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Preisdatenbank abonnierenA walnut bracket clock by Winterhalter & Hoffmeier late 19th century the two-train gong-striking movement with 6.5in square brass dial with matted centre and applied Roman numeral chapter ring with winged cherub head spandrels to angles the pedimented case with fluted Corinthian pilasters to front and on moulded plinth base with block feet 42cm high
A Victorian gilt metal mounted oak bracket clock late 19th century the German two-train gong-striking movement with 6in square brass dial with matted centre and applied Roman numeral chapter ring with winged cherub spandrels to angles the case with foliate gilt metal mounts to pediment and ball finials above studded frieze and chamfered uprights with rosette inset apron beneath with ring side handles and on integral shaped bracket feet with a wall bracket en suite 65cm high overall
A late Victorian carved mahogany bracket clock the German two-train gong-striking movement with Rise/Fall regulation and 5.5in ogee arch-top brass dial with matted centre within an applied Roman numeral chapter ring and foliate cast angles the arch with subsidiary regulation dial the elaborate bell-top case with applied side brackets to pediment and leafy scroll crest above dial flanked by pierced side scrolls on large moulded block feet with panel and husk decoration 45cm high
A substantial Victorian quarter chiming gilt metal mounted ebonised bracket clock the triple fusee rack and gong striking movement with anchor escapement rise/fall regulation and quarter chime on either eight bells or four gongs the 9in brass break-arch dial with plaque inscribed Barnett & Scott Hull to the matted centre within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and Arabic five minutes with foliate scroll cast spandrels to angles beneath Chime/Silent ‘slow/Fast and Chime on four gongs/eight bells subsidiary dials within conforming mounts to arch the case with gilt cupola and balustrade divided by corner finials above stepped gallery sides and gilt Corinthian corner columns the sides with foliate cast carrying handles above fretwork panels on scroll cast gilt feet 80cm high
A mahogany bracket timepiece in the Regency style early 20th century the four-pillar single fusee movement with anchor escapement and 7.5in circular silvered Roman numeral dial signed Rowell & Son Ltd to centre the arch-top case with brass ring side handles and ball feet to the cavetto moulded base 43cm high
A Victorian gilt metal mounted ebonised quarter chiming bracket clock late 19th century the substantial triple fusee movement with deadbeat escapement and rise/fall regulation quarter chiming on eight bells and hour strike on a coiled gong the 7in rectangular brass dial with silvered plaque signed Tucker & Co Bristol to the matted centre within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and foliate cast spandrels beneath subsidiary chime/silent regulation and chime on eight bells/Westminster chimes dials above the rectangular case with hipped pediment behind gilt brass gallery above brass handles pierced gilt metal frets to sides and Corinthian columns to front angles on gilt laurel mounted plinth base with foliate bracket feet 51cm high
A Victorian brass-mounted quarter striking walnut bracket clock circa 1900 the German two-train gong-striking movement with rise/fall regulation and 6in brass break-arch dial with matted centre silvered Roman numeral chapter ring and female mask lower spandrels beneath regulation dial flanked by conforming mounts to arch the stepped ogee-top case with gilt flambeau finials above female caryatid applied canted angles and moulded plinth base with claw-and-ball feet 44cm high
A Regency brass inlaid rosewood bracket clock early 19th century the five-pillar twin fusee rack and bell striking movement with shaped backplate trip repeat and 8in circular cream painted Roman numeral dial signed Jn. Marriot London to centre and with strike/silent lever above 12 o clock the triangular pedimented case with scroll inlaid tympanion above conforming spandrels and apron to base on moulded skirt with disc feet 42cm high
An ebonised bracket clock mid 18th century the five-pillar twin fusee rack and bell striking movement now with anchor escapement and foliate engraved backplate the 7.5in brass break-arch dial with calendar and false bob aperture to the matted centre within an applied silvered Roman numeral chapter ring with diamond half hour markers and Arabic five minutes the angles with female mask and scroll cast spandrels beneath circular boss signed Tho’s Chilton London flanked by conforming mounts to arch in an ebonised inverted bell top case with brass handle and pineapple finials above break-arch side windows and moulded base with later block feet repeat work removed 48cm high excluding handle
A George III ebonised bracket timepiece with alarm circa 1790 the single fusee movement with verge escapement and pull-wind alarm sounding on a bell mounted above the 7in Roman numeral single sheet silvered brass break-arch dial with alarm disc to centre Arabic five minutes and signed T. Shipard Poole to arch the ebonised bell-top case with brass carrying handle and full-arch side windows on moulded base with block feet 45cm high excluding handle
A George II ebonised bracket clock with pull quarter repeat second quarter of the 18th century the five-pillar twin fusee rack and bell striking movement with later anchor escapement pull quarter repeat on six bells and backplate finely engraved with Mars and trumpeting putti within symmetrical scrolling foliage the 7in brass break-arch dial with false bob aperture silvered signature plaque inscribed John Davis Windsor and calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes the angles with Indian mask and scroll cast spandrels beneath foliate engraved strike/silent dial flanked by conforming mounts to arch in an inverted bell top case with brass handle above circular and concave topped side windows on moulded base movement and dial possibly associated to case 44cm high excluding handle John Davis senior is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Windsor circa 1739
A George III figured mahogany eight-day longcase clock late 18th century the four-pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial and arch calendar aperture to the rococo scroll engraved centre within an applied Roman numeral chapter ring with wavy minutes divisions and Arabic five minutes with bird and urn cast spandrels to angles beneath boss signed John Fox Uppingham between dolphin cast mounts to arch in a case with swan neck pediment and double fluted pilasters to hood above shaped-top trunk door flanked by fluted quarter columns on raised panel fronted plinth base with canted angles and ogee bracket feet 232cm high
A George II walnut eight-day longcase clock the four finned pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial ringed winding holes and calendar aperture to the Hoho bird and scroll engraved matted centre within an applied Roman numeral silvered chapter ring with fleur de lys half hour markers Arabic five minutes and signed ‘steph Levitt Chelmsford to lower edge the angles with Indian mask and scroll pattern spandrels beneath convex boss flanked by dolphin cast mounts to arch the case with broken arch pediment and Corinthian pilasters to hood above break-arch trunk door and crossbanded plinth base on bracket feet case with some restoration 236cm high. A Stephen Levitt is recorded in Loomes Brian Watchmakers & Clockmakers of the World Volume 2 as working in Chelmsford 1708-1789. Such a long period suggests that there were two makers father and son consecutively working through the 18th century
A Peninsular War commemorative figured mahogany eight-day longcase clock mid 19th century the four-pillar rack and bell striking movement with 14in white painted Roman numeral break-arch dial with subsidiary seconds dial arched calendar aperture and indistinct signature ....Kidderminster to the concave centre the spandrels polychrome painted with military portraits of Blucher Moor Graham and Hill beneath cavalry scene to arch the swan neck pedimented case with turned pilasters to hood above triple Gothic arch topped short trunk door flanked by conforming columns on circular panel fronted plinth base with shaped apron and bracket supports 230cm high
A mahogany crossbanded oak eight-day longcase clock with moonphase early 19th century the four-pillar rack and bell striking movement with 13in white painted Roman numeral break-arch dial with subsidiary seconds dial arch calendar aperture and signed ‘stripling Lichfield with castle and abbey ruin painted spandrels beneath moonphase to arch the swan neck pedimented case with turned columns to hood above rectangular door flanked by fluted quarter pilasters to trunk on tall panel fronted plinth base with canted angles and bracket feet lacking hands 237cm high Probably Thomas Stripling who is recorded in Loomes Brian Watchmakers & Clockmakers of the World Volume 2 as working in Lichfield circa 1820
An inlaid figured mahogany eight-day longcase clock with moonphase early 19th century the four-pillar rack and bell striking movement with 14in white painted Roman numeral break-arch dial with subsidiary seconds dial to the figural painted centre with floral painted spandrels and rolling moonphase to arch the swan neck pedimented case with rectangular section pilasters to hood above triple Gothic arch topped trunk door flanked by reeded uprights on circular panel inlaid plinth base with ogee bracket feet 234cm high
A George III figured mahogany eight-day longcase clock circa 1775 the five-pillar rack and bell striking movement with 12in brass break-arch dial calendar aperture and arched plaque signed ‘samuel Swain London to the matted centre within an applied Roman numeral silvered chapter ring with Arabic five minutes the angles with applied scroll cast spandrels beneath arch with strike/silent dial between conforming mounts the case with pagoda pediment above brass stop-fluted columns to hood and break-arch door flanked by conforming quarter columns to trunk on raised panel fronted plinth base with moulded skirt incorporating bracket feet 225cm high
A George III figured mahogany eight-day longcase clock with moonphase circa 1780 the four-pillar rack and bell striking movement with 14in brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes the angles with female mask and scroll cast spandrels beneath rolling moon to arch the upper edge signed William Barker Wigan the case with swan neck pediment and double fluted pilasters to hood above blind fret throat and shaped-top trunk door with raised parquetry banded border flanked by reeded quarter columns the panel fronted plinth base with canted angles and ogee bracket feet 233cm high William Barker is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Wigan circa 1760
Robert Allam London. A George III figured mahogany eight-day longcase clock circa 1760 the five-pillar rack and bell striking movement with 12in brass break-arch dial with recessed silvered seconds dial arched nameplate signed Robert Allam London and sweep calendar hand to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes the angles with finely cast foliate scroll spandrels beneath strike/silent dial flanked by conforming mounts to arch the case with pagoda pediment and panelled break-arch frieze above brass stop-fluted pilasters to hood the trunk with shaped-top door on raised panel fronted plinth base on moulded skirt incorporating bracket feet 242cm high. Robert Allam is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in London 1742-65
A Victorian figured mahogany bracket clock mid 19th century the four-pillar twin fusee movement with anchor escapement and 6.5in cream painted Roman numeral dial in a leafy scroll carved shaped outline case with moulded platform base 44cm high; and a small oak cased fusee bracket timepiece (lacking dial) 29cm high both requiring restoration (2). From the collection of the late Mr J Morley
A Victorian Gothic Revival patinated brass bracket timepiece circa 1850 the four-pillar single fusee movement with anchor escapement arch-top plates and 5in circular silvered Roman numeral dial in a castellated case with foliate finials and Gothic tracery to front and sides on plinth base with scroll feet 40cm high. From the collection of the late Mr J Morley
An Edwardian inlaid and crossbanded mahogany bow fronted china display cabinet, fitted with adjustable shelves, enclosed by a pair of decoratively glazed doors, the base fitted a pair of shaped blind cupboard doors with figured inset satinwood panels, raised on splayed bracket supports joined by an apron, 124cm (49in) wide
A Georgian longcase clock, the hood with half turned pilasters and scrolled broken pediment having brass eagle and ball finial and roundels, the trunk door with oval shell inlay and stringing, the whole on bracket feet, the thirty hour striking movement with a brass dial having chased spandrels and silvered chapter ring, inscribed Jno. Smallwood, Lichfield, 7 ft 31/2 inches high
A George I ebonised pearwood bracket clock, the caddy top with turned brass handle, the glazed front and sides surmounted by pierced brass mounts of foliate scrolled form centred by a female maskhead, on turned feet, the brass dial with pierced spandrels and finely engraved backplate, the circular chapter ring with Roman numerals, with reinstated verge movement striking on a bell, signed Edward Faulkner, 1 ft 2 inches high
An early 19th Century mahogany and inlaid longcase clock, the arched hood with rampant crest and scroll carved decoration over spiral reeded pilasters the case with a long trunk door and box base on bracket feet, the brass dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture supporting an eight day movement to an anchor escapement striking on a bell, signed Thomas Field, Bath
A Georgian bookcase cabinet in the Hepplewhite manner in satinwood with mahogany, tulipwood and harewood crossbanding and with chevron pattern line inlay, the upper part with scrolled broken pediment having star inlay and central urn finial, fitted adjustable shelves enclosed by a pair of barred glass doors, on a serpentine front base fitted four graduated long drawers with brass handles the top drawer having a baize lined sliding surface and compartments, flanked by canted angles, on bracket feet, 3 ft 6 inches wide, 7 ft 6 inches high (a few pieces of veneer loose or missing)
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