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177692 Los(e)/Seite
CARRINGTON & CO; an impressive large Edward VII hallmarked silver cigar box with raised acanthus leaf and scroll decorated hinged lid, with cast gadrooned rim and scallop shell thumb piece enclosing gilt washed and wooden lined interior, with foliate motif decorated corners, on bracket feet, London 1902, 30 x 19.5 x 11cm.Additional InformationGeneral surface wear and minor dirt commensurate with age overall with mild scratches and odd dints but mainly to the hinged lid which is a bit rippled and seems that there was an erased inscription, hallmarks slightly rubbed particularly the maker's marks are a bit illegible, the lid doesn't close properly, the right hand side front corners springs back up.
WINTERHALDER & HOFMEIER; a mahogany cased bracket clock with bevelled glass panels, the silvered chapter ring set with Roman and Arabic numerals, slow/fast and chime/silent dials and stamped 'Hahn Brighton', the movement stamped 'W&H SchS 4', height 25.7cm, and an Edwardian mantel clock (2). Additional InformationNeither clock tested, no guarantees of working order, the first with general wear and tear throughout, some spotting and dirt to the dial, scratches, applies to the second clock also, this clock also has a significant gouge and damage to the top, with crazing to the veneer.
A George V Art Deco silver cigarette box, Beddoes & Co, Birmingham 1933, of shaped rectangular form, raised on corner bracket feet, the lid with engine turned detail, initialed 'KR', opening to reveal two compartments, 7½in. (19cm.) long, heavy gauge silver, gross weight 29.5 tr.oz., *Condition:dent to front corner of lid, otherwise excellent condition with clear hallmarks.
An impressive silver plated copper footed punch bowl on stand, by Barker & Ellis of England, with chased floral and foliate decoration and cast rim with fruit, foliage and rocaille, standing on four foliate bracket feet, the bowl 16½in. (42cm.) diameter, the stand 21in. (53.5cm.) diameter, with twelve matching cups and a matched punch ladle. (15), *Condition:In very good condition, with just expected light surface scratching from use and polishing. No dings or dents. No significant wear to plating.
A George III mahogany bureau, the well figured fall front enclosing a fitted interior with central cupboard flanked by blind fret carved secret compartments, six pigeonholes and six drawers, over four graduated oak lined drawers with later pierced brasses, on shaped bracket feet, 41 x 20in. (104 x 50.75cm.), 41¾in. (106cm.) high.
An early Victorian mahogany tall five drawer chest, the deep top on carved floral pendant brackets over turned pilasters, flanking an ogee top drawer and four graduated drawers beneath with central turned handles, raised on ogee bracket feet, 30½ x 22¼in. (77.5 x 56.5cm.), 50½in. (128.25cm.) high, alterations.
An early 19th century Dutch walnut and marquetry table top vitrine, the arched top with central foliate carved surmount, over an arched glazed door enclosing an interior with four shelves, on a flared base with bracket feet and shaped apron, decorated throughout with floral marquetry, 21 x 7in. (53.25 x 17.75cm.), 29¼in. (74.25cm.) high.
An Edwardian mahogany and satinwood cross banded glazed corner low bookcase, the satinwood cross banded and boxwood and ebony strung top over a part astragal glazed and part open bookcase, with shell and husk marquetry borders, on shaped bracket feet, 53¾in. (136.5cm.) long, 27in. (68.75cm.) deep, 45¼in. (115cm.) high.
A George III cross banded oak mule chest, the moulded and mahogany cross banded three quarter-hinged top with shallow compartment beneath, over three banks of three graduated drawers with mahogany cross banding, original brasses and oval escutcheons, on shaped bracket feet, 59½ x 20¼in. (151 x 51.5cm.), 36in. (91.5cm.) high, alterations.
An 18th century oak longcase clock by Jeremiah Standring of Bolton with penny moonphase, the twin train bell strike movement with four knopped pillars, the square brass dial signed 'Jere. Standring Bolton', with brass Roman chapter ring and Arabic outer minute track, gilt brass foliate scroll spandrels, the matted centre with foliate engraving, date aperture at six and painted penny moonphase at noon, the case with swan neck pediment over a gilt and ebonised foliate frieze and fluted pillars, the trunk with fluted pilasters to the canted corners and serpentine door, raised on bracket feet, 85¾in. (218cm.) high.* With purchase note dated 1929 from Wollen, M.B.H.I., 137 Granby Street, Liverpool** Condition: Dial: Some tarnishing / scratch marking around chapter ring from contact with minute hand. Silvering to numerals in date aperture worn. Moonphase has some small scratches and heavier scratching / patches of worn paint to starry night section. Case: Chips to both front corners of the cornice and one to top of LH side of the broken arch. Finial later - it sits on a small mahogany bracket which may be a later 19th C addition. Some wear to painted frieze. Flaking to paint and a few small gesso chips to column capitals and bases. Trunk has some fading to colour and polish. Trunk door lock later. Some old scratches to centre of door. Base has a central vertical split to oak - possibly made in two pieces and this is separation. One weight is cast iron, the other lead. Some denting to pendulum. Movement appears original to case. With period winding key.
An 18th century oak longcase clock by George Womersley, the square brass dial signed to centre, with silvered Roman chapter ring with Arabic outer minute track, the centre with painted moonphase with lunar date beneath and engraved date dial at 6, decorated with engraved bellflowers, within gilt brass foliate scroll spandrels, fronting a chain driven twin train movement with outside countwheel bell strike, the case with swan neck pediment with central brass ball finial, over a deep plain frieze on turned pillars, the trunk with incuse arched door flanked by turned quarter columns, on a panelled base with short bracket feet, 86in. (218.5cm.) high.
An inlaid mahogany musical bracket clock by Knight & Gibbins of London, late 20th century, with J0210 eight day Kieninger three train 11 jewel movement with outside platform escapement, Westminster, Whittington and St. Michael chimes striking the hour, half hour and quarters on eight gongs, with strike-silent, no. 2200337137, signed white enamel dial with Roman numerals, in caddy top mahogany case with gilt brass acorn finial, quarter veneered and cross banded front door, on ogee and plinth base with brass plate feet, 14in. (35.5cm.) high., *Condition:Very good overall. Winds and runs. Strikes correctly. Case and dial in very good condition.
An 18th century mahogany eight day longcase clock by William Flint of Charing, Kent, the twin train movement striking on a bell, the arched brass dial signed to the roundel 'Willm. Flint Charing' (1733-1793), the matted gold dial with chamfered date aperture at six and silvered subsidiary seconds dial at twelve, pierced gilt hands, brass Roman numeral chapter ring with foliate scroll spandrels, the strung mahogany case with barbed arched top with barleytwist columns, over a trunk with canted corners, raised on bracket feet, 82¼in. (209cm.) high.
A late 18th century mahogany bracket clock with sweep calendar hand by John Massey of Lambeth, London, the twin fusee, 8 day engraved movement with original anchor escapement striking the hours on a bell, with strike/strike silent facility and pull repeat, the case of break arch form with carry handle, with circular convex painted dial, with Roman numerals and Arabic numerals 1-31 to the circumference, original brass fish scale fretwork to lower quarters and the sides, arched glazed door to rear, standing on brass ogee bracket feet, 15½in. (39.4cm.) high.* Condition: Clocks winds and runs. Repeat functioning correctly. Chimes correctly. Top of case has three removable panels allowing access to the top of the movement.No silk behind grilles. Both glass appears original. Putty missing from two edges of glass to rear door. Left hand side of rear door exterior is a replaced piece of beech veneer rather than mahogany. Old repairs and restoration evident to case. There are some shrinkage cracks and small repairs to veneers throughout and a few places where the veneer is lifting at edges. Brass rod moulding missing from left hand edge of front door. Dial good overall and original. Minor paint wear around winding holes, a few small scratches and small chip to centre. Minor contact scratching around chapter ring from hands.
A George I burr and figured walnut eight day longcase clock by John Carter of London, the arched brass dial with silvered Roman chapter ring and Arabic outer minute track, gilt brass mask spandrels and matted centre with silvered sub. seconds at 12, date aperture at 6 and harboured winding holes, signed to a silvered convex roundel to arch within a foliate border and gilt brass dolphin spandrels, fronting an eight day bell strike movement with five knopped pillars, the case with cavetto moulded arched top with three gilt brass ball finials, over a blind fret carved frieze and secondary step moulded arch, on gilt brass stop fluted columns, the trunk with moulded arched and feather banded door and cross banded sides, on a cross and feather banded base with shaped bracket feet, 92½in. (235cm.) high.
A Regency brass and mahogany double fusee bracket clock by F. Lawley of Bath, the eight day double fusee movement striking the hour on a bell, the signed and painted circular 8in. dial with Roman numerals, the rectangular case with shallow gadrooned top with brass finial, over a brass inlaid front and sides with foliate rosette ring handles and pierced brass scale fretwork grilles, raised on decorative gilt brass ball feet, 19½in. (49.5cm.) high. , *Condition:Very original condition - case is quite dirty but has a lovely colour. All brass inlays are complete. They are securely fixed overall - just two of the string inlays are lifting a little at the ends. Two chips to edge of gadrooned top to front and small chip to the back corners. Locks to dial glass and rear door working - key is rusty but original. Movement definitely original to case. A few old (inactive ) worm holes to top of back. Shrinkage crack down centre of right lower side of case, below the grille. Side moulding missing from the top right of case. Winds and runs but will almost certainly require cleaning and some work as it has not been serviced for decades. Winding key 20th century.
An early 19th century inlaid mahogany eight day Channel Islands longcase clock by Peter Poignand of St Helier, Jersey, the painted arched dial with Roman numerals, signed (worn), arched date aperture at 6 and subsidiary seconds dial at 12, within painted floral and foliate spandrels, the arch with painted autumn fruits, fronting a twin train four pillar movement with bell strike, the case with swan neck pediment with central turned finial, on turned columns with gilt capitals, the trunk with inlaid lancet arched door flanked by floret and pendant inlaid canted corners, on a cross banded base with bracket feet, 85¾in. (217.5cm.) high.
A Chinese export black lacquer table cabinet, early 19th century, with twin panelled doors and shaped bracket feet, decorated throughout with gilt chinoiserie scenes and Greek keyed borders, the interior with five drawers painted with gilt foliage, 14in. (25.5cm.) high, lacquer worn. , *Condition: Lacquer is flaking and peeling to the edges and corners throughout and there is a larger chipped area to the back right corner of the top. Gilt decoration worn to top and top of sides to exterior. Joint strip missing from RH door and back right foot missing. One turned handle chipped to drawer. Old vertical shrinkage crack to inside of LH door. Fair condition overall.
An antique Chinese lacquer wedding cabinet, the two doors with circular patinated brass lock plate and ring handles on shaped backplates engraved with bats, enclosing an interior with high level shelf with single drawer and other later shelves, raised on tall shaped bracket feet, 43½ x 23¾in. (110.5 x 59cm.), 70½in. (179cm.) high.
A 19th century mahogany and marquetry inlaid wall hanging candle box, of tapering form, the raised pierced bracket inlaid with the initials 'TC' within a double lined border, the front decorated with marquetry border, with star to centre, and hearts to each corner, 18 1/8in. (46cm.) high., *Condition:Good colour and patina to the wood. A little surface rust to cut steel pins and two small petals chipped off the rosette to back. Later socle.
Two Chinese porcelain blue and white covered epitaph or funerary boxes, rectangular with domed covers, painted with a flower and fruiting plant within diaper borders, raised on shallow bracket feet, the interiors with etched calligraphy, one with a partial red wax seal, the larger 4 1/8 x 3in. (10.5 x 7.7cm.). (2), *Condition: The example with wax seal with several glaze chips to top edge of base, some glaze wear to top of lid and glaze bubble to one corner of lid. The other with a few small glaze frits to top of base and some glaze bubbles along lid edges
ERHARD & SÖHNE ROSEWOOD AND GILT BRASS INLAID JEWELLERY CASKET, CIRCA 1900 of rectangular form with domes hinged lid, inlaid with reserves of fruiting vines and leaves, opening to a velvet-lined interior with removable compartment, the whole raised on bracket feet, stamped maker's marks and serial number 251 16cm wide, 11.5cm high Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
SIR ROBERT LORIMER (1864-1929) ARTS & CRAFTS FUMED OAK CENTRE TABLE, CIRCA 1920 the octagonal sectional top with pegged construction, above chamfered frieze on spirally tuned fluted and reeded supports with moulded collars, linked by curved and chamfered stretchers on moulded bracket supports 86cm diameter, 78cm high
MANNER OF ALEXANDER 'GREEK' THOMSON AESTHETIC MOVEMENT GREEK REVIVAL MAHOGANY TOILET MIRROR, CIRCA 1865 the oval moulded frame with mirrored plate, supported by anthemion carved uprights with Greek key carved decoration, on a shaped base with lappet carved frieze on bracket feet 77cm wide, 94.5cm high, 38cm deep
An Edwardian silver desk stand, rectangular tray form with gadrooned border and foliate bracket feet, two floral bordered compartments containing cut glass inkwells, the central candle holder with sconce and snuffer, J Parker, London 1905,with retailer' stamp, 22cm wide, 17.63ozt excluding wellsCONDITION:marks good
A George III mahogany chest on chest, decorated with blind fretwork throughout, the upper section with three short over three long graduated drawers, the base section with a brushing slide over three long graduated drawers, all drawers retaining original handles and locks, standing on bracket feet, 190cm high, 110cm wide, 60cm deep
A George III flame mahogany chest on chest, circa 1770, dentil cornice, two short over three long drawers flanked by chamfered and fluted pilasters to the upper section, the lower section with a brushing slide over three long drawers, pressed brass handles, bracket feet, height 197cm, width 110cm, depth 60cmProvenance: The Hall, Mappleton

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177692 Los(e)/Seite