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177691 Los(e)/Seite
A Continental giltwood columnar standard lamp, 20th century, the fluted and baluster stem with lobed and foliate knops, above a circular base, raised on three bun feet, 167cm high including electrical fitment; and a brass table lamp modelled as an altarstick, 20th century, the elongated and moulded urn sconce above a circular drip pan leading to a multi knopped stem, on a triangular section base raised on three claw and ball feet, 83cm high including electrical fitment; and another brass table lamp, 20th century, modelled as a 17th century candlestick, with multi-knopped stem and on bracket feet Please note: The brass lamp (modelled as a 17th century candlestick and pictured on the right in the catalogue image) is not present as part of this lot.
A George III mahogany serpentine fronted dressing chest of drawers, circa 1800, the shaped top with moulded edge above four long graduated drawers, the top drawer fitted with sliding baize inset surface opening to an arrangement of open and lidded divisions centred by a ratchet adjustable dressing mirror, flanked by canted corners, on shaped bracket feet, 88cm high, 115cm wide, 60cm deep Provenance: Purchased from Hampshires of Droking, 3rd June 1983. A copy of the original purchase receipt is available with this lot.
A George III mahogany dressing mirror, circa 1780, with boxwood stringing throughout, the rectangular swing plate above the serpentine fronted base comprising of three short drawers, on ogee bracket feet, 72cm high, 52cm wide, 26cm deep, together with a Regency mahogany corner wash stand, circa 1815, strung with boxwood throughout, 114cm high, 68cm wide, 43cm deep, and an Edwardian mahogany X-frame window seat, circa 1905, strung with boxwood throughout, 65cm high, 67cm wide, 38cm deep Please note: The illustrated spider leg table is not included with this lot.
A George III mahogany clothes press, circa 1770, the moulded cornice with Greek key and blind fretwork, above a pair of panel doors opening to a hanging space, flanked by canted and blind fretwork corners, the lower section with two short and two long graduated drawers, on shaped ogee bracket feet, 192cm high, 131cm wide, 67cm deep Provenance: Purchased from Paul Smith, Ludlow, 26th August 1983.A copy of the original purchase receipt is available with this lot.
A George III mahogany bedside commode, modelled as a chest of drawers, circa 1800, the hinged rectangular top lifting together with half of front panel revealing the fitted interior, the front incorporating a false brushing slide and four false drawer fronts, on bracket feet, 74.5cm high, 67cm wide, 44cm deep
A George III mahogany secretaire bookcase, circa 1790, the moulded cornice above a pair of astragal glazed doors, opening to adjustable shelves, the fall front secretaire draw opening to reveal an arrangement of pigeon holes and drawers, above three long graduated drawers, on shaped bracket feet, 224cm high, 127cm wide, 60cm deep
A Queen Anne/George I gilt brass mounted ebony quarter chiming table clock, Markwick, London, circa 1715, the substantial seven finned pillar triple fusee bell-striking movement with verge escapement regulated by short bob pendulum and chiming the quarters of a graduated nest of six bells, the backplate engraved with asymmetric foliate scrolls within a herringbone border, the 7 inch brass break-arch dial with false bob and calendar apertures to the matted centre within an applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles with female lambrequin mask and scroll cast spandrels beneath arch centred with gilt inscribed blued steel signature boss engraved Markwick, LONDON set within a herringbone surround flanked by seated cherub and scroll cast mounts, the case with generous cast brass handle to the pierced repousse double basket top surmount decorated with central female busts within a lattice ground and flanked by large ball and spire finials, the front door with repousse escutcheon and apron mounts beneath cast diagonal grille inset quadrant frets, the sides with lozenge frets over rectangular windows, the rear with matching glazed door set within the frame of the case, 46cm (18ins) high (excluding handle), 26cm (10.25ins) wide, 17cm (6.75ins) deep; with a later ebonised wall bracket incorporating separate plinth over caddy-moulded table and generous scroll corbel fronting a shaped backboard, the clock and wall bracket 79cm (31ins) high overall (excluding handle) James Markwick senior is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as apprenticed in 1756 to Edmund Gilpin (through Richard Taylor); he initially worked at Croydon before returning to London where he gained his freedom of the Clockmakers' Company in 1666. In 1673 he took-over the former business of Samuel Betts at behind the Royal Exchange. Markwick had a turbulent relationship with the Clockmakers' Company - in 1676 he was fined for abuse of the Master at the Steward's feast and was often reprimanded for not attending court. James Markwick junior was born in Croydon in 1662 and was apprenticed to his father gaining his freedom (by patrimony) in 1692. He initially went into partnership with his father before gaining outright control of the business on the latter's retirement to Pevensey in Sussex in around 1700 (where he subsequently died in 1716). In around 1710-15 James Markwick junior went into partnership with Robert Markham which lasted until the former's death in 1730. The business was subsequently continued by Markham and his successors and specialised in producing clocks and watches for export to the Middle East.
Kuba long rug, Shirvan district, north east Caucasus, late 19th century, 12ft. X 4ft. 2in. 3.66m. X 1.27m. Overall wear with corrosion to dark brown; damage and repairs to right side centre; other repairs and holes; crease marks with losses and 'bites' to lower end; fabric tape to all edges verso. The dark blue field with all over pale gold trellis enclosing various flowering plants; ivory bracket and medallion main border; dark brown rosette guards; terracotta and mid-blue reciprocal medachyl guards. Cf. Bennett, I. op. cit. p. 244, pl. 314
Chondzeresk rug, Karabakh, south west Caucasus, late 19th/early 20th century, 7ft. 8in. X 3ft. 11in. 2.34m. X 1.20m. Overall wear; corrosion to dark brown in places; repaired crease marks left side; other repairs and repiling in places. Red field with large central medallion of cloudband design; flanked by pair of green star medallions each end and pale blue quarter medallions extending out of the field at each end; various small ornaments in the field; ivory medallion and bracket main border.
A 19th century mahogany linen press, dentil cornice above a pair of rectangular doors applied with re-entrant mouldings, the base with two short and two long graduated cockbeaded drawers, gilt metal rococo handles and escutcheons, bracket feet, 164cm high, 130cm wide Condition Report: Please see attached images. No key but interior lacking trays. Drawers running well. Cockbeading generally good. Some bumps and wear, occasional losses but mouldings good. Odd split to verso.
A Victorian Gothic Revival oak bracket clock, 16.5cm shaped ogee brass dial with silvered chapter ring inscribed Thomas Yates, Preston, Arabic numerals, tracery spandrels, twin-winding holes, 8-day movement striking on a gong, the architectural case crested by ecclesiastical spires and flanked by cluster-columns, 65cm high, bracket en suite, c.1870
A 19th century Welsh crossbanded mahogany longcase clock, the 35cm circular painted dial inscribed Xavier Ganz, Swansea, Roman numerals, subsidiary seconds dial, twin winding holes, 8 day movement striking on a bell, the broad case with arched cresting, shaped door to waist flanked by spirally turned pillars, bracket feet, 215cm high, c.1865 Condition Report: Please see attached images. The movement looks clean and no reasons to suggest it wouldn't be in working condition when set up. A few losses and replacements to veneers. Later hood case finial. Some stable splits.
An Edwardian mahogany and marquetry floor standing corner display cabinet, outswept moulded cornice above an astragal glazed door, the projecting base inlaid in coloured woods with an urn, leafy scrolls and bell husk swags, outlined throughout with boxwood stringing, bracket feet, 189cm high, 66.5cm wide, c.1905
A Victorian rosewood and brass inlaid desk stand, dated 1860, of rectangular form with three diamond cut and gilt brass mounted circular ink bottles, and central milled and cast handle flanked by brass pen trays, one inscribed ‘Presented to the Reverend W Pacey on his leaving the Yarmouth circuit by the members and friends as a token of their esteem and respect, May 22 nd 1860’, above a foliate brass inlaid frieze drawer, the foliate brass pattern repeated on the three other sides and raised on foliate cast bracket feet, 22cm high, 26cm deep, 30cm wide

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177691 Los(e)/Seite