cupboard front, is in the collection of Cotehele House, Cornwall, [NT347771], illustrated ibid. p. 161.  Simonini collection

A Georgian mahogany corner cupboard with inlaid door and blind fretwork

AN IVORY NETSUKE OF A GROUP OF FIVE BLIND MENJapan, Meiji period (1868-1912)The stained ivory netsuke depicting five blind men following one another in a circle, most men having lost their geta (sandals), one man holding a fan, and another man holding an umbrella. Natural himotoshi.HEIGHT 3.2 cmCondition: Good condition with minor traces of wear and age. Provenance: French private collection.This item contains or is made from elephant ivory and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Please note that in compliance with EU regulation effective January 19th, 2022, all items carved from elephant ivory before 1947 must carry a legal trade permit issued by the Austrian ministry of trade, or any other appropriate authority within the European Union. For this reason, any sale of such item can only be concluded after such permit has been granted. All payments made prior to the issuance of the respective permit will be held in escrow until the application for the permit has been approved. Please note that according to EU regulation it may take up to 3 months until the permit has been granted. In case the permit is declined, or not granted after 3 months, the payment will be returned to the client immediately.

Sarah Jane Walker (Scottish, b.1974), 'Beach Mood I', limited edition colour print, signed, numbered 124/850 and inscribed in pencil, blind stamp to margin, 15 x 15in. (38 x 38cm.), in painted modern frame.

Graham Clarke (British, b.1941), 'Gopher', coloured etching, numbered and titled in pencil, artist's and publisher's blind stamps, sheet size 17½ x 12¾in. (44.5 x 32.5cm.).

Terence Tenison Cuneo CVO OBE RGI FGRA (British, 1907-1996), The Cheese Fair, limited edition colour reproduction, signed by the artist in pencil lower right, Fine Art Trade Guild Blind stamp lower left, 22¼ x 28¾in. (56.5 x 73cm.), framed, slightly faded, acidic mount.

Railwayana - GWR Great Western Railway - A collection comprising a GWR fire bucket with wrought iron swing handle, stamped; GWR Hotels Dept cooking pan, stamped; stamped carriage door handle; GWR leather window blind; GWR stamped cast metal gauge glass holder ?; glazed Great Western Railway ' How to use a telephone sheet; pair of unknown cast iron brackets, probably from back of tank engine, stamped; King Loco blueprint; regulations for use of capstans (unmounted); large sheet gradient profile Reading-Taunton. (quantity)

δ Salvador Dalí (1904-1989)Hommage à Meissonier (Field 67-2)The set of four lithographs printed in colours, 1967, each with the blind-stamped signature, the edition was 2000, all on wove paper, with full margins the sheets loose in in the original brown paper folder with a photograph of the artist tipped to the uppers, overall size 390 x 315mm (15 3/8 x 12 3/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

A COLLECTION OF SMALL SILVER ITEMSIncluding a George III wine funnel and stand, London 1804, a miniature chalice and paten, Eames and Barnard, London 1845, engraved IHS and with 1855 presentation inscription, another miniature chalice and ewer, London 1921, a nest of four silver mounted horn beakers, London 1875, two flasks, a novelty 'three blind mice' money box, Birmingham 1924, two brandy warmers, etc., weighable silver 37oz. (20)For further information on this lot please visit Bonhams.com

An Elizabeth II Scottish silver quaich, by Frances Howard Limited of typical form with blind fret handles, Edinburgh 1978, 14cm wide, 4oz.

A Japanese wood block print of children playing blind man's buff, signed, 28cm by 36cm, various other oriental and Eastern artefacts, warthog ornament, figure two brass finish temple dogs, etc. (a quantity)

Derek Gardner (20thC). Glory and Valiant, artist signed limited edition print, 178 of 750, with BJJ blind stamp, 35cm x 51cm.

Nichols (J. publisher). Antiquities in Cambridgeshire, Suffolk, Scotland and Wales. being the Fifth Volume of the Bibliotheca Topographica Britannica,.., 1790, title page detached with old library blind stamp, half-titles throughout, 8 uncoloured engraved plates 6 genealogical tables and 8 uncoloured maps, including G. & W. Patersons "A Survey of Old and New Aberdeen with ye Adjacent Country between ye Rivers Dee and Don..., dated 1746 but most likely a 1790 impression, bookplate of the Free Public Library Wigan, hinges and joints cracked and weak, endpapers detached, near contemporary calf, crude library re-back in cloth with manuscript author's name and the remains of the contemporary morocco label affixed to the spine, scuffed and worn, 4toQty: (1)Footnote: The map of Aberdeen was first published during the Jacobite Rebellion of 1745 - 46. Aberdeen was held by Lord Lewis Gordon who raised both men and money for the Jacobite cause. The Hanoverian commander sent an army of clansmen to attack Aberdeen and the two armies met at Inverurie - north of Aberdeen - on 23rd December 1745. The Jacobites won the day, the battle taking place just a month before this detailed plan was published. Copac records only two examples of the map of Aberdeen. The British Library's copy is in the King's Topographical Collection, bound with a manuscript version, and The National Library of Scotland's example is bound - as is this example - in volume 5 of the 'Bibliotheca Topographica Britannica'. Other maps contained within this volume include The Isles of Zetland by T. Gifford, and Nichols' Plan of the Stourbridge Fair taken in 1725.

Findley (Alexander George). A Directory for the navigation of the Indian Ocean, with descriptions of its Coasts, Islands, etc., from the Cape of Good Hope to the Strait of Sunda and Western Australia, including also the Red Sea and the Persian Gulf; the winds, monsoons, and currents, and the passages from Europe to its various Ports, 3rd edition, London: Richard Holmes Laurie, 1876, 16 lithographed maps, mostly folding or double-page, occasional light spotting, map facing page 151 (Passages over the Indian Ocean) torn without loss to upper edge, final map (Colombo) bound facing page 920 (not page 928 as listed), upper inner hinge partly cracked, original blind-stamped maroon cloth gilt, rubbed and frayed with some wear to joints and head and foot of spine and outer corners, thick 4toQty: (1)Footnote: A substantial work on navigation, covering the Arabian peninsula, and the Indian Ocean from the Cape of Good Hope to Australia. This third edition incorporates according to the note appended to the preface 'much new information... gained by Government survey of the coasts of the Cape Colony and Natal, also of Zanzibar Island, the Gulf of Suez and the Mekran Coasts... The Western Coast of India is described from the Directions for the West Coast of India drawn up by the surveyor, Commander Taylor, in the year 1866'

Becon (Thomas). The flower of godlye praiers, verie necessarye to be vsed of the faithfull Christians in these our dayes for the sauegarde, health and comfort of all degrees and estates / newly made by Thomas Becon, Imprinted at London over Aldersgate beneth S. Martins by John Day, 1561, woodcut border to title with portrait to verso (border to rector trimmed), black letter text, decorative woodcut initials, woodcut illustration to verso of final leaf, lacking 18 leaves (fol. 81-98), C1 torn with slight loss to lower outer corner, occasional marginalia and marks, bound with at front a defective copy of The pomaunder of prayer, newly made by Thomas Becon, 1561, initial six leaves with diminishing large hole to centre (repaired), woodcut border throughout, woodcut illustration to verso of final leaf, some soiling and marks, mid 19th century calf with blind decoration, rubbed, 8vo (STC 1720.5 & 1746), together with: Gentillet (Innocent), An apology or defence for the Christians of Frau[n]ce which are of the eua[n]gelicall or reformed religion, for the satisfiing of such as wil not live in peace and concord with them. Whereby the purenes of the same religion in the chiefe poyntes that are in variance, is euidently shewed, not onely by the holy scriptures, and by reason: but also by the Popes owne canons. Written to the king of Nauarre and translated out of french into English by Sir Iherom Bowes Knight, London: Printed by John Day, 1579, black letter text, lacking A1 (initial blank?), title torn with loss of text, following 11 leaves repaired to outer blank corners, final four leaves repaired to outer blank corners, some dust-soiling, early 20th century dark green morocco by W. E. Bramhall, upper joint rubbed, slight fading, small 8vo (STC 11742), Worthington (John), The great duty of self-resignation to the divine will, London: printed by A.C. for Walter Kettilby, 1675, dust-soiling and spotting, contemporary calf, rubbed, and light wear, 8vo, Goodwin (Thomas), A Discourse of the punishment of sin in hell; demonstrating the wrath of God to be the immediate cause thereof..., London: Jonathan Robinson, 1680, early ownership signature at head of title struck through, initial two leaves detached, some dust-soiling and few marks, contemporary calf, upper board detached, worn, 8vo, and other late 16th century-early 18th century antiquarian, some defective & incompleteQty: (11)

Harris (John). Remarks of some late papers, relating to the universal deluge: and to the natural history of the Earth, London: R. Wilkin, 1697, occasional light dust-soiling, contemporary blind panelled calf, joints cracked, spine lacking title label and with small area of leather loss, 8vo, together with: [Wilson, John], The Cheats. A comedy: written in the year, M.DC.LXII, 3rd edition, London: printed by James Rawlins for John Wright, Moses Pitt, Thomas Sawbridge & Gabriel Collins, 1684, [8], 64pp., some browning and scattered spotting, 20th century wrappers, slim 4toQty: (2)

Guidott (Thomas). A Discourse of Bathe, and the hot waters there. Also, some enquiries into the nature of the water of St. Vincent’s Rock, near Bristol; and that of Castle-Cary. To which is added, A century of observations, more fully declaring the nature, property, and distinction of the Baths. With an account of the lives, and character, of the physicians of Bathe, 3 parts in one, 1st edition, London: Henry Brome, 1676, [30], 200pp., additional engraved title (A2) and three plates (one with repaired closed tear), without A1 'Frontispiece explain'd' and also lacking folding map, some toning, few marks and occasional marginal fraying, later free endpapers, armorial bookplate of Francis Woodhouse of Aramstone to upper pastedown, contemporary calf with mottled wear to leather surface of boards, later cloth joints, 8vo (Wing G2192; ESTC R10888), together with: Jorden (Edward & Guidott, Thomas), A Discourse of Natural Bathes, and Mineral Waters. Wherein, the original of fountains in general is declared. The nature and difference of minerals, with examples of particular bathes. The generation of minerals in the earth, from whence both the actual heat of bathes, and their virtues proceed. By what means mineral waters are to be discover’d. And lastly, of the nature, and uses of bathes, but especially, of our bathes at Bathe, in Somerset-shire. By Edw. Jorden, Doctor in Physick. The third edition, revised and enlarged; with some particulars of the authors life. To which is added, An appendix concerning Bathe, wherein the antiquity, both of the bathes and city, is more fully discours’d; with a brief account of the nature, and the virtues of the hot waters there, 3rd edition, 2 parts in one, Imprinted at London: and are to be sold by Thomas Salmon, bookseller in Bathe, 1669, [24], 167, [11], 60pp., faint early signature to title, one folding table with repaired closed tears, without final leaf Q8 (errata), browning and scattered spotting throughout, margins frayed, lower outer corner of title torn with slight loss and final leaf of text torn to upper outer corner with loss of page number, modern blind panelled light brown calf, small 8vo (Wing J1074; ESTC R19762)Qty: (2)

Pryce (William). Archaeologia Cornu-Britannica; or, an essay to preserve the ancient Cornish language; containing the rudiments of that dialect, in a Cornish Grammar and Cornish-English vocabulary, compiled from a variety of materials..., 1st edition, Sherborne: printed by W. Cruttwell, 1790, diagonal crease to initial three leaves, half-title and final blank discarded, contemporary manuscript notes to rear free-endpaper, front pastedown with bookplate of Davies Gilbert of Tredrea, Cornwall & Eastbourne, Sussex, and also bookplate of Trelissick Library, contemporary half calf, blind decorated spine, upper joint cracked, extremities rubbed, 4to, together with: Carew (Richard), The Survey of Cornwall. And an epistle concerning the excellencies of the English tongue ... with the life of the author, new edition, London: B. Law & J. Hewett, 1769, contemporary marbled calf, rebacked, morocco title label, 4toQty: (2)Footnote: Archaeologia Cornu-Britannica is the earliest individually published work on the Cornish language.

An Aesthetic Movement rosewood and marquetry Davenport desk, hinged rectangular superstructure above a slope top with inset tooled writing surface enclosing a small drawer and pigeonholes, four drawers to side, blind to verso, inlaid with an urn and ribbon-tied trailing bell husks, turned supports, casters, 89cm high, 56.5cm wide, 54cm deep, c.1900

A 19th century Chippendale design mahogany library bookcase on stand, outswept cornice with dentil capital above a pair of glazed doors enclosing two adjustable shelves, the projecting base with rectangular top above a blind fretwork frieze, tapered square legs, spade feet, 181.5cm high, 106.5cm wide, 50.5cm deep

A late Victorian Eastlake style sofa, rectangular back crested by a shaped pediment incised with a lyre and flanked by turned pilasters, the arms terminating in draught-turned roundels above stylised foliate blind fretwork, turned feet, 135.5cm high, 206cm wide, 140cm wide and 52cm deep, c.1890

° Breydenbach, Bernard von - Peregrinationes in Terram Sanctam. Speyer: Peter Drach 24th November 1502, Chancery folio, 55 lines (variable), initial spaces, 10 leaves of woodcut views of cities, 13 woodcuts of Near Eastern peoples, animals, buildings & alphabetsCOLLATION: 71 of 94 leaves. Lacking A1 & 22 leaves of woodcut views ( the Parens & Corfu cuts, most of the Venice cuts, parts of the Modon, Candia, Rhodes & Jerusalem cuts ). 306 x 220 mm. Unrubricated; a few manuscript annotations. Binding: contemporary blind-stamped pigskin over unbevelled wooden boards, remains of two clasps (brass catchplates retained), edges plain (Kyriss shop 127: Ulm, Conrad Dinckmut ?). PROVENANCE : Unidentified religious house: "Monstrance" group; near Ulm ? (Monstrance brand ) - Bettenbrun, Collegiate (Church inscription).The third Latin edition, and the second by Drach at Speyer.REFERENCES : Proctor 11190; Adams B-2826 ; Fairfax Murray German 94. Donau Inc. 118.Provenance: Sotheby's Incunabula from the Court Library at Donaueschingen London Friday 1st July 1994

° Johannes de Verdena Sermones Dormi secure de tempore et de sanctis Speyer Peter Drach 1492?Chancery 4to double column, 42 lines + headline, initial spaces, 299 of 302 leaves. 210 x 150mm, rubricated in first few leaves only, initials, paragraph marks and capital strokes in red. Binding: contemporary blind-stamped deerskin over unbevelled wooden boards, lacking two clasps and catches, edges plain (Kyriss shop 130: Heidelberg) PROVENANCE Joannes Gallus Hibler (inscription) Villingen, Franciscans (inscription) REFERENCES H 15955*, Goff J -464, Not in BMC. Donau Inc. 437Provenance: Sotheby's Incunabula from the Court Library at Donaueschingen London Friday 1st July 1994

° Martinus Polonus - Margarita decreti seu tabula martiniana. Strassburg [ Printer of the 1493 "Casus breves decretalium" (Georg Husner ?] 1493; Chancery folio. Double column, 52 lines,initial spaces,some with printed guides. COLLATION 104 of 106 leaves the last leaf blank. Lacking a2 and blank r8. Title Page Title Page Margarita decreti seu tabula martiniana decreti. Colophon, r7v Impressa Argentine Anno domini MCCC.xciiiREFERENCES HC 10847* , Goff M -327, BMC. I 160 ( IB 2329 ) Polain 2626, Donau Inc. 347with Johannes Nivicellensis (pseudo-) Concordantiae bibliae et canonum. Modus legendi abbreviaturas in utroque iure. Basel Nicolaus Kesler 22nd June -12th July 1487 Chancery folio. Double column, 51 lines + headline, initial spaces,some with printed guides. COLLATION 75 of 98 leaves the final leaf blank. Lacking H6, quires I-L. Title - page Concordantie Biblie & Canonum cum Titulis totiusque Iurisciulis. First Colophon lacking ; second colophon : Impressus per Nicolaum kesler. Anno Domini Mccc.lxxxvii. Quarto idus mensis Iulii.The missing leaves of pseudo-Nivicellensis were never bound in; they contain the concordances for the gospel of John, the Pauline and Catholic Epistles, and Apocalypse.REFERENCES HC 9416* , Goff J -380, BMC. III 765 ( IB 37591 ) Sack 2105, Donau Inc. 512289 x 203 mm. Rubricated The first work unrubricated; headlines, chapter headings, and colophon in the second work heightened with yellow wash, alternating red and blue paragraph marks, one red lombard at the beginning of the Tituli decretalium (m l r). Binding : contemporary blind-stamped and roll tooled half pigskin over unbevelled beech boards, edges plain, centre splayed brass clasp, spine lettered in ink. Two works bound in one volume ,the first lacking 1 text leaf and the second 23 leaves, as described above. lower flyleaf partially cut away, occasional light soiling, some dampstaining at the end, small worm trails in gutters of outer leaves. Head of spine repaired.Provenance: Sotheby's Incunabula from the Court Library at Donaueschingen London Friday 1st July 1994

° Kerner, Anton [translator], and, Oliver, F.W - The Natural History of Plants their Forms, Growth, Reproduction and Distribution. 2 vols. Complete with a quoted 200 text illustrations and with 16 coloured plates, many of which have informative or illustrated guards. Blind tooled half morocco and pebbled cloth. Gilt panelled spine with devices and letters direct. Gilt top edge and floral end papers. Blackie & Son, London, 1894.

° Goltzius, Hubert - Romanae et Graecae Antiquitatis Monumenta, e Priscis Numismatibus Eruta ... pictorial engraved title (by Rubens), pictorial engraved supplementary title,engraved illus., half title; XIV, (10), 288, (50)pp. and errata leaf; (8), 159pp.; contemp. blind stamped vellum, newly rebacked and with black labels, tall 4to. Antwerp: ex officina Platiniana Bathasaris Moreti, 1645

° Dionysius, Periegeles - (Gk title). Orbis Descriptio, annotationibus Eustathii, Henr. Stephani, necnon Guilielmi Hill Commentario ..... 8 folded maps (incl. the spheres plate); text engravings; old blind ruled calf, sometime rebacked gilt lettered panelled spine, old marbled e/ps., cr.8vo. typis M. Clark, impensis R. Littlebury, R. Scott (and two others), 1688

° [Holy Bible] The Bible: translated according to the Ebrew and Greeke.... (Geneva version). pictorial engraved title, head and tailpiece decorations and decorated initial letters, black letter, NT. pictorial title dated 1610, Genealogies with pictorial engraved tables, d-page Canaan map, Concordances title dated 1611, as is colophon; newly rebound chocolate blind ruled morocco, gilt lettered panelled spine, marbled e/ps., tall cr. 8vo. by Robert Barker, 1611

° The English Hexapla: exhibiting the six important English translations of the New Testament Scriptures ... preceded by an historial account .. publisher's blind-decorated morocco,gilt-lettered panelled spine, marbled e/ps., thick roy.4to. Samuel Bagster and Sons, 1841

° [Du Bartas, Guillaume de Saluste. His Divine Weekes and Workes] i.e. lacks title. engraved part title devices, 2 full-page text engravings, The History of Judith part title,engraved head and tailpieces & other text decorations; old calf, sometime rebacked blind-decorated & gilt-lettered spine, thick cr.8vo.

° Visscher, Nicolaus - Afbeeldingen der Voornaamste Sacrum Historien, soo van het Oude als Nieuwe Testament ... pictorial engraved and printed titles (with vignettes), rectos ofeach text leaf with pictorial illus. at head (i.e. 206 in all); old blind-ruled and stamped vellum, panelled spine with maroon label, folio. Amsterdam (ca.1700)

° Pope, Alexander - The Odyssey of Homer. Translated by Alexander Pope, Esq. new edition, 2 vols, 3 engraved plates: old blind-decorated and gilt-ruled calf, gilt-decorated spines with green labels, roy.8vo. 1802

° Comes, Natalis - Mythologiae, sive Explicationis Fabularum ... Addita Mythodogiae Musarum, a Geofredo Lincerio ... engraved title device, decorated initial letters: (16), 1137, (54),1138-1194pp.; recently rebound half morocco and marbled boards, blind-decorated and gilt-lettered panelled spine, cr.8vo., Frankfurt a Main: apud haeredes Andreae Wecheli, 1584

° The Booke of Common Prayer ... for Use of the Church of Scotland. title (within an elaborate decorated border) printed in red and black with engraved device, head and tailpiece decorations,historiated and decorated initial letters, mostly black letter, The Psalter title dated 1636; newly rebound half calf and marbled boards, gilt-lettered panelled spine, with blind decorations, roy.8vo. Edinburgh: printed by Robert Young ... 1637

° The Book of Common Prayer, and Administration of the Sacraments ... gilt decorated red calf, sometime rebacked gilt-panelled spine, roy.8vo. Cambridge: printed by John Baskerville ...1762; sold with: Novum Jesu Christi Testamentum. Interprete Sebastiano Castellione ... engraved pictorial & printed titles; contemp. blind-ruled & decorated vellum, thick sm.8vo. Amsterdam, 1681

° Watts, Isaac - Divine and Moral Songs for Children. illus. throughout ('in the new graphotype engraving process') by W. Holman Hunt (and others); (?) publisher's gilt and blind decorated cloth, ge., 4to. James Nisbet (ca. 1875);Watts, Isaac - The Psalms of David, imitated in the language of the New Testament....contemp. blind decorated calf, sometime rebacked with decorated and panelled morocco spine, 8vo. 1826; and also two others by this author

° Hobbes, Thomas of Malmesbury - Leviathan, or The Matter, Form, and Power of A Commonwealth Ecclesiastical and Civil, 3rd edition (with upside triangle of 25 devices grouped in 5 rows on title), folio, contemporary calf, later rebacked, with blind-decorated and panelled spine, gilt-lettered direct, 4to, with engraved title and folding table, Andrew Crooke, London, 1651, [but Amsterdam 1680]

° Beckford, William - Vathek. Translated from the original French. 3rd edition, revised and corrected. Complete with frontis engraving. Heavily blind tooled, diced calf with panelled and decorated spine and two morocco labels. Marbled edge and end papers. W. Clarke, London, 1816.

Shiells, Sarah. Ann Yearsley. The Bristol Milkwoman. Mezzotint, 445 x 325cm., engraved by Joseph Grozer. “Publish’d as the Act directs May 16th, 1787,by Sarah Sheills Lambeth Terrace; Mr. Dickinson & Mr. Boydell Cheapside.” Early impression framed and glazed, and Sir Joshua Reynolds (after). Jane (Fleming), Countess of Harrington. Mezzotint, 600 x 386cm., some scattered spotting in the margins. Framed and glazed. Proof before letters with ‘Colnaghi” blind stamp in the lower margin.

° Roberts, Charles. [Ed.] Calendar Genealogicum. Henry III. and Edward I. Two volumes, Published by Authority of the Lords Commissioners of Her Majesty’s Treasury, under the Direction of the Master of the Rolls. 1865. Folding facsimile in volume one.Library labels on the inside front covers, but no other stamps or labels. Original blind-stamped cloth bindings, the covers slightly mottled. Some offsetting to the title page of volume one, otherwise a nice set; Jourdain, Charles. Mémoire Sur Les Sources Philosophiques des Hérésies d’Amaury de Chartres et de David de Dinan. Paris, Imprimerie Impériale, 1870. An offprint from the second part of volume 26 of the ‘Mémoires de l’Académie des Inscriptions et Belles-Lettres.’Library labels on the inside front covers, but no other stamps or labels. Cloth binding, titled in gilt on the spine, with the original blue wrappers bound in; Gams, Pius Bonifacius. Series Episcoporum Ecclesiæ Catholicæ, Qua Series, Quæ Apparuit 1873 Completur et Continuatur Ab Anno Ca. Ad 20. Febr. 1885. Regensberg, 1886.Text in Latin. Library labels on the inside front covers, small library stamp on the front free endpaper, but no other stamps or labels. Contemporary cloth binding, the covers faded and most of the spine missing, but joints firm, bound with Urbis et Orbis Extensionis seu Concessionis Officii et Missae addito Doctoris Titulo ad Universam Ecclesiam in Honorem b. Alberti Magni Confessoris Ordinis praedicatorum et episcopi Ratisbonensis. Small folio, Regensberg(?) 1931.Text in Latin. Library label on the inside front covers, but no other stamps or labels. Contemporary quarter cloth binding, the spine fade, the covers rubbed and worn. (4)

A George IV mahogany sideboard, circa 1825, of break-bowfront outline, 95cm high, 191cm wide, 69cm deep Provenance: Private Collection, The Old Rectory, Gloucestershire Purchased from T. G. Wilkinson Ltd, Petworth, in 1999. Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracksChips and lossesPlease note this was designed without handles all the drawers and the cupboard door are 'blind' there are three keys present (one for each of the locks) and these are operating the locks at time of report. Without the keys it is a challenge to open the elements. the frieze drawer to the kneehole area is fully blind and there is no key - there is a small indentation to the underside where there is effectively access to openThe drawer to the side is a cellaret drawer and the lining here is ripped and with losses, the underlying timber also with losses and signs of wear and water stainingThere has previously been a rail fitted to the rear, this is missing but the metal sockets remain to the top, there are old marks and darker colour to the timber in these areas alsoOverall this sideboard is solid and stable on its legs Please refer to additional images for visual reference to conditionCondition Report Disclaimer

A George IV mahogany sideboard, circa 1825, with bead mouldings throughout, the central blind frieze drawer stamped 'GILLOWS.LANCASTER', 107cm high, 214cm wide, 72cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses to veneers and timbers. One rear corner of the up-stand with losses to veneers. There are some losses and old knocks and scratches to the bead moulded edge.With divided cellaret drawer to one of the plinths, this with marks and stains from use, this drawer containing a number of screws presumed to secure the elements together when installed in a domestic setting - the items have only even been balanced whilst at Dreweatts for the photograph and view. Whist overall the stable there is some rotation to the top.The top with old marks, stains, scratches, abrasions, some indentations also The lock to the cellaret drawer is later, there is no key, there are no keys to the pedestal doors either - all elements are unlocked at time of report Please refer to additional images for visual reference to condition Condition Report Disclaimer

A Regency mahogany side cabinet, circa 1815, the central pair of pleated silk doors opening to a shelved interior, flanked by a doors opening to a shelf and a fitted drawer to one side, and a door opening to three sliding trays to the other, 92cm high, 168cm wide, 48cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and use,This did not originally have any handles, these were conceived as blind frieze drawers - the handles are therefore later additions and not how this piece was conceived, they are however stylistically correct for the piece. The silk pleating is probably more recent, this almost certainly had it originally this was probably restored when the handles were fitted, the piece also has a polished appearance suggesting a restorer has had this previously. The drawer linings with stains and marks, the cellaret drawer previously divided, these divisions have been cut back, there are also losses to the lining. This has all three slides. Old splits and cracks, some repairs and restorations to veneersNo keys present The top is a finer cut of mahogany than the remainder - there is some colour variation overallCondition Report Disclaimer