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177687 Los(e)/Seite
Los 1096
An 18th Century Continental walnut and brass mounted commode with rounded and fluted front corners, the top quarter veneered and inlaid with herringbone bandings and crossbanded, fitted two short and two long drawers, matched veneer panels, brass handles with shaped and engraved back plates and conforming escutcheons, flanked by rounded corners inset with brass flutes and on rounded bracket feet, 33ins wide x 20ins deep x 29.5ins high
Los 1020
An 18th Century walnut framed rectangular toilet mirror with shaped and moulded frame, inset with bevelled mirror panel, on tapered uprights, the two-tier base with shaped front fitted three small and one long drawer, on ogee bracket feet, 16.5ins wide x 29ins high, and a walnut and parcel gilt dressing table mirror of shaped outline, on scroll feet, 30ins x 17ins overall
Los 937
An 18th Century Dutch oak longcase clock by Pieter Klock of Amsterdam, the 12.25ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, matted dial centre, subsidiary seconds dial and three apertures showing phase of the moon, day, date and month with alarum, to the eight day two train movement striking on two bells, contained in plain oak case with moulded and dentil cornice, the frieze inlaid with two birds, with plain pillars to hood, banded trunk door inlaid with oval Prince of Wales feathers, the plinth base inlaid with star motif, on bracket feet, 88ins high Note: Pieter Klock recorded as a fine maker working in Amsterdam in the second half of the 18th Century
Los 1125
A George III mahogany serpentine fronted chest with moulded edge to top, fitted four long graduated drawers, on ogee bracket feet, 40ins wide x 22ins deep x 35.5ins high, now with associated wardrobe top, the cornice with shaped pediment and turned finial to centre, fitted with hanging rail, enclosed by a pair of panelled doors, 85.5ins high overall
Los 934
An early 19th Century oak longcase clock by Hardeman & Son of Bridge (Canterbury, Kent), the 12ins arched brass dial with Roman numerals, subsidiary seconds dial and date aperture, the arch and spandrels painted with gold flowers, to the eight day two train movement striking on a bell, contained in oak case, probably by Goulden of Canterbury, the hood with shaped "dolphin tail" cresting and gilt finials, with turned and fluted pillars to hood, arched trunk door, on bracket feet, 86ins high (including finials) Note: Samuel Hardeman recorded working Bridge 1794-1839, and his son William Henry Hardeman recorded working 1848-1874
Los 933
A late 18th/early 19th Century mahogany and satinwood longcase clock by William Jones of Usk, the 14ins arched painted dial with Arabic numerals, subsidiary seconds dial and date aperture, painted with floral spandrels and urns and flowers to arch, to the eight day two train movement striking on a gong, contained in mahogany case inlaid with stringings, with scroll pediment and fluted columns to hood, the trunk door with oval mahogany panel and inlaid with wide satinwood bandings and with cant corners, the plinth inlaid with segmented satinwood bandings, on bracket feet, 92ins high
Los 915
A late 19th Century mahogany and brass mounted mantel clock retailed by A. & H. Rowley of London, the shaped gilt brass dial with silvered chapter ring with Roman and Arabic numerals, matted dial centre and with Strike/Silent dial to arch, to the eight day two train movement striking on a gong, contained in mahogany case of "18th Century" design with inverted bell top and turned finials, fluted and part brass stopped canted corners to front, on brass bracket feet, 14.75ins high
Los 588
Victorian mahogany longcase clock, arched painted dial distinctly signed * of Leeds, with subsidiary seconds and date dials, painted abbey ruins to the lunette, the spandrels with shells, eight-day two-chain movement striking on a bell, the case with swan-neck pediment, trunk cross banded and with a short door, bracket feet, height 240cm.
Los 623
Thomas Bennet, London George III mahogany longcase clock, arched brass dial signed Thomas Bennet, London, subsidiary second dial and date aperture, cast Rococo spandrels, eight-day two-chain movement striking on a bell, the case with broken arched hood centred by a leaf motif, arched long door with moulded outline, quarter column quadrants, ogee bracket feet, height 220cm.
Los 111
Jn Farmer, Oxford Street George III mahogany lancet bracket clock, white enamel dial, double fusee movement striking on a bell, the back plate engraved Jn Farmer, Oxford Street, the case lancet shaped with brass grilles and loose ring foliate handles, 46cm.Footnote: John Farmer, London 1817-24.
Los 559
Reproduction walnut small serpentine chest of four drawers, bracket feet, width 49cm, depth 42cm, height 72cm; reproduction French occasional table, circular marble top, painted frame with porcelain panels; reproduction mahogany Hepplewhite shield back elbow chair; small oak side table; yew wood coffee table, with drop leaves.
Los 932
An 18th Century oak longcase clock by William Kipling of London, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial, date aperture and turned winding holes, the spandrels in the form of two putti holding aloft a crown, with engraved borders, to the eight day two train movement striking on a bell, contained in oak case banded in mahogany, the hood with moulded cornice and slender turned pillars, shaped trunk door inlaid with chequered stringings, on bracket feet, 78ins high Note: William Kipling recorded as a fine maker working in London 1705-1737
Los 193
A fine Japanese gold and silver damascened iron box by Komai, Meiji period, the cover decorated with a view of Chureiti Pagoda with Mount Fuji beyond, the sides with alternating arcaded panels of birds, flowers and landscapes, on four bracket feet, engraved dragonfly and square nine character seal mark, W. 13.7cm
Los 136
An Eastern Alliance Destroyer model miniature from Glen A. Larson's sci-fi television show Battlestar Galactica. This model miniature featured in the first-season episodes "Greeting from Earth", "Experiment in Terra" and "Baltar's Escape". This particular model was originally one of the ragtag fleet's ships, but was later modified to become the Eastern Alliance Destroyer. The majority of the show's model miniatures were created by Apogee Productions Inc., a company headed by renowned special effects pioneer John Dykstra, but it fell to the team at Universal Hartland to adapt the miniature for later episodes. Universal Hartland also created visual effects for Buck Rogers in the 25th Century and Airport €˜79. Fabricated from styrene plastic and resin, the ship features a long nose with a detailed cockpit, wings and multiple engine thrusters at the back. The model is finished in shades of green with red-and-faded-black decals on the wings. Four small lamps are inserted into the engine thrusters, and multiple wires are visible on the left side of the hull. A moveable metal mounting bracket is adhered to the left side, and the rear of the model displays a motion-control mounting point. The lot exhibits minor paint wear, scuffs from production use and signs of corrosion, while dust deposits have formed over time. The electronics remain untested. Dimensions (bracket positioned down): 51 cm x 29 cm x 21 cm (20" x 11 1/2" x 8 1/4")£9000-12000 M *Contains electronics; see electronics notice in the Buyer's Guide
Los 277
Korben Dallas' (Bruce Willis) taxi cab miniature model from Luc Besson's sci-fi adventure The Fifth Element. Miniature-model taxis were used during the cab chase sequence, in which Korben raced through New York City's airborne traffic to protect the fugitive Leeloo (Milla Jovovich), while being chased by a host of police cars. This particular miniature was used for shots after the taxi is ambushed and blasted by a row of police cruisers. The model comprises an internal metal frame and a yellow fibreglass body, which has been intentionally distressed to produce a worn appearance. A silver-coloured bumper section runs around the bottom, two resin engine thrusters protrude from the back, and bullet holes cover the right side of the cab. Transparent plastic windows are fitted to its interior, and various decals decorate the surface, including a New York State vehicle licence plate featuring Korben's name and a chequerboard border. Circular and square-coloured acrylic pieces decorate the bumper, representing the lights. Powered by a built-in 120V-240V transformer, LED lights are situated behind the acrylic panels, causing the head, rear and tail lights to illuminate red and white. Crumpled segments surround a hole on the top of the vehicle, to represent the damage from Leeloo crashing through the roof. The hole exposes an interior brown, ridged seat and a plastic figure of Leeloo crouched down in her signature white-bandage outfit. The model comes mounted on a display bracket attached to a custom-made stand. A figure-8 two-pin power cord (not included) is needed to power the item. The display bracket attaches to the original filming mounting point at the front of the car. One of the window panels on the right side is loose. Intentional distressing is present all over and the lot exhibits paint wear from use on production. Dirt and dust remnants are present on the windows and the inside of the taxi. Care should be taken when handling the item as the model pivots. Dimensions (displayed): 39.5 cm x 106 cm x 39 cm (15 1/2" x 41 3/4" x 15 1/4")£30000-50000 † Δ*Contains electronics; see electronics notice in the Buyer's Guide
Los 3048
A 1930's Zinc and Chrome Plated Car Mascot from an Armstrong Siddeley, modelled as a sphinx, 8cm long; A Car Accessory Mascot, with red enamelling OLDSMOBILE, 8cm high; Another, with fleur de lys pattern motif, 6cm high; and A Chromed South Africa AA Badge, the winged emblem stamped Suid-Afrika, with mounting bracket, 14cm high (4)
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177687 Los(e)/Seite