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177692 Los(e)/Seite
Los 154
Believed Paul Boissevain - The Merchant Adventurers Ltd - Architectural Salvage - A pair of 1950's wall uplighters consisting of a bronzed wall bracket leading into a cylindrical section of which the large frosted glass shade is sat upon and a screw fitting ring to secure it in place. The lights removed from The Freemasons Hall, Park Street, Bristol. Originally being installed during the 1950's rebuild after the severe damage from the Blitz, the lights were commissioned especially for the refurbish.
Los 182
Believed Paul Boissevain - The Merchant Adventurers Ltd - Architectural Salvage - A set of three 1950's wall uplighters consisting of a bronzed wall bracket leading into a cylindrical section of which the large frosted glass shade is sat upon and a screw fitting ring to secure it in place. The lights removed from The Freemasons Hall, Park Street, Bristol. Originally being installed during the 1950's rebuild after the severe damage from the Blitz, the lights were commissioned especially for the refurbish.
Los 214
Mek-Elek London - A 1930's British vintage industrial engineers articulated multi positional workers wall lamp / light having two jointed sections and circular wall bracket, the arm supporting a two tone grey and white porcelain enamel shade. Label present to the arm and mould marks to the shade attachment.
Los 332
Believed Paul Boissevain - The Merchant Adventurers Ltd - Architectural Salvage - A set of four 1950's art deco style wall lights consisting of a bronzed wall bracket with a large frosted glass cylindrical shade with decoration to the glass. Measures; 56cm x 14cm x 20cmThe lights removed from The Freemasons Hall, Park Street, Bristol. Originally being installed during the 1950's rebuild after the severe damage from the Blitz, the lights were commissioned especially for the refurbish.
Los 356
Believed Paul Boissevain - The Merchant Adventurers Ltd - Architectural Salvage - A pair of 1950's wall uplighters consisting of a bronzed wall bracket leading into a cylindrical section and hub of which the shaped milk glass shade sat upon and a screw fixing tighten to secure it in place. The lights removed from The Freemasons Hall, Park Street, Bristol. Originally being installed during the 1950's rebuild after the severe damage from the Blitz, the lights were commissioned especially for the refurbish.
Los 122
Contax 139 Quartz Outfit. Comprising camera body #102971(condition 5F) with CZ Planar 50mm f1.7 T* (condition 4/5F); FX Winder (working); CZ Distagon 35mm f2.8 T* (condition 5F) and a Tamron Adaptall 70-150mm f3.5 CF Tele Macro Zoom with C/Y mount (condition 5F). Also a large SunPack "hammerhead" flash unit with bracket (no battery pack so unable to test). All in fitted metal case.
Los 1
A George II walnut and featherbanded chest of drawers, circa 1735, of small proportions, the rectangular top with moulded edge, above three long graduated drawers, on bracket feet, 73cm high, 72cm wide, 36cm deep Provenance: Private Collection, London For related chests of drawers see Adam Bowett, Early Georgian Furniture, 1715-1740, Antique Collectors Club, 2009, pages 100 and 102 (Plates 3:12 and 3:16).
Los 113
A carved giltwood wall mirror, in George III style, late 19th/early 20th century, in the manner of Thomas Chippendale, the shaped plate divided by stylised architectural pilasters, the frame incorporating c-scrolls and acanthus, surmounted overall by an integral shaped bracket supporting a flowering urn, 140cm high, 150cm wide
Los 129
A George III mahogany chest on chest, circa 1770, the dentil cornice and blind fretwork frieze, above four long drawers flanked by detached fluted columns, the base with three further long drawers flanked by moulded canted corners, the whole on ogee bracket feet, 183cm high, 121cm wide, 58cm deep Provenance: Private Collection, London
Los 175
A George III mahogany serpentine commode, circa 1770, attributable to Henry Hill of Marlborough, the crossbanded and moulded top above three long graduated drawers, the top drawer opening to a sliding baize inset surface, flanked overall by projecting angles, above a shaped apron and outswept bracket feet, 160cm wide, 83cm high, 160cm wide, 56cm deep Provenance: Private Collection, Gloucestershire Purchased from Mallett This 'commode' chest-of-drawers, with top and frame serpentined in the French manner relates to a chest-of-drawers, also incorporating a dressing-table slide, that the Marlborough cabinet-maker Henry Hill (d. 1778) is likely to have included in his furnishings totalling £1,300 supplied to Corsham Court, Wiltshire between 1760 and 1778 (L. Wood, 'Furniture for Lord Delaval: Metropolitan and Provincial', Furniture History, 1990, p. 206, fig. 24). Among related commodes is one from the Samuel Messer Collection, sold Christie's London, 5 December 1991, lot 118; and another with slide-fitted drawer acquired in 1937 by the Victoria and Albert Museum (M. Tomlin, Catalogue of Adam Period Furniture, London, 1982, p. 180; inv. no. W.55-1937). Please note: The correct overall dimensions of the commode are as follows and not as printed in the catalogue: 84cm high, 106cm wide, 84.5cm deep
Los 177
Ï’A George III mahogany and crossbanded bowfront chest of drawers, Channel Islands, circa 1810, inlaid with stringing throughout, the rosewood crossbanded top above an arrangement of two short and three long graduated drawers, on outswept bracket feet, 94.5cm high, 93.5cm wide, 52.5cm deep Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Los 186
A George III mahogany and satinwood clothes press, circa 1790, the moulded and arcaded cornice above a pair of oval inlaid cupboard doors opening to five mahogany fronted sliding trays, the lower section with two short and two long graduated drawers, on bracket feet, 202cm high, 128cm wide, 66cm deep For a very closely related design of ‘Wardrobe’ see A. Hepplewhite & Co. The Cabinet-Maker and Upholsterer’s Guide, 1st Edition 1788, Plate 88 (also illustrated by Elizabeth White, Pictorial Dictionary of British 18th century Furniture Design, Antique Collectors Club, 1990, page 195.
Los 228
A pair of Regency mahogany pedestals, circa 1815, each of square section with lobed border above tapering bodies with applied gilt metal wreaths on acanthus bases incorporating bracket feet, 104cm high, 50cm square Provenance: Private Collection, London For a pair of Regency pedestals of related scale and demonstrating some similar decorative elements see Sothebys. London, Rooms as Portraits: Michael S. Smith, Eaton Square, London, 12th September 2018, Lot 90.
Los 240A
Ï’A carved rosewood, mother-of-pearl inlaid and Paris porcelain inset ladies' sewing, writing and jewellery casket, probably French, third quarter 19th century, the cavetto moulded cover inset with blue ground Watteauesque figural panel, the twin doors with conforming panels and inlaid foliate borders, on foliate carved bracket feet; the interior with fitted tray with bone and shell implements, above four fitted drawers, 33cm high, 33cm wide, 26cm deep Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Los 249
A George IV mahogany secretaire library bookcase, circa 1825, the moulded cornice above four astragal glazed doors opening to adjustable shelves, the lower section with central fall front secretaire drawer opening to a leather inset writing surface and an arrangement of drawers and pigeon holes, flanked by a deep drawer on either side, above a central pair of cupboard doors opening to three sliding trays, flanked by a single cupboard door on each side opening to adjustable shelves, on moulded bracket feet, 269cm high, 262cm wide, 62cm deep
Los 26
A George I walnut and featherbanded bureau bookcase, circa 1720, the moulded cornice above a pair of mirror panelled doors, opening to an adjustable shelf section above an arrangement of pigeon holes, three small drawers and a pair of candle slides beneath, the hinged fall below opening to an arrangement of pigeon holes, small drawers, and a well section with sliding cover, above two short and two long drawers, on bracket feet, 202cm high, 98cm wide, 57cm deep Provenance: Private Collection, Hampshire
Los 67
A George II walnut secretaire chest of drawers, circa 1740, the rectangular top with moulded edge above a shallow secretaire drawer, the three long graduated drawers below above shaped bracket feet, 82cm high, 94cm wide, 62cm deep Provenance: Private Collection, London For a related chest of drawers see Adam Bowett, Early Georgian Furniture, 1715-1740, Antique Collectors Club, 2009, page 108, Plate 3:26 (part of the collection at Beningborough Hall, York ). The Beningborough example demonstrates a similar shallow arrangement of the uppermost drawer(s). Whilst the Beningborough example appears to incorporate two drawers to the shallow uppermost frieze, the current example having a single drawer that is fitted, seems to be a genuinely rare feature for a chest of this period.
Los 84
Ï’A George III mahogany and tulipwood banded linen press, circa 1790, the fluted 'swan neck' pediment incorporating carved patera terminals and a central conch shell marquetry terminal, above a fluted frieze and a pair of oval inlaid cupboard doors opening to five sliding trays, the bottom section with two short and two long graduated drawers, on outswept bracket feet, 237cm high, 135cm wide, 65cm deep Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Los 87
A George III satinwood, tulipwood and marquetry serpentine commode, circa 1770, in the manner of John Cobb, the shaped top decorated with tied ribbon and floral marquetry, above a pair of doors each decorated with a flowing urn, one side panel deorated with a lute and sheet music, the other with a basket and scythe, on outswept bracket feet, 80cm high, 91cm wide, 47cm deep Provenance: Private Collection, Eaton Square, London since 1960 and thence by descent.For a related marquetry commode attributed to John Cobb, see Christie’s London, Important English Furniture, 27th November 2003, Lot 90. See also Christie’s London, 500 Years Decorative Arts Europe, 9th June 2011, Lot 339 (£18,750) for a further related example.This commode is conceived in the George III French/antique manner of the late 1760s. Its 'vase' ornament harmonised with the 'Etruscan' style that was introduced by architects such as Robert Adam (d. 1792) to the fashionable bedroom apartment of the period.
Los 540
Early 19th century French pocket watch stand, modelled in the form of a French boule bracket clock with detachable faceted pediment to a waisted body with applied gilt work detail and inlaid and engraved brass floral detail on cast and applied feet, height 29cm and fitted with a silver pair-cased verge watch, William Hughes - London, 710, the verge movement (disassembled) to a Roman enamel dial with gilt spade hands in a hinged and polished case and outer (2)
Los 551
Early 20th century German bracket clock, Lenzkirch, 239436, the case with overhanging cornice and moulded pediment with brass carry handle to a glazed door and plinth base on splayed bracket feet to a 15cm rectangular brass dial with applied spandrels and silvered regulation scale over Roman and Arabic chapter ring with blued steel fleur de lys hands to a square brass movement with screwed plates and anchor escapement strike on two coiled gongs, height 44cm
Los 553
Early 20th century German oak cased 8-day bracket clock, Winterhalter & Hoffmeier, the architectural case with overhanging cornice and Palladian pediment to reeded columns and stepped plinth base on bracket feet to a brass door with bevelled glass enclosing a 15cm square brass dial with applied cherub head spandrels enclosing a Roman and Arabic chapter ring with outside minute track and half-hour markers to a matted centre and with pierced hands to a square movement with screwed plates and anchor escapement with strike on two coiled gongs, height 42cm
Los 554
Early 20th century mahogany and cast brass four-glass clock garniture, the serpentine fronted case with overhanging cornice plateau top over free-standing Corinthian columns on a shaped base with bracket feet to a bow fronted and bevelled glazed door enclosing a cast brass bezel to a 30cm gilt Arabic dial with outside minute track and pierced blued steel hands to a circular brass movement with anchor escapement and strike on a coiled gong, together with a pair of matching side pieces formed as electric lamps of urn shape with cast and applied rams head handles and acanthus leaf base to a serpentine plinth on bracket feet, height of clock 41 1/2 cm (3)
Los 560
Mid-19th century French contra-boule mounted bracket clock, LeRoy-Paris, the waisted case surmounted by a shaped gilt finial (removable) with further applied c-scroll and foliate detail with red and coloured inlay, with pierced and engraved sound frets on scrolling feet to a cast brass bezel with convex glass enclosing a cast 15cm dial with applied blue and white Roman enamel lozenges and black finished pierced hands to a signed circular brass movement with back mounted count wheel and anchor escapement strike on a bell, together with its original wall mounting bracket, height of clock 50cm, height of bracket 23cm
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177692 Los(e)/Seite