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177692 Los(e)/Seite
Los 1061
A George III mahogany chest of drawers, with crossbanded boxwood strung and moulded edge above two short and three long graduated drawers with brass swans neck drop handles and cockbeading to each drawer front, with moulding below and raised on ogee bracket feet. Width 32 ins (see illustration).
Los 1083
An early 18th century oak chest of drawers, with later oyster veneered walnut veneers, the rectangular top well figured and crossbanded with moulded edge above two short and three long graduated drawers with brass swans neck drop handles with shaped backplates and well figured drawer fronts being boxwood and ebony strung, with moulding below and raised on bracket feet. Width 40.5 ins (see illustration).
Los 1093
A George III mahogany secretaire chest of drawers, the rectangular top with applied moulded edge above one long secretaire drawer with brass swans neck drop handles and well fitted interior of drawers and pigeonholes in turn above three further graduated drawers also with brass drop handles and cockbeading to each drawer front, with moulding below and raised on bracket feet. Width 39.5 ins.
Los 1162
A Regency mahogany tallboy, with moulded dentil cornice, with canted angles and crossbanded frieze above two short and three long graduated drawers with cast brass drop handles with oval backplates and matching lock escutcheons, flanked by canted fluted angles, the base fitted with three long drawers, with moulding below and raised on ogee bracket feet. Width 49 ins (see illustration).
Los 1181
A George III mahogany chest of drawers, the rectangular top with moulded edge above two short and three long graduated drawers with lion mask embossed and beaded punched brass knob handles, bone lock escutcheons and cockbeading to each drawer front, with shaped apron beneath and raised on splayed bracket feet. Width 35 ins.
Los 1217
An 18th century walnut veneered kneehole desk, the rectangular top being crossbanded and with reentrant corners above a single frieze drawer with kneehole aperture beneath and cupboard to rear, flanked on either side by three further drawers with later brass drop handles with shaped backplates and raised on bracket feet. Width 38 ins (see illustration).
Los 1226
A George III mahogany chest of drawers, the rectangular top with moulded edge above two short and three long graduated drawers with brass drop handles, with pierced shaped backplates and cockbeading to each drawer front, with moulding below and raised on ogee bracket feet. Width 39 ins (see illustration).
Los 1246
A George III mahogany tallboy, the top half with a moulded dentil cornice above a blind fretwork frieze and two short and three long graduated drawers flanked by canted blind fretwork carved columns, the base fitted with three drawers with brass drop handles (some missing) also flanked by canted angles, with moulding below and raised on bracket feet. Width 45 ins.
Los 126
An Edwardian silver playing card box by George Unite & Sons, Birmingham 1903, the hinged cover with a pop up red leather lined interior for the packs, the bevelled glazed sides inset with playing cards, supported on moulded bracket feet, 13cm (5in) high, loaded **condition report: Marks worn but readable, left hand side glass plays inwards at top and silver upper frame of that side buckled. Dirt and some discolouration to the cards
Los 603
A JAEGER-LE COULTRE ‘ATMOS’ BRASS MANTEL CLOCK of rectangular form with glass panels to each side and top, the exposed brass movement and circular dial with Arabic hours to the quarters, the movement marked Jaeger-Le Coultre, Atmos along with number 415968, raised on a plinth base with short bracket feet. 22cm(h) x 18cm(w) x 13.5cm(d).
Los 604
A 19TH CENTURY FRENCH EIGHT-DAY BRASS MANTEL CLOCK by J Marti, the moulded cornice type surmount over the four bevelled glass panels and moulded brass uprights, the enamelled dial with Roman hours to the chapter ring framing a recessed central section with two winding apertures and exposed anchor escapement, the twin train striking movement marked ‘Medaille de bronze J Marti,’ all over a suspended pendulum with two mercury filled vials, on a broad platform base with narrow bracket feet. 28cm(h) x 16.5cm(w) x 13cm(d).
Los 612
A 19TH CENTURY OAK AND MAHOGANY 30-HOUR LONG CASE CLOCK by William Hutchinson of Sedbergh, having a moulded flat topped cornice and plain frieze over the square glazed hood door, flanked by turned columns, the arched and crossbanded trunk door above a small moulded panel and plain crossbanded base with short bracket feet, the chapter ring painted with Roman hours and framing a subsidiary date dial and maker’s name, all framed by painted floral spandrels, sold with weight and pendulum. 200cm(h).
Los 613
AN EARLY 19TH CENTURY 30-HOUR OAK LONG CASE CLOCK, the flat-topped hood with moulded cornice and plain frieze over the square glazed hood door and turned columns, the long shaped trunk door between quarter columns, on a plain base with canted corners and short bracket feet, the painted dial with Roman hours and Arabic minutes to the chapter ring, enclosing a subsidiary seconds dial and maker’s name H Philipson of Ulverstone, all framed by foliate painted spandrels, sold with weight and pendulum. 208cm(h).
Los 690
A 19TH CENTURY MAHOGANY SECRETAIRE BOOKCASE having a pierced swan neck pediment, a short moulded and feather banded cornice and plain frieze, two glazed doors with arched and overlapping glazing bars. The lower stage having a crossbanded rectangular top, deep secretaire drawer disguised as two cockbeaded drawers opening by button release to reveal the internal arrangement of drawers and pigeon holes, the three long cockbeaded drawers with canted rectangular brass back plates and bale type handles, raised on bracket feet centred by a shaped apron. 250cm(h) x 110cm(w) x 55cm(d).
Los 737
A 19TH CENTURY MAHOGANY PRESS CUPBOARD of small proportions, having a moulded cornice above the two panelled doors which enclose the internal slides, the lower stage having two short and two long drawers with oval brass back plates and bale type handles, raised on ogee bracket feet. 164cm(h) x 116cm(w) x 51cm(d).
Los 739
A GEORGIAN OAK DRESSER AND RACK, the upper section with moulded cornice, shaped and pierced canopy over two long shelves and fluted uprights, the lower stage having a raised back with six spice drawers, rectangular planked top, two short and three long central drawers with shaped and pierced brass back plates and bale handles flanked by shaped panel doors, raised on large ogee bracket feet. 247cm(h) x 186cm(w) x 55cm(d).
Los 759
A GEORGIAN OAK PRESS CUPBOARD having a moulded cornice and plain frieze, two double panelled cupboard doors with internal hanging space, the lower stage having three faux drawers, two short and two long drawers each with brass knob handles, raised bracket feet. 200cm(h) x 134cm(w) x 48cm(d).
Los 761
A VICTORIAN PINE SIDEBOARD having a raised back with oblong shelf and linear arrangement of five drawers, each with turned handles, the rectangular top with three frieze drawers and two panelled cupboard doors below, centred by a narrow panelled section, all flanked by conforming panelled ends, raised on short shaped bracket feet. 152cm(h) x 159cm(w) x 53cm(d).
Los 782
A LATE 17TH CENTURY OAK COURT CUPBOARD, the frieze carved with strap-work motifs centred by a date 1694 and ownership initials SLM, having barley twist uprights, two central panels with inlaid surround, and two flanking cupboard doors, all above a short central drawer flanked by two larger drawers over two triple panelled cupboard doors and central panelled section, all between stile ends, raised on later additional bracket feet. 155cm(h) x 184cm(w) x 57cm(d).
Los 241
A late 19th century Russian silver and enamelled salt Moscow 1885, maker A.K, of triangular and hexagonal form, the salt with three floral champleve decorated panels, and the other three with a traditional Russian quote, translating as "Bread and salt are the soul of any conversation" supported on a spool support with open bracket supports, slight concave triangular base with three niches, two with Russian male head the other with a Russian lady, all on scrolling corbel supports and feet 8.5cm high This proverb was often (and still is) inscribed on salt shakers, bread bowls, dishes, etc. and it means that bread and salt (symbols of giving strangers a warm welcome, an old Russian custom) will make your guests feel at home. It reflects Russian traditions of hospitality.
Los 249
A matched pair of Russian silver salts St Petersburg, 1879, maker`s mark indistinct, assay master unrecorded, of circular form, angled sides with an engraved stylised border above a band of Cyrillic text above engraved lower border, and raised on three bracket feet and a pair of salt spoons (4) 6.5cm diameter
Los 341
A William IV soup tureen Kitchen, Walker & Curr, Sheffield 1833, of panelled oval outline with baluster body, the heavily gadrooned border with with foliate details and engraved armorial, the twin handles with spreading foliate decoration eminating around body, raised on four large scrolling foliate bracket feet, the pull off domed cover with large foliate loop handle and engraved crest 31cm high, 43cm wide (across handles), 155oz approx
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177692 Los(e)/Seite