177686 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
177686 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
177686 Los(e)/Seite
A NEAR PAIR OF CHINESE BLUE AND WHITE PLANTERS, rectangular with bracket feet, the exteriors painted with lotus flowers and scrolling tendrils, the broad rim with a lozenge type band picked out with a flowerhead to each corner. Longer 17cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In good condition.
A 19TH CENTURY INLAID MAHOGANY AND OAK EIGHT DAY LONGCASE CLOCK, the 12 1/2-inch break-arch painted dial signed Peck, Wellingboro, the hood with swan-neck pediment and baluster columns, the case with canted corners flanking a door inlaid with a conch shell, the base with pad fret, raised on bracket feet. 225.5cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In generally poor condition. Lacking second hand. Dial does not fit securely. The case with cracks, splits and losses.
AN EARLY 20TH CENTURY MAHOGANY EIGHT-DAY LONGCASE CLOCK, of small proportions, the eight inch steel dial signed R Stewart, 4 Buchanan Street, Glasgow, and with switches for silent/chime and Wellington Westminster, the hood with blind fretwork-carved frieze over a pair of columns, the long trunk door with fiddle-back mahogany panel, raised on ogee bracket feet, complete with weights and pendulum. 183.5cm high
A GEORGIAN STYLE BURR WALNUT TALL BOY, the serpentine top with reeded edge over six conforming graduated drawers with brass handles and escutcheons, raised on bracket feet. 115cm high, 46.5cm wide, 38.5cm deepThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The drawer linings are oak ply on the bottoms with oak sides.
AN EARLY 18TH CENTURY FEATHERBANDED WALNUT SLANT-FRONT BUREAU, with quarter-veneered top and slope, the interior with pigeon holes, drawers and mirrored cupboard door, over two short above two long graduated drawers, with pierced brass backplate handles, raised on bracket feet. 101cm high, 91cm wide, 55.5cm deepThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Veneer faded, few marks and replaced veneer to top. Nibbles around the bureau opening, baize on supports need replacing. Good country house condition, commensurate with age.
~ A REGENCY ROSEWOOD TILT-TOP BREAKFAST TABLE, the rectangular top with rounded corners and beaded edge to the frieze, raised on a faceted tapering stem with reed moulding, issuing from a quad-form platform base with shell, leaf and claw carved feet. 73.5cm high, 152cm long, 121cm wideThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The top detaches. There is no extra leaf. The top is split and has been adapted with brass bracket beneath to accommodate the split.
AN EARLY 18TH CENTURY FEATHERBANDED WALNUT CABINET ON CHEST, the upper section with a pair of glazed doors, the base with two short over two long graduated drawers, with engraved brass handles and escutcheons, raised on bracket feet. 182cm high, 106cm wide, 48cm deepThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Various repairs and replacement of veneer. Some veneer loss and lifting. Escutcheons possibly replaced at some stage with age, no key.
An early 18th century walnut chest; the quarter veneered chevron banded top with thumbnail moulding above, four full-width graduated drawers, raised on high bracket feet (93cm wide x 43cm deep x 85cm high)The pine back looks quite good and is patinated with age, it also has some vertical tape masking where the boards have shrunk. The top is quarter veneered and feather banded and exhibits some surface scratches and scuffs etc. The pine moulding around the top of the piece is also scratches and has had some staining/restoration at some stage in our opinion. This is shown on the front section at the top right of roughly 2cm section which looks like it may have been put in later. The bracket feet are probably later but appear to have been on there for quite awhile, there is some minor veneers away mostly from the carcass the sides of the drawers which in our opinion could be rectified fairly easily. It appears that the piece may have been cut at some stage, just underneath the top drawer as there are two lines going from front to back either side. The bottom drawer is slightly convex, drawers are oak lined and rolling front to back. The front looks to be a nice mellow colour. In the auctioneer’s opinion this would take a little restoration to bring it up to show room standard.
A Regency period gentleman's mahogany and boxwood-strung compactum; the inverted breakfront cornice above two panelled doors enclosing a shelf, with five full-width graduated drawers below flanked by gadrooning, panelled cupboard left and right, raised on shaped bracket feet (231cm wide x 63cm deepest x 183 high)
A late 18th century George III period mahogany linen press; the cornice above two panelled doors enclosing slides and further over two half-width and two full-width graduated drawers, shaped apron and on French-style slightly splaying bracket feet (135cm wide x 60cm deep x 204cm high)The doors aren’t warped, nice colour. Some scratching around the frieze area and it is noted that some small mostly 1cm sections of veneer have been replaced around the front carcass. There is a piece of tape on the bottom of the right hand foot from the front masking damage. On the left hand top side there are two 4cm sections of veneer away which would need to be addressed. There is some small stains to the right hand side although nothing dramatic. The cornice looks quite good and upon opening the doors the carcass is painted with a red ochre and retains what looks like the original slides, although the base and the top slide is now missing, (only three present). The drawers are oak lined and in our opinion a nice item but would need a little care to bring it up show room standards.
A 19th century mahogany and brass-inlaid eight-day bracket clock; white-enamel dial with Roman numerals above a brass inlay and a reeded base, the hinged door opening to reveal French movement (J. Marti, Paris) and striking on a gong, side sound holes with 'fish scale'-style brass grille and ring handles adorned in high relief with cornucopia (32cm high x 22cm widest point of base)
An early 19th century eight-day mahogany and brass-inlaid bracket clock; cream dial with Roman numerals and signed Thwaites & Reed, Clerkenwell, London, the gilded single fusee movement also signed to the backplate, the ornate gilded side handles decorated in high relief with cornucopia above arched fish-scale-style sound holes, raised on four gilt-metal ball-style feet, together with keys and pendulum etc. (41cm high x 25cm wide)The clock appears to be in working order with it's original key and pendulum, the movement appears to be original and is engraved with the clock maker's name which matches the name on the painted dial. There is a label on the inside of the clock case to say that the clock was overhauled by AA Osbourne and Son, London EC1 in May 1986.
A fine early 19th century ebonised cased bracket clock (in 18th century style); the brass finial above 4" silvered dial signed Denne, Lambs, Conduit Street, London, the dial with subsidiary seconds hand and with Roman numerals, the arch cornered by engraved foliate spandrels, the gilded movement also signed Denne, London and with a single fusee, raised on gilt-metal bun-style feet (23cm high) The case veneers dome top is cracked, lifting case has minor scratches and edge wear, the movement appears to be working.
A fine 18th century figured mahogany-cased eight-day repeating bracket clock; the broken-arch dial having silvered chapter ring with Roman numerals, with strike/silent and further subsidiary hand flanking left, signed to the arch William Hughes, High Holborn, London, the gilded twin fusee movement also signed and striking on a bell, with gilded brass carrying handle, raised on brass ogee bracket feet (33cm high)The case with veneer repairs to base, crack to rear door glass, various holes to backplate possible pendulum change ? (see extra images). It is a verge escapement.
A late 18th century mahogany chest on chest; the outset cornice above two half-width and six full-width graduated drawers, the upper drawers flanked by canted fluted corners, oak-lined drawers with original brass swan-neck handles, raised on high bracket feet (112cm wide x 54cm deep x 184cm high) (some restoration required)
A late 18th/early 19th century elm chest of small proportions, the hinged top above shaped bracket-style feet (71cm wide x 29cm deep x 44.5cm high)Condition Report: The right hand hinge on top has obviously been re-affixed on the lid and the two screws are bigger and different and as a result you have a 6” crack on the lid (see image). The grain, though not open has been taken back to the wood and possibly repolished on the actual top. The sides, front and back look like the original “skin”, the front right hand bracket foot has suffered to the base with woodworm (see image). The other side looks quite “white” as if it may have been in a tank at some stage (see image). Where the back is affixed at the bottom section again has discolouration and some splitting where the nails have been banged in. In the auctioneer’s view overall a nice colour but would need a little restoration to bring it back to original standards. The sides and front of the baseboard have obviously been fixed fairly recently commensurate with the broken nails etc.
A good 18th century North Country-style oak food cupboard of slim proportions; outset cornice above a frieze inlaid with a central horizontal lozenge motif flanked by two further smaller oval inlaid motifs and above two panelled doors with central panels having separated vertical uprights, the base section with two half-width drawers with kite-shaped escutcheons, two panelled doors below and raised on front bracket feet (with panelled sides) (106cm wide x 47cm deep x 198cm high)The top section comes away from the base section and is in two parts. We think this is stained pine sided although it looks original and doesn’t detract etc. The doors appear to be quite straight. The handles may be original but it looks like in some places they have been reaffixed. The item is in good general overall condition although it is noted that the rear of the left hand return moulding at the top has suffered damage (see image). Generally scuffs and scratches etc., commensurate with age. The piece looks quite original overall with a nice pleasing colour and patination with scuffing noted to the bracket feet at the front and stiles at the back. The piece has come from a private Estate and has been much admired at the saleroom.
Local Interest - The Radbourne Hall Steward's Account Book, an 18th century manuscript, the receipt accounts of German Pole (b. 1687) of Radbourne Hall, by his steward Francis Webb, Derbyshire, for 1741/42, comprising 146 ink MS receipts, a few of which are tipped-in or bound-in alongside the regular leaves, the whole illustrating of local Derbyshire gentry life during the reign of George II, contemporary speckled calf binding, the covers tooled in blind, the upper-cover indistinctly titled in ink MS, raised spine bands, oblong 8vo (10.5cm x 20.5cm), [1]Much of the first part are receipts signed for by various Derby pub landlords for the expense of providing food and drink for voters coming in from the surrounding areas to vote in the 1741 general election, in which Pole, a Jacobite, stood in the Tory interest. According to contemporary accounts, he was expected to win, but the Mayor and Chamberlains arbitrarily ordered the polls to close at lunchtime on the day, before those from out of town had been able to cast their votes, whereas most of the town voters had done so by then, thus enabling a Whig majority. He expended £183 ? 11s ? 6d in some twenty hostelries. John Every (landlord of the Ship, Full Street,) received and signed for £5, and was the father of Sir Edward Every of Egginton, 8th Bt. who succeeded a distant cousin. Another is a payment to George Bage at the Ostrich, Sadler Gate, father of the pioneering Enlightenment novelist Robert Bage and brother-in-law of Robert Bakewell. This expenditure appears to have ben funded by a £200 loan for Joyce Osborne, sister of William Osborne, builder of St. Mary?s Gate House in Derby and a first cousin. He makes one payment of interest of £8 in July 1742. The payments reveal three hitherto unknown Derby inns: the Count Tarlow, the Weavers? Arms and the Welsh Harp, all unlocated. Throughout the book are receipted payments to craftsmen and sup0pliers of materials relating the building of the present Radburne Hall, including two (@ total £55) to Derby master stuccoer Abraham Denstone the elder, three (@ total £13 ? 17s ? 0d) to Anthony Richardson of behalf of the celebrated joiner (George) Eborall, one of the architect William Smith?s regular craftsmen. Others include: Pair of mahogany round tables @ £1 ? 7s ? 0d from John Trimmer, a notable Derby cabinet maker Two loads of boards totalling 5,250ft of boards @ 2/6d per hundred [ft.] £2 ? 3s - 6d to Anthony Ryley A load of lime (for mortar) @ 4/6 Two fothers (?fudders?) of lead @ £21 from Mr. Wilkcockson of Wirksworth 650 solid yards of hardstone @ 4d per yard £10 ? 16s ? 8d £4 to John Whitehurst FRS of Derby (presumably for the bracket clock) And 10,930 bricks from Michael Bates @ 6/- per 1,000 (pre3sumably facing bricks) and a further 12,800 @ 5/- per 1000, paid in full £6 ? 9s ? 6d. This firmly established the building date of the present hall as 1741-1743.

-
177686 Los(e)/Seite