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Press Packs- Johnny Mnemonic, The Rescuers, Papillon, Terminator 2, Return of the Living Dead part 2, Flipper, Short Circuit, 007 License to Kill, Robin Hood Men in Tights, 007 The Living Daylights, Lethal Weapon 2, Champions, Lochness, Ace Venturer Pet Detective, James and the Giant Peach, The Bear, Blind Date, Beverly Hills Cop 2, Halloween Chain Reaction, The Aristocats, Peter Pan, Ghostbusters 2, Disney Robin Hood, Surviving Picasso, Tin Cup, The Crucible, Father of the Bride 2, Prince of Darkness, 2010, Demolition Man, Mary Poppins and film magazines including Indiana Jones, Good Morning Vietnam, Film News, Ghostbusters, Lord of the Rings, Nightmare on Elm Street 3, Cinifex, Cinemagic magazines and Iron Maiden Killer World Tour 81 programme. Freddy's Dead 3D glasses

A mahogany-framed deep-seated side chair, in the manner of Thomas Chippendale, upholstered in velvet and raised on blind fret carved supports, 60cm wide 62cm deep 96cm high

A George III mahogany open armchair, in the Chippendale style, with blind fret carved supports united by pierced stretchers, 72cm wide 80cm deep 108cm high

A mahogany open armchair, 18th century and later, with pierced and carved acanthus leaf back, over open arms and on blind fret carved legs united by stretchers, 62cm wide 52cm deep 97cm high

Herbert Thomas Dicksee RE (1862-1942) 'MY LADY SLEEPS' (YOUNG GIRL LAYING AGAINST AN ENGLISH MASTIFF) Original etching on vellum, signed artist's proof, edition of 300, no other state, plate destroyed, published by Frost & Reed, 1905, with blind stamp image 24.8 x 49.5cm

A Chinese Chippendale-style mahogany chair , 18th century, with a carved top rail over blind fret cut supports and a shaped stretcher, 62cm wide 60cm deep 98cm high

A Flemish tortoiseshell inlaid cabinet on stand , early 19th century, with cut pewter border decoration, with raised superstructure and figure finial, eight side drawers and central cupboard with a mirrored interior and a blind pediment drawer, on a table base with stretchered and carved legs, 112cm wide 51cm deep 200cm high

Herbert Thomas Dicksee RE (1862-1942) 'THE KING' (LION SURVEYING HIS KINGDOM AT NIGHTFALL) Original etching on vellum, signed artist's proof, edition of 400, published by Frost & Reed, 1902, with blind stamp image 50 x 53.5cm Exhibited: Royal Academy, 1902, no.1356. Provenance: purchased from daughter's art dealer.

A Louis Philippe figured walnut commode, with dark flecked black marble, a blind frieze drawer and three further drawers, on shaped bracket feet, 128cm wide 57cm deep 99cm high Provenance: Upper Swell Farm, Gloucestershire.

Herbert Thomas Dicksee RE (1862-1942) 'READY!' (RECUMBENT TERRIER AWAITING A GAME WITH A BALL) Original etching on wove, signed artist's proof, edition of 325, published by Frost & Reed, 1928, with blind stamps image 32.5x 54cm

[PANORAMA] Line of March of a Bengal Regiment of Infantry in Scinde. London, Ackerman & Co, n.d. [circa 1830]. Publisher's cloth sleeve stamped in blind and titled in gilt, lacking ties. Concertina of 22 hand-coloured lithograph sheets, 3 1/8 x 12 3/4 inches (7.75 x 32 cm) each, totalling over 280 inches in length (7 Meters). The title is mounted to front pastedown and the last panel to the rear paste-down, which is detached from the rest; otherwise bright and clean

Herbert Thomas Dicksee RE (1862-1942) 'HER FIRST LOVE' (YOUNG GIRL KNEELING BY FIRESIDE, EMBRACING A LARGE DOG) Original etching on vellum, signed artist's proof, edition of 250, published by Frost & Reed, 1897, with blind stamp image 48 x 59.5cm Exhibited: Royal Academy, 1897, no.1626.

Herbert Thomas Dicksee RE (1862-1942) 'ON VELVET' (PUPPY SLEEPING) Original etching on wove, signed artist's proof, edition 325, published by Frost & Reed 1922, with blind stamps image 23.5 x 39cm

Herbert Thomas Dicksee RE (1862-1942) 'STARTLED' (TIGER) Original etching on Japanese vellum, signed artist's proof, edition of 320, published by Frost & Reed, 1919, with blind stamps image 48.3 x 73.7cm Exhibited: Royal Academy, 1919, no.1300.

A Chinese bronze 'shou' three tier square box, 19th century, decorated with shou medallions and a blind fret work design, the square base with stamped mark and four buttoned shaped feet, H.10.3cm

A George III mahogany display cabinet, with blind fret carved swan neck pediment and two astragal glazed doors over two short and one long drawer, on ogee bracket feet, W.4ft 7in. D.1ft 8in. H.8ft 3in.

A George III mahogany chest on chest, with fretted swan neck pediment, blind fret carved frieze, three short and three graduated long drawers over three further long drawers, on bracket feet, W.3ft 9in. D.1ft 10in. H.6ft 10in.

A Victorian giltwood overmantel mirror, with arched top and blind fret carved pilasters, W.4ft 9in. H.6ft 1in.

§ Laurence Stephen Lowry (1887-1976)limited edition printBritain At Playsigned in pencil and blind stamped18.5 x 23.75in.

A QUANTITY OF ASSORTED WEST MIDLAND AREA BUS DESTINATION BLINDS, West Midlands Travel Perry Bar garage lower (via) blind dated 1987, a Travel West Midlands Perry Bar and Hockley garages upper blind dated 1998, a West Midlands Travel Wolverhampton lower (via) blind dated 1988, unmarked blind with assorted Birmingham and Black Country destinations and a First Midland Red Kidderminster garage Mercedes Minibus blind dated 1998, all appear complete and in ex use condition (5)

FOUR ASSORTED BUS DESTINATION BLINDS, Greater Manchester Transport Altrincham garage via blind dated 1986, (has been cut at both ends, one or two destinations appear to be missing and has some loose pieces), a Stagecoach Ribble Chorley garage blind dated 2000, a First Provincial Hillsea garage blind dated 1997 and a Wilts & Dorset North (salisbury) area blind dated 2004, all accept the GMT blind appear complete and in ex use condition

A 9CT GOLD CASED WRISTWATCH AND TWO ADDITIONAL POCKET WATCHES, firstly the wristwatch has a deteriorated Arabic number dial, fifteen jewel hand wound movement, fitted in a Stolkace case stamped 375 Chester 1943, fitted with a black strap, approximate gross weight 24.7 grams, secondly a Non-magnetic Watch Co. Of America pocket watch, white dial with Roman numeral markers and a subsidiary dial, case stamped with Swiss marks 0.800, approximate width 52mm, fitted with a mixed metal Albert chain, lastly a sterling silver pocket watch, damaged white Roman numeral dial, case back decorated scrolling acanthus leaf and a blind cartouche, stamped London import 1909, fitted inside an adjustable Daptabel watch case holder and strap, approximate gross weight 120 grams (without Albert chain, watch case holder and strap)

AN EARLY 20TH CENTURY GOLD OPEN FACED WALTHAM MASS POCKET WATCH, white Roman numeral dial, approximate 38mm case, case back stamped engraved with floral and foliate design and a blind cartouche, both inside the case back and dust cover stamped 10C, approximate gross weight 46.7 grams

Bernard McMullen limited edition print with double blind stamp & signed in pencil ' Albert bridge, The irwell manchester'

Bernard McMullen limited edition print with double blind stamp & signed in pencil 'Easter parade, Bellevue'

Bernard McMullen limited edition print with double blind stamp & signed in pencil 'Piccadilly'

Bernard McMullen limited edition print with double blind stamp & signed in pencil ' Albert square manchester'

SALVADOR DALI 'Crucifixion', lithograph on BFK Rives paper, signed in the plate, with artist's blind stamp, 492/2000, 66cm x 50cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

Salvador Dali (1904-1989) DON QUICHOTTE EN CAMPAGNE, lithograph, numbered 153/300, blind stamp, signed in pencil, Galerie Artco COA verso, 40 x 62 cm

Charles Johnson Payne (Snaffles) (British, 1884-1967): '1915-16 That far, far-away Echo', colour lithograph, black and white remarque top left margin of a horse in a stable, snaffle bit blind stamp lower right margin, pencil signed to lower left margin, 24 by 35cm, glazed and framed, 54.5 by 64cm.

A signed Cecil Charles Windsor Aldin print, The Dover Road, The Bull At Dartford, with Lawrence & Bullen Ltd. blind stamp to margin, no. 122, 42 x 62cms, framed

A signed Cecil Charles Windsor Aldin print, The Exeter Road, The White Hart At Hook, with Lawrence & Bullen Ltd. blind stamp to margin, no. 123, 41 x 61cms, framed

DEATH NYC (20th/21st century) AmericanChupa ChupsArtist's proof print, signed, dated 2019, with Death & Co New New City artery blind stamp, with certificate of authority, framed and glazed. 45 x 32 cm. CONDITION REPORTS: Slightly loose to frame.

A Chinese carved hardwood plant stand, the square top with a blind fretwork border over a frieze and cabriole legs, highlighted with carved foliates, 59cm high

A George lll mahogany chest on chest, fitted brass loop handles, the upper section with two short over three graduated long drawers, blind fret carved canted corners and dentil cornice, the base with three graduated drawers and bracket feet, 192cm high x 105cm wide x 52cm deep

Vinyl - 26 UK / US Blues albums including rarities. Blind Blake Blues - In Chicago (UK Riverside Records 8804), Georgie Tom & Friends (UK Riverside Records 8803), Gertrude "Ma" Rainey - Mother Of The Blues (UK Riverside Records 8807), Jesse Fuller - San Francisco Bat Blues (UK Good Time Jazz Records LAG 574) + Big Bill Broonzy, Muddy Waters, Wynonie Harris, Paul Howard & Ralph Willis, Bessie Smith x 2, Jay McShann, B. B. King, Jimmy Reed, Blind Lemon Jefferson + others, different years and conditions.

19th century burr wood sarcophacus shaped wine cooler with lead fitted interior, hinged lid with blind fret frieze, tapered sides on skirted base, brass lock stamped Hobbs & Co. London, Lever, Machine Made, W71cm, D52cm, H60cm Condition Report Click here for further images, condition, auction times & delivery costs

Late 19th century Chippendale style mahogany kettle stand, serpentine square top with pierced brass gallery and blind fret carved drawer, the slender bell flower carved tapering supports with pierced corner brackets curved stretcher with spade feet, W33.5cm, D33.5cm, H68cm Condition Report Click here for further images, condition, auction times & delivery costs

Laurence Stephen Lowry RA (Northern British 1887-1976): 'His Family', limited edition coloured lithograph signed in pencil with Fine Art Guild blind stamp numbered CLF, printed number 330 pub. Adam Collection Ltd. 57cm x 73cm DDS - Artist's resale rights may apply to this lot Condition Report Excellent condition and colourClick here for further images, condition, auction times & delivery costs

Laurence Stephen Lowry RA (Northern British 1887-1976): 'Group of Children', limited edition offset lithograph in colours signed in pencil, pub. Adam Collection Ltd. with Fine Art Guild blind stamp DCD, printed number 323 (from an edition of 850) on lower margin 30cm x 28cm overall (unframed)Provenance: bought by the vendor from Adam CollectionDDS - Artist's resale rights may apply to this lot Condition Report Has distinctive border line where it has been previously framed. Can also see sellotape marks in two corners. Otherwise good condition and colour.Click here for further images, condition, auction times & delivery costs

Laurence Stephen Lowry RA (Northern British 1887-1976): 'The Beach', limited edition offset lithograph in colours signed in pencil, pub. Venture Prints 1973 with Fine Art Guild blind stamp HAF, printed number 652 verso 40cm x 63cm overall (with original Venture Prints leaflet) (unframed)Provenance: bought by the vendor from Venture Prints DDS - Artist's resale rights may apply to this lot Condition Report Very faint yellow around border line otherwise good condition and colourClick here for further images, condition, auction times & delivery costs

Laurence Stephen Lowry RA (Northern British 1887-1976): The Fever Van, limited edition coloured lithograph signed in pencil with Fine Art Guild blind stamp numbered HFD, 46cm x 54cm DDS - Artist's resale rights may apply to this lot Condition Report Reasonable colour. Overall yellow hue to the picture, otherwise good conditionClick here for further images, condition, auction times & delivery costs

Laurence Stephen Lowry RA (Northern British 1887-1976): 'Level Crossing Burton-on-Trent', limited edition coloured lithograph signed in pencil with Fine Art Guild blind stamp numbered CFH, 44cm x 58cm DDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs

Laurence Stephen Lowry RA (Northern British 1887-1976): 'Woman with a Beard', limited edition coloured lithograph signed in pencil with Fine Art Guild blind stamp numbered EKK, 61cm x 50cm; 'Woman with a Beard' - Preliminary Sketch, limited edition monochrome lithograph signed in pencil with Fine Art Guild blind stamp numbered DCL, 26.5cm x 15cm (2)DDS - Artist's resale rights may apply to this lot Condition Report Overall yellow hue otherwise in good condition Click here for further images, condition, auction times & delivery costs

A George Cunningham 'Pinstone Street' Limited Edition Colour Print, of 500 32 x 43.5cm. another 'Fulwood Village' both blind backstamped. (2)

London.- Pictorial Times (The) The Grand Panorama of London, from the Thames, wood-engraving on three sheets, joined, torn along two folds without loss, minor finger soiling and a few scattered faint spots, folding concertina-style into original gilt- and blind-embossed cloth boards, spine splitting, rubbed and a little faded, 8vo., Charles Evans, n.d. [1844].

London.- Bacon (George W.) Bacon's New Large-Scale Atlas of London and Suburbs..., complete with title, contents, three sets of index, key map of London, 25 double-page maps, six geological maps of London, a Railway map of London, and 4 double-page facsimiles of Aggas's Ancient London, lithographs with some hand-colouring, each approx. 350 x 525 mm. (13 3/4 x 20 3/4 in), occasional finger-soiling, surface dirt and minor browning, original cloth, tooled in gilt and blind, rubbing and worn, folio, 1895.

England & Wales.- Walker (John) Map of the Inland Navigation, Canals, and Rail Roads with the Situations of the various Mineral Productions throughout Great Britain, large detailed folding map with calligraphic title and dedication, compass rose and table of explanation, and inset map of Scotland in the upper right, engraving with outline hand-colouring, 1940 x 1580 mm. ( 76 1/4 x 62 1/4 in), dissected and mounted on linen, off-setting, browning and surface dirt, edged with green linen, folding with marbled ends, presented in contemporary red morocco book-style slipcase, gilt and blind tooled, rubbed and worn, 4to, 1830.

* Saint-Aubin (Gabriel-Jacques de, 1724-1780). Young woman seated, holding a fan in her right hand, black and white chalk on blue prepared paper, blind-embossed collector's mark to lower left corner, 24.4 x 19 cm (9.6 x 7.5 ins), antique gilt moulded frame, glazed (Qty: 1)NOTESProvenance: Collection of Baron Heyndel, Herren auf Latacz, Poland; Gilhoffer & Ranschburg, Luzern, Switzerland, Handzeichnungen Alter Meister aus Zwei Privatsammlungen, 28 June 1934, lot 256; Collection of Michael Jaffé (1923 –1997), former director of the Fitzwilliam Museum, Cambridge. When sold In Lucerne in 1934, this fine French Rococo drawing fetched 4200 swiss francs (plus 15%) the second highest price in the auction, behind a drawing by Albrecht Durer. Along with the Durer, it was one of only two lots illustrated in colour as frontispiece to the catalogue.

ARR Opie (Julian, 1958-). Twenty Six Portraits, 2006, the complete set of 26 prints in colours, comprising 16 colour lithographs bound in, 5 lambda prints and 5 colour screenprints tipped-in (all as issued), published by Alan Cristea Gallery in 2006 in an edition of 250, with text by the artist, signed by the artist and numbered 152/250 to colophon at rear of volume, sheet size 42 x 30 cm (16.5 x 11.75 ins), bound in cream cloth, lettered in black to spine and in blind to upper cover (one or two minor marks to spine), with publisher's blue cloth slipcase (marked), folio (43 x 30.5 cm, 17 x 12 ins) (Qty: 1)NOTESCristea, Julian Opie, The Complete Editions, 95.

A Japanese carved wood netsuke, Meiji, modelled as a seated blind beggar, signed Gyokuzan, 4.5cm high

An 18th century style gilt gesso and carved wood pier glass and console table, serpentine fronted with open scrolls and heavily moulded foliate cabriole legs, in the Rococo style, the mirror with strapped and scrolled Chippendale foliate and shell motifs and blind trellis apron, mirror 100cm high, 64cm wide, table 110cm wide, 74cm high, 43cm deep

(XIX-XX). A monochrome architectural print of 'The Ruins of Hadrian's Temple' after GIOVANI BATTISTA PIRANESI, with a blind stamp of Regia Calcografia di Roma, in a later ebonised frame, 32 x 43 cm

Elizabeth Bairstow, flower studies to include 'August Storm', 'Peeping Pansy 2', 'Autumn Selection', watercolour; together with a colour print 'Summertime' numbered 206/500, 42x52cm, with blind stamp

A mahogany three-quarter gallery desk, two blind drawers, on turned legs, 98cmW

A mid century retro Austinsuite teak wood dressing table and chest of drawers being raised on tapering legs with a series of angular blind fronted drawers. Matching wardrobes in lot 1070

An Edwardian mahogany shoe cupboard. Raised on squared legs with pad feet having twin doors with shelves set inside. The fielded panel doors with blind fret dentil and flared top and stub stage gallery back. Measures 85 cm high x 93 cm wide x 50 cm deep.

Vinyl long play LP record album by Blind Faith – Blind Faith – Original Polydor 1st U.K. Press – Stereo – 583059 – VG+.

A mahogany cased barometer thermometer, circa 1915, blind fret carved, 87cm high, with applied presentation inscription.

Robert Lenkiewicz (1941-2002) 'Blind Tobit looking at the Angel', Project 21, oil on canvas signed and titled verso framed and glazed, 49cm x 59cm. Project 21 was a small project of paintings painted blind. Tobit is usually presented as an allegory of faith persisting through poverty and misfortune, most famously by Rembrandt in the National Gallery’s Anna and the Blind Tobit (1630). In his Blind Tobit, Lenkiewicz tried to detach his mark-making from a lifetime of acquired skill by painting blindfolded in a specially prepared studio.