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A mahogany cased bracket clock, in George III style, 20th century, with twin fusee gong striking movement, the silvered arched Roman numeral dial with STRIKE/SILENT and regulatory subsidiary dials to the arch, the domed case with brass carrying handle and on brass bracket feet, 33cm highCondition Report: Dreweatts have not tested the movement and cannot make any guarantees or comments as to accuracy or if the movement is working we suggest getting the clock appraised by a professional clock restorer prior to use. No winding key. With pendulum. The movement appears fairly clean. There is a key present to the rear door Clean and polished appearance overallThe rear door glass is crackedPlease refer to additional images for visual reference to condition Condition Report Disclaimer
A Victorian mahogany quarter-chiming bracket clock, Robert Hay, London, circa 1850, the substantial six pillar triple chain fusee movement with very thick plates and half-deadbeat escapement regulated by long lenticular bob pendulum with wide-jaw T-bar suspension, chiming the quarters on a graduated nest of eight bells and sounding the hour on a coiled gong mounted on a vertical iron strap behind the movement, the 10.5 inch wide cream painted lancet-shaped Roman numeral dial with pierced steel trefoil hands beneath small subsidiary STRIKE/SILENT selection dial and floral spray painted infill to apex, the lower margin signed Robert Hay, London surrounded by three further floral sprays, the lancet-shaped case with hinged glazed dial aperture to front, rectangular windows to sides and triangular topped glazed door to rear, on stepped ogee moulded skirt base, 60cm high Robert Hay, London does not appear to be recorded in the usual sources. From this it is perhaps appropriate to speculate that that he was either a retailer or perhaps a journeyman who spent his career exclusively working for others rather than setting-up on his own. It is interesting to note that three clockmakers with the same surname are recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working during the 1770's and 80's; John 1770, William who gained his freedom of the Clockmaker's Company in 1774, and James who was apprenticed in 1785. It is possible that Robert Hay was related to one or more of the above and may have even worked with or for one of them.Please note that in the PDF catalogue and page turning catalogue this lot (722A) and 333 have been transposed - these have been correct on our website (and lotted in the rooms throughout). The printed estimate was incorrect - again this has been correct online throughout (700-1,000).Condition Report: Marks, knocks, scratches, abrasions consistent with age and use, some old splits and cracks, chips and losses, the dial with some chipping around the pin-heads and the winding holesThe metal bar that supports the gong appears to have been re-sited, there is later wooden blocks between this and the case carcass. Presumably this strut was always a feature as there is no other clear way the gong could be mounted. There is a small cut out to this strut Dreweatts cannot guarantee the movement as working, the movement does appear clean overall and does tick when wound - there is a winding key present and the pendulum. There are no case keys - the doors are open, both doors are warped. Condition Report Disclaimer
A George III mahogany chest of drawers, circa 1780, the crossbanded top above two short and three long drawers, 98cm high, 107cm wide, 55cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and use, Old marks and stains, some discolouration and colour variation. The top especially with old ring marks and water damages.The drawers are paper lined, this is worn and missing in partThe handles are probably original. they protrude through paper linings but there is no clear signs of replacement or adaption in this areas. All the locks appear to be original - one to the top drawer has been removed. There are no keys present but all drawers are unlockedThe drawers are quite stiff in the carcass and may well benefit from a lubricate (candle grease) The top veneer slightly bowing and undulationsThere are signs of old woodworm holes, Old splits and cracks, one side with old crack that has had some infilled timberThe front corner to one bracket feet is detached and missing from the lot, Condition Report Disclaimer
A George III framed mahogany longcase clock, with ball and spike adorned hood, full length trunk door with arch, plain base with bracket feet, the brass square arch dial with silvered silent/strike dial and chapter ring with Roman hour and Arabic minute numerals, subsidiary seconds ring and date aperture, 8 day movement striking a bell and adapted with an alarum dial, 225cm high.
A VICTORIAN SILVER TEAPOT, London c.1838, mark of George Cowie, of plain compressed design with applied finial raised on bracket feet, 24cm wide, 14cm high; together with an associated sugar bowl, Sheffield c.1826, with floral banding, twin handles and raised on four bun feet, 19cm wide. (c.40 troy ozs)
A GEORGE IV INLAID MAHOGANY LONGCASE CLOCK, the hood with swan neck pediment and arched glazed panel door enclosing a brass dial, surmounted with a semi-elliptical painted panel inscribed 'Success to the Irish Volunteers', the dial inscribed 'Hugh Gelston, Newry', the case decorated with blind fretwork and reeded pilasters and raised on bracket feet. 231cm high
A SIX PIECE VICTORIAN SILVER TEA AND COFFEE SERVICE, London, c.1868, c.1873 (hot water pot), c.1878 (tea kettle), all mark of Martin Hall & Co. , each of baluster form with all over chased and engraved decoration, surrounding vacant cartouches, the teapot, coffee, hot water and tea kettle with bird finial, with applied mark decoration to spout with bird head mouth, raised on four pierced bracket supports, (c.185 troy ozs all in). The tea kettle 45cm high
A GEORGE I WALNUT TOLIET MIRROR, c.1720, fitted with rectangular adjustable plate, with rounded upper corners, supported between tapering uprights, with turned finials, over a base with three fitted drawers, and bracket feet. 63cm high, 43cm wide Provenance: Christie's Interiors - Masters & Makers, 30th October 2012, lot 21
A CIRCA 1890 MAHOGANY BRACKET CLOCK BY MARTIN OF LONDON, HAVING EIGHT DAY MOVEMENT WITH STRIKING AND QUARTER CHIMING, ARCHED BRASS FACE WITH GILDED DECORATION, SILVERED CHAPTER RING WITH ROMAN NUMERALS, TWO UPPER SMALL DIALS FOR REGULATION AND SILENT/ CHIME. THE CLOCK STANDS AT APPROXIMATELY 62 CM HIGH
A 19th Century Austro-Hungarian tea caddy marks for 800 fineness, of rounded rectangular form, with all-over engine turned decoration, raised on four cast bracket feet with loop handle and key; together with a central European silver basket, with a heavily embossed cherubic scene to the base and pierced sides and two smaller middle eastern dishes, one with Egyptian marks(Width: 13.5oz)
A 19th Century European twin handled tray possibly Portuguese, filigree work to the base, gilt centre, with simple scroll; together with a twin compartment basket, with upright division with ball finial and bird surmounted, the everted sides of filigree decoration, raised on four paw cast bracket feet(Diameter across handles: 35cm, 19cm)
Y A Victorian three piece part tea service John James Keith, London 1859, comprising coffee pot, teapot and milk jug of melon form, with engraved initial to body, budding finials to hinged lids, raised on shaped bracket feet, with ivory inserts to handle(Height coffee pot: 21cm, weight (all in); 58oz)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
A small late 19th or early 20th century Chinese cinnabar lacquer box with hinged cover decorated in high relief with an immortal standing on stylised clouds with green enameled interior and base, standing on four brass bracket feet, 10 cm w x 8 cm d x 5 cm high, late Qing period, to/w an early 20th century famille verte baluster vase painted with a battle scene in polychrome enamels on crackled ground, the base with brown four character Chenghua mark, 21.5 cm high, a millefleur polychrome ginger jar and cover with iron red six-character Qianlong mark, 13 cm, a 20th century famille rose ruby ground ginger jar and cover, 11 cm, a carved soapstone figure of a Buddhistic guardian lion, 18 cm, blue and white snuff bottle etc (box) Millefleur cover has broken into two pieces and been re-glued

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177692 Los(e)/Seite