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177687 Los(e)/Seite
A GEORGE III FIGURED MAHOGANY BUREAU-BOOKCASE, having a dentil moulded cornice and plain frieze above two lancet astragal glazed doors, the interior fitted with shelves, the lower section having a fall front, the interior fitted with a central cupboard, numerous drawers and pigeon holes, above two short and three long drawers with brass swing handles and on bracket feet, 112cm wide x 228cm high. See illustration
A GEORGE III MAHOGANY LINEN PRESS, inlaid in satinwood with crossbanding and stringing, having a moulded cornice with swan neck pediment and banded frieze, above two indented panel doors with gilt metal rosette paterae, the interior fitted with four pull slides, the lower section having a secretaire drawer fitted with small drawers and pigeon holes, above two graduated drawers, gilded metal swan neck handles, and on ogee bracket feet, 121cm wide x 249cm high. See illustration
A George III oak Bureau Cabinet, the upper section with stepped cornice and enclosed by pair of panelled doors with arcaded design inlaid, the base with a hinged fall revealing an interior fitted with pigeon holes and small cupboard, with four long graduated drawers under on bracket feet. 3` (92cms) wide.
A carved and giltwood wall bracket in the Rococo taste, early 20th century, the shaped shelf supported above pierced and rocaille carved foliage, 37cm high, 32cm wide, 21cm deep; a pair of Italian carved and giltwood wall brackets, 20th century, with foliate carved supports, 19cm high; and another giltwood wall bracket
A Victorian painted, parcel gilt and mother-of-pearl inset black papier mache games box, circa 1870, of square section, the hinged cover with a raised central panel decorated with a floral spray, the border with further floral sprays within reserves flanked by further foliate decoration, the waisted sides and front with conforming motifs, on four bracket feet; the fitted interior with four subsidiary papier mache with covers decorated with playing cards, around a further subsidiary box; with an associated part set of mother-of-pearl gaming counters, 19th century; and a deck of playing cards, th century
Two Italian carved and giltwood altarsticks refitted as table lamps, 18th century and early 20th century respectively, the former with crimped metal drip pan above a triform section shaft, with foliate carved, baluster and knopped mouldings above the triform base, with projecting volutes and bracket feet, 97cm high including the later electrical fitment; the latter with fluted stem and acanthus carved circular base, 81cm high overall; and an Italian carved and grey painted wood table lamp in the style of a 17th century altarstick, 20th century, 62cm high overall
* A George III inlaid mahogany eight-day longcase clock with moonphase, D. Collier, Eccles, early 19th century the four pillar rack and bell striking movement with 14 inch square white painted Roman numeral dial with arched calendar and ‘axehead’ moon apertures and signed D. Collier, Eccles to the seated lamb painted centre, the spandrels painted with female figures emblematic of the four seasons, the case with pierced swan neck crest above cavetto cornice, baton inlaid frieze and turned columns to hood, oval paterae inlaid frieze to throat over gothic ogee arch shaped trunk door flanked by reeded pilasters to angles, on crossbanded plinth base with canted angles and ogee bracket feet.
A William IV ebonised bracket clock, Payne, London, circa 1830, the five pillar twin fusee gong striking movement with anchor escapement, heavy bob steel rod pendulum and holdfast mounted on the backplate, the 7.5 inch circular silvered Roman numeral dial signed Payne, 163 New Bond St. to centre and with fine heart-pierced blued steel hands within an engine turned brass bevel glazed bezel, the case with stepped chamfer top upstand above cavetto and ripple moulded frieze, canted front angles and stepped ripple moulded skirt base with brass bracket feet, 37cm (14.5ins) high. William Payne is recorded working from several addresses throughout the first half of the 19th century; 62 Molton Street 1816-39, High Street Bloomsbury 1825, and 163 New Bond Street 1830-50. He was a maker of repute who also supplied clocks made in other workshops as well as his own.
A Regency mahogany and marquetry secretaire bookcase, in the manner of Marsh and Tatham, circa 1815, of slender proportions, with a domed cornice above a pair of glazed doors opening to shelves, the base with a secretaire drawer opening to drawers and pigeon holes above three long drawers, splayed bracket feet, 220cm high, 90cm wide, 45cm deep
An Edwardian Mahogany Vitrine, the arched pediment inlaid with a Sheraton style shell panel over a satinwood banded and boxwood and ebonised strung astragal glazed door, enclosed fitted plush-lined adjustable shelving, with similar lower section on bracket feet (some cracks to glass), 22 ¼” wide, 79 ½” high
A late 19th Century French Travelling Clock, Leroy, 24463, the plinth shaped case with carry handle, with Boxwood inlaid and ebonised border, raised on bracket feet, to a cast Brass bezel enclosing a 3” Roman enamel dial, with outside minute track and blue steel moon hands, to a circular Brass movement with back mounted count wheel and anchor escapement with silk suspension, strike on a bell, (losses and repairs), height 11 ½”
A late 19th Century Cast and Lacquered Brass Mantel Clock, the case surmounted by a robed male figure with an eagle, to a shaped pediment with central foliate scroll and latticework detail, flanked by four urn-shaped finials, with further foliate mounts to canted corners and panelled decoration with central mask to the base on scrolling and bun supports, to a shaped base on bracket feet, to a cast bezel and further cast 5” chapter ring with Roman enamel lozenges and black painted fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a coiled gong, height 27”
An early 20th Century Mahogany and Boxwood line inlaid Mantel Clock, the balloon shaped case with inlaid border and trunk decorated with inlaid rosette on a stepped plinth base, raised on four splayed bracket feet, to a cast Brass bezel with bevelled glass enclosing a 4 ¼” Arabic enamel dial with outside minute track (hairline), and blued steel spade hands to a circular Brass movement, stamped “RC”, with anchor escapement and strike on a coiled gong, height 11 ¾”
An early 20th Century black painted Mantel Clock, Lenzkirch, 504639, the black rectangular case with cushion moulded pediment and carry handle, flanked with lions mask ring handles, to a blind frieze, Gothic mask, on bracket feet, to a cast bezel with bevelled glass enclosing a 4 ½” engraved Roman dial with outside minute track and blued steel spade hands, to the signed square Brass movement, with anchor escapement and strike on a coiled gong, height 13”
An early 20th Century French Patinated and Painted Spelter Clock Garniture, the green onyx plinth base on stylised oak scrolling bracket feet, to a naturalistic case decorated with a young girl in laced corset collecting apples accompanied by a small child, on a naturalistic ground bearing the nameplate “Cueillete de Pommes”, to a cast and beaded bezel enclosing a 3” Roman enamel chapter ring with blued steel hands, to a circular brass movement with anchor escapement and strike on a bell, height 29”; together with a pair of similar modelled and decorated five light candelabrum (3)
An early 20th Century Stained Oak Cased Barograph, Negretti & Zambra – London, the seven section bellows to a lacquered brass indicator arm mechanism, and 8 day spring driven barrel with applied paper label and ink bottle, to a stained oak rectangular case with lift off five panel glazed cover, each with bevelled glass, to a fitted drawer to the base, and raised on short bracket feet, width 14 ¾”
A mid-20th Century Stained Oak Triple Barrel Mantel Clock, Smiths, the arched case with applied scrolling foliate detail on splayed bracket feet, to a patinated bezel with convex glass, to a wooden dial with applied gilt Roman numerals and pierced gilt hands, to a triple barrel movement with anchor escapement and strike on four rods, height 9”
An 18th Century and later French Boulle wall mounted Musical Bracket Clock the waisted case surmounted by a removable waisted pediment, surmounted by a winged trumpeter, also holding a palm frond, over floral and foliate inlaid detail and further cast and applied gilt mounts, to a tapering square section wall mounting plinth, with further applied gilt metal mounts, to a 9” cast Brass dial with blue Roman enamel lozenges and replacement central boss with pierced and blued steel hands, to a 19th Century triple barrel Musical movement, with anchor escapement and strike on a coiled gong and further rack of eight inverted bells, and numbered 928, with a makers mark of an hour glass flanked by a winged and sickle in an oval cartouche, height 47”

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177687 Los(e)/Seite