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177691 Los(e)/Seite
A GEORGE III MAHOGANY FALL-FRONT DESK, the moulded rectangular top above a fall-front with solid brass escutcheon, opening to reveal gilt-tooled leather inset writing surface before an arrangement of eight drawers, pigeon holes and dividers, retaining the original lock and key, below the fall a carved blind fretwork frieze, the lower section with frieze drawer over a recessed cupboard, flanked by three moulded-front drawers to each side, each fitted with brass swan-neck handles and retaining their locks, raised on bracket feet, in one piece. 135.5cm high, 110cm wide, 61.5cm deep
A FRENCH GILT BRASS AND CHAMPLEVE ENAMEL TABLE CLOCK, LATE 19TH CENTURY, the twin barrel Japy movement striking the hour and half hours on a gong, 3 3/4-inch gilded dial with Arabic numerals and enamel centre, the oblong case with fluted columns and turned finials, stepped and domed surmount with flower finials, the moulded base and bracket feet. 35cm high, 20cm wide
AN INLAID OAK DRESSER AND RACK, NORTH WALES, EARLY 19TH CENTURY, the boarded rack with projecting cornice above three shelves with rosewood banded fronts, flanked by rosewood and maple inlaid pilasters, the base with three rosewood banded and cockbeaded drawers, fitted with solid brass backplate handles and ivory escutcheons (one lacking), above a pair of panel doors flanking three further conforming drawers, raised on bracket feet. 205.5cm high, 156cm wide, 47.5cm
A WEST YORKSHIRE BRASS-INLAID MAHOGANY EIGHT-DAY LONGCASE CLOCK, SIGNED HELLIWELL, LEEDS, the 14 1/2-inch break-arch dial painted in the arch with "The Asscension (sic)", the Saints Matthew, Mark, Luke and John painted to each corner, subsidiary seconds dial and date calendar, the hood with break-arch pediment and brass eagle finial above turned columns, the case with ring-turned quarter columns flanking a moulded door with three-pointed top above a moulded panel, the base with conforming quarter columns flanking an octagonal fielded panel with reel moulded edge, raised on bracket feet flanking a shaped apron, complete with two weights, pendulum and winder. 254cm high
A LOUIS XVI MAHOGANY AND WALNUT BOMBE COMMODE, 18TH CENTURY, the hinged serpentine top opening to reveal fold out shelves, above three graduated drawers, to one side a full width drawer and to each side a slide, with shaped apron and splayed bracket feet, fitted with gilt metal handles. 73cm high, 90cm wide, 57cm deep
A WALNUT BUREAU, MID 18TH CENTURY, with feather-banded slope opening to reveal an interior with pigeon holes, drawers and a cupboard, over three long graduated feather-banded drawers with solid brass backplate handles and escutcheon, raised on an ovolo moulded base with bracket feet. 106.5cm high, 96cm wide, 49.5cm deep
A GEORGE III MAHOGANY TEA CADDY, the hinged rectangular lid opening to reveal a pair of metal lidded canisters and a covered mixing bowl, the cast brass escutcheon in the Rococo taste, raised on bracket feet. 15cm high, 23cm wide, 14cm deepProvenance: The Chris Crabtree Collection, North Yorkshire.
A Regency mahogany secretaire bookcase, arched cresting above a glazed rectangular doors flanked by reeded angles, the projecting base with fitted drawer above a pair of rectangular doors, lion mask loose ring handles, lined throughout with ebony stringing, outswept bracket feet - 93 inches high, 48 inches wide, circa 1816
A good quality late 18th century English bracket clock, the arched case veneered in mahogany with brass grills, double fusee movement standing on brass bracket feet, 42cm H x 32cm W - engraved back plate, un-signed, condition - some crazing and losses to face, good colour and patina, hour hand damaged
A mid 19c French Comptoise wall clock signed Bericlet freres a Avallon to the 9in diam. white enamel dial,which has Roman numerals and painted flowers in the centre. It has an embossed brass surround and an embossed and pierced cresting of cornucopia and a sunburst. The movement is of posted frame construction with verge escapement and vertical rack striking on a bell. It is mounted on a later wall bracket with long back board. It is lacking its pendulum and weights, bracket 31in tall overall.
A late 19c German three train bracket clock by Winterhalder and Hoffmeier, the barrelled spring movement quarter chiming on four or eight gongs and hour striking on a ninth. The silvered dial has a full arch top and has subsidiary dials for chime/silent, chiming on four or eight gongs, and pendulum regulation. It is marked with retailers name Edward of Glasgow and is contained in a stained timber full arch case with glazed front door and gilt brass side frets, paw feet and flambe finials. The dial is flanked by fluted and reeded quarter columns and the case stands 18in tall overall.
A late 19c French mantel clock in cast brass case decorated in scrollwork and foliage and having ornate bracket feet to the plinth and decorated columns to the corners of the case. The top has a flattened dome with crosshatch decoration, surmounted by a cast pineapple. The 4in diam. white enamel dial has arabic numerals with an embossed brass centre and cast bezel with a glass. The movement is countwheel striking on a bell. The clock stands 18in tall overall.
An early 19c English bracket clock by George Yonge. The double fusee movement has anchor escapement, chain drive and strikes on a bell. The 8in diam. convex painted dial has arabic numerals and matched steel hands. It is contained in a triple pad arched top mahogany case with fishscale side frets and central carrying handle and the front has a crescent shaped sound fret above the dial and spandrel shaped frets to the bottom front corners. It has a matching wall bracket with tapered base. Clock and bracket stand 27in tall overall.
A late 18c eight day longcase clock, the 12in square brass dial signed John Owen and is numbered 145 to the silvered chapter ring. The corner spandrels represent the four seasons and the chapter ring has Roman numerals with outer arabic five minute markers and the clock has unmatched steel hands. The movement has anchor escapement and striking using the pinned great wheel as a countwheel. It is contained in an oak and mahogany case with swan neck pediments to the hood with a central ball and spire finial and baluster columns flanking the dial. The trunk has fluted quarter columns flanking the long wavy top door which has mahogany edge crossbanding and the base has canted corners and a central mahogany panel with three double boxwood line inlay around its scalloped. The base moulding has small bracket feet and the clock stands 83in tall overall.
A 19th century French gilt bronze mounted Boulle bracket clock, the cast and chased dial inscribed BARY A PARIS with white and blue enamel Roman numerals, beneath urns flanked by allegorical busts, the interior with strapwork and sloping trompe l'oeil floor, the arched leafy gadrooned case applied with caryatids and three full length figures of saints, on four 'Indian head' volute legs, the rear door opening to reveal a lady in a swing, the 19th century English chain fusee movement with bell and gong, 75 x 51 x 24 cm, lacking pendulum and key.
CHERRY WOOD DINING ROOM SUITEcomprising a sideboard with central panel flanked by a single brass handled drawer above a cupboard either side, shelved interior, raised on bracket style frame, 96cm x 167cm, an oval top extending table, 190cm long extended, raised on turned tapering legs, and six chairs with shaped backrests and padded seats (8)

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177691 Los(e)/Seite