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177692 Los(e)/Seite
Los 633
A mixed lot comprising a poker work stationery cabinet, 25cm, a wicker pannier, a similar posy holder, a papier mache watch holder s.d. to one foot, 21cm, a Tunbridge ware brush, 16.5cm, a shellwork hand mirror and circular box, wooden wall bracket, five various boxes, an Indian lacquer reducing box and other pieces (qty)
Los 128
A mid-Victorian papier mache, painted and inlaid sewing and jewellery cabinet, circa 1840, the hinged lid with floral painted panel within a shaped border of speckled pearl opening to reveal a compartmentalised and lidded section with a few accessories, over a pair of arched panel doors with floral painted panels and enclosing four gilded and Gothic pattern drawers, one fitted for jewellery, the sides with further floral painted arched panels, on bracket apron feet, 33 x 26 x 23cm
Los 829
A Georgian mahogany secretaire bookcase with glazed lattice doors fitted interior and three long drawers under standing on bracket feet 3'6 wide Condition Report;There is a piece of brass missing from the bottom of the door.At the side, a piece of mahogany edging has split and come away slightly.There are old age cracks. The locks on the first and second drawers are both missing. (refer to photos).The top draw also has a split and a piece of veneer missing.Approx 85.5 inches tall42 inches across21 inches depth.Overall in fair condition for its age.
Los 1224
Examd. by Dent 9 Royal Exchange Cornhill London; a late 19th century mahogany boxwood strung ebonised gilt metal mounted miniature bracket clock, in George III style, with arched top, foliate engraved silvered dial, between turned pilasters, and striking on a gong, 24cm high, and key (2).Illustrated
Los 850
An early 18th century walnut feather and crossbanded kneehole desk, the moulded rectangular top with re-entrant corners above a long frieze drawer, six pedestal drawers flanking a recessed kneehole cupboard with a shallow drawer above, on later bracket feet,76.5cm wide x 48cm deep x 79cm high.Illustrated
Los 1230
Peck Wellingbro; an early 19th century mahogany boxwood strung ebony banded longcase clock, the arched moulded hood with broken swan neck pediment, brass orb and eagle finial, free standing turned cylindrical tapering columns, long moulded arched trunk door flanked by quarter rounded pilasters, on bracket feet, the 12" painted dial with Roman and Arabic numerals, subsidiary seconds and date aperture, the twin train movement striking on a bell,220cm high.Illustrated
Los 57
A small George II figured walnut crossbanded and featherbanded bureau bookcase In two parts, the upper part with a rectangular ogee moulded cornice above a rectangular door with arched replaced bevelled mirror plate, enclosing three adjustable shelves and a candle slide, the lower part with a sloping fall enclosing seven pigeonholes and three short drawers, above a drawer and a slide, above three long graduated drawers on shaped bracket feet, 54cm wide, 45cm deep, 182cm high.
Los 125
A George III figured mahogany chest on chest attributed to George SpeerThe rectangular Greek key carved cornice with blind fret carved frieze above two short and three long drawers with blind fret carving below flanked by reeded canted angles, the lower part with a slide on three long graduated drawers and ogee bracket feet, with Norman Adams label, 115cm wide, 56cm deep, 192cm high.George Speer (1736-1802) is listed as cabinet-maker and upholsterer working at 'The Seven Stars' 2 Great Tower Street, London from 1777 (see G.Beard & C.Gilbert, Dictionary of English Furniture Makers 1660-1840, 1986, p.842). Speer is discussed in detail by Anthony Coleridge, George Speer: A Newly Identified Georgian Cabbinet-maker, Apollo, October 1970, p274-283.A chest on chest, dated 1766, labelled and with a pencil inscription, 'Made by George Speer Joiner and Cabinatt (sic) Maker at the Seven Stars in Tower Street, London 1766', which sold Christie's, London 11 April 1991, lot 162, exhibits similar features. In particular the shaped ogee bracket feet, the almost identical blind fret carving and comparable handle and escutcheon patterns (see C.Gilbert, Pictorial Dictionary of Marked London Furniture 1660-1840, 1996, pl. 880).
Los 77
A small Queen Anne ebonised quarter repeating bracket timepiece with calendar by Richard Rooker, London The caddy top with elaborate handles over well moulded cornice, with glazed sides and block feet, the 6" square brass dial with engraved wheat ear border, winged cherubs head spandrels with Roman and Arabic chapter ring with half quarter marks, signed Rooker, London, the matted and engraved centre with decorated date aperture, the movement with single gut fusee and verge escapement, with repeating hours and quarters on a pair of bells and hammers, the back plate signed in a central reserve Rich Rooker, London with symmetrical engraved foliage with wheatear border, 24cm wide, 15cm deep, 43cm high.
Los 118
A George III mahogany serpentine chest possibly by Thomas Chippendale The rectangular moulded top above a baize lined slide and four long graduated drawers, on shaped bracket feet, 106cm wide, 61cm deep, 88cm high. The above lot displays characteristics seen on furniture by or attributable to Thomas Chippendale and his workshop. Beyond the finely book-matched veneers to the front and high timber quality used on the top, other elements of construction and design relate to documented Chippendale cabinet furniture. The handles, feet, central slide pull, drawer construction as well as use of a red wash to the back and underside are all features commonly seen on Chippendale workshop output. The above lots employs Chippendale’s ‘standard’ handle, his favourite early neo-classical handle pattern, illustrated in C.Gilbert, The Life and Works of Thomas Chippendale, Bristol, 1978, p.146, pl.263. Although Chippendale's plainer mahogany furniture has been historically more difficult to attribute, the furniture supplied to Lord Pembroke for Pembroke House around the same time as he was supplying furniture for Dumfries House and furniture to Ninian Home for Paxton House which have all been key in the study of this part of the workshop’s output, see C.Gilbert, ibid., p. 271-272. A group of chests linked to Chippendale at Dumfries do not appear in his extant bills but are tentatively attributed to him on the grounds of certain constructional features. The argument for the Dumfries chests being by Chippendale is backed up by the existence of a linen press at the house which bears many of the features of the group of chests and for which a Chippendale bill of 1763 is thought to relate (see Christie's proposed contents sale of Dumfries House, 12-13 July 2007, lot 236) and the accompanying introduction by Rufus Bird in the aforementioned catalogue. The chest offered here is links to a documented group of serpentine chests at Mersham-le-Hatch, Wilton and Paxton all of which are illustrated in C.Gilbert, ibid., pp.116-117. The Paxton chest is of very similar dimensions and drawer configuration, the Mersham chest has the same rounded moulding around the base and a brushing slide and the Wilton chest employs the ‘standard’ handle pattern.
Los 186
A Regency mahogany chiffonier The rectangular top with reeded edge and pierced brass three-quarter gallery on fluted turned supports and a rectangular back, above a rectangular top with reeded edge and a pair of brass grille and pleated silk doors enclosing two adjustable shelves on outswept bracket feet, 108cm wide, 36cm deep, 122cm high.
Los 215
An early Victorian four-piece silver tea and coffee service by William Bateman & Daniel Ball, London, 1841Of squat, fluted baluster form, embossed with trailing flowers and scroll-edged vacant cartouches, gilt interiors to sugar bowl and milk jug, leafy scroll handles and floral and scroll-embellished rims, ivory insulators to handles, lily and lily pad finials, floral decoration up spouts, on shell-decorated bracket feet, coffee pot 23cm high, 84 oz. (2604 gm.) (4)NB: Requires a CITES license if exported outside the EUThe US Government has banned the import of ivory so this cannot be exported to the USA
Los 106
A George III mahogany linen press attributed to Philip BellThe upper part with a moulded cornice above a pair of panel doors now enclosing one original slide pierced with handles above three long graduated drawers, on shaped bracket feet, 124cm wide, 60cm deep, 189cm high.The press offered here closely relates to a labelled press by Bell bearing the firm's rococo label and now in the collection at the Colonial Williamsburg Foundation. The press is illustrated in C.Gilbert, The Pictorial Dictionary of Marked London Furniture 1700-1840, Leeds, 1998, p.96, no.95. Philip Bell is recorded as working from St Paul's Churchyard between 1758-74. He succeeded his father Henry Bell who had founded the firm in 1736 and when Philip came of age he assisted his widowed mother Elizabeth with the running of the firm.
Los 155
A 19th Century mahogany cased Grandfather Clock, the swan neck capital with heavy brass finials over an arched door housing a decorative brass dial by Fishwick of Boughton, with reeded column uprights above a panel door with inlaid shell decoration on a base with similar design with ogee bracket feet, approx. 244cms (8') high. The movement now converted. (1)
Los 642
A fine quality pair of Regency period simulated coromandelwood Chiffoniers, in the manner of Thomas Hope, the waterfall effect shelves over a frieze with single drawer decorated with floral design and single brass turned handle, the base with a brass grilled wood sphinx head and feet, the quadrant bracket feet painted with anthemia and some of the motifs and decorations elsewhere, on hidden brass castors, each approx. 124cms (49")h x 61cms (24")w. (2)Ref: 18th Century English Furniture, the Norman Adams Collection by Christopher Claxton Stevens & Stewart Whittington, see page 410.
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177692 Los(e)/Seite