A 19th century French ormolu and porcelain mounted mantle clock, the circular blue ground porcelain dial with Roman numerals and putto detail, the twin train movement striking on a bell, within a foliate garland case centred with acorn surmount and pairs of doves, with three further oval and rectangular porcelain inserts, raised on four tapered cylindrical supports and central bracket foot, 33.5cm high x 31cm wide.
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177687 Los(e)/Seite
A 19th century Continental mahogany and marquetry escritoire, the rectangular top above a concave frieze drawer and hinged fall front, opening to a fitted interior of small cupboard door and six small drawers, over a pair of panelled cupboard doors, raised on bracket feet, 115cm wide x 153cm high x 50cm deep.
A late 18th/ early 19th century oak longcase clock, THOS. STEWART, AUCHTERARDER, the brass dial with Roman and Arabic numerals, two subsidiary dials and twin train four pillar movement striking on a bell, within a broken swan neck pediment hood supported by turned columns, the trunk with arched top door on a rectangular base with bracket feet, pendulum, weights and key present, overall 208cm high.
A 19th century longcase clock, Glasgow, makers name rubbed, the enamelled dial with Roman numerals and two subsidiary dials, the arch decorated with 'The Cottars Saturday Night', the spandrels decorated with 'BURNS', 'RAMSAY', 'SCOTT' and 'FERGUSON', the twin train four pillar movement striking on a later gong, enclosed within a rectangular hood with scroll carved surmount, the trunk with rectangular panel door above a rectangular base with bracket feet, weights, pendulum and key present, 226cm high.
A Japanese Satsuma pottery koro and gilt metal cover of small size, Meiji Period, decorated with bat and rectangular shaped panels enclosing figures in a night landscape, on a richly gilded diaper ground, the gilt metal cover with bud finial and pierced foliate details, raised on three bracket feet, signed, overall 8cm high.
A Japanese Damascened casket in the manner of Komai, Meiji Period, the hinged cover decorated with entwined long tailed bird and dragon, above side panels decorated with crashing waves, raised on short bracket feet, the gilded interior with incised decoration of pine tree, bird, cockerel, hen and chicks, signed, 16cm wide x 7cm high x 8.5cm deep.
A George V silver square salver, the moulded edge with re-entrant corners, reeded and ribbon mounts, on four bracket feet, 8.25ins square, by Elkington & Co, Birmingham 1932, a George V silver cylindrical jar and cover with hinged inner compartment, the exterior with engine turned ornament, 3.25ins high, by John Collard Vickery, London 1911, two silver pint tankards, and a selection of silver and platedware, various (combined weighable silver 60ozs)
A George III mahogany mantel clock by S. Dunn of London, the 8ins diameter painted domed metal dial with Roman numerals to the eight three train movement, striking, chiming and repeating on nine bells, with engraved borders to the back plate, contained in mahogany case with square swept-in top with five turned brass urn pattern finials, fretted brass panels to sides, the front door inlaid with bold marquetry leaf ornament, the sides with folding handles and brass fish scale grilles and on brass ogee bracket feet, 23ins high Note : Possibly Samuel Dunn recorded working London from 1787
A George III mahogany table clock by Budgen of Croydon, the 6.75ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, the matted dial centre with date aperture and strike/silent dial to arch, with gilt moulded scroll spandrels to the eight day two train movement with bulbous turned pillars and back plate engraved with musical trophies striking on a bell, contained in mahogany case with inverted bell top surmounted by five gilt brass urn pattern finials and with pierced brass brackets to cresting, folding handles to sides above brass fish scale grilles, on brass ogee bracket feet, 22ins high Note: A Thomas Bugden recorded working Croyden 1735 and a John Bugden recorded working Croyden 1828-1851
An early 20th Century oak and brass mounted miniature longcase timepiece, the 2.25ins diameter silvered dial with Roman numerals to the French eight day timepiece movement with later balance escapement, contained in solid oak longcase clock style case with cast brass panels to front and on bracket feet, 15.5ins high
A 1920s dark oak "Grandmother" clock, the 8ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and matted dial centre to the eight day three train movement striking and chiming on five gongs, contained in case with arched and moulded cornice and spiral turned columns to hood and panelled trunk door, the centre carved with stylised floral ornament, the plinth with shaped quatrefoil panel, on ogee bracket feet, 69.5ins high
A 1920s oak "Grandmother" clock, the 11.5ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and matted dial centre to the eight day three train movement striking and chiming on five gongs, contained in case with arched and moulded cornice to hood, and glazed trunk door and fielded panel plinth, on bracket feet, 68ins high
A mid 18th Century oak longcase clock by Thomas Jenkinson of Sandwich, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial, date aperture and turned winding holes, with cast mask and leaf scroll spandrels all within engraved leaf pattern borders to the eight day five pillar movement striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, plain trunk door, on shaped bracket feet, 77ins high Note : Thomas Jenkinson recorded Sandwich, born 1691, died 1755
A late 18th Century mahogany longcase clock by James Lock of Bath, the 13ins arched painted metal dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch and spandrels enamelled in colours with floral sprays and gilt oval, to the eight day two train movement striking on a bell, contained in mahogany case with moulded scroll pediment and carved giltwood leaf paterae, slender turned pillars to hood, shaped and moulded trunk door flanked by fluted quarter columns, the plinth base crossbanded in mahogany, on bracket feet, 92ins high Note : James Lock recorded working in Bath 1780
A Victorian oak church pew with moulded crest rail and panelled back, on shaped end supports, the tops boldly carved with an heraldic lion's head and fleur-de-lis, on bracket feet, 70ins wide x 23ins deep x 60ins high (end of lion's tongue broken and missing), and blue squab cushions for same
A 19th Century mahogany framed rectangular toilet mirror on square tapered supports, the base fitted three drawers with concave fronts and on ogee bracket feet, 18.25ins wide, and a mahogany framed rectangular wall mirror of Georgian design, the shaped cresting with gilt Ho-Ho bird and conforming apron, inset with plain mirror plate, 27ins x 15ins overall
An early George III bachelor's mahogany chest, the solid folding top with rounded edge moulding, fitted four graduated drawers with moulded edges with original brass handles with pierced and shaped back plates and conforming escutcheons, on bracket feet, 30ins wide x 15ins deep x 32ins high
An early 19th Century oak dresser, the upper part with moulded cornice, fitted three open shelves, the frieze and upper shelf with wrought iron hooks, the base with moulded edge, fitted five drawers above arched and moulded centre, on four turned supports with pot board under, on bracket feet, 71ins wide x 17.75ins deep x 85ins high
A mahogany bookcase of Georgian design, the upper part with moulded cornice inlaid with chequered banding, fitted three shelves enclosed by a pair of glazed doors, the bars inlaid with stringing, the base with reeded edge to top, fitted shelf enclosed by a pair of panelled doors, on shaped apron and splayed bracket feet, 39.5ins wide x 13ins deep x 85ins high
A late Georgian gentleman's mahogany wardrobe, the front later banded in satinwood, the upper part with moulded cornice and fitted five sliding trays enclosed by a pair of figured panelled doors inlaid with oval satinwood bandings, the base fitted two short and two long drawers, on bracket feet, 50ins wide x 24ins deep x 86ins high
A mahogany bracket clock,having a gilt knop finial, the silvered dial with Roman and Arabic numerals, inscribed for Thomas Best, London, with date, month and day apertures, with lunar moon phase to the base, the double fusee movement striking the hours and half-hour on individual bells,59cm high
A George III mahogany 'Estate' secretaire bookcase, in the manner of Gillows of Lancaster, the broken swan neck pediment with carved bosses, over a pair of oval panelled and ropetwist bordered cupboards, enclosing three shelves and three drawers, over an unusual two-tier secretaire drawer, the top with a slide-out baize-lined writing surface, the reverse with three secret drawers over compartments, some losses, two slides with letters, over a further three drawers, on shaped bracket feet,123cm wide61cm deep243cm highLiterature: For similar examples, see Susan Smart, 'Gillows of Lancaster and London 1730-1840' Volume I, pp. 279-282 and illustrated in plates 293, 294 and 295.

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177687 Los(e)/Seite