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177692 Los(e)/Seite
Los 847
An 18th century oak longcase clock by James Schofield of Barnsley, with X/B decoration, the hood with swan neck pediment, turned finial, and turned side columns, the trunk with full length doors on bracket feet with arched brass dial and landscape to the arch, lettered "Sic Transit Gloria Mundi" 8 day, striking movement, ht. 2200cm
Los 402
A 19th Century French brass Mantle Clock, with silk suspension movement, outside count wheel striking on a steel bell, unsigned, the circular silverized dial with Roman numerals and surrounded by a cherub with quiver of arrows holding a floral tiara flanked to one side with a standing classical woman with dog, the rectangular base with a classical scene in relief with frolicking cherubs raised on four anthemion bracket feet, 46cms x 30.5cms (18" x 12"). (1)
Los 457
A very good quality inlaid mahogany Secretaire Bookcase, the pediment moulded with a series of arches above two Gothic Revival glazed doors each with inlaid glazing bars, above a drop front frieze drawer enclosing a writing compartment with an arrangement of eight drawers, pigeon hole compartments, and a centre cupboard and three long drawers below, on front splayed bracket feet, 228cms x 114cms (90'' x 45''). (1)
Los 609
A fine quality Regency period brass mounted and inlaid rosewood cased Bracket Clock, the circular painted dial with Roman numerals, the two-train fusée movement striking on a bell, surmounted with moulded platform and brass pineapple finial, the sides with ornate drop handle tressle sides on brass bun feet, approx. 48cms (19") high. (1)
Los 646
An important English three-train tortoiseshell Bracket Clock, of c.1740, its break-arch brass dial signed ‘Abraham Ferron’ with a rolling moon with engraved faces surrounded by an age-of-moon dial in its arch, along with ‘Strike/Silent’ and ‘Chime/Silent’ dials, its dial with mock-pendulum and date apertures and highly engraved with foliate scrolls centred by a Tudor rose; its triple-fusee movement with highly engraved backplate with floral and foliate designs and signed ‘Abraham Ferron, St. Annes Churchyard’, quarter chiming on eight bells and striking on a further bell; its tortoiseshell case with extensive gilt-brass banding and flambeau-brass finials and an elaborate brass handle, and pierced-brass frets backed by silk to front and sides. Abraham Ferron, son of Louis Ferron watchmaker of St Ann, Westminster, was apprenticed to Stephen Gugeonny in 1725, and a Member of the London Clockmakers Company from 1737 to 1756. By 1749, he had moved from St. Annes to Church Street.
Los 686
An attractive chinoiserie style Bracket Clock, of small proportions, the brass and silvered dial with Roman numerals, the overall case decorated with pagodas and trees, approx. 11'' (28cms) high; together with a Medieval style porcelain Continental rectangular shaped Bowl and cover with brass rams head on paw feet, as a lot. (2)
Los 693
A very rare and important small Bracket Timepiece Movement, by Daniel Quare of London, its break arch brass dial signed on its chapter ring 'D. Quare, London,' with a single winder, mock pendulum and date apertures, and a rise/fall dial in its arch. Its backplate with elaborate floral and foliate engraving and a basket of fruit, and signed "Dan. Quare, London;" its movement now with anchor escapement and with pull quarter repeat removed, c. 1720; in a fine neat later custom-made brass mounted mahogany case with a brass carrying handle and fish-scale side frets and a hole in the base for its pull quarter repeat, approx. 36cms h (14"). (1) * Daniel Quare was a very important maker, a member of the London Clockmakers Company in 1671. He died in 1724.
Los 886
A fine quality Irish Georgian period Provincial Grandfather Clock, the ornate hood with dentil moulded swan neck capital over blind fretwork frieze, the glazed hinged door housing an ornate brass dial with Roman and Arabic figures by 'Bailie (William) of Down' c. 1820s, flanked either side by reeded columns, the main body with shaped panelled door with herringbone inlay flanked by half reeded columns, on a box base with bracket feet, approx. 233cms (92'') high. (1)
Los 910
An important and fine quality Irish inlaid walnut Longcase Clock, the hood with arch top over a break arch brass dial, signed 'Matthew Walsh, Dublin' c. 1735, with rolling moon and age-of-tide dial in its arch, the case with extensive 'C' scroll and other inlay, on block base, with ogee bracket feet, approx. 244cms (8') high. (1)
Los 936
A fine inlaid and crossbanded mahogany Library Bookcase, by Hicks, Dublin, of breakfront outline with dentil inlaid cornice above four astragal glazed doors on a conforming base with four satinwood banded doors each with an inlaid roundel raised on ogee bracket feet, 249cms x 256cms (98" x 101"). (1) Provenance: Commissioned by Alderman Thomas Kelly, Politician (1868-1942) Lord Mayor of Dublin (1920-1921) formally Sinn Fein (Pro-Treaty) subsequently Fianna Fail. James Hicks, Furniture Maker, Dublin. (1866-1936).
Los 966
Denis O'Brien - 20th / 21st Century Irish A composition Study of James Joyce; another Study of an Irish Strongman, both Signed and inscribed, approx. 24cms (9 1/2''); and 'Blossom and Decay,' bronzed plaster maquette, mounted on wooden base, inscribed on base, approx. 12cms (5'') high; An inlaid and transfer printed spring action Cigarette Dispenser, 15cms (6"); together with a carved walnut and fret cut Table Casket, on bracket feet, 20cms (8"); and a Davidson cloud glass stem Bowl and Cover, 15cms (6"). (a lot)
Los 138
AN OAK KNEEHOLE DESK FIRST HALF 18TH CENTURY Of small proportions, possibly made for a child 69cm high, 93.5cm wide, 53cm deep Condition Report: Desk with the marks knocks, scratches and abrasions commensurate with age and use. Old splits and chips. Old repairs.Key present and operated all but two of the locks. One of these locks appears to be an old replacement.Later cross stretchers to the underside of the top. The expected evidence of old worm. One drawer has slightly different handles to the others. Shaped bracket feet are well matched to the piece but are not original. There are also various later supporting blocks to the backs of the feet. Backboards are likely old replacements (possibly 18th century). Some slight opening between to boards of the top and sides. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Los 148
Y AN INDO-PORTUGUESE ROSEWOOD AND SPECIMEN MARQUETRY CABINET LATE 17TH OR 18TH CENTURY 66cm high, 94.5cm wide, 49cm deep Please note, Dreweatts have applied for a de minimis exemption certificate for the ivory in this lot (Ref: A2WUC6SS) Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Various old chips, splits, losses, repairs and adaptions. The twin hinge door was originally a fall front - the fall front has been converted to two doors and hinges have been applied to both sides. Fillets of timber have been applied to fill in gaps to the carved gouges. The brackets that would have originally supported the fall front have been removed and timber section have been inset (see images). The right side door with a inset section of timber to fill in a gap from where the bracket/catch would have avoided the drawer fronts. Various sections of replaced veneers and marquetry. The latches to the inside door are later - the bottom latch is very worn and the metal easily bends. The drawer fronts of exceptional colour and quality. There are some loose sections of marquetry and moulding present in one of the drawers (see images) - there remain following the adaption to the fall front. A key is present and operates the lock - both are later replacements. Filler use in places to disguise repairs, splits, alterations and cracks. The drawers all with later fleur-de-lys paper lining - we cannot inspect the reverse of the drawer fronts for originality of the handles. This cabinet would have originally had a stand, this is now lacking - see images of the underside to evidence this, Please see additional images as a visual reference to condition. Condition Report Disclaimer
Los 265
AN ITALIAN WALNUT SIDE CABINET LATE 16TH OR EARLY 17TH CENTURY The doors opening to a shelved interior 123cm high, 170cm wide, 56cm deep Condition Report: Cabinet with the marks, knocks, scratches and abrasions commensurate with age and use. Old chips, splits and losses. Old repairs with filler used in places - see images. Various evidence of old worm to areas throughout. Drawer lining have been replaced using old timber. Various later blocks and stretchers to the interior of the carcass. One corner of the interior with a later metal bracket to help secure. Hinges are likely later replacements. Lock appears original, a key is present and operates the lock. Backboard have age but are possibly old replacementsA 'toe' to one of the carved front feet is detached but present. Rear bracket feet appear to be old replacements. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Los 268
TWO ITALIAN CARVED GILTWOOD WALL BRACKETS 19TH CENTURY, IN THE 15TH CENTURY STYLE 30cm high, 56.5cm wide, 14cm and 20cm high, 46cm wide, 13cm deep respectively Condition Report: Both brackets with the marks, knocks, scratches and abrasions commensurate with age and use. The gilt surfaces with the expected wear, chips and some losses. One bracket is lacking the 'loop' to one of its fixtures. the other bracket has two vacant apertures to the back. Its fixtures are later associated, one is a bent nail, the other is a metal loop. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Los 38
CARVED OAK MIRRORBACK SIDEBOARD CIRCA 1890, having corbel detail to an inverted stepped cornice over a canopy shelf and three bevel edged mirrors with central shelf flanked by turned capped pillars, the breakfront base having deep panel outer doors and three central opening drawers, with Art Nouveau back plates and swing pull handles, on substantial corner bracket feet, 203cms H, 155cms max. W, 55cms max. DProvenance: private collection Conwy
Los 5
NORTH WALES OAK WELSH DRESSER CIRCA 1850, with a wide boarded back three shelf rack, on a panel sided base section of three frieze drawers and three blind drawers flanked by inset panel cupboard doors, on corner bracket feet, the drawers being pine lined with turned ebonised knobs with mother-of-pearl button insets and ivory escutcheons, 205cms H, 167cms W, 51cms D Provenance: private collection Conwy(GOV.UK Ivory content- to comply with current regulation - self-declaration form completed for the sale of this item - Submission reference XG7PU585)
Los 39
WESTMINSTER GERMANY MAHOGANY CASED GRANDMOTHER CLOCK, having individual white enamel indicators set with Roman numerals within a brass frame dial before a triple weight pendulum driven chime strike movement (pendulum and weights included), the case with broken swan neck pediment to the hood, arched top glazed dial door and trunk door on a stepped base and corner bracket feet, 194cms H, 36cms WProvenance: private collection Cheshire
Los 72
ANTIQUE STRIPPED PINE FALL FRONT BUREAU, the fall opening to reveal an interior slide open well and good arrangement of shape fronted drawers and pigeonholes flanking a central cupboard door, the front having three long opening drawers with brass back plates and swing handles, on corner bracket feet, 101cms H, 98.5cms max W, 50cms DProvenance: deceased estate Conwy
Los 222
A PAIR OF 25 X 150 MARINE BRIDGE BINOCULARS BY FUJI MEIBO, CIRCA 1960with maker's plate underneath numbered '25268', finished in grey paint and mounted on swiveling bracket -- 36½in. (93cm.) long Old wear to paint. Some parts ceased. Eye cups missing. One of the connecting ring to the left hand tube is fractured. Will need reconditioning throughout. They weigh 74lbs. (34kgs). 19in. across he bracket.
Los 246
THE MICROSCOPE COLLECTION OF THE LATE DR. PATRICK MILL (1933-2023)Born near London, Patrick's father was the General Manager of a plastics factory, an emerging technology at the time. He was old enough to serve as a volunteer ARP warden towards the end of World War II, staying up all night on fire watch, and helping out in the factory by day. A bright student, he was educated at the local grammar school and passed for Cambridge where he attended Christ’s College and after that, he achieved a PhD in biochemistry from UCL. He joined the Lister Institute for Preventative Medicine in Chelsea where he worked on Smallpox vaccines. In the 1950’s he left London for Rome to join the International Research Centre for Chemical Microbiology where its Director, Professor (later Sir) Earnest Chain, became a good friend. It was in Rome that Patrick met his wife Jeanette who was working for the UN’s Food & Agriculture Organization, marrying in December 1960 they returned to the UK the next year where Patrick continued his research, initially for Guinness the brewers where he published a paper on the action of yeast. He then turned his hand to business management and for the remainder of his career worked for Bayer Diagnostics where he retired as head of business. During his scientific career, he produced some twenty-two papers and several patents. His retirement allowed him to indulge his passion for historical microscopes which stemmed from a 1910 Reichert given to him by his father – an expensive gift at £35 in 1949. He followed the auction sales assiduously and made a private database of all the microscope prices achieved in the London Rooms from the 1970s until shortly before his death. In 1997 he joined the Scientific Instrument Society and by 2003 was on its committee where he served until 2012 – the last four as Chairman. The collection offered here is complete except for a small number kept by the family for sentimental reasons and represents a broad spectrum of microscope development. In many instances, Patrick wrote extensive notes encompassing research and thoughts, which are published online.(Edited extract from Bulletin 158 of the Scientific Instrument Society) A CAMERA LUCIDA BY CARL ZEISS, JENA, CIRCA 1920signed behind mirror as per title and numbered '399', and contained within fitted plush case of issue -- 9 1/2in. (24cm.) wide; together with two microtomes and an Ottway dust tester(4)Dr. Mill's notes:A microtome is a device for cutting very thin slices from a specimen with as little distortion as possible. To achieve this the specimen is supported in some sort of holder and a special razor-like blade (or indeed a simple open razor which has been hollow ground on one side only) is fixed in such a way that it can be slid across the surface of the specimen. Then either the specimen holder is advanced progressively towards the blade or the blade towards the specimen - removing thin even slices at each stroke. Most specimens will require supporting in some way during this process to prevent their falling apart. Two methods have been in general use from the 19th century through to the present. In one the specimen is embedded in a block of paraffin wax and in the other the specimen is placed in the microtome in a gum solution which is then frozen and kept frozen as the specimen is sliced. The latter gives much poorer results but it is very quick whereas wax embedding takes hours if not days. The freezing method makes it possible to examine a biopsy specimen during the course of a surgical operation. The more precise microtomes for delicate work are massively constructed and of very sophisticated designs.This microtome was first described however by Cathcart in 1883. It underwent minor changes and continued to be sold by Watson for many years. Originally it would have been fitted with a carrier and freezing attachment which are missing. A brass tube fitted in the central tube of the microtome - closed at the upper end this provided a platform on which the specimen was placed in a gum solution. Rotating the large screw below the CATHCART microtome pushed the carrier upwards. The screw has a very fine thread and the length of movement can be controlled by the projecting bar working against the knurled knob. Freezing was obtained by spraying ether against the underside of the carrier platform. This was done by a simple scent-spray atomiser. There is a bracket on the side into which could be slotted a carrier holding the ether bottle. Alternatively a second simple specimen carrier could be used. This consisted of an open tube with a screw in the side. Wax embedded specimens could be clamped in this tube. Watson's catalogue of 1937 lists three forms. The simplest of Cathcart's original design was intended for schools. This one was the middle version and there was a more elaborate version.Improved Cathcart of 1888 JRMS 1888 1047 as viewed
Los 22
A mid 18th Century mahogany kneehole desk with secretaire drawer, the rectangular top with moulded edge, over the fall front secretaire drawer opening to reveal a fully appointed interior, the central kneehole with cabinet flanked by two banks of three drawers, raised on ogee bracket feet, 96 x 48 x 88cm high.
Los 42
A Queen Anne burr walnut bureau with later bookcase top, the upper section with ogee cornice over two astragal glazed doors enclosing shelves, the lower section with rectangular writing slope opening to reveal drawers, shelves and recessed storage area with sliding cover, three long graduated drawers raised on bracket feet, 91 x 60 x 199cm high.
Los 188
An apprentice walnut bureau bookcasethe arched top, above a glazed door, enclosing four shelves, over a base with a fall front, opening to a fitted interior, above two short drawers, and three long, on bracket feet,25.5cm wide19cm deep68cm highCondition ReportComes apart in two sections. The short drawers to not open. No key is present for the glazed door, which is locked. Splits to the top and to one long drawer.
Los 303
A George III mahogany chest of drawers,with two short and three long drawers, brass handles on bracket feet94cm wide61cm deep90cm highBuying this antique chest of drawers could save up to 0.32 tonnes of CO2e compared to buying new.Condition ReportOne side moulding is off, but present and a small section of cockbeading lost from the end of the third drawer,There is some veneer loss to the top right corner of the carcase where the joint meets to the top rail.
Los 311
A George III oak and mahogany longcase clock,with an urn finial, above a painted 12" dial with Roman numerals, inscribed 'Lewis, Swansea', subsidiary seconds dial and date aperture, with rolling lunar dial to the upper arch, to fluted pilasters, on ogee bracket feet, 51cm wide24.5cm deep225cm highCondition ReportWith weights and pendulum. Two splits to the front of the case. Crazing to the painted dial. Please note that the movement has not been tested and therefore, the working condition is unknown.
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177692 Los(e)/Seite