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Lot 752
Edwin Steele (1805-1871) - Still Life with Flowers and Fruit in a Basket, signed and dated 1869, oil on canvas, 53 x 76cm Cleaned, perhaps more than once but not recently; medium thin with old over painting, varnish dirty, faint impression of the stretcher showing through, unlined, signature not strengthened. In what is probably the original restored Victorian gilt frame
Lot 93
WEBER/ METHENY - ECM LP PACK. A quality pack of 23 LPs by Eberhard Weber & Pat Metheny, mostly releases on ECM. EW titles include Yellow Fields (ECM 1066 ST), Fluid Rustle (ECM 1137), Little Movements (ECM 1186), The Colours Of Chloe (ECM 1042ST), The Following Morning (ECM 1084), Silent Feet (ECM 1107), Chrous (ECM 1288), Orchestra (ECM 1374) & Works (825429-1). PM titles include As Falls Wichita (ECM 1190), First Circle (ECM 1278), Bright Size Life (ECM 1073), The Falcon And The Snowman (EJ2403051), Turn Left (ECM 1216), Secret Story (GEF 24468), Letter From Home (GHS 24245), Travels (ECM 1252/53), New Chautauqua (ECM 1131), Rejoicing (ECM 1271), American Garage (ECM 1155), Pat Metheny Group (ECM 1114), Watercolors (ECM 1097) & Still Life Talking (924 145-1). Condition is generally Ex to Ex+. Sleeves are mostly Ex to Ex+, some may dip to VG+.
Lot 419
ROBERT CHAILLOUX (FRENCH 1913-2006) 'LES CHARDONS BLEUS / THE BLUE THISTLES', a still life study of thistles in a ceramic vase together with a studio pottery bowl, signed bottom left, title label verso, oil on board, approximate sizes: image 34cm x 26cm frame 53cm x 44cm, (Condition report: the painting is in good condition, small amount of paint loss to the frame)
Lot 824
MODERN PAINTINGS AND DECORATIVE PRINTS ETC, to include two landscape oils on canvas signed I Cafieri, framed, approximate sizes 60cm x 90cm, G Haywood still life flower study, oil on canvas, an indistinctly signed continental fishing village oil on canvas, G Taylor signed limited edition print of Cartmel Priory, Ernst Meissonier print of Napoleon, assorted other prints and two ceramic Cameo plaques (box and loose)
Lot 293
Anatoli Nikolaevich Nikolsky (b. 1934) oil on canvas - Still life of spring flowers with daffodils and tulips, signed and dated 1956, 51 x 41cm, framedGenerally good original condition and in a presentable state. It has not been re-lined. There is a scratch to the paint on one of the leaves (see image) and some slight areas or crazing, however these are not to the detriment of the picture in our opinion. Provenance: a local private client.
Lot 364
Stephen Elmer (Farnham um 1717 - Farnham 1796). Früchtestilleben mit Kernbeißer. Öl/Lw./Holz, 51 x 64 cm, l. o. sign. S. Elmer, rest. - Englischer Tier-, Jagd- und Stillebenmaler. E. gilt als einer der bedeutendsten Jagdmaler seiner Zeit. 1763 wurde er Mitglied der Society of Artists, 1773 der Royal Academy. 1788 ließ er sich in London nieder, wo nach seinem Tod der Großteil seines Oeuvres einem Brand zum Opfer fiel. Mus.: London (V&A), Paris, New Haven u.a. Lit.: AKL, Thieme-Becker. Elmer, Stephen (Farnham um 1717 - Farnham 1796). Fruit Still Life with Hawfinch. Oil/canvas/wood, 51 x 64 cm, up. le. sign. S. Elmer, rest. - English animal, hunting and still life painter. E. is considered one of the most important hunting painters of his time. In 1763 he became a member of the Society of Artists, in 1773 of the Royal Academy. In 1788 he settled in London, where after his death most of his oeuvre fell victim to a fire. Mus.: London (V&A), Paris, New Haven a. others. Lit.: AKL, Thieme-Becker.
Lot 499
Otto Fischer-Trachau (Trachau 1878 - Hamburg 1958). Stilleben mit Früchten. 1950. Tempera, 48 x 38 cm, l. u. monogr. OF-TR, auf dem Rückseitenschutz betitelt und dat. 1950, Adresstempel des Künstlers und Stempel des Nachlasses, unter Passepartout und Glas gerahmt, ungeöffnet. - Vielseitiger Maler und Graphiker, Innendekorateur und Glasmaler. F.-T. studierte an der Staatlichen Kunstgewerbeschule und an der Akademie Dresden u.a. bei R. Müller und O. Zwintscher. Er schuf gemeinsam mit M. Pechstein Dekorationen für Künstlerfeste. Außerdem war er Mitbegründer des Deutschen Werkbunds und Mitglied der Hamburgischen Sezession. Ab 1926 war er Professor in Leipzig bzw. Wiesbaden. Als langjähriger Mitarbeiter des Hamburger Oberbaudirektors F. Schumacher schuf F.-T. zahlreiche baugebundene Arbeiten. Mus.: Hamburg (Kunsthalle, Altonaer Mus.), Leipzig, Stade. Lit.: Vollmer, Der Neue Rump u.a. Fischer-Trachau, Otto (Trachau 1878 - Hamburg 1958). Still Life with Fruits. 1950. Tempera, 48 x 38 cm, lo. le. monogr. OF-TR, on the backing cardboard titled and dat. 1950 as well as estate stamp, matted and framed under glass, uninspected out of frame. - Versatile painter, graphic artist, interior designer and glass painter. F.T. studied at the Dresden art school and academy, among others under R. Müller a. O. Zwintscher. He cooperated with M. Pechstein in decorations for artist's parties. He was co-founder of the 'Deutscher Werkbund' and member of the Hamburg secession. Since 1926 he was professor in Leipzig a. Wiesbaden. As a longtime collaborator of the Hamburg construction director F. Schumacher F.-T. created many artworks adn interior designs. Mus.: Hamburg (Kunsthalle, Altonaer Mus.), Leipzig, Stade. Lit.: Vollmer, Der Neue Rump a. others.
Lot 382
Friedrich Heimerdinger (Altona 1817 - Hamburg 1882). Hand mit Kiebitzei. 1879. Öl/Karton, 22,5 x 22,5 cm, verso sign. und dat. F. Heimerdinger 1879 sowie bez. 'Eigenthum des Musentisches der Himmelsleiter Hamburg' sowie weitere Beschriftungen auf Vorder- und Rückseite, unter Glas gerahmt, ungeöffnet. - Die Beschriftungen richten sich an einen Lehrling der Malerei und zeigen mit dem trompe l'oeil der Holzwand, der Hand und dem Ei die Meisterschaft, die es zu erreichen gilt. Die 'Himmelsleiter' in Altona war über lange Zeit ein beliebter Treffpunkt von Künstlern und Literaten. - Deutscher Stilleben-, Tier- und Genremaler. H. studierte an der Düsseldorfer und der Münchner Akademie u.a. bei Th. Hildebrandt. Er war Begründer einer Malschule in München und Mitglied des Hamburger Künstler-Vereins. Mus.: Hamburg (Kunsthalle). Lit.: Thieme-Becker, Der Neue Rump u.a. Heimerdinger, Friedrich (Altona 1817 - Hamburg 1882). Hand with Lapwing's Egg. 1879. Oil/cardboard, 22,5 x 22,5 cm, on the reverse sign. and dat. F. Heimerdinger 1879 as well as inscribed 'Eigenthum des Musentisches der Himmelsleiter Hamburg' and more inscriptions, framed under glass, uninspected out of frame. - The inscriptions are addressed to an apprentice painter and show with the trompe l'oeil of the wooden wall, the hand and the egg the mastery to be achieved. - German still life, animal and genre painter. H. studied at the Düsseldorf and Munich academies under Th. Hildebrandt, among others. He was the founder of a painting school in Munich and a member of the Hamburg Künstler-Verein. Mus.: Hamburg (Kunsthalle). Lit.: Thieme-Becker, Der Neue Rump a. others.
Lot 365
Meister mit der Katze - Meester met de Poes tätig 2. Viertel 17. Jh. Stilleben mit Katze, Papagei, Früchten und Käse. Öl/Holz, 57 x 122 cm, etw. rest. - Literatur: Das Gemälde ist beim RKD in Den Haag als Werk des 'Meester met de Poes' registriert. - Provenienz: Auktionshaus J. Fievéz, Brüssel, 20.06.1928, Kat.-Nr. 1; zuletzt Privatsammlung Hamburg. - Der Notname 'Meester met de Poes' bezeichnet einen Meister, der im zweiten Viertel des 17. Jhs. in Flandern, möglicherweise aber auch in den Niederlanden tätig war. Seine Tafelstilleben zeigen typischerweise Käse, Butter, einen Früchtekorb, Vögel und die namensgebende Katze. Lit.: van der Willigen/Meijer: A dictionary of dutch and flemish still-life painters working in oils, 2003. Master of the Kitten - Meester met de Poes attr. 2nd quarter 17th cent. Still Life with Kitten, Parrot and Cheese. Oil/canvas, 57 x 122 cm, some rest. - Literature: The painting is registered at the RKD in The Hague as work of the 'Meester met de Poes'. - Provenance: Auction house J. Fievéz, Brussels, 20.06.1928, lot no. 1; private collection Hamburg. - The invented name 'Meester met de Poes' refers to a master who was active in the second quarter of the 17th century in Flanders, but possibly also in the Netherlands. His table still lifes typically feature cheese, butter, a basket of fruit, birds and the eponymous cat. Lit.: van der Willigen/Meijer: A dictionary of dutch and flemish still-life painters working in oils, 2003.
Lot 640
Roy Lichtenstein (1923 New York - 1997 ebenda)Plakat "Brushstroke Still Life with Apple" für die Roy Lichtenstein-Ausstellung in der Galerie Templon in Paris 1983Farboffsetlithographie/Papier, 1983. Ger. stockfleckig. Blatt ca. 64 cm x 75 cm. Rahmen. Vgl. Döring/von der Osten, Lichtenstein Posters, Nr. 38.Poster with offset lithograph in colour for the Roy Lichtenstein exhibition in the Templon Gallery in Paris 1983. Some minor fox stains.
Lot 1823
Six watercolours on paper and two prints to include: Albert Stevens 'Thames River Scene' c.1920; Laurence T. Peace (1934-1993), 'Coastal View in Grisaille Style'; Nancy Petley-Jones, 'Still Life in Miniature'; 'Sunday Evening by the River', signed 'Petley, 1961'; street scene, indistinctly signed and dated 1928, bottom left; a village scene, unsigned; Mastiff 'Wolsey' print from Cassell's Illustrated Book of the Dog and 'Salmo Wartmanni' natural history print, all framed and glazed, largest: 38.5 x 31 cm (8)
Lot 101
A lively and somewhat enigmatic accord of flowers by Max Theodor Strassenbach (1865-1936). Presents an explosive, life-affirming composition with spring flowers in a vase. They are framed by branches of velvety, fragrant lilacs and are inscribed in the semi-mystical twilight of the garden. In the contrasts of lilac and white, a half-light of symbolism is woven, a breath of heavenly and demonic. Lively, impressionistic style of painting - awakens the smells and aromas of the spring garden. Passion and vitality. A complex and masterful combination of styles distinguishes the work of the German master of flower still lifes - Max Strassenbach, in which the artistic synthetism of the turn of the 19th and 20th centuries was clearly manifested. Canvas, oil. Author`s signature in the lower right corner.Dimensions: Height - 75cm width - 85cm. Size of the painting without a frame: 60 x 70 cm.
Lot 19
Flemish School. Brussels. 16th century. "Penitent Saint Jerome" Oil on panel. 107,5 x 76 cm. This painting is published in the book "Realidad, tiempo y artificio. Naturalezas muertas y Vanitas, en la cultura Barroca" (Reality, time and artifice. Still life and Vanitas in Baroque culture). Exhibition in the Casa del Cordón, Burgos (October 2021 - January 2022)
Lot 62
Spanish School. 18th century. "Saint Rose of Lima" Oil on canvas. With its original carved wooden frame. 100 x 71 cm. Frame measurements: 117 x 89 cm. This painted was part of, and appeared published in the book of the exhibition: "Realidad, tiempo y artificio. Naturalezas muertas y Vanitas, en la cultura Barroca" (Reality, time and artifice. Still life and Vanitas in Baroque culture). The exhibition took place in the Casa del Cordón in Burgos from October 2021 to January 2022.
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77111 item(s)/page