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177686 Los(e)/Seite
Los 210
Plated tray, oval model, on claw feet with silver stove, 835/000, in the shape of a chocolate basket with an openwork Biedermeier decor decorated with garlands, placed on 4 claw feet and with a bracket. ø12x16 cm. Silver . Importer's mark: Zwijnenburg, Schoonhoven, after 1964. In good condition
Los 67
A mid 18th century ebonised quarter repeating table clockStephen Rimbault, LondonInverted caddy top with four urn finials and moulded edges over circular and shaped glazed side panels to a moulded base and brass ogee bracket feet. 7 inch arched brass dial with strike/silent subsidiary over the Roman and Arabic chapter ring, C-scroll spandrels, finely matted centre, applied signature plaque and date aperture. The movement with five knopped pillars, verge escapement rack striking the hours on a bell and repeating the quarters on a run of six bells and hammers, the backplate fully engraved with foliate scrolls within a single line border. Ticking, striking and repeating, together with two door keys. 52cms (1ft 8ins) highFor further information on this lot please visit Bonhams.com
Los 82
A fine and rare late 17th century gilt metal mounted ebony veneered, quarter repeating table clock.Thomas Tompion, London. Number 181.The caddy top surmounted by a tied-bud handle over fine mouldings to the caddy base framed by a well moulded cornice, the front door with a silk-backed foliate scroll sound fret over harebell escutcheons, the sides with rectangular glazed panels and pierced wood frets, the rear door with lock and plain moulded edge, all on a moulded base and block feet. The gilt brass rectangular dial measuring 8 inches by 7 inches and decorated to the upper centre with symmetrical foliate scroll engraving emanating from a central bud, framed by a pair of subsidiary dials for rise-and-fall regulation and strike/not strike (the latter hand with twin brass nibs), over double-screwed scroll spandrels to the top and winged cherubs heads to the bottom; the silvered Roman and Arabic chapter ring with outer line border, minute track and inner quarter-hour track divided by 'meeting arrow head' half-hour markers. Very finely matted centre with a crisply chamfered mock pendulum aperture and blued steel hands (the hour with hexagonal centre). Signed along the lower edge Tho: Tompion Londini Fecit. Secured to the movement via three latched dial feet. The eight-day twin gut fusee movement united by seven knopped and ringed latched pillars, the slightly smaller frontplate with typical cut-outto accommodate the quarter repeating work; the going train with pivoted verge escapement set in an engraved tear-drop shaped cock, the brass-rod pendulum mounted on a separate tear-drop shaped cock and terminating in a double-faced brass lenticular bob, the heavy brass rise and fall suspension bar mounted above; the rack strike train announcing the hours on a large bell (secured via a facetted brass nut), and repeating the quarters on a smaller bell, the quarter repeat system activated from either side of the case via one of two pull cords to engage with interlinked blued steel levers, one cocked, the other pivoted. Signed in a low rectangular cartouche Thomas Tompion Londini Fecit, framed by a cross-hatched pair of scrolls set within a symmetrical pattern of foliate scrolls and hanging bell flowers, attributed to Graver 155. Ticking, striking and repeating, sold together with a later winding key and two door keys. 39cms (15.5ins) high. Footnotes:This textbook example of the Tompion workshop was made circa 1691. When it originally left the Tompion workshop it was given the number 181. We will never know the full details of the collections it has graced over the last 230+ years, but in June 1957 it featured in an advertisement in Antiquarian Horology, offered for sale by the well-respected antique dealers Biggs of Maidenhead. In December 1973 the great R.A. Lee advertised it in The Connoisseur magazine. At some stage thereafter, it made its way into a private collection in Wiltshire, England. Unfortunately, exactly three centuries after the clock was made, the then owner was the subject of a burglary. The theft was reported in Trace magazine as well as Antiquarian Horology (Spring 1992). To help recovery, two black and white photographs were supplied by the family showing the clock at a three-quarter angle from the front and rear. The UK police investigated the event, and Interpol were alerted, although nothing was heard. Fast forward 31 years to the winter of 2022 when Bonhams were invited to assess the collection of the great Dutch connoisseur and collector, the late Cornelis Paulus van Pauwvliet. Mr Paulus van Pauwvliet had spent a lifetime collecting the finest furniture, silver, rugs and works of art from dealers all over Europe, all housed in his penthouse apartment a stone's throw from the Rijksmuseum. The majority of the collection was sold in our New Bond Street headquarters in November 2023. But one lot was held back - for the time being at least – from the main auction. As per Bonhams standard practice, everything in the collection was checked prior to it being entered for sale against the Art Loss Register. There was a potential match with a registration on its database - the Thomas Tompion bracket clock offered here today. The only notable difference between the 'lost number 181' and the Paulus van Pauwvliet example was the lack of number. In all other respects, the two were a perfect match. Through careful comparison of the current clock and the black and white images, particularly the medullary rays showing in the oak carcass of the open back door, the conclusion was reached that this clock is indeed Tompion number 181, its number having been expertly removed. A 31-year-old mystery had been solved. Both parties were keen to work together to find an equitable solution. Under the guidance of legal teams and the Art Loss Register, an agreement has been reached whereby the clock is offered today on behalf of the theft victims and the Estate of Cornelis Paulus van Pauwvliet.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 17
An impressive and rare second half of the 19th century quarter chiming ebonised bracket clock with ten-bell movementJ.C.Jennens & Son, Great Sutton Street, LondonBell top with five finials and swag mounts over elaborate side handles, cast sound frets centred by cherubs heads on a plinth base, further set on the original wall plinth (lower supports for plinth now lacking). The 8 inch arched brass dial with three subsidiaries for rise-and-fall regulation, chime/silent and Westminster Chimes/Eight Bells/Ten Bells, over a silvered Roman and Arabic chapter ring, matted centre and shaped signature plaque. The very substantial signed triple chain fusee movement with anchor escapement striking the hours on a large coiled steel gong and chiming the quarters on a choice of ten bells, eight bells or four gongs. Appears complete but is in need of a service, together with the pendulum and a winding key. The clock 71cms (28ins) high. Including the plinth 76cms (30ins) high. For further information on this lot please visit Bonhams.com
Los 3
A fine and rare late 19th century French Limoges-panelled grande-sonnerie striking carriage clock of small size. Together with an interesting bespoke mahogany outer caseRetailed by Le Roy et Fils, 57 New Bond Street, London. Numbered 3334The rippled handle over a wide bevelled glass inspection panel, the sides decorated with profile portraits of a noble couple in vibrant polychrome enamel colours, the rear door glazed, and sitting on an ogee moulded base, with three-position selection lever underneath offering Grande Sonnerie - Silence - Petite Sonnerie. The Roman dial decorated with Renaissance fantastic beasts amid en grisaille foliate scrolls with red flowerhead spandrels, all three panels decorated on a dark ground. The numbered movement with silvered lever platform escapement with a cut and compensated bimetallic balance, striking the hours and chiming the quarters on a pair of hammers and coiled blued steel gongs, the alarm sounding on a smaller hammer. Ticking, striking, repeating and with operational alarm. Together with a (late 19th/early 20th century?) bespoke mahogany travel case with carved cornice and corner pieces raised on a moulded base and brass ogeee bracket feet, the velvet-lined rear door with a tooled leather strap to secure the (replaced) key. 13cms (5ins) high. For further information on this lot please visit Bonhams.com
Los 14
A late 19th/early 20th century mahogany miniature weight driven longcase clockThe hood with broken swan neck pediment over freestanding reeded columns, the trunk with shaped door flanked by quarter columns set on brickwork pedestals, the base with similar brickwork to the canted corners on ogee bracket feet. The associated 18cms (7 inch) arched brass dial with silvered Roman and Arabic chapter ring and dummy date aperture. The eight day weight driven movement with anchor escapement and rack strike on a bell. The movement in need of a service. 1.51m (4ft 11.5ins) high. This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 108
An 18th century brass lantern clockJohn Wise, LondonSurmounted by a strapped bell held within acorn type finials between three addorsed dolphin frets (the front with engraved details), tapering Doric columns on ball feet, with solid side doors. Silvered Roman chapter ring with fleur-de-lyse half hour marks and inner quarter hour track, signed in the centre above floral engraving emanating from VI, with Arabic alarm setting dial and single hand. The weight driven movement with verge escapement and short pendulum (bob lacking) countwheel striking the hours on the bell, the alarm mounted on the backplate. Together with a later oak wall bracket, driving chain, weights and wooden pulley. 36cms (14ins) highFor further information on this lot please visit Bonhams.com
Los 71
A good late 18th century mahogany six-tune musical table clock with eight-pillar movementWilliam Hopkins, TenterdenThe bell topped case with five urn finials over moulded cornice, the sides with handles and glazed apertures, to a moulded base with brass banding and ogee bracket feet, the front door with pierced cast sound frets in the quadrants. The 7.75 inch arched brass dial signed in a recessed shaped plaque flanked by subsidiaries for strike/silent, and tune selection, offering Butter Lease - Highland Laddie - Minuet, Lovely Nancy - Minuet and March; Roman and Arabic chapter ring framing the silvered centre with engraved symmetrical scrollwork and date aperture. The eight-pillar movement with triple (wire) fusees driving a verge escapement, with rack strike on a single bell for the hours, and playing one of six tunes every hour on a run of eight bells and fifteen hammers activated by a four inch-long pinned barrel. The backplate signed in a reserve amid open scrollwork. Ticking, striking and playing music, together with a door key and a winding key. 60cms (1ft 11.5ins) high. For further information on this lot please visit Bonhams.com
Los 80
A fine early 19th century brass-bound rosewood triple pad top table clock with enamel dialsVulliamy, London, No 1286. Circa 1836The case with brass-bound pads centred by a handle over silk-backed sound frets on a moulded base and ogee bracket feet, the four canted corners with brass facings and the front door with brass liner. The arched brass dial plate surmounted by twin subsidiary enamel dials for strike/silent and rise-and-fall regulation, each with a tapering blued steel hand and framed by foliate engraving, set over four pierced flower and foliage spandrels enclosing the 6.75inch signed Roman and Arabic enamel dial, with blued steel hands. The substantial triple chain fusee movement with plates 6mm in thickness united by five tapering pillars, striking the hours on a single bell and chiming the quarters on a run of six bells and hammers, the going train with deadbeat escapement to a steel-rod pendulum suspended between cheeks for the rise-and-fall regulation, terminating in a heavy brass bob. The plain backplate signed and numbered, secured in the case via four heavy L-shaped brass brackets. Ticking, striking and chiming. Together with two case keys and a later winding key. Height to the top of the raised handle 43cms (17ins) high.Footnotes:Provenance:Private collection, UK for many generations. Possibly bought new by the vendors forebears for the then family home, Flitwick Manor, Bedfordshire.Flitwick Manor was built by Edward Blofield in 1632; in 1789 the manor passed to the Brooks family through marriage, and would remain so for 145 years. John Thomas Brooks (1794–1858) was given the manor when he married in 1816, and made considerable improvements to the house and the gardens during his stewardship, potentially including the purchase of this clock from the Vulliamy workshop in London. By 1934 the manor had passed out of the family, and today it is a hotel.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
Los 249
A George III revival mahogany sideboard, neoclassical design, having a brass quarter galleried back above the inverted break-centre front, with Greek-key carving to the frieze. To the centre a pair of long drawers, and cupboard doors to either side, raised on gadrooned bracket feet, 97cm high x 190.5cm wide x 60cm deep, (mid 20th century).
Los 101
A George III oak bureau, of small proportions, fall door to top enclosing a fitted interior, with central small cupboard section lifting out to reveal two hidden document-storage compartments, all above a pair of short drawers, and two graduated long drawers, bracket feet, 93cm high x 76cm wide x 46cm wide, c.1790.
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177686 Los(e)/Seite