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Lot 182

Nina Patterson (Ireland, 20th/21st Century). Still Life Watercolour. Signed Nina l.r., & dated Oct '90 (and inscribed 'after DVF'. 75.5 x 56.5xm.

Lot 192

An Oil on Canvas by James North. Still Life of Flowers in a Vase Signed lower right, in gilt frame. 49.5 x 60cm.

Lot 204

An Oil on Canvas by James North. Still Life of Flowers in a Vase Signed lower right in gilt frame. 50 x 39.5cm.

Lot 253

An Oval Timber Panel Depicting an Eagle, along with an shaped rectangular clock with micro mosaic style frame, and a still life print (3).

Lot 302

A Pair of Raised Relief Birds on Wooden Plaques, together with a Pair of Still Life Pictures (4).

Lot 477

An Oil on Board by C.W. Marriott. Still Life. Each 81mm x 100mm.

Lot 491

An Oil on Board by Parker Still Life of Fruit in a Basket In a gilt frame, 19.5 x 15.5cm.

Lot 549

An Oil on Board Still Life of Lilies. 37 x 29cm.

Lot 96

A Pair of Miniature Still Life Oils on Board by C.W. Marriott. Each 80x 115cm

Lot 379

A 1:64 SCALE BUILDER’S MODEL FOR THE FAMED ‘NORTH ATLANTIC GREYHOUND’ MAURETANIA, BUILT FOR CUNARD BY SWAN HUNTER & WIGHAM RICHARDSON, TYNE AND WEAR, 1906, carved from laminated wood, replete with gilt and painted fittings and superstructure and finished in Cunard service livery, mounted on seven turned balustrade supports on later display base within modern two-part case supported on three ebonised plinths. Model measurements -- 42 x 153½ x 17in. (106.5 x 390 x 43cm.); Cased measurements overall -- 79 x 173½ x 24in. (200.5 x 440 x 61cm.), Provenance: Loaned by Swan Hunter to the Science Museum, London 1938-2015, Ref No. 1938-507. This model is available for viewing from mid-March, 2015 at the DoubleTree by Hilton Hotel, Chelsea, Imperial Road, Imperial Wharf, SW6 2GA - please see map inside back cover. Charles Miller Ltd is grateful for their kind assistance. It is thought that this model probably appeared in a pre-War exhibition about the famed ‘Blue Riband’ but was then dismantled for the duration of hostilities. After the War, the ageing 1864 museum buildings were largely rebuilt and the fine collection of both ship and engineering models it had inherited from the old South Kensington Museum (which in turn had inherited them from the Royal Institution of Naval Architects) returned in the 1963 installation of the Shipping Gallery. It seems likely that it was at this time that the models were removed from their original cases and placed on uniform plinths within more standard exhibition cases. The Shipping Gallery was closed in 2012, having lasted fully forty-nine years, and the models removed to various storage facilities in London and Wiltshire. The precise fate of the original ship model cases, bases and plates appears not to have been recorded and, sadly, the one which had housed this particular model has still not been located and must therefore be presumed destroyed. A companion model to this lot, which retains its original carved mahogany case, display base and builder’s plates, can be seen in the Discovery Museum, Newcastle to where it was likewise loaned by Swan Hunter in 1938. Of all the great liners that plied the North Atlantic, the first-named Mauretania was perhaps the most famous. Conceived with her sister Lusitania, the two ships were built as a British response to the increasing threat to Cunard’s domination of the transatlantic passenger trade posed by the White Star Line which, in 1901, had passed into American ownership. Mauretania, at 31,938 tons, was launched on 20th September 1906, and was ready for trials exactly a year later. Her builders, Swan Hunter, handed her over to Cunard on 7th November 1907, and she sailed from Liverpool on her maiden voyage to New York on 16 November. On the return passage, she established a new record for the eastward crossing with an average speed of 23.69 knots, amply justifying the faith that had been placed in her giant turbine engines. In May 1908 she broke the record for the westbound crossing, only losing it to her sister a few months later. In September 1909 her average speed on the westward passage reached 26.06 knots and this new record was to stand for twenty years until broken by the German liner Bremen. Both Lusitania and Mauretania were financed with Government loans and, when completed, Cunard received an annual subsidy for them in return for the promise to make the ships available to the Government in the event of a national emergency. When the Great War broke out, however, the authorities perceived at once that the two liners were far too large to be fitted-out as cruisers. At first Mauretania was laid up and then served as both a troop transport and a hospital ship. Lusitania continued the New York passenger service but fell victim to the German submarine U20, which torpedoed and sank her, with a huge loss of life, on 7 May 1915. After the Armistice in 1918, Mauretania was initially kept busy repatriating American troops until the following May, but on 27 June 1919, she cleared Southampton for New York and resumed the scheduled service with her new consort Aquitania. In July, 1921, Mauretania was severely damaged by fire in Southampton Docks and, during the subsequent repairs, her accommodation was remodelled and her coal furnaces were converted to oil. Returning to service in March, 1922, she once again justified the capital spent on her conversion by setting new speed records and regularly averaging 25.5 knots. Despite her advancing age, she was becoming an institution among the travelling public and became almost a living legend as the 1920s drew to a close. When she lost the ‘Blue Riband’ to the Bremen in July 1929, she took up the challenge to recover it immediately with her fastest-ever crossings over the measured distance. Her average speed on the homeward run of 27.2 knots just failed to catch the Bremen’s 27.9 but it was an astonishing achievement for the twenty-two year old veteran against the brand new German contender. The international economic climate sent her cruising to warmer waters after 1930, although she still did the occasional transatlantic crossing. She left New York for the last time on 26 September 1934, ironically the very same day that the Queen Mary was launched on Clydeside; Mauretania’s reign was drawing to an end. In April 1935 she was sold for scrapping and, following the auction of her interior fittings, she sailed for Rosyth and the breaker’s yard. The public mourned her as affectionately as they had honoured her in her prime. She had won for herself a place in maritime history such as no other steamship had ever done and it was not in the least surprising that even long after she had been broken up, she was still always known as ‘The Grand Old Lady of the Atlantic’. 

Lot 123

T, Simpson, a porcelain plaque, Still Life, Fruits, signed, framed

Lot 127

English School Still Life, Fruit and Vine, a pair oil on canvas, framed

Lot 149

E J Lance (19th Century) Still Life oil; another, Still Life (2)

Lot 160

Arundel Still Life of Roses signed and dated '54, oil on board, framed

Lot 162

English School (early 20th century) Still Life, Grapes and Wine oil on canvas, 46cm 32cm

Lot 431

English School (early 20th century) Still Life, Blossom, Cup, Saucer and Bee watercolour, gilt frame English School (20th century) Playing the Field initialled, dated 1988, watercolour; a pair of oak framed prints (4)

Lot 489

Anne L Ramsear: 'Still life with bindweed', oil on board

Lot 502

S Whiteford: Still life, 'Blossom in a Chinese Jar', watercolour

Lot 503

S Whiteford: Still life study 'Blossom in a Jug with Bird's Nest', watercolour

Lot 1093

Noel Harry Leaver (British, 1889-1951)- 'still life with vase of flowers and stoneware jug' Watercolour, signed, approx 25x36cm, framed.

Lot 1101

Stephanie Dingle (British, b.1926) - 'Still Life' Oil on board, signed, inscribed verso, approx 30x35cm, framed. NB: Stephanie Dingle was born in Lancaster, she attended the Warrington School of Art and was a pupil of the iconic Northern Artist William Turner (1920-2013).

Lot 1110

Victoria Fantin-Latour, nee Duborg (French, 1840-1926) - 'Still life' Oil on canvas board, signed and dated upper left, stamped verso 'George Rowney & Co, London', approx 12.5x18cm, framed. NB: Victoria Fantin-Latour was the wife of celebrated French artist Henri Fantin-Latour (1836-1904). (illustrated) CONDITION REPORT: Two scratches to paint, needs cleaning

Lot 1144

David Gordon Hughes (Irish, b.1957) - 'Still life with objects on the table' Oil on canvas, signed with monogram, approx 50x45cm, framed. (illustrated)

Lot 1150

David Gordon Hughes (Irish, b.1957) - 'Still life with vase of flowers and apple on a table' Oil on canvas, signed with monogram, approx 43x35cm, framed. (illustrated)

Lot 589

Vincent Clare (1855-1930), Still life of a bird's nest and still life of fruit, a pair, each signed lower right, oils on canvas, framed. 19.5cm by 14.5cm

Lot 598

Allan Douglas Davidson (1873-1932), The end of the argument - Oriental china still life, signed lower left, inscribed verso, oil on board, framed. 39.5cm by 29cm

Lot 599

Tom Hold (19th Century), Still life of a bird's nest with eggs, signed lower left, inscribed verso Hedge Sparrow, oil on canvas, framed. 24cm by 29cm

Lot 408

An ornate gilt framed oil on canvas: Still life of fruit.

Lot 152

20th century Continental school, Still Life of Violin, Books & a Jug, oil on board, signed indistinctly lower left, 48cm x 40cm.

Lot 118

STILL LIFE SUNFLOWERS IN A VASE Oil on Canvas Signed Vincent 61cm x 46cm

Lot 147

STILL LIFE FRUIT AND WINE GLASS ON TABLE Oleographs A Pair

Lot 169

20TH CENTURY Still Life Fruit and Jars on a Table A Print 38cm x 46cm

Lot 176

CONTINENTAL SCHOOL 20TH CENTURY Street Scene A Watercolour 35cm x 25cm Together with a Watercolour Still Life Signed Lower Right 46cm x 53cm

Lot 177

20TH CENTURY CONTINENTAL SCHOOL Still Life Flowers in a Vase Oil on Panel Signed Lower Right 24cm x 19cm

Lot 243

20TH CENTURY Still Life Lobster, Fruit and a Bowl on a Table Oil on Canvas

Lot 270

GEORGE WILLIAM SARTORIUS Fl. 1773-1779 Still Life of Fruit with a Jug in a Landscape Oil on Canvas 50cm x 62cm

Lot 335

20TH CENTURY Still Life with Olives and Cigar on a Table Oil on Canvas 60cm x 90cm

Lot 528

ANNE TALLENTIRE Still Life Flowers in a Vase on a Table Oil on Canvas Signed Lower Right 37cm x 58cm

Lot 2192

* JONATHAN A. WADE, STILL LIFE WITH GLASS oil on board, signed 44cm x 59cm Framed and under glass

Lot 414

English School - early 20th century, oil on canvas, still life of anemones in a jug, indistinctly signed E.Qli, 34cm x 26cm

Lot 418

John F Smith, oil on board, still life of fruit, 29cm x 19cm

Lot 419

English School - early 20th century, pair of oils on canvas, stidy of sunflowers and another of poppies, gilt gesso and oak frames, 64cm x 34cm with another oil still life of flowers (3)

Lot 422

Edwin Green, oil on mill board, still life of lilies in a vase, 65cm x 42cm

Lot 373

Rose still life oil on canvas

Lot 374

Still Life Bowl of Fruit oil on canvas

Lot 162

One coastal scene painting and two still life paintings.

Lot 217

Five still life prints and paintings, Dorothy Cross and Brenda Roe.

Lot 676

Large Gilt Framed Oil Painting of Still Life Flowers in Jug signed M S Bruen 1943, 6' high

Lot 396

Oil on Panel, Flemish Still Life Scene Fruit and Tazza in an Interior, signed

Lot 624

Barrie Neusten - Still life with teapot, pastel, signed lower right, 41 x 58cm

Lot 625

English school - Still life, watercolour; one other probably by the same hand; and a later landscape study watercolour (3)

Lot 673

20th century school - Still life with fruit, oil on canvas, 59 x 79cm

Lot 326

Continental School, still life with flowers and fruit, oil on canvas, 56 x 45cm

Lot 337

Tom Caspers, still life fruit, oil on canvas laid on board, 45 x 58cm

Lot 449

Continental school, still life flowers, oil on board, a pair, 50 x 34cm, together with views of Lavenham, watercolour, a painting on silk and a coloured print

Lot 499

Italian School, still life with flowers, oil on canvas, 17 x 23cm

Lot 500

Frank Lean, 20th century, still life fruit, signed oil on canvas, a pair, each 19 x 23cm

Lot 523

Hans Pawlitschek, 20th century, still life of flowers, signed oil on canvas, 60 x 49cm

Lot 561

Vernon Ward, 1905-1985, still life of a vase of flowers, signed oil on canvas, laid on board, 47 x 34cm

Lot 619

Continental school, 20th century, still life flowers, oil on board, a pair, in ornate gilt frames, 108 x 62cm overall

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