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177687 Los(e)/Seite
Los 19
A fine and very rare late 19th century mahogany eight day, spring driven wall regulator of small sizeCharles Frodsham, No.84, Strand, London, Clock Maker to the Queen, No. 1097The arched case with long glazed door framed by a D-moulded edge to a concave-shaped base, hung on a substantial suspension loop to the backboard, the lockable door opening on three brass hinges and inset with a dust rebate and baize lining, a carved and pierced foliate cresting sits below the dial and is secured from behind by four brass screws; the 6.25 inch one-piece silvered dial with Arabic minute track enclosing the large subsidiaries for running seconds (marked in Arabic 10s, with observatory marks between) and Roman hours with blued steel trefoil hand, the winding square with engraved and shaded direction arrow, secured in the case via three blued steel screws to the dial edge locating into double-screwed brass plates mounted behind the dial; the substantial movement set on a thick mahogany backboard by three long brass screws and L-shaped brackets, with arched plates united by five turned ringed pillars screwed through the backplate with heavy blued steel screws and bronze collars, with Harrison's maintaining power to the chain fusee, the wheels of five crossings and with high count pinions, the deadbeat 'scape wheel set in jewelled bearings, the pallets similarly mounted and with inset jewelled faces, to a long steel crutch with micrometer regulation to a circular section pendulum rod and mercury-filled canister bob, suspended from a heavy brass bracket mounted on the backboard, reading against the original signed boxwood beat scale with stamped scales for inches and degrees of arc. Running. Sold with a case key and the original(?) steel and brass winding key. 108cms (3ft 7ins) high Footnotes:Provenance: J.B.Hawkins Antiques, 1990. 'A fine mahogany cased hanging miniature regulator by Frodsham, London with their Patent Pendulum. English Circa 1845.'A similar regulator, number 1557, in an oak case was sold in these rooms December 2018 for a hammer price of £13,000.For further information on this lot please visit Bonhams.com
Los 31
An impressive second quarter of the 18th century French tortoiseshell boulle inlaid bracket clock with original bracketBrezagez, a Paris. The case and bracket both stamped MarchandThe waisted case surmounted by an ormolu finial of embracing lovers over applied cornucopia and floral mounts and foliate scroll feet, the door centred by a large mount depicting a playful cherub hiding a key from an excitable puppy, on the matching wall bracket with concave sides set with smiling cherubs heads to each corner and tipped by a lattice-work finial; the cast dial with central bird and foliate scroll decoration enclosed by twelve blue Roman cartouche numerals, framed by an engraved minute band engraved with each number, the enamel makers signature plaque set just below VI; the rectangular movement untied by five vase shaped pillars, with (replaced) anchor escapement striking the hours and half hours on a bell mounted in the caddy above via a numbered outside countwheel, signed in engraved copperplate script along the lower edge. Ticking and striking. Sold with a pendulum, case key and large steel winding key. 120cms (47.5ins) high including bracket. Clock case 86cms (34ins) high. (2)Footnotes:Provenance:Sold with the receipt of purchase from Delehar Antiques, 146, Portobello Road, Kensington, W11 on 15th April 1967 for £350. 'Antique bracket clock and bracket. Movement by Brezagez. Case and bracket signed Marchand. Louis XV c1730.'Pierre Brezagez became a Master in Paris in 1727 and worked on Rue Montmartre until 1748. Nicolas Jean Marchand became a Maitre Ebeniste in 1738.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Los 33
A very fine and rare early 19th century French ormolu mounted white marble, quarter chiming, centre seconds table regulator with full annual calendarGrand Homme a VersaillesSurmounted by a reclining woman protecting a playful child from a flaming torch over an arched cornice with applied motifs of winged putti to the front and a leopard within a garland of grapes to each side, supported on four fluted Corinthian columns with white marble bases, on a black plinth and ormolu feet; the ormolu anthemion-cast bezel with beaded border framing the signed 6.5 inch white enamel Roman and Arabic chapter ring, the time shown by a pair of gilt hands with sunburst tips; the months and their astrological signs painted 'en grisaille' shown via a wavy blued steel double-ended hand; the day and its sign shown via a double ended gilt arrow-tipped hand and the date shown by a single blued steel hand, the open centre revealing the calendar work with five-star crossings; the substantial circular movement plates with flattened lower edges, united by 6 large turned pillars, the deadbeat escapement mounted on the backplate, the pendulum crutch with fine screw adjustment to the heavy gridiron pendulum suspended on a substantial bracket and knife-edge above, terminating in a heavy cast sunburst bob with central female mask, the hours stuck on a large bell via an outside countwheel with star crossings, the quarters activated by a smaller outside countwheel and struck on two nested bells of slightly higher tone 61cms (24ins) high (2)Footnotes:The leopard mounts to the side of the cornice are sacred to Bacchus, hence the grape-festooned garland.The striking sequence is as follows:The first quarter is struck on the small bellThe second quarter is struck first on the small bell, then on the medium bellThe third quarter is struck on the small bell, followed by the medium bell, followed by the small bellThe final quarter is struck on the small bell, the medium bell, the small bell again and the medium bell again. This is followed by the hour being struck on the largest bell.For further information on this lot please visit Bonhams.com
Los 36
A fine quality late 19th century carved mahogany quarter chiming bracket clock with original bracketUnsignedThe architectural case surmounted by an elaborate knopped cupola and two smaller cupola finials over a pediment supported by Corinthian pilasters on a carved plinth base, the 5.5 inch brass Roman dial with a finely engraved mask depicting flowing foliage and scrollwork with three subsidiary dials above for chime/silent, slow/fast regulation and Whittington/Westminster chime, the triple fusee movement with anchor escapement striking the hours and quarters on two coiled steel gongs and eight bells and hammers. Together with the original carved mahogany wall bracket. . 52cms (20ins) high. The bracket a further 29cms (12ins) high. (2)For further information on this lot please visit Bonhams.com
Los 39
An early 19th century mahogany bracket clock with trip repeatJames McCabe, Royal Exchange LondonThe lyre shaped case surmounted by three brass acorn finials over carved laurels and a moulded base on rosette carved supports, the 7 inch painted Roman dial with pierced moon hands and strike/silent lever at XII, the signed twin chain fusee movement with anchor escapement, striking the hours on a bell. Sold with a winding crank and two case keys. 39cms (15ins) high (5)Footnotes:A very similar example by McCabe can be found in Barder, R. (1993) 'The Georgian Bracket Clock 1714 – 1830', The Antique Collectors' Club, p.201. For further information on this lot please visit Bonhams.com
Los 42
A late eighteenth century figured mahogany 'balloon' bracket clock with trip repeat and original bracketRichard Grove, 93 Wood Street, LondonThe shaped caddy surmounted by a gilt brass ball finial over foliate and fish-scale sound frets, the waisted case raised on a moulded plinth base and brass ogee feet, the signed 7.75 inch white painted Roman and Arabic dial with elongated fancy brass hands, signed two train fusee movement with anchor escapement striking the hours on a large bell. Sold with original mahogany wall bracket, case key and winding key. 61cms (24ins) high. The wall bracket a further 25cms (10ins) high. (4)For further information on this lot please visit Bonhams.com
Los 46
A GOOD SECOND HALF OF THE 18TH CENTURY BRASS-MOUNTED EBONY BRACKET CLOCK WITH ORIGINAL WALL BRACKETWilliam Webster, LondonThe inverted bell topped case with bold handle and brass band to the caddy, over brass-bound rectangular glazed side panels over a plinth base on brass block feet, the 7.5 inch one-piece silvered dial with original blued steel hands reading against Roman and Arabic numerals, framed by a cast brass bezel within a square door, opening to reveal the wider dial plate signed along the lower edge and set with a strike/silent lever, the movement with five knopped pillars, pivoted verge escapement and rack strike on a bell, the backplate with a repeat pattern border framing asymmetric rococo foliate scroll engraving and the signature 'Wm. Webster, Exchange Alley, London', mounted with an engraved 'sprung block'-type pendulum holdfast, the backcock with matching scroll engraving and border. Ticking and striking. Together with the original veneered and brass-bound wall bracket of shaped outline and with pull-forward key drawer. Height 48cms (19ins) high. Standing on the wall bracket, 73cms (29ins) high. Footnotes:Provenance: Single family ownership for nearly 50 years; purchased by the vendors father from an auction in 1972.For further information on this lot please visit Bonhams.com
Los 58
A good late 18th century quarter chiming mahogany table clockEardley Norton, London. No. 1828The bell topped case surmounted by five urn finials over gilt brass side handles and rectangular glass side panels with canted, stop-fluted pilasters to all corners, on a raised brass-banded base on brass ogee feet, the 8 inch arched brass dial with strike/silent subsidiary set over the silvered Roman and Arabic chapter ring, matted centre, chamfered date aperture and blued steel hands, the triple fusee movement united by six knopped pillars, with knife edge verge escapement and short bob pendulum, striking the hours on a large bell, and chiming the quarters on a run of eight nested bells, the backplate repeat numbered. Running, striking and chiming, sold with a modern brass T-bar winding key. 62cms (24ins) (2)Footnotes:A similar musical clock in mahogany by Eardley Norton can be found in Barder, R. (1993) The Georgian Bracket Clock 1714 – 1830. The Antique Collectors' Club. p.110.For further information on this lot please visit Bonhams.com
Los 59
A good early 18th century numbered 8-day burr walnut longcase clockGeorge Graham, London No.588, c.1717The flat-topped hood with blind fret carved frieze set on three-quarter and quarter columns mounted with brass Doric capitals and bases, the long door punch numbered twice to the front edge, veneered with lively figuring and framed by an elaborate moulded edge, over a feather-banded rectangular base, the sides further inlaid with feather banded panels. The 11 inch square brass dial with double screwed Indian mask spandrels interspersed by foliate engraving, the right hand edge set with the maintaining power lever, the silvered Roman and Arabic chapter ring with floating lozenge half hour markers, finely matted centre with subsidiary seconds dial, chamfered date aperture (with pin adjustment) and an applied nameplate, 'Geo: Graham, London', with original blued steel hands (the hour hand on a hexagonal boss) secured by four latched dial feet to the substantial weight driven, eight-day movement, the plates united by five heavy knopped pillars riveted to the back and latched to the frontplate, the going train with bolt and shutter maintaining power and anchor escapement with a long steel crutch to a pendulum with circular-section steel rod terminating in a brass bob with engraved rating nut. The striking train with pivoted steel rack striking on a bell, supported on an oak seatboard, set with a brass L-shaped bracket to the backplate keying into a reciprocal T-shaped bracket on the backboard. 2.02m (6ft 7.5ins) high.Footnotes:Provenance:A Private UK collection, purchased from Asprey 1972. Three letters from Asprey accompany the lot, all signed by Jack Pearce.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 61
A very fine late 19th century Exhibition-quality, quarter chiming skeleton clock with special escapement, remote winding and remote hand setting, with the original glass dome and walnut baseCamerer Kuss & Co, 56 New Oxford St, LondonThe elaborate Gothic-inspired frame united by twelve turned pillars and cast with spires, quatrefoils, and other architectural motifs, signed in a signature plaque mounted top centre within a Gothic-style architectural niche, on a substantial plinth base with engraved border, set to the front with a pair of cast gilt bronze figures of Prince Albert and Queen Victoria on circular bases with foliate and crown decoration, the frame further set with applied plaques 'WESTMINSTER & TEN BELLS CHIMES' the 6.75 inch gilt dial with painted Gothic Roman numerals interspersed by engraved foliage and roundels, framed to the outer edge by a pierced running border of foliate scrolls, the internal edge with arcaded trefoils, echoing the tips of the blued steel pierced hands, the unique movement with three chain fusees, (the quarter train with engine turned spring barrel cap), all three winding squares set in the base behind shutters revealed on pushing a horizontal slide, each train with heavy chains running over pulleys to the fusee arbors, the quarters announced via a choice of Westminster chimes on gongs hidden in the base, or on a run on ten bells set in two sets of five mounted front to back behind the standing Royal couple, each bell struck by a stylised brass halberd, the going train with a deadbeat 'scape wheel mounted on a three-armed bridge set on three pillars screwed into the back of the frame, the sliding detent-type escapement with two-part pendulum terminating in a cylindrical bob and suspended from an adjustable block mounted on a shaped bracket spanning the plates above, the hours struck on a heavy gong mounted in the base. The walnut base with carved arcaded decoration and sliding covers for the winding squares. The right hand side is set with two gilt engraved buttons, 'SET HANDS' and 'WESTMINSTER CHIMES/10 BELLS CHIMES'. The hands are set by pushing down on the relevant button to engage a series of rods and bevelled gears to advance the hands. Together with the original glass dome. Running, striking and chiming. To the top of the frame 80cms (31.5ins) high. With glass dome in place, 82cms (32.5ins)Footnotes:This clock was made to celebrate Queen Victoria's Diamond Jubilee in 1897 and is illustrated in Camerer Cuss & Co: The Bicentenary 1788-1988, Antique Collector's Club, 1988, p.26. The firm used an image of it on an 1897 calendar, and undoubtedly it would have taken pride of place in the shop window. The remote winding and hand-setting is a revelation - one of the main issues for all skeleton clock owners is that 52 times a year, the glass dome has to be removed safely and then put back safely, this is why so many 19th century skeleton clocks are now lacking their domes. The current clock retains its original, perfectly fitting dome. Prince Albert had died 36 years before this clock was made, but still featured strongly during Victoria's Diamond Jubilee in 1897. The figures on the clock depict the young married couple, Albert is decorated with the Order of the Garter and the Golden Fleece. Victoria is dressed out of period, in a simple Medieval-style gown, the pair perhaps portraying the Age of Chivalry, in tune with the gothic decoration of the clock. Provenance: Single family ownership for the last 70+ years.For further information on this lot please visit Bonhams.com
Los 63
A FINE AND RARE MID 18TH CENTURY SILVER-MOUNTED CARVED MAHOGANY QUARTER REPEATING TABLE CLOCKDelander, LondonSurmounted by a cast handle on an inverted bell top with fine mouldings over a concave cornice, circular and rectangular glazed side panels and a plinth base on block feet, the front and rear doors, all four angles, and the four side windows all framed in carved mahogany borders of egg-and-dart or flowerheads interlaced with flowing ribbon, the 6.25 inch arched brass dial with rise-and-fall regulation dial in the arch (divided into 40 divisions marked in 5s) flanked by silver spandrels depicting a cornucopia and a cherub holding a flowerstalk aloft, over the silvered Roman and Arabic dial framed by silver scroll-and-flower spandrels, the finely matted centre with curved chamfered mock pendulum aperture revealing the engraved silvered 'bob', chamfered square date aperture and applied nameplate a strike/silent lever at IX, the twin gut fusee movement with rectangular plates united by six knopped pillars, the pivotted verge escapement with adjustable pallets to a brass rod pendulum with lenticular brass bob secured for transit by a steel hook, rack striking the hours on a bell and repeating the quarters on a run of six bells and hammers, signed in a copperplate script to the lower half of the backplate, Delander, London, the high-strokes of the letters flowing into one another. Running, striking and repeating. Sold together with a 20th century, bespoke mahogany wall bracket, made in solid mahogany and multi-layered in the 18th century style, with three suspension loops. The bracket 22cms (8.75ins.) high, 29.5 (11.5ins) wide and 21cms (8.25ins) deep. 45cms (17.75ins) high (2)Footnotes:Provenance: Single family ownership for 46 years. Purchased from Ronald A Lee, 1-9 Bruton Place, W.1. April 1974. A copy of the original invoice accompanies this lot.For further information on this lot please visit Bonhams.com
Los 64
A fine and rare mid 18th century silver-mounted carved mahogany quarter repeating table clock with exhibition provenanceDelander, LondonSurmounted by a cast handle on an inverted bell top with fine mouldings to a plinth base and block feet, the front and rear doors, all four angles, and the four side windows all framed in carved mahogany borders of egg-and-dart or flowerheads interlaced with flowing ribbon, the 6.25 inch arched brass dial with rise-and-fall regulation dial in the arch (divided into 42 divisions marked in 7s) flanked by silver spandrels depicting a cornucopia and a cherub holding a flowerstalk aloft, over the silvered Roman and Arabic dial framed by silver scroll-and-flower spandrels, the finely matted centre with chamfered mock pendulum aperture revealing the engraved 'bob', chamfered date aperture with pin-hole adjustment and applied nameplate a strike/silent lever at IX, the twin gut fusee movement with rectangular plates united by six knopped pillars, the pivotted verge escapement with adjustable pallets, to a brass rod pendulum with lenticular brass bob secured for transit by a steel hook, rack striking the hours on a bell and repeating the quarters on a run of six bells and hammers, signed in a flowing script to the lower half of the backplate, Delander, London, the high-strokes of the letters flowing into one another. The glazed rear door applied with the original printed label Catalogue Number 150 from the 1952 Science Museum Exhibition 'British Clockmaker's Heritage Exhibition. Running, striking and repeating. 46cms (18ins) highFootnotes:Exhibited: British Clockmakers Heritage Exhibition, Science Museum, May 23rd to September 14th, 1952, exhibit number 150. Described as 'Bracket Clock by Delander (probably Nathaniel), London c1740.Lent by Ronald Lee, Esq.'Provenance:Single family ownership for 36 years. Purchased by the vendor's father from Ronald A. Lee (Fine Arts) Ltd, 1-9 Bruton Place W.1. , June 1984. A copy of the original invoice is included with this lot, on which Mr Lee notes 'This is the pair to the Delander you purchased in April 1974.' Bearing in mind that Mr Lee had loaned the clock to the Science Museum Exhibition in 1952, and only sold it in 1984, it is quite possible that he kept this at own his home as part of his private collection.For further information on this lot please visit Bonhams.com
Los 71
A good mid 19th century gilt brass-mounted ebonised bracket clock with original wall bracketCharles Pace, No. 484 The waisted case set to all four corners with cast foliage and scrolls on the matching ogee-shaped wall bracket, the 8inch circular one-piece silvered Roman dial framed by a minute track, with strike-silent lever at XII, with matching blued steel fleur-de-lys hands, the substantial twin chain fusee movement with anchor escapement and rack strike on a long circular-section coiled gong set on a substantial iron bar mounted vertically to the case rear, the backplate fully signed in copperplate script 'Charles Pace, 128 High Str. WHITECHAPEL, No.484'.Running and striking, with case key and winding key. The case 46cms (18ins) high, the wall bracket 28cms (11ins) high. Footnotes:Literature: Illustrated and discussed in 'Antiquarian Horology', Volume 34, Number 1, page 70, Figures 18 and 19.Henry handed over the Whitechapel business to his brother Charles (active 1836-1850) in 1837 and moved to Exmouth for five years (Henry later returned and settled in St John's Square, Clerkenwell).For further information on this lot please visit Bonhams.com
Los 73
A fine and rare mid 19th century brass skeleton timepieceJohn Pace, Bury St Edmunds The thick plates with chamfered front edges secured to the signed angled brass base by a pair of L-shaped brackets and further united by a pair of turned pillars, the lower portion skeletonised and carrying the dial and visible motionwork, the upper section tapering to a point and carrying the spring barrel and four wheel train, (the wheels of six and five crossings) terminating in a deadbeat escapement with brass pendulum suspended on a bracket with rise and fall fine screw adjustment, to a halberd-shaped bob, the 3.5 inch dial with skeletonised Arabic chapters within a pair of knurled bands enclosing the blued steel spade shaped hands, (the centre arbor linked to the third wheel via a steel chain running between three pulleys mounted on the backplate) all raised on a walnut base with recessed lip for the glass dome. The frame 31cms (12ins) high. Total height, including base and glass dome 37cms (14.5ins) high. Footnotes:Literature: Illustrated and discussed in 'Antiquarian Horology', vol.34, no.1 p68, fig 14.For further information on this lot please visit Bonhams.com
Los 23
A mid-19th century Chinese export lacquer table cabinet, circa 1860Of rectangular form upon four bracket feet, two hinged doors below a twin scroll and scallop shell pediment. The exterior with gold lacquer scenes of figures with buildings and various floral decorative motifs, edged with Greek key. The interior with five long drawers with pull handles, decorated with floral sprays, the interior of doors with bamboo shoots. Height – 57 cm / 22.5 inchesWidth – 38 cm / 15 inches
Los 4
A 19th century French tortoiseshell and gilt bronze mounted Boulle style bracket clock, circa 1870The caddy top surmounted by a figure of a putto, the straight sided case with scrolling feet, the locking glazed arched door with gilt scroll base with a trophy of war (key deficient). The brass and twelve piece enamel dial with Roman numerals, signed ‘Bataille a Paris’. The twin barrel movement with outside count wheel striking on a bell (deficient), pendulum deficient. Movement backplate is stamped with the Japy trademark, an oval with the wording Japy Frères & Cie, Grande Medaille d’Honneur, Exposition 1855, also with numerals 162. He door interior with old sales label for Hagen’s House of Clocks, Benicia, California 12-17-85. Height – 52 cm / 19.75 inches
Los 7
A pair of late 19th century French gilt bronze candlesticks, circa 1900The rectangular bases on bracket feet, with a seated figure, one of a male clown with mouth open, the other with a maiden with hair high coiffure fanning herself. Each with curved scroll upright supporting a three-branch candle section with ornate scroll ornamentation. Unsigned.Height – 36.3 cm / 14.4 inches
Los 442
A 19th century mahogany and satinwood inlaid dome-top bracket clock, double fusee movement, striking on a bell, silvered dial with Roman numeral hours markers and brass-mounted column supports, with pendulum, case height 40cm, working orderGood overall condition, 3 of the brass finials have been re-glued to case and glue is visible, dial has some wear round keyholes, brass mounts are slightly tarnished with some discolouration, no splits in case, no maker's name on the back plate, key for doors is present but movement key is missing, case is still a dark rich colour
Los 493
A Regency mahogany cased bracket clock with circular 7" enamel dial inscribed Handley & Moore, Clerkenwell, London, with brass fish scale frets to glazed aperture sides below a brass carrying handle to the domed top, raised on brass bracket feet, with a double fusee movement, engraved back plate, striking on a later gong, 40 cm high, 27 cm wide.
Los 627
An 18th Century Chinese Qianlong tea caddy of small proportions, decorated in oxide red and famille-verte palette, raised on four bracket feet, 11 cm high CONDITION REPORTS Has large areas of loss to the glaze to the top, both the lid and shoulders, the collar of the tea caddy is broken and is in pieces inside, there is wear to the enamel work throughout as well as firing flaws, general wear and tear, etc. and one foot has damage as well as to the base line. See images for more details. General wear and tear conducive with age and use.
Los 826
A late Victorian oak wardrobe in the Art Nouveau manner, the central mirrored door flanked by two further doors, each carved with stylised apple trees, opening to reveal a hanging space to the right and further hanging space over two short and one long drawer to the left, raised on a bracket foot base, 174 cm wide x 208 cm high
Los 853
A 19th century teak bureau, the sloping fall enclosing a fitted interior over 2 short and 3 long drawers on ogee bracket feet 105 cm wide x 49 cm deep x 106.5 cm highCondition report: Whilst the bureau is basically sound, it has at some stage been restored, repolished etc with some signs of wood filler. The interior as some replacement parts, in particularly the up side drawers which are in a different colour mahogany, key escutcheon and handles all replacements. Large splits to sides, vertically and repairs left side loper with damage and missing brass pull. Handle bottom right missing. Feet probably replacements. General wear and tear condusive to age and use. See images for more details
Los 854
A 19th Century mahogany chest on chest, the upper section with moulded and dentil cornice over three short and three long drawers with brass swan neck handles, flanked by canted and fluted side pilasters, on a base of three further long drawers, to bracket feet, 114 cm wide x 182 cm high CONDITION REPORTS Whilst basically sound, the piece has several areas of minor wear / damage. The cornice has scratching and nibbling to the extremities conducive with age and use as do the drawer fronts throughout. See images for further detail. There is a replacement section above the left hand drawer keyhole suggesting that it may have been forced once and mended. Similar evidence above the other two top drawers. The moulding between the top right and centre drawer is loose but extant. There is evidence of the other drawers having been forced at some stage presumably some time ago. There is scratching to the side panels and a large split lower left and lower right and to the top right side there are large splits that have been mended previously. The feet also with wear and tear throughout. See images for further detail.
Los 855
A 19th Century French mahogany commode, the grey veined white marble top over four long drawers on bracket feet, 105 cm wide x 92 cm high, together with a late Victorian mahogany towel rail, 64 cm wide x 77 cm high CONDITION REPORTS The chest is basically sound. The grey veined marble top has nibbles to the left hand top corner and chip to the right hand front corner and scratching to the surface conducive with age and use. The drawers again basically sound though with some small losses to the veneers. See images for detail. The sides have a slight wear / discolouration line around the level of the base of the top drawer to both sides but otherwise sound. See images for further details.
Los 861
A late George III mahogany bachelor's chest, the top with moulded edge over a brushing slide and two short over three long drawers with brass swan neck handles, raised on ogee bracket feet, 85 cm wide x 82 cm high CONDITION REPORTS The piece is basically sound though the top has a darker colour than the front and sides. The left over hang is 3 cm. The right over hand is 2.5 cm suggesting that it has been replaced or at least restored, re-coloured and put back slightly incorrectly. This is not necessarily too noticeable with the naked eye as far as the sizing goes but the colour is obvious. The top also has some splitting particularly to the left and scratching throughout. See images for further details. The brushing slide has been refurbished. Again see images. The drawers have wear and tear conducive with age and use. There is some wear to the polish particularly to the bottom drawer left hand side. There is some splitting to the drawer liners along the grain. See images for further detail. There is splitting to the right hand side - again see images and the back boards again with some splitting.
Los 864
A George III mahogany kneehole desk, the single piece top with moulded edge over a single long drawer with brass swan neck handles over a small drawer and recessed kneehole with cupboard door, flanked by two banks of three small drawers with brass swan neck handles, raised on bracket feet, 73.5 cm wide x 74.5 cm high x 45.5 cm deep
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177687 Los(e)/Seite