JOHN MONKHOUSE, LONDON. A VERY RARE GEORGE III FOUR TRAIN MUSICAL BRACKET CLOCK the walnut case with bell top pediment above a pierced frieze and glazed door flanked by brass capped reeded quarter columns and brass side handles raised on brass ogee bracket feet. The 8" arched brass dial with gilt rococo spandrels and silvered chapter ring surrounding a matted centre with calendar aperture, the foliate engraved arch having subsidiary Strike/Silent and Chime/Silent dials below a signed cartouche and arched music selection dial inscribed "Cottillion, Aria, Minuet, Canlone, Conterdanza, Minuet" fronting a substantial eight-day movement with four fusee barrels and original verge escapement chiming the quarters on six hammers and chiming one of six tunes on the hour on 23 hammers and 12 bells, rear mounted 7" pin barrel fixed to the signed foliate engraved backplate68cm highThe movement, dial and case are all original to each other and the movement is complete, the case is in good condition and has been repolished with good colour and patina, the dials still retains the original gilding but there are losses to the gilding to the matted centre and the silvering has worn to the chapter rings, the movement hasn't been run for s long time and will need attention, two of the fusee barrels have snapped gut but no signed of damaged teeth, the repeat lifting arm is detached as seen in the images, pin barrel and bells all in good condition, original verge escapement.
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JOHN SCOTT, GLOUCESTER STREET, LONDON. A LATE 18TH CENTURY THREE TRAIN QUARTER STRIKING INLAID AND ORMOLU MOUNTED MAHOGANY BRACKET CLOCK the 8" painted dial with Roman numerals and outer minute markers, having a strike/silent to the arch and fronting a substantial eight-day fusee three train movement with fully engraved signed backplate, original anchor escapement, quarter striking on eight bells and striking the hours on a single bell. The inlaid cross-banded bell top case with Prince of Wales oval panel, caryatid corners and sunburst sound frets; standing on scrolled leaf cast bracket feet.58cm high
BUNYAN & GARDENER, MANCHESTER. A MID 19TH CENTURY FIGURED MAHOGANY BRACKET CLOCK with shaped moulded top above canted corners with scroll carved bases on plinth base raised on squat bun feet, the cast brass locking bezel enclosing a painted dial with Roman numerals fronting an eight-day double fusee movement with anchor escapement striking the hours on a gong.43.5cm high
THOMAS BULLOCK, BATH. A MID 18TH CENTURY VERGE BRACKET CLOCK OF SMALL PROPORTIONS WITH ALARM the fruitwood case having an inverted bell top pediment surmounted by a brass carrying handle above a break arch glazed door enclosing a 6" brass arched dial with winged cherub head spandrels and silvered engraved chapter ring, matted centre and silvered alarm disc fronting an eight day fusee movement with verge escapement and alarm41cm highThe clock is complete having original dial to case and movment. The movement requires oiling and cleaning and currently only runs for a few minutes. The escapement is an unusual anchor with a bob pendulum. The clock has a crank key. The clock has been cleaned andf re polished at some stage, small imperfect toy the mould next to the arched dial.
A LATE 19TH CENTURY TRIPLE FUSEE EIGHT BELL BRACKET CLOCK OF SMALL PROPORTIONS the carved mahogany case with leaf and floral panels enclosing a 5" scroll engraved gilt brass dial with silvered chapter ring and three subsidiary dials for Chime/Silent, tune selection and regulation fronting a triple chain driven fusee movement chiming the quarters on four gongs or eight bells.49cm high
A George III/IV mahogany inlaid chest-on-chest circa 1820, the moulded cornice over a frieze applied with three embossed brass whirlygigs, over two short and six long drawers, flanked by canted corners, above star inlay to the apron, raised on swept bracket feet. 195.5cm H x 105cm W x 51cm D
A George IV large silver two-handled trayBenjamin Smith, London 1822Shaped-oblong form, the border and handles with shells, anthemions among acanthus leaf scrolls in high relief, with engraved shield armorial to the centre, with crest and motto 'HAUD IMMEMOR', on four cast shell bracket feet embellished with fruiting vines, length 72cm, weight 173oz.Footnotes:ProvenanceFrom The Silver Collection of Dr Andrew J RaineyThe assumed armorial would appear to be owned by Golding BIRD (1791-1861), who in 1812 married by licence Mary Ann RIX (born 1791) at Downham Norfolk. In 1841 he is living in Finsbury, of independent means, with his wife and a number of his children. His death is recorded in Buckingham. Notably his two eldest sons were physicians, the eldest also Golding BIRD (1814-1854) was a Fellow of the Royal College of Surgeons and of some considerable reputation. The arms do appear on the bookplate of his great-grandson Frederic GOLDING-BIRD quartered with the arms of the GOLDING family. This offers the likelihood of the BIRD family and GOLDING family being connected by a marriage before 1791. The GOLDING family arms are fully registered. Either or both families may have Irish ancestry.For further information on this lot please visit Bonhams.com
A William IV silver two-handled tureen and cover with linerWilliam Kerr Reid, London 1837, with William IV duty markShaped-oval form, with polished lobed sides, Shell and leaf scroll border, the leaf-embellished handles with a stippled surface, on four acanthus scroll feet capped with a floral embellishment, the lift-off cover of lobed dome form, surmounted with acanthus leaf bracket handle, embellished with fruits, with removable liner, length handle to handle 42cm, weight 157oz.Footnotes:ProvenanceFrom The Silver Collection of Dr Andrew J RaineyFor further information on this lot please visit Bonhams.com
A George III silver salverThomas Hannam & John Crouch II, London 1803 Shaped-circular form, the reeded border embellished with acanthus leaves and scrolls, centred with the engraved arms and crest as presented, appear to be for the WALDEGRAVE family, on four cast bracket feet, diameter 48cm, weight 95oz.Footnotes:Property of a ladyThe arms and crest as presented appear to be for the WALDEGRAVE family who in 1800 were created barons of Radstock.At the time of assay 1803, the arms would have been the property of William Waldegrave, 1st Baron Radstock, GCB (9 July 1753 – 20 August 1825) earlier Royal Naval Admiral in the Royal Navy and Governor of Newfoundland.He was the second son of John WALDEGRAVE (1718-1784) 3rd Earl Waldegrave by Elizabeth GOWER daughter of the 1st Earl Gower. In 1785 he married Cornelia JACOBA van LENNEP (1753-1839), daughter of the Dutch poet and novelist Jacob van LENNEP. The couple had three sons and six daughters. His wife Cornelia was Woman of the Bedchamber to Queen Charlotte, and outlived her husband by 14 years.After an education at Eton Waldegrave entered the navy in May 1766 aged 13. Waldegrave rose rapidly through the ranks, receiving his own command, as commander of the sloop HMS Zephyr on 23 June 1775. He continued a rapid promotion, to rear-admiral 4 July 1794, vice-admiral on 1 June 1795 and was appointed to a position in the Mediterranean fleet. On 14 February 1797 he was third-in-command at the Battle of Cape St. Vincent fighting alongside Commodore Horatio Nelson. In the proliferation of honours that followed the battle he was offered a baronetcy. Waldegrave declined the offer because this was subordinate to his rank as a son of an Earl.Waldegrave was then appointed commander-in-chief and governor of Newfoundland, Saint-Pierre and Miquelon, on 16 May 1797 as a reward for his efforts at the Battle of Cape St. Vincent.Waldegrave finished his term as governor in 1800 and was created an Irish peer as Baron Radstock, of Castletown in the Queen's County. In 1802, upon his retirement, Waldegrave was promoted to full Admiral. He was Admiral of the Blue 1802, the White 1805 and the Red 1810. He was an officiate at Vice-Admiral Lord Nelson s funeral on 9 January 1806.In 1815 he was appointed a Knight Grand Cross of the Order of the Bath (GCB). He died of apoplexy at his residence in Portland Place on 20 August 1825, and he was interred at his family's vault at Navestock Church, Essex.During his time in Newfoundland he did much for the pastoral care of the inhabitants, and he carried on his good works, almost zealously, into his later years. He enjoyed fine art, and as well as building up a superb collection that was valued at 51,000 guineas and included Van Dyke portraits of King Charles I and Queen Henrietta Maria, he also patronised young artists.For further information on this lot please visit Bonhams.com
A good large Victorian silver salver / trayGeorge & John Cowie, London 1838 Shaped-circular form, the heavy cast raised border with young and bearded male masks, also lion masks with claws reaching out, all emerging from a profuse border of flowers in high relief and acanthus scrolls, with inner scroll band, the central recess chased with naturalistic flowers and curling leaves around a vacant centre, the whole on four cast shell and acanthus bracket feet, diameter 61cm, weight 238.5oz.Footnotes:Property of a ladyFor further information on this lot please visit Bonhams.com
Disco Equipment: Amplifiers / Mixers / Lights, a large collection of Disco Equipment comprising two HH Professional Power Amplifiers model S130 s/n 10534 & 11606, a Citronic stereo mixer 7 channel SM 450 s/n A211 D909A 0044, a Citronic mixer SM 350, two microphone stands, one table top, both with heavy bases, two Citronic Record Decks CS 300D performer (discoloured lids), a Jingle Player CA127 with some 8 track tapes, a mobile case containing microphone, spare jack plugs, cables and more, a Pulsar zero 3000 light controller, Multiform Lighting multiphase 412 auto-reverse light two light boxes approx size 110cm x 36cm x 20cm some damage to perspex fronts, a smaller box of lights, three single lights, a bracket of lights, box of spare bulbs, all untested
Late 19th century Continental white biscuit porcelain rectangular plaque, moulded with classical figures within a wooden frame carved with acorns and oak leaves, 25cm x 24cm including frameCondition ReportPlaque with light surface scratches, accretions and build up of dirt/dust. Scuffs and knocks to the wooden frame. Loose in frame and modern bracket added to back. General wear and tear.
Edwardian white painted dressing chest, the mirrored top with two drawers over two short and three drawers on shaped feet H 165cm x W 114cm x D 51cm together with a similar white painted wardrobe with single mirrored door, single shelf over two short drawers above two door cupboard on bracket feet H 196cm x W 104cm x D 49.5cm (2)Condition ReportNot the same suite, different handles and drawer fronts.
James Shoolbred, London, Edwardian mahogany wardrobe with floral, scroll and griffin inlaid decoration, pair of cupboards above two long drawers, on bracket feet, 130cm wide approx. Condition ReportSurface scratches, scuffs and knocks to the wood. Accretions, areas of fading and discolouration. Some staining to the wood and the interior fabric. Split to the side of the base section. Areas of loss to the veneer and area of loss to the parquetry on the cornice. Left door panel slightly bowed. Chips to some corners of the drawers. General wear and tear. H. 221 x W. 134 x D. 66cm
Georgian mahogany bureau, the fall front revealing an interior fitted with drawers, cupboard and pigeonholes, above four long graduated drawers with pierced brass swing handles, on bracket feet, 108.5cm high x 107.5cm wide x 55.5cm deep Condition ReportSurface scratches, scuffs and knocks. Areas of loss to the veneer and beading. Crack to the top, and fall front and side. Area of repair to the fall front. Fading, discolouration and staining. Handles replaced, back appear original, no key. General wear and tear
19th century mahogany chest of two short and three long drawers, on bracket feet, swan neck handles, H. 89.5 x W. 94 x D. 49.5cm (two handles missing) Condition ReportSurface scratches, scuffs and knocks to the wood. Chips and areas of loss to the wood and beading. Splits to the top and sides. Handles missing from the top two drawers, locks present, Fading and discolouration. Back appears original. General wear nd tear.H. 89.5 x W. 94 x D. 49.5cm
Mahogany bow-fronted chest of two short and two long graduated drawers with satinwood banding, circular brass hoop handles, on bracket feet, 91 cms h. x 91cm wide x 51 dCondition ReportOverall good condition, top has small dings and dents as would be expected , top has some sun bleaching, handles not original but not recent replacements
Walnut chest of three long drawers with brass swan neck handles, on bracket feet, 81 cms h. x 97cm wide x 50 cmsCondition ReportSurface scratches, scuffs and knocks. Splits to the veneer and sides, split to the base of the bottom drawer. Handles replaced. Fading and discolouration. General wear and tear.
A 19th century mahogany & satinwood crossbanded bureau, the top with pierced brass gallery above a fitted interior with gilt-tooled leather writing surface, enclosed by sloping fall-front, two short & two long graduated drawers below with brass ring handles, on shaped bracket feet, 35” wide x 40¼” high x 18” deep.
A late 18th century mahogany chest-on-chest with moulded dentil cornice above two short & six long drawers with brass swing handles, boxwood inlay to the canted corners, & on ogee bracket feet; 42½” wide x 74” high x 22” deep (splits to sides, general wear & various minor losses, some restoration required).
Mahogany longcase clock, the hood with moulded cornice, (adapted), fluted columns, trunk with long door, bracket feet, 12" brass dial with cast spandrels, subsidiary seconds dial and date aperture, signed L Bradley, London, eight day movement striking on a bell, 205cm, as found.Condition report:This clock has two weights and a pendulum with it, however they may not be the originals, the longcase clocks in the property were a little unorganised and we have associated these with the clock. Image uploaded to the lot page on our website for you to view.
Oak longcase clock, the hood with moulded cornice, turned columns, long door, bracket feet, 13" painted dial with floral spandrels, subsidiary second dial and date aperture, signed Grocott, Holywell, eight day movement striking on a bell, 212cm.Condition report:There is a door key but doesnt work too well, no weights, has a pendulum.
Oak longcase clock, the hood with moulded cornice, turned columns, trunk with long door, bracket feet, 12" brass dial with cast spandrels, silvered chapter ring, subsidiary seconds dial and date aperture, signed John Williamson in Leeds fecit, eight day movement striking on a bell, 193cm.Condition report:Has a pendulum and weights, probably associated. Does not work, case is generally ok.
A FINE 19TH CENTURY INDIAN DEVIL'S HEAD KULAH KHUD OR HELMET, the bowl embossed with sixteen vertical convex segments, the front with a nose and pair of eyes, decorated overall with silver and gold damascened ornament including a row of botehs filled with assorted decoration, elaborate borders throughout, nasal bar with pierced rounded finials secured by a moustache-shaped bracket, pair of embossed horns, spear-shaped spike finial screwed to an embossed bud-shaped mount, camail composed of iron links. Probably Sialkot or Delhi.
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177692 Los(e)/Seite