177692 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenANGLO-CHINESE PADOUK BUREAU 18TH CENTURY the slant front opening to an interior fitted with pigeon holes and drawers, over a long frieze drawer and two short drawers and two further long drawers, raised on bracket feet; the sides mounted with heavy brass bale handles and plates 93cm wide, 108cm high, 64cm deep
EDWARDIAN GEORGIAN STYLE EBONY BRACKET CLOCK JAMES CRICHTON & CO., EDINBURGH the silvered Arabic numeral dial with three winding holes and three subsidiary dials, Westminster chimes, twelve bells and 8 bells playing 3 tunes, with pierced foliate spandrels, the domed ebony case with a gilt metal pineapple finial and corner mounts 41cm wide, 66cm high, 25cm deep
GEORGE III PROVINCIAL OAK LONGCASE CLOCK WILLIAM YEADON, STOURBRIDGE the moulded straight cornice over a brass dial with Arabic and Roman chapters, 8 day movement, date aperature and subsidiary seconds dial, flanked by doric three quarter columns, over a straight case with moulded arch door and raised on bracket feet 49cm wide, 94cm high, 58cm deep
GEORGE I WALNUT CROSSBANDED BUREAU CIRCA 1720 the slant front opening to a fitted interior with pigeon holes and drawers, sliding recess and an oval baize lined writing surface, over two false short drawers, two further real short drawers and two long drawers, on bracket feet 92cm wide, 102cm high, 51cm deep
GEORGE I WALNUT BUREAU BOOKCASE CIRCA 1720 the broken arch pediment centered by an urn finial above a pair of bevelled mirror doors opening to shelves with pigeon holes and small drawers below; the lower section with a slant front opening to an interior fitted with pigeon holes and drawers and a baize writing surface, above three short and three long drawers, raised on shaped bracket feet 105cm wide, 220cm high, 55cm deep Provenance: from Falkland Palace, Falkland, Fife
GEORGE I OAK DOUBLE DOME BUREAU BOOKCASE CIRCA 1725 the double dome moulded cornice over a pair of glazed doors opening to shelves, with two candle slides over a slant front opening to an arrangements of pigeon holes and drawers, above three short drawers and banks of two drawers flanking a recessed cupboard door, on short bracket feet 96cm wide, 213cm high, 55cm wide
GEORGE III BOW FRONT MAHOGANY AND SATINWOOD SECRETAIRE CHEST CIRCA 1800 the crossbanded bow front top over a fall front dummy drawer opening to pigeon holes and drawers and a leather inset writing surface, the drawer front fitted with a long conforming drawer, over three further crossbanded long drawers, on bracket feet 113cm wide, 106cm high, 61cm deep
GOOD GEORGE II MAHOGANY LINEN PRESS PHILIP BELL, LONDON, CIRCA 1750 in two parts: the Greek key carved cornice above a pair of well-figured re-entrant fielded panel doors enclosing slides; over two short and two long graduated and cockbeaded drawers with pierced brass handles, raised on bracket feet; the top right drawer bearing a pictorial paper trade label with a central rococo cartouche inscribed "Philip Bell, Cabinet Maker and Upholder, at the White Swan, Against the South Gate in, St Pauls Churchyard London, Funerals Perform`d" 127cm wide, 190cm high, 63cm deep Note: Philip Bell`s father Henry, founded the family business in 1736 at the White Swan, St. Paul`s Church Yard. Philip took over the firm following his father`s death in 1740. Bell commissioned Matthias Darly, the engraver who worked on the plates for Chippendale`s `Director` to design a new eye-catching pictorial label in the rococo taste. Several pieces of Philip Bell labelled furniture are contained in the English furniture collection of the Colonial Williamsburg Foundation in Williamsburg, Virginia as well as a bottle cabinet purchased in 1761 By George Washington which is still on display at Mt. Vernon. Like his contemporary, Giles Grendey, Bell favoured complex re-entrant panels and the use of high quality well-figured timbers. Literature: C. Gilbert, `Pictorial Dictionary of Marked London Furniture 1700-1840`, figs. 95, 96, 99.
GEORGE III SATINWOOD AND MAHOGANY BANDED SERPENTINE CHEST OF DRAWERS CIRCA 1790 the shaped serpentine top over three short drawers and four long drawers flanked by rounded angles with floral inlay, above a shaped apron with chevron banding and floral inlay, raised on bracket feet 122cm wide, 104cm high, 54cm deep
GEORGE III MAHOGANY LINEN PRESS LATE 18TH CENTURY the dentil moulded straight cornice above a blind fret carved frieze, over a pair of moulded cupboard doors carved at the corners with flower heads; the lower part with one real and one dummy short drawer, over one further dummy and real long drawers, raised on shaped bracket feet 132cm wide, 204cm high, 64cm deep
GEORGE III MAHOGANY AND INLAID BUREAU BOOKCASE LATE 18TH CENTURY, THE INLAY LATER the straight moulded cornice surmounted by a swan neck pediment over a pair of astragal glazed doors opening to shelves; the lower section with a false drawer opening to an interior fitted with pigeon holes and drawers and a leather writing surface, over a pair of cupboard doors, the whole with later inlaid foliate scrolls and garland hung urns; raised on shaped bracket feet 103cm wide, 227cm high, 47cm deep
GEORGE III MAHOGANY SECRETAIRE BOOKCASE LATE 18TH CENTURY the cornice with a dentil moulded frieze over a pair of astragal glazed doors opening to shelves; the lower section with a long dummy drawer opening to an interior fitted as a desk, over two short and two long drawers and raised on bracket feet 118cm wide, 221cm high, 57cm deep
A LOUISE PHILIPPE CHATEAU DE TUILERIES SEVRES PORCELAIN CASKET, c.1848, of waisted oblong form, the cover painted in polychrome enamels with a scantily draped female reclining beside a fountain, with a putto at her side, (indistinctly signed), the fascia enamelled with musical trophies, all within gilt chased scroll borders with apple green, blue and yellow panels on a scroll moulded claret ground, raised upon six bracket feet, with gilt metal mount and original lined interior, printed marks in chrome green, pale blue and burnt orange, 7 1/2" x 4 3/4", 4 1/2" high
AN AUSTRO/GERMAN MANTEL CLOCK, late 19th century, the twin barrel eight day movement with perpetual calendar and striking on a bell, 5" silvered and gilded dial with Roman and Arabic numerals centred by a roundel depicting birds on branch, in brass mounted walnut case, the ogee arched top with turned finials, turned pilasters, verre eglomise panel below dial depicting calendar, moulded base and bracket feet, 11" x 7" x 21 1/2"
A FRENCH MANTEL CLOCK by L Marti et Cie, the twin barrel movement with outside count wheel striking on a bell, the back plate stamped with maker`s name and No.756, 3 1/2" pierced metal dial with Roman numerals, in gilt metal gothic architectural case with twin cluster column spires and surmounted by a cupola, on stepped oblong base and bracket feet, 24 1/2" high
AN OAK LONGCASE CLOCK by Joseph Batty, Halifax, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial flower chased with moonphase and calendar aperture, the silvered chapter ring with Roman and Arabic numerals, the case with scrolled pediment on turned columns, arched door flanked by quarter columns, panelled base and later bracket feet, 68 1/4" high
A MAHOGANY LONGCASE CLOCK by Ashford & Allright Birmingham, the eight day movement with anchor escapement striking on a bell, 15" arched dial with Roman numerals and painted with allegorical figure scenes depicting the four seasons, secondary dials, painted moonphase in the arch, the rosewood banded and ebony strung case with scrolled pediment on brass capped wrythen turned columns, triple arch door flanked by further columns, on canted panel base and bracket feet, 94 1/2"
AN OAK LONGCASE CLOCK by John Coulson, Haydonbridge, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 11" arched brass dial with Roman and Arabic numerals, signature plaque and calendar aperture, roundel in arch painted with a moon face, in oak case, the moulded cornice with carved leaf scroll crest turned columns, arched door, panel base and bracket feet, 95" high to tip of finial
A MAHOGANY LONGCASE CLOCK by J Stancliffe, Burnley, the eight day movement with anchor escapement striking on a bell, 14" arched dial painted with birds on branches and fan motifs to spandrels, Roman and Arabic numerals, secondary dial and calendar aperture, moonphase painted with tall ship and landscape, in mahogany case with scrolled pediment on turned columns, triple arched door flanked by inlaid fluted pilasters, canted base and bracket feet, 92" high
A VICTORIAN SLATE MANTEL CLOCK, the twin barrel French movement striking on a gong, 5 1/2" slate dial with gilded Roman numerals, the architectural case inset with embossed metal panels depicting scenes from classical mythology, moulded cornice and pediment on turned pilasters, moulded plinth applied with a brass foliate clasp, on brass bracket feet, 24" x 7 1/2" x 14 1/2"
A MAHOGANY LONGCASE CLOCK by Lamgbourne (?), Driffield, the eight day movement with anchor escapement striking on a bell, 13" dial with Arabic numerals painted with flowers, secondary dial, moonphase in arch with coastal scene and oscillating sailing ship, in a flame veneered, banded and string inlaid case with paterae, scrolled pediment with brass finial on fluted columns, lancet arched door flanked by quarter columns, shaped apron and bracket feet, 88 1/2" high
A MAHOGANY AND STRING INLAID SECRETAIRE CHEST, early 19th century, the moulded edged banded top over secretaire drawer faced as two long drawers and enclosing central inlaid cupboard flanked by drawers and pigeon holes, three long drawers below with turned rosewood handles, shaped apron and splayed bracket feet, 46 3/4" x 22" x 45"
A GEORGE III MAHOGANY BUREAU, late 18th century, crossbanded with stringing, fall front enclosing interior with central inlaid cupboard flanked by similar box drawers and flanked in turn by drawers and pigeon holes, two short over three long cockbeaded drawers below with brass drop handles, on ogee bracket feet, 41" x 21 1/4" x 43 3/4"
A MAHOGANY BUREAU BOOKCASE, 19th century, the dentil moulded cornice with similar scrolled pediment centred by an oval patera featuring a thistle, astragal glazed doors below enclosing adjustable shelving, the fitted bureau with central inlaid cupboard flanked by box drawers below with brass drop handles, moulded base and bracket feet, 41 1/4" x 22 1/2" x 91 1/2"
A MAHOGANY PEDESTAL PARTNER`S DESK, 20th century, the moulded edged top lined with camel coloured leather, each side with three frieze drawers, the pedestals with three graduated drawers opposed by a cupboard door, brass drop handles, inset quatrefoil panels to the ends, on ogee bracket feet, label for Sopwith & Co Ltd, Newcastle, 65 3/4" x 45" x 30 3/4"
Loading...
