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177687 Los(e)/Seite
A 19th Century mahogany longcase clock, the 14ins painted circular dial with Roman numerals to the eight day two train movement striking on a bell, contained in figured mahogany case with arched and moulded cornice and spiral reeded columns to hood, arched trunk door crossbanded in rosewood, with plain cant corners, the plinth with astragal moulded centre panel, shaped apron, on bracket feet, 85ins high (lacking weights)
An early 19th Century mahogany longcase clock by William Allan of Aberdeen, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and strike/silent dial to arch to the eight day two train movement striking on a bell, contained in case with arched and moulded cornice with leaf cresting, turned and stop fluted columns with gilt brass Corinthian capitols to hood, arched trunk door later inlaid with oval fan motif, on bracket feet, 84ins high
A late 18th/early 19th Century mahogany longcase clock by Thomas Read of Dublin, the 13.5ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals and date aperture to the eight day two train movement striking on a bell, contained in case inlaid with boxwood stringings, moulded cornice to hood, shaped trunk door with fluted quartered columns, on bracket feet, 81ins high (movement with some alteration and probably associated to case - pillars missing to hood)
An 18th Century mahogany longcase clock by Joseph Wood of Bristol, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch showing phases of the moon and high water at Bristol Key to the eight day two train movement striking on a bell, contained in case with shaped and scroll pediment and arched and key pattern cornice, turned, fluted and Corinthian capped columns to hood, shaped trunk door and fluted cant corners, the plinth with raised shaped centre panel, on bracket feet, 92ins high (slightly reduced in height)
A George III gentleman’s mahogany wardrobe, the top and drawer fronts veneered in panels of “Plum Pudding” mahogany within boxwood and ebonised stringings, the upper part with moulded cornice, fitted five sliding trays enclosed by a pair of astragal panelled doors, the base fitted two short and two long drawers, on bracket feet, 48ins wide x 78ins high
A George III mahogany bureau, the slope enclosing shaped interior, the central cupboard and pillar drawers inlaid with an urn of flowers and trailing floral ornament, flanked by pigeon-holes and ten small drawers, the upper two drawers with shaped and curved front, two short and three long graduated drawers under, with later gilt brass folding handles, on ogee bracket feet, 44ins wide x 43ins high
An 18th Century walnut and pine sided tallboy of small proportions, the front veneered in matched veneer panels inlaid with herringbone banding and crossbanded, the upper part with moulded cornice, fitted three short and three long graduated drawers, the base fitted three long graduated drawers, the later brass handles with shaped back plates, on bracket feet, 40ins wide x 69ins high
A George IV mahogany Secretaire bookcase, the upper part with shaped and moulded scroll pediment, fitted three adjustable shelves enclosed by a pair of Gothic pattern astragal glazed doors, the base with Secretaire drawer, the drawer front inlaid with ebonised key pattern stringings with satinwood veneered interior, fitted six small drawers, central cupboard and pigeon-holes, three long drawers under, shaped apron, on splayed bracket feet, 49ins wide x 96ins high (with splits to veneers to top, somewhat faded and catches missing from Secretaire drawer)
Robert Hosier Halford. A Victorian Gothic revival oak-cased directors bracket clock of arched outline with six tapering spires, cluster columns to the canted angles on a moulded plinth base, the 23cm. arched silvered Roman dial signed ‘Robert H. Halford, 43 Fenchurch Street, London’ with chime/silent, regulation and chime on 4 bells/chime on 8 bells to the arch, the triple fusee movement with signed back plate ‘Robert H Halford, 43 Fenchurch Street, London’, striking to 8 bells and a gong, 74cm. high, with an associated carved oak wall bracket.
Robert Henderson, London. A small late 18th century ebonised and brass strung bracket clock of arched outline, surmounted by a carrying handle, with moulded cornice and brass mounted canted angles to the door, fret cut arched panels to the sides on a moulded base with brass bracket feet, the 10cm. arched brass dial with silvered chapter ring signed ‘Robert Henderson, London’ with date aperture and strike/silent to the arch, the twin fusee movement with foliate engraved backplate striking to a bell, 29cm. high.
An Edwardian mahogany chiming longcase clock, the break-arch hood with canted fluted corners, the trunk enclosed by an arched waist panel door, on shaped bracket feet, the 31cm. brass Roman dial with ‘Tempus Fugit’ roundel to the arch, having subsidiary seconds dial and strike/silent, and chime/silent mechanism, the three train movement striking to five gongs, 211cm. high.
Daniel Libbey, Devonport. An early 19th century mahogany longcase clock, the arched hood with spiral twist columns having a small rectangular waist panel door enclosed by spiral columns, on a box base with bracket feet, the 30.5cm. silvered dial signed ‘Daniel Libbey, Devonport’, with subsidiary seconds and date aperture having lunar phase to the arch and high water at Devonport, the twin train movement with anchor escapement striking to a bell, 209cm. high.
Richard Wills, Truro. A late 18th century mahogany longcase clock, the rectangular hood with swan-neck pediment and turned columns, having a plain field waist panel door on a box base with bracket feet, the 31cm. square brass dial signed ‘R.Wills, Truro’, the twin train movement with anchor escapement striking to a bell, 212cm. high.
A late 19th Century satin walnut and burr faced bedroom suite comprising a single door wardrobe with a moulded cornice and a single drawer fitted to the base section, a blue and white tiled back wash stand and a dressing chest with mirror bracket upright fitted with trinket drawers and a further range of two short and two long drawers below.
A Georgian and later gentlemans mahogany press cupboard of Sheraton design, with decorative satinwood crossbanding and box wood stringing, the moulded cornice above a plain frieze and with fitted sliding trays to the upper section enclosed by two panelled doors, further fitted below with two short and two long drawers to the base section, all raised to bracket feet, 50’ wide by 82’ high, S/D.
An inter war Royal Crown Derby porcelain tea caddy and cover, the quatrelobed body printed and painted with bouquets of flowers within gilt scrolled edged cartouches on a green ground, raised on gilt medallion border and shell scroll bracket feet, shallow dome cover with tear drop finial. 6.5’ high.
Lilly Poole A 19th century 8-day mahogany longcase clock the twin train movement with anchor escapement striking on a bell false plate the chapter ring with Roman numerals subsidiary date aperture and seconds dial the enamelled dial inscribed "Tempus Fugit" in a scroll held by an eagle in the arch the arched hood with waved cresting spiral turned columns crossbanded trunk and base bracket feet 226cm high
Thomas Haywood Carnavon An early 19th century mahogany 8-day longcase clock the twin train movement with anchor escapement striking on a bell false plate W FRANCIS BIRMINGHAM the arched dial painted with castle and flowers to the spandrels with subsidiary seconds dial and date aperture the hood with swan neck pediment and turned columns the case with chequer strung panelled trunk the corresponding base on ogee bracket feet 226cm high
William Hamilton Whiteburn A Georgian 8-day oak longcase clock the twin train movement with anchor escapement striking on a gong arched brass dial with silver chapter ring and cast spandrels the case later profusely relief carved in a 17th century manner with swan neck pediment to hood with flanking columns trunk with quarter columns and mahogany crossbanded door similar base with bracket feet 221cm high
A Edwardian mahogany three piece bedroom suite comprising: a wardrobe with moulded pediment above two short marquetry cupboard doors over two short and three long graduated drawers flanked on either side by full length mirrored doors on plinth base with bracket feet 204cm wide; a mahogany chest with moulded rectangular top above two short and two long drawers on bobbin turned legs 106cm wide; and another similar with three long drawers 92cm wide (3)

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177687 Los(e)/Seite