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177686 Los(e)/Seite
A George III mahogany secretaire bookcase, the upper twin door astragal glazed section above one long drawer and two cupboard doors on splayed bracket feet, width approx 120cm. CONDITION REPORT There is a number of pieces of wood missing on the upper glazed section and a 20cm crack in the glaze in the right.
A COMPOSITE PAIR OF FRENCH FAIENCE CANDLESTICKS, late 19th century and later, fixed quatrefoil drip pans on lobed sockets, the inverted baluster stems issuing from dished circular bases with four bracket feet, painted in blue, green and burnt orange with stylised flowers and diapering, unmarked, 9 1/2" high
A MALCOLM PIPES ADZED OAK BOX of oblong form, the hinged lid centred by a carved Yorkshire Rose, pierced loop side handles and block feet, carved foxhead trademark, 14" x 10" x 7 1/2", together with a wall bracket of rounded oblong form, 17 1/2" x 5 1/2", with foxhead trademark and another smaller and unmarked (3)
AN ART NOUVEAU WMF ICE BUCKET, the pale opaque dimpled glass liner supported in a flared cylindrical frame with overhead swing whiplash open handle, and cast with typical stylised flowers within scroll borders and raised upon four bracket feet, 5 1/2" high excluding handle, together with a WMF letter rack of swept oblong form cast in the Secessionist style with knotwork, stamped Bratii Roller Bucharest, shape 120, 4" high (2)
AN OAK LONGCASE CLOCK, signed Caygill, Askrigg, the eight day movement with anchor escapement and outside count wheel striking on a bell, 11" arched brass dial with Roman and Arabic numerals, calendar aperture, chased scroll centre and painted arch depicting game shooting, the case with dentil moulded broken pediment on turned columns, blind fret frieze, mahogany banded arched door flanked by fluted quarter columns, panel base and ogee bracket feet, 88 1/4" high
AN OAK LONGCASE CLOCK signed John Hartley, (Halifax?), the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial with Roman and Arabic numerals, the centre chased with a sunburst over a colonnade (possibly Masonic), calendar dial, the case with moulded cornice on baluster turned columns, arched door flanked by quarter columns, panel base and bracket feet, 82 1/2" high (Illustrated)
AN IMPRESSIVE EARLY GEORGIAN TABLE CLOCK by Joseph Windmills, London, early 18th century, the single fusee movement with verge escapement, foliate engraved back plate with cartouche inscribed "Jas Windmills, London", 12" arched brass dial, silvered chapter ring with Roman and Arabic numerals, signed Windmills, London, matted centre with mock pendulum aperture, calendar dial to arch with sunburst, the glazed case with caddy top surmounted by a pierced brass fret and finials, brass side handles, moulded base and bracket feet, 18 1/2" x 9 3/4" x 32" (Illustrated)
A MAHOGANY LONGCASE CLOCK, signed Thomas Warburton, Bollington, the eight day movement with anchor escapement striking on a bell, the 14" arched painted dial with Roman numerals and painted moonphase, secondary dials and spandrels depicting buildings, the fine quality case with scrolled pediment and blind fret spandrel surmounted by turned brass finials, fluted columns, blind fret frieze, arched panelled door flanked by fluted quarter columns, canted base and bracket feet, 98 1/2" high (Illustrated)
A GEORGIAN WALNUT AND FEATHER BANDED TOILET MIRROR, mid 18th century, the bevelled ogee arched plate within a moulded surround, square tapering uprights with acorn finials, box base with burr walnut veneers, dished fascia containing drawer with brass handles and fitted interior, on bracket feet, 18 1/2" x 10 1/4" x 28 1/4"
A VICTORIAN OAK DRESSER, the boarded delft rack with moulded cornice over two shelves, the pot board base with moulded top edging, central drawer over apron flanked on either side by a deep and a shallow drawer supported by four ring and baluster turned columns, brass drop handles, panelled sides and bracket feet, 73" x 17 1/2" x 78" (Illustrated)
A GEORGE III MAHOGANY BUREAU BOOKCASE, c.1800, the moulded and dentil inlaid cornice over two astragal glazed doors in an oval pattern with stringing, and enclosed adjustable shelving, the fall front opening to reveal drawers and pigeon holes flanking a central arched cupboard with applied roundels over, four long drawers with oval brass drop handles below, on ogee bracket feet, 47 1/2" x 22" x 89"
AN ART DECO SILVER MOUNTED TWO TONE GREEN ONYX DESK STANDISH, maker's probably George Betjemann & Sons, London 1927, the pale domed ink bottle with hinged silver cover with barrel knop, fixed to a plain oblong base with applied pen holders and raised upon four silver bracket feet, 6 1/4" x 4 3/4"
A late 19th Century French alabaster and gilt metal mantel clock, in the classical manner, the arched top surmounted by cherub and butterfly, flanked by urn finials, circular Roman numeral dial supporting an 8 day movement striking on a bell, flanked by classic maiden columns, on an inverted breakfront base terminating in bracket supports, raised on a gilt wood plinth, 20cm wide x 43cm high
A George III oak mahogany cross-banded and boxwood strung long case clock, the hood with scroll arch pediment and turned columns enclosing a painted dial with rolling moon face and 8 day movement, William Lines of Warwick, shaped trunk panelled door with central paterae above a stepped box base terminating in ogee bracket supports, 226cm high
An 18th Century Dutch marquetry walnut free standing corner cupboard, the upper section surmounted by a shaped pediment and foliate carved central motif, interior shelves enclosed by a glazed panel doors above a bow fronted base, enclosed by a panelled door profusely decorated baskets of flowers and birds, raised on a breakfront platform and bracket feet, 79cm wide x 200cm high
LATE EIGHTEENTH/EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID ROLLING MOONPHASE LONGCASE CLOCK, signed Edward Shepley, Manchester, the 14 1/4" painted dial with romantic scene and four line verse to the centre, enclosed by figural spandrels and set beneath the moonphase to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment, free standing stop fluted forecolumns, above a flame cut long trunk door with shaped top and fluted forecorners, raised on a chamferred base with bracket feet, the whole decorated with fan and boxwood line inlays, 94" (232.8cm) the dial with three hands and brass pointer, only the hour and minute hands appear to be engaged
EARLY NINETEENTH CENTURY MAHOGANY CHEST OF DRAWERS, the moulded oblong top above four long graduated and cockbeaded drawers, fitted with swan neck handles with pierced back plates (one a.f.) and raised on bracket feet, 31 1/2" (80cm) high, 35 1/2" x 20" (90.2cm x 50.8cm), the top drawer with label for William Richardson Ltd. Leeds and Bradford (holes in the veneer on the top)
EARLY 19TH CENTURY MAHOGANY BOW FRONTED CHEST OF DRAWERS, the shaped top with later side pieces above two short and three long graduated and cock beaded drawers, fitted with brass ring handles with paterae embossed back plates and raised on splayed bracket feet, 41 1/2" (105.4cm) high, 41 1/4" x 21 1/4" (104.8cm x 54cm)
EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, signed J.V. Merron, Greenock, the 132 enamelled dial with subsidiary seconds dial, powered by an eight day movement, striking on a bell, housed in a case with broken swan neck pediment and circular glazed door enclosed by quarter fan inlays to the corners, over a flame cut long trunk door, and raised on a conforming base, 82" (208.3cm) high (lacks bracket feet)
LATE NINETEENTH/EARLY TWENTIETH CENTURY OAK LINEN PRESS/WARDROBE, the moulded cornice above a pair of three panelled cupboard doors, enclosing a hanging rail to the interior, the lower section with two short and two long drawers, fitted with embossed brass handle and lozenge shaped bone escutcheons and raised on short ogee bracket feet, 90" (228.6cm) high, 53" x 23 1/2" (134.7cm x 59.7cm)
GEORGE III INLAID OAK AND MAHOGANY LONGCASE CLOCK, signed Thomas Powell, Ravenscroft, the 10 3/4" brass Roman dial with cherub mask pierced spandrels and two birds engraved to the matted centre, powered by a 30hr movement striking on a bell (absent), housed in a case with swan neck pediment, dentil moulded frieze and free standing fore columns, above a short trunk door with architectural top and two inlaid panels, raised on a conforming base with bracket type feet, 80" (202.2cm) high
GEORGIAN STYLE MODERN REPRODUCTION FLAME CUT MAHOGANY DRINKS CABINET, the moulded cornice above a pair of panelled cupboard doors, enclosing a galleried shelf and glass topped slide, over two short drawers and a matching pair of cupboard doors, raised on bracket type feet, 62" (157.5cm) high, 41" x 18" (104.2cm x 45.7cm)
EARLY TWENTIETH CENTURY WALNUTWOOD AND GILT METAL MOUNTED MANTEL OR BRACKET C LOCK, the 6 1/2" brass dial with silver Roman chapter ring, scroll pierced spandrels and matted centre, powered by an eight day movement striking on two gongs, the back plate stamped RSM and rose motif, numbered 977, housed in a bonnet top case with cast finials, bevel edged glazed door and side panels and raised on a moulded plinth base, with turned feet, 18 1/2" (47cm) high
EARLY NINETEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, signed Thomas William Hay, Shrewsbury, the 13" painted Roman dial with subsidiary seconds dial and date aperture, enclosed within floral spandrels and powered by an eight day movement, striking on a bell, stamped Finnemore, housed in a case with swan neck pediment, later ball finial and free standing square, fluted fore-columns, over a crossbanded trunk door, flanked by reeded fore-corners and raised on a tall conforming base with bracket feet, 86" (218.4cm) high, dial from date aperture missing

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177686 Los(e)/Seite