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177691 Los(e)/Seite
Los 953
AN OAK CUPBOARD ON CHEST, early 19th century, with mahogany banding, the upper section with moulded cornice over two fielded panelled doors enclosing shelving, the base with three small drawers over three long drawers with oval brass drop handles, fluted pilasters, panelled sides, moulded base and bracket feet, 50 1/2" wide, 90" high (Illustrated)
Los 981
A GEORGE III MAHOGANY STANDING CORNER CUPBOARD, c.1800, in two sections crossbanded with stringing, moulded cornice, frieze with three inlaid foliate paterae over two panelled doors enclosing painted interior with shelving, two doors to base enclosing further shelving and three small drawers, canted corners and bracket feet, 45 1/2" wide, 86" high
Los 996
A MAHOGANY CHEST, early to mid 19th century, with satinwood banding and stringing, moulded edged top, the frieze with three marquetry paterae depicting flowers and acorns, two short over three long drawers with brass drop handles and flanked by reeded square corner columns, moulded base and ogee bracket feet, 48" wide, 44 3/4" high
Los 1050
A GEORGIAN MAHOGANY SECRETAIRE CABINET, mid 18th century, the upper stage with moulded cornice over two ogee panelled doors enclosing shelving, secretaire drawer with pigeon holes and drawers flanking a central inlaid cupboard, two short and three drawers below with pierced brass drop handles and escutcheons, fluted angles and ogee bracket feet, 78" high, 49 1/2" wide (Illustrated)
Los 50
An ebonised miniature bracket timepiece. Lenzkirch, late 19th century. The eight-day two-train gong striking movement with vertical platform cylinder escapement and stamped LENZKIRCH to backplate, the 3.5 inch break-arch silvered foliate engraved dial with Roman numeral chapter ring, in an ebonised case with moulded caddy upstand above rectangular brass side frets and moulded base with brass bracket feet, 28cm high.
Los 61
A French green onyx and brass four-glass mantel clock. Unsigned, circa 1900. The eight-day gong-striking movement with mercury compensated pendulum and circular white enamel Roman numeral dial in a bevel-glazed case with shaped onyx top and base united by caddy moulded brass uprights, on integral bracket feet, 27cm high.
Los 68
A French lacquered and silvered brass mantel clock in the Hispano-Moresque style. Maple and Company, Paris, late 19th century. The eight-day gong-striking movement stamped MAPLE & Co. Ltd. PARIS to backplate, the white enamel Arabic numeral dial with repeat signature and gilt centre set within a gilt mask applied with a silvered Islamic arch finely cast with foliate tracery infill and Islamic script to apron, the case with onion shaped dome and spire finials above bevel-glazed front door flanked by filigree overlaid corner columns and arch overlaid panel sides, on a stepped base with integral bracket feet, 36cm high.
Los 74
A Victorian carved oak quarter-chiming bracket clock, Barraud and Lunds, London, mid 19th century. The substantial triple chain fusee movement with rise/fall regulation, chiming the quarters on eight bells and striking the hour on a gong, with heavy wooden-rod pendulum and signed Barraud & Lunds Cornhill, London, 2149 to backplate, the 8 inch circular silvered brass Roman numeral dial with repeat signature to centre and regulation adjustment square at 12 o’clock, the case with lion mask centred shallow arch capped shaped pediment and spire finials above finely carved foliate blind-fret infill to spandrel areas flanked by conforming masks to the canted angles, the sides with stretched octagonal shaped sound frets, on moulded stepped base with repeating vacant lozenge infill and canted feet with shaped apron between, 69cm high on a slightly later plinth stand with projecting canted angles, 75cm high overall.
Los 80
A George III mahogany eight day longcase clock. Edward Bilbie, Chewstoke, circa 1765. The four-pillar rack and bell striking movement with 12 inch square brass dial with subsidiary seconds dial and calendar aperture to the basket of flowers and foliate trail engraved centre within an applied Roman numeral chapter ring with Arabic five minutes, fleur-de-lys half hour markers and signed ‘Edward Bilbie, Chew Stoke’ to lower edge, the angles with foliate scroll cast spandrels, the case with swan neck pediment and fluted pilasters to hood above long shaped-top trunk door flanked by fluted canted angles, on plinth base with integral bracket feet 234cm high. This clock was made by the third member of the highly regarded Bilbie clock making dynasty to bear the name Edward. He is thought to have been brought-up and taught clockmaking by his uncle Thomas. Edward III set up business as a clockmaker and bell founder in Chew Stoke around 1745 and worked until his death in 1768. The current lot is very typical of his later work with fine engraved decoration to the dial centre, however the high-style Bristol Mahogany case is unusual suggesting that the clock was ordered by a discerning client.
Los 81
A brass mounted mahogany chamfer-top bracket clock. William Page, London, 19th century. The five-pillar twin-fusee bell-striking movement with anchor escapement and signed William Page WEST END CLOCK MANUFACTURER, 31 & 33 Great Portland St’t, London, the 8 inch circular brass dial with matted centre within an applied silvered Roman numeral chapter ring with stylised sword-hilt half hour markers and repeat signature, the case with brass pineapple finial to the chamfer top above brass fillet inset quadrant panels flanked by canted angles to front and rectangular brass fishscale side frets beneath ring handles to sides, on stepped plinth base with brass ball feet, 50cm high overall.
Los 82
A mahogany eight day longcase clock. Charles Blanchard London circa 1770, the case later. The five-pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture, subsidiary seconds dial and silvered oval plaque signed Chas: Blanchard, LONDON to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and mask and scroll spandrels to angles, the arch with Strike/silent ring flanked by dolphin cast mounts, now in an early 19th century Bristol area case with break-arch pediment, spiral twist pilasters and wavy edge door aperture to the hood above rectangular trunk door flanked by canted angles, on line inlaid plinth base with bracket feet, 203cm high.
Los 88
A hooded wall clock with eight inch dial. Thomas Guluan, Horsemonden circa 1730, the case later. The 30-hour posted countwheel bell-striking movement with anchor escapement and 8 inch square brass dial signed Thos. Guluan, Horsemonden to the foliate-scroll engraved centre within an applied silvered Roman numeral chapter ring with cruciform half-hour markers and mask and scroll cast spandrels to angles, now in a shallow-arch pedimented case with foliate pierced fret above integral columns to hood with shaped apron and side sections to the bracket beneath, 53cm high.
Los 89
A George III mahogany longcase clock case. Lancashire, late 18th century. With swan-neck fronted box upstand above 18.25 x 13 inch glazed aperture flanked by applied and free-standing fluted columns to hood, with concave throat moulding and shaped-top door flanked by further fluted quarter columns to trunk, on shaped raised-panel fronted plinth base with reduced ogee bracket feet, 231cm high.
Los 91
An inlaid oak and mahogany eight-day longcase clock with moonphase. William Parr, Liverpool, circa 1785 and later. The four-pillar rack and bell striking movement with 14 inch brass break-arch dial with sweep calendar hand, applied silvered signature plaque W’m Parr, LIVERPOOL and subsidiary seconds dial to the foliate-scroll engraved hatched centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes and calendar to inner track, the angles applied with scroll-cast spandrels beneath rolling moonphase to arch inscribed TIME SHEWS THE WAY TO LIFES DECAY to upper edge, now in a case with swan neck pediment and reeded columns to hood above parquetry banded throat panel and conch-shell centred short shaped-top door flanked by reeded quarter columns to trunk, on a raised-panel fronted plinth base with canted angles and bracket feet, 225cm high.
Los 92
A Scottish rosewood crossbanded mahogany eight-day longcase clock Charles Low, Arbroath, circa 1840. The four-pillar rack striking movement (lacking bell) with 13 inch circular white painted Roman numeral dial with subsidiary calendar and seconds dials to centre and signed Cha’s Low, Arbroath to lower edge, the case with break-arch pediment above brass bezel to hood, shallow inlaid panel to throat and shaped-top crossbanded trunk door flanked by line-inlaid quarter columns to trunk, on panel banded plinth base with splayed bracket feet, 200cm high.
Los 93
A mahogany eight-day longcase clock with moonphase Josiah Bartholemew, Sherborne, circa 1800. The five pillar rack and bell striking movement with T-shaped frontplate and 12 inch brass break-arch dial with scroll engraved calendar aperture and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and rococo scroll cast spandrels to angles, the arch with rolling moonphase incorporating landscape and globe engraved lunettes and signed IOSIAH BARTHOLEMEW-SHERBORNE to a curved silver plate to upper edge, now in a break-arch case with dentil carved cornice and integral columns to hood above rectangular door flanked by canted angles to trunk, on plinth base with bracket feet, 210cm high.
Los 94
A George III mahogany bracket clock William Robinson, London, circa 1780. The five-pillar twin fusee bell-striking movement with verge escapement and foliate engraved backplate, the seven inch brass break-arch dial with calendar aperture and signed Will’m Robinson, LONDON to a recessed silvered shaped reserve to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrels to angles beneath arch with STRIKE/SILENT dial flanked by conforming mounts, the bell top case with brass carrying handle above break-arch foliate pierced side frets and gilt metal foliate cast inserts to front angles, on moulded base with brass bracket feet 49cm high excluding handle, with a later Gothic fretwork wall bracket. William Robinson is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London from 1758.
Los 103
A fine George III mahogany quarter-chiming eight-day longcase clock with moonphase. Sadler, Norwich, late 18th century. The substantial five-pillar triple train movement chiming the quarters on a nest of six bells and striking the hour on a further bell, the 13 inch brass break-arch dial with sweep calendar hand and flush-fitting silvered subsidiary seconds dial to the finely engraved ho-ho bird inhabited rococo scroll decorated matted ground within an applied silvered Roman numeral chapter ring with sweep calendar to inner track, Arabic five minutes and signed Sadler, Norwich to lower edge, the angles applied with cherub-head and foliate cast spandrels beneath rolling moonphase to arch, the case with foliate-capped verre eglomise fronted pagoda upstand and swan neck pediment above reeded columns to hood above swollen frieze to throat and shaped-top double book-matched flame figured mahogany veneered door flanked by quarter columns to trunk, on a shaped raised-panel fronted plinth base with ogee bracket feet 251cm high. Provenance; ex Caister Castle, Great Yarmouth.A Thomas Sadler is recorded in Baillie G.H. WATCHMAKERS & CLOCKMAKERS OF THE WORLD as working in Norwich 1752-84
Los 105
A George III brass-mounted ebonised triple pad-top small bracket clock. Lake, Romford, late 18th century. The five-pillar twin fusee bell-striking movement now with anchor escapement and backplate engraved with foliate sprays around a central basket of flowers, the 6 inch white painted break-arch Roman numeral dial signed LAKE, Romford to centre, with gilt painted floral sprays to spandrels beneath STRIKE/SILENT dial to arch, the case with brass carrying handle to the triple brass edged pad applied break-arch top above brass fillet inset arched side windows and moulded angles to front door, on brass bound moulded base with cast ogee bracket feet, 36cm high excluding handle.
Los 106
A George III brass mounted mahogany pad-top bracket clock. Robert Flight, Bath, late 18th century. The five-pillar twin fusee bell-striking movement now with anchor escapement and signed Rob’t Flight, Bath to the foliate scroll engraved backplate, the 6 inch brass break-arch dial applied with convex circular white enamel Roman numeral centre (some damage) with Arabic five minutes, within foliate cast brass spandrels beneath enamel STRIKE/SILENT dial flanked by conforming mounts to arch, the break-arch case with hinged carrying handle and brass edged pads above arched fishscale frets to sides and caddy moulded angles to front door, on moulded base with cast brass bracket feet, 36cm high.
Los 107
An early third period large brass lantern clock. The movement and frame attributed to the Fromanteel workshop, circa 1660, the dial later. The two train posted movement with heavily tapered arbors, double-cut hoop wheel, iron countwheel and conversion to anchor escapement with long pendulum and later motion work for two handed notation, the frame with ball feet, well-turned Doric corner columns and distinctive vase finials with four-stage graduated knopped caps, the current dial bearing signature Gibbon, London to the rose and tulip engraved centre within an applied silvered Roman numeral chapter ring with baton half hour markers, with later bell-bearer, foliate scroll cast and pierced frets, brass backplate and side doors, 44cm high, with an oak wall bracket, pendulum and weights. For examples by the Fromanteel family with comparable frame castings see White, George English Lantern Clocks figures III/22 (page 137), III/64 (page 155), IV/26 (page 175) and IV/59-61 (page 189). On page 148 White comments ‘Fromanteel’s large frames were exclusive to his workshop’. This large lantern clock retains many early features such as separately wound trains, heavily tapered arbors and iron countwheel, however evidence in the central bar of the movement and top plate indicates that this clock was originally made with verge escapement and short pendulum.
Los 1254
A composite Regency style walnut cased bracket clock, 19th century and later, the eight day twin chain fusee movement striking on a single bell, the painted dial with Roman numerals, inscribed "Barrand & Lund London", the case sides with pierced brass frets, the arched top with brass carrying handle, on brass bracket feet, height 45 cm, with pendulum, winding handle, and key.
Los 1286
An early 19th century mahogany cased bracket clock, the eight day fusee movement striking on a single bell, the painted dial with Roman numerals, inscribed "Massey, Bridge Rd, Lambeth", the arched top case with brass fret panels and carrying handle, on gilt metal ball feet, height 43 cm, lacking pendulum and key, (a/f). (Recorded as working at 40, Bridge Road, 1810-35).
Los 1357
A composite mahogany cased George III style bracket clock, the eight day chain fusee movement chiming on eight bells and striking on a single gong, the brass dial with pierced spandrels and chapter ring with Roman numerals, engraved "Tempus Fugit" and "Moor London", the case with fret pierced side panels, domed top with brass carrying handle, on four brass bracket feet, height 64 cm, with pendulum and two case keys, 19th century and later.
Los 1844
A mahogany mirror back sideboard, early 20th century, the raised superstructure with dentil moulded pediment over armorial crest with scrolled acanthus leaf decoration and bevelled mirror plate set behind barley twist columns above a single frieze drawer and pot shelf flanked by cupboard doors with mask detail upon square cut bracket supports, 197 x 197 x 69 cm.
Los 3
A 19th century French gilt metal and ceramic mounted three piece clock garniture by Japy, the movement marked Japy Freres, with landscape painted ceramic panel dial, flanked by architectural column supports on shaped cast metal base with floral swag, raised on integral bracket feet, flanked by a pair of hand painted urn vases with figurative scenes on matching shaped plinth bases (one af), clock height 38.5cm (illustrated).
Los 10
A 19th century mahogany cased inlaid chiming mantel clock by Gustav Becker, the stepped architecturally influenced inlaid case with twin lion mask flanking handles and top finial raised on four brass bracket feet, with circular enamelled dial, the movement with trademark stamps and no.2062880, case with minor splits, height 42.5cm (illustrated).
Los 20
A 19th century mahogany cased bracket clock, with French eight day movement, striking on a spiral gong, the circular white enamel dial marked Walker & Hall Ltd, with gilt metal inlaid corners and pierced sides, raised on gilt metal bracket feet with carrying handle, height including handle 32cm (illustrated).
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177691 Los(e)/Seite