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177686 Los(e)/Seite
A good Komai inlaid-iron Koro and Cover, c.1880, the rectangular rounded body inlaid in gold and silver with panels of country scenes reserved on a rinzu diaper, the sides with roundels of ho-o, the bracket feet with Shimazu mon, the neck with grapevine, the fruit silver, with sprung angular handles, the domed cover matching, unusual mark in grass-script-like seal characters Kyoto Komai sei tsukuru (proclaim) some minor wear, 16.5cm (2) A kettle with very similar views, roundels and fruiting vine is illustrated in The Khalili Collection, 1995, Metalwork, Part I, no 20. However, that is by Ryubundo who, the catalogue states, employed workers from the Komai concern. The present koro is presumably by one such worker before he changed employer.
A mid to late 19th century mahogany tilt-top tripod table, the solid mahogany square top raised on a turned stem and cabriole legs with pointed pad feet, 64 cm high x 44 cm wide x 44 cm deep, together with a pair of mid to late 19th century mahogany and canned dining chairs, with turned top rail and horizontal splat, raised on turned tapering legs, also with a 20th century mahogany serpentine bachelors chest of four drawers, raised on bracket feet, 81 cm high x 73 cm wide 46 cm deep.
A Laura Ashley late 20th century painted and pine topped TV cabinet, two caned doors, bracket feet, 61 cm high x 89 cm wide x 46 cm deep, a mahogany TV cabinet, 92 cm high x 117 cm wide x 56 cm deep, two 20th century French buffets, 57 cm high x 65 cm wide x 45 cm deep, a pine coffer, side table, (6).
A 19th century, oak long case clock, the hood with broken swan neck pediment over a painted and enamelled arched dial, signed Will North Leckonfield, the eight day twin train movement striking the hour on a bell. the body with single arched door on steeped base and bracket feet. (adulterations) 210 cm hight x 48 cm with x 25 cm deep. (with pendulum)

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177686 Los(e)/Seite