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Lot 1011
1994 BMW 325i, E36, 2494 cc. Registration number L846 DAT. Chassis number WBABJ52-20EA10516. Engine number 34170727. If ever a car was granted an easy run at a target, the E36 BMW 3 Series Convertible was it. Whilst the saloon had to contend with the Mercedes C-Class and the Audi A4, the Convertible version had no C-Class convertible nor topless A4 Convertible to interrupt its smooth ride to big profits. Although the E36 or third generation BMW 3 Series first arrived on British shores in the early Spring of 1991, the stylish convertible versions didn't put in an appearance until some three years later. Three engines were initially offered, the four-cylinder 318i and six-cylinder 320i and 325i derivatives. The 316i and diesel models were never available with the E36 convertible body shape. A couple of months later the 286bhp M3 Convertible was launched, a car that many felt never warranted the M badge, being far softer in focus than its boxily aggressive E30 predecessor. The 3 Series Convertible was the default choice if you needed German quality, four seats and a soft top. Few compromises were made in the development of the 3-Series convertible. The electric hood still stands comparison with some of the better hoods made today, there's still enough legroom for four full grown adults and the interior design has hardly dated at all. DAT, finished in Mauritius blue with a special order crimson leather interior, has led a pampered life, Purchased on 14th March 1994 by Mr Howe, who owned a chain of chemists in Hull, from Paragon of Hull with cherished number 8888 BT. It was serviced by Paragon at 6,774 miles, Nov 1994, 15,034 Jan 1996, and 21,055 Mar 1997. Purchased by Mrs Turner from Paragon in July 98 and serviced at 29,413 miles, 36,861 Apr 1999, 48,095 in Nov 1999, 52,328 May 2000. The registration number was CCT 667 at this time. Howe then bought it back from Paragon, serviced June 2000 at 53,388 miles and July 2003 at 56,185 miles by J.C. Technical of Cranswick, Beverley. MOT history 2007 at 56,763 when the rear brake pipes were replaced, 2008 at 56,786, 2009 at 56,826, 2010 at 56,860, 2011 at 56,910, 2012 at 56,913, 2013 at 57,293, 2014 at 57,316, 2015 at 57,368, 2016 at 57,374, 2017 at 57,385, 2019 at 57,397 2020 at 58,795. Mr Howe then passed away and it was transferred to his daughter who sold it to the current vendor in July 2019. The current mileage is 59,133 miles. Sold with the V5C, new MOT, large history folder, original booklets and the original hardtop.
Lot 159
Enid Clarke ARMS (British, b. 1919, Norfolk): three still life studies of fruit and other objects on a ledge, in small format, each signed, comprising a pair, 6.5 by 9.5cm, glazed and in gilt frames, 16.5 by 18.5cm, and a single 7 by 11cm, glazed and in walnut veneered frame, 14 by 18cm. (3)
Lot 44
Caroline Bailey (British 1953-), Floral still life, signed, watercolour, 71 x 52.5cm, 28 x 20.75in.Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed.
Lot 240
PLEASE NOTE THE SIGNATURE SHOULD READ KANZANAN UNUSUAL JAPANESE SATSUMA BOX MEIJI PERIOD, 19TH CENTURY Of rectangular shape, the body decorated in gilt and polychrome, two sides with many figures in mountainous river landscapes, the others with large sprays of peonies, hydrangea, irises and chrysanthemum, the top with brocade patterns, stylised flowerheads and a quatrelobed aperture, the inside delicately painted with a still life of scholar's and Buddhist objects, flowers in vases and a scroll painting to the back, kakemono, one side signed Kozan, 5.3cm x 8.4cm x 12.1cm.
Lot 38
Christopher Wood (British, 1901-1930)Portrait of a Young Man oil on canvas41.2 x 33.6 cm. (16 1/4 x 13 1/4 in.)Painted in 1927Footnotes:ProvenanceP.H.B. BurtonWith Mercury Gallery, London, 28 June 1977, where purchased by the family of the present ownerPrivate Collection, U.K.ExhibitedLondon, The New Burlington Galleries, Christopher Wood: Exhibition of Complete Works, 3 March-2 April 1938, cat.no.249London, Mercury Gallery, Christopher Wood: Paintings, Watercolours, Drawings, 29 June-23 July 1977, cat.no.6, exh.no.201LiteratureEric Newton, Christopher Wood 1901-1930, The Redfern Gallery, London, 1938, p.70, cat.no.249In 1927 Christopher Wood left London and returned to Paris where he moved into Tony Gandarillas' new Passy apartment. It was a tough time for the artist who was dissatisfied with much of his recent work, which was predominantly a mixture of still life, landscape views of the Passy streets and the River Seine. However, it was also at this point that he completed one of his finest works, the almost life-size Self-Portrait (Kettle's Yard, University of Cambridge) that oozes with self-confidence and illustrates the artist as a young man, standing on the balcony, holding a paintbrush and with a background of houses amidst a captivating Prussian blue sky.The only other portrait listed in Eric Newton's 1938 literature on the artist from this year is the present work, Portrait of a Young Man. Like the aforementioned Self-portrait, which was likely painted earlier in the year, it is a confident example which no doubt depicts an attractive member of Wood and Gandarillas' male circle. The head and shoulders of the sitter dominate the canvas with little room for anything other than the intriguing background, which with its moody sky and formation of clouds gives no clue of specific location but hints at Surrealism. Wood's use of the dark palette is characteristic of his time spent in Vence later in the year where he was nursing his friend René Crevel, a member of the Surrealist movement, and inspired to paint darker landscapes that were influenced by Van Gogh's paintings of St Rémy.For further information on this lot please visit Bonhams.com
Lot 53
Eliot Hodgkin (British, 1905-1987)Four Flints signed and dated 'Eliot Hodgkin 13.XI.54' (lower right)tempera on board10.5 x 14 cm. (4 1/4 x 5 1/2 in.)Footnotes:ProvenanceKettner's RestaurantWith Hazlitt, Gooden & Fox, LondonPrivate Collection, U.K.ExhibitedLondon, The Leicester Galleries, Eliot Hodgkin, Terry Frost and Cecil Collins, February 1956, cat.no.4London, Hazlitt, Gooden & Fox, Eighteen Selected Still Life Studies from 1954 to 1957, 6 October-5 November 1993, cat.no.4We are grateful to Mark Hodgkin for his assistance in cataloguing this lot. He is currently preparing the forthcoming catalogue raisonné of the artist's work and would like to hear from owners of any work by the artist so that these can be included in this comprehensive catalogue. Please write to Mark Hodgkin, c/o Bonhams, Modern British Art Department, 101 New Bond Street, London, W1S 1SR, or email britart@bonhams.comThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 1171
English School (early 19th century), Still life of fruit, vine leaves and a basket watercolour on wove paper, in a 19th century giltwood and composition frame 10 x 14½in. (25.3 x 36.8cm.) * Bears handwritten label verso, inscribed "Water Colour Picture of fruit from the Garden of Rev. Dr. Prince of Everton, L'Pool. The Lemon from the Greenhouse, the tree was sent from Buenos Aires, S. America by G. A. Woodgate's of Easth..?.., Grandfather in 1803. The Re. Dr. Prince D.D. was G.A. Woodgates' grandfather on his mother's side." * Condition: Paper toned with some mount burn and foxing visible. Some small surface insect marks to upper unpainted areas. Tiny scratch to centre to left of peach. Colours a little muted. Split to very lower right corner and small tear to top margin. Not examined out of frame.
Lot 1202
Deborah Jones (British, 1921-2012), 'Still Life with Dolls and Books' oil on canvas, signed and dated 1975 in Roman numerals to envelope lower left, titled to gallery label verso, in swept frame 20 x 30in. (50.8 x 76.2cm.) * Provenance: Alexander Gallery, Whiteladies Road, Bristol * Condition: Two light surface scratches to upper and lower right. Probable overpainting along entirety of upper margin (surface of paint is matt in this area). Otherwise good condition.
Lot 1203
Deborah Jones (British, 1921-2012), 'Still Life with Bridal Pair' oil on canvas, signed and dated 1979 in Roman numerals to paper note pinned to shelf, titled to gallery label verso, in gilt swept frame 20 x 30in. (50.8 x 76.2cm.) * Provenance: Alexander Gallery, Whiteladies Road, Bristol * Condition: Good condition with no faults.
Lot 412A
A collection of rare first press Rolling Stones LPs in excellent condition The Rolling Stones LK4605 (1st mono)Out of our heads MONO LK4733 (1st)Between the Buttons 1st Stereo SKL4852No Stone UnturnedFlowers (German Press)Five by Five LP DF6X8590Number 2 Mono LK4661 (1st)Aftermath 1st stereo (laminated clarifoil sleeve)Sticky Fingers (1st)Mad in the ShadeLet it Bleed (poster and sticker, 1st)Beggars Banquet (Gatefold stereo 1st)Goats Head Soup (1st, both posters)Miss You (Pink 12")It's only Rock N RollBlack and BlueTattoo YouStory of The Stones 1Story of The Stones 2Story of The Stones 3UndercoverStill LifeBig Hits (with poster book)
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