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Preisdatenbank abonnierenA George I silver waiter, London 1752, maker David Bell, with gadrooned and scallop border, the centre with vines and scrolling foliage enclosing a crest of a Lion rampant, recorded for several families including Adams, Dixon, Lambert and Mostyn, set on three bracket supports, weight 7oz, 6.5in (16.5cm) diameter.
A mahogany longcase clock, early 19th century, the hood with swan neck pediments, brass finials and Corinthian columns, enclosing a 12 inch painted enamel and arched dial with subsidiary dial and calendar aperture, the trunk with arched door, set on four short bracket supports, 94in (239cm high).
A George III mahogany bracket clock, by Francis Lake, Taunton, circa 1770-1795, the arched pad top surmounted with a cast brass swing-handle, the circular convex glass door enclosing an 8 inch brass dial with Roman and Arabic numerals, signed F.Lake Taunton, the fusee movement with gong striking on a bell, the front of case with two fretted brass panels, the sides with matching arched panels and pull repeat ribbon, set on four gilt metal bracket supports, complete with mahogany wall mounting bracket, the clock 15.5in (39.5cm) high, 13in (33cm) wide.
An early George III oak bureau, late 18th century, the fall front opening to reveal a fitted interior with central cupboard with urn inlaid mahogany door concealing a hidden drawer, flanked by four open pigeonholes with oak & satinwood banded drawers below, the base with an arrangement of two short and four long graduated drawers with original brass handles, standing on shaped bracket feet, 37in (94cm) wide x 41.25in (105cm) high x 19in (48cm) deep.
A French Boulle Striking Bracket Clock, circa 1880, the highly elaborate case surmounted by a winged angel, applied gilt metal, scrolled and floral mounts and decorated throughout with boulle work, raised upon scroll shaped feet, 6-1/2-inch cast dial with twelve Roman numeral enamel cartouches, twin barrel movement striking on a gong, movement backplate stamped Vincenti and numbered 17660, sunburst pendulum, 61cm high See illustration
A Mahogany Striking Bracket Clock, the case with inverted bell top and brass carrying handle, later acorn finials, side glazed viewing windows and pierced frets, pull repeat cord, rectangular base raised upon bracket shaped feet, 7-3/4-inch arched silvered dial with Arabic and Roman numerals, dial centre with mock pendulum, date aperture and signed William Lancaster, Plymouth Dock, finely engraved scroll decorated spandrels, the arch with strike/silent selection, twin fusee movement with verge escapement and striking on a bell, bob pendulum, movement backplate engraved with floral and scroll decoration, movement secured by brackets, later seatboard, 54cm high (dial and movement circa 1790 and possibly associated to the later case) See illustration
An Ebonised Striking Bracket Clock, with Pull Repeat, Signed Wm Skeggs, London, circa 1760, the case with inverted bell top and brass carrying handle, later brass finials, glazed side viewing windows and pull repeat cord, rectangular base upon block feet, 7-inch arched brass dial with silvered Roman and Arabic chapter ring, matted dial centre with mock pendulum aperture, date aperture and signed Wm Skeggs on arched silvered plaque, pierced blued steel hands, the arch with strike/silent selection, twin fusee movement with verge escapement and striking on a bell, bob pendulum, movement backplate elaborately engraved with scroll decoration and depicting a central figure's head, movement secured by brackets, 52cm high See illustration
A Regency Mahogany and Brass Inlaid Striking Bracket Clock, signed Willm Allanson, Winchester, the lancet shaped case with side carrying handles and pierced sound frets, brass inlaid front, rectangular base raised upon ball feet, 8-inch painted dial with Roman numerals and signed, twin fusee movement with anchor escapement and striking on a bell, movement backplate with engraved leaf borders, movement secured by two brackets, 44cm high See illustration. William Allanson is recorded working in Winchester in 1830. See Watchmakers & Clockmakers of the World, p.3.
An Ebonised Striking Bracket Clock, signed John Byard, London, circa 1790, the case with inverted bell top and brass carrying handle, later acorn finials, side viewing windows, rectangular base with bracket shaped feet, 7-inch arched silvered dial with Arabic and Roman numerals, dial centre signed John Byard, London, date aperture, the arch with strike/silent selection, twin fusee movement with verge escapement and rack striking on a bell, movement backplate highly engraved with floral and scroll decoration, movement secured by brackets, 51cm high (dial and movement possibly associated to the case) See illustration
A Small Ebonised Striking Bracket Clock, the arched case with single pad top and brass carrying handle, side viewing windows and pull repeat cord, rectangular moulded base raised upon brass feet, 5-inch arched brass dial with silvered Roman and Arabic chapter ring, matted dial centre with mock pendulum aperture, date aperture, oval shaped silvered plaque bearing inscription John Pyke, London, the arch with strike/silent selection, twin fusee movement with verge escapement and rack striking on a bell, movement backplate bearing inscription John Pyke, Bedford Row, London, movement secured by brackets, later seatboard, 33cm high (dial associated to the movement and to the case), together with a wall bracket See illustration
A George III Mahogany Striking Bracket Clock with Pull Repeat, signed Isaac Fox, London, circa 1775, the nicely figured case with inverted bell top, brass carrying handle and pineapple finials, side viewing windows and pull repeat cord, moulded rectangular base raised upon later block feet, 6-3/4-inch arched brass dial with silvered Arabic and Roman chapter ring, the arch with strike/silent selection, matted dial centre with date aperture and signed Isaac Fox, London on a silvered plaque, twin fusee movement with converted to verge escapement and striking on a bell, movement with highly scroll decorated backplate, movement secured by brackets, 52cm high See illustration. Isaac Fox is recorded working in London 1772-1794, and Isaac Jnr is recorded working circa 1778. See Baillie (GH) Watchmakers and Clockmakers of the World, pg.113.
A Walnut Eight Day Longcase Clock, the case with caddy top pediment, brass stop-fluted columns, side glazed viewing windows, later inlay to the hood, moulded trunk door with later inlaid D shape floral and bird inlay, re-built plinth with inlay and upon bracket shaped feet, 12-inch arched brass dial with silvered chapter ring, matted dial centre with date aperture below 12, oval shaped silvered plaque bearing inscription Edw Newton, Grantham, centre seconds hand, the arch with silvered disc depicting Father Time, five pillar movement with anchor escapement and rack striking on a bell, 248cm high (dial possibly associated to the movement) See illustration
A Mahogany Eight Day Longcase Clock, signed Tho Clare, Warrington, circa 1780, the case with broken arch pediment, gilt painted glazed front panels, fluted columns, nicely figured wavy shaped trunk door flanked by inset fluted pilasters, plinth with raised central panel and canted corners, upon bracket shaped feet, 13-inch arched brass dial with silvered Arabic and Roman chapter ring signed, matted dial centre with two figures riding eagles, date aperture surrounded by scroll work, subsidiary seconds, the arch with rolling moon disc, four pillar movement with anchor escapement and rack striking on a bell, 240cm high See illustration. Thomas Clare is recorded working in Warrington circa 1790. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 58.
A Mahogany Eight Day Longcase Clock with Rocking Ship Automata, signed Coe, Cambridge, circa 1790, the pagoda case with good figuration and of good colour, stop brass fluted columns with brass capped capitals, moulded arched trunk door flanked by stop brass fluted pilasters with brass capitals, quatreform moulded plinth inlaid with fan and shell decoration, later skirting and bracket feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, matted dial centre with date aperture, subsidiary seconds silvered dial signed Coe, Cambridge, the arch with rocking ship automation and painted background scene, five pillar movement with anchor escapement and rack striking on a bell, later seatboard, 275cm high See illustration. Purchased from P A Oxley. William Coe is recorded working in Cambridge c.1795. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 62.
An Early 18th Century Oak and Mahogany Crossbanded Chest on Chest, the projecting moulded cornice above a plain frieze and two short over three long graduated drawers, brass drop handles and escutcheons, the base with two conforming deep drawers, on shaped bracket feet, 108cm by 53cm by 173cm See illustration
A George IV Mahogany Cellaret, now converted to a workbox, of slightly tapering waisted form, the hinged lid with carved leaf and gadrooned edge, opening to reveal a later removable tray with compartments, floral silk lined interior, the base with moulded edge, on scrolling bracket feet, heavy brass carrying handles to each side, 62cm by 49cm by 51cm See illustration
A Late George III Mahogany Four Door Breakfront Bookcase, the projecting moulded cornice above a plain frieze, two astragal glazed doors enclosing four reeded adjustable shelves flanked by two conforming glazed doors, the base with two central cupboard doors enclosing an adjustable shelf, flanked by two further cupboards, on splayed bracket feet, 241cm by 52cm by 230cm See illustration. Sold together with a copy of the 1960's receipt from Charles Lumb & Sons, Harrogate
A Late George III Mahogany Serpentine Chest, the rectangular top with moulded edge above a pull-out brushing slide, the top drawer with later fitted interior of compartments and green baize lined writing surface, three drawers below, all between angled stiles, raised on ogee bracket feet, 93cm by 51cm by 81cm See illustration
A Late George III Inlaid Mahogany Bureau Bookcase, the stepped dentil cornice above a frieze inlaid with oval patera, the two astragal glazed doors enclosing adjustable shelves, the base with fall front enclosing a fitted interior of pigeon holes and drawers, with two long and three graduated drawers below, on ogee bracket feet, 121cm by 56cm by 233cm See illustration
A Pair of Chinese Gilt Bronze Processional Pole Head Ornaments, probably 19th century, each with bracket pierced finial, one applied with a stylised conch shell, the other with carp, issuing from a dragon head, on hexagonal vase terminals with engraved inscriptions, on later hardwood cylindrical poles, the finials 66.5cm and 65.5cm high respectively See illustration
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