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Denby Sweeting(1936-2020). Still Life of mixed Flowers including Poppies and Bougainvillea, oil on panel, 29.4 x 40.6cm frame 48.3 x 60.9cm

Sarah Bibra (20thC British School). Floral still life with parasol and sun hat, watercolour, signed, 44cm x 60cm.

Rolling Stones Still Life picture disc LP in very good condition with not for sale label. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

D. Foster (British, Contemporary) Nude study of a lady, signed (lower-left), oil on canvas, 24.5cm x 19cm; together with English School (late 19th century) Still life of flowers against stone wall, monogrammed (lower-left), watercolour, 14.5cm x 23.5cm, framed and glazed; also a 20th century still life of flowers with armchair, watercolour, 34cm x 24cm, framed and glazed (3)

JOHN ARCHIBALD ALEXANDER BERRIE (1887-1962); oil, still life of Summer blooms in a yellow vase and three leather-bound books to the side, 64 x 52cm, framed. † CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit

JOHN SHERRIN; watercolour, still life study of grapes and apples on a mossy ledge, signed, 28 x 40cm, framed and glazed.

Ceren Oykut The Raid, 2022 Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Ceren Oykut was born in 1978, Istanbul. Her drawings, which are often created on small size of papers spread over paper rolls and onto the walls, extend the classic techniques in terms of size and space. Focusing on small details, Oykut conveys a condensed image of an ungraspable panorama that explores the absurdity of daily life's circumstances. Oykut uses the images she produces as a field of study. She creates new stories by cutting and tearing her drawings. Her artistic range expands to drawing performances on stage and regularly implies collaborations with artists from different disciplines.   Education   Mimar Sinan Fine Arts University Painting department, Istanbul   Select Exhibitions/Awards   Her works were presented in various international publications such as Vitamin D3/Today's Best In Contemporary Drawing (Phaidon, 2021), Unleashed: Contemporary Art from Turkey (Thames and Hudson, 2011) She participated in international exhibitions such as 1st Architectural Biennale of Tbilisi (2018), Istanbul/Passion/Joy/Fury (MAXXI, 2015), Jerusalem Show (2014), 10th International Lyon Biennial (2009),10th International Istanbul Biennial (2007). Her latest solo exhibition titled "Still Here" took place in the Apartment Project Berlin in 2018. In 2021 she received the Research grant from The Senate Department for Culture and Europe, DE   Statement about AOAP Submitted Artwork   The two drawings titled "The Raid" and "The Jury" actually follow each other. They are quickly depicting two short moments from daily life on paper. Influenced by Turkish poet Edip Cansever's poem "Table", the drawing fantasizes about what a desk can carry. The drawings include two compositions of the story, which begins with raindrops dripping from an open window falling on an old miniature drawing depicting a dervish lodge in Istanbul, on an old book lying open on the table. Despite the chaotic appearance, a calm existence in a constant movement prevail in both compositions.     You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.    

Terence Loudon (British, 1900-1949), Peonies, a still life study of flowers, oil on canvas, signed lower left, H.62cm W.51cm, Provenance: James Connell & Sons, 47 Old Bond St, London

Simon Simon-Auguste (French, 1909-1987), still life bedroom scene, oil on board, signed lower left, H.47.5cm W.60cm

Wendy Jacob Turkish Coffee, 2022 Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   A Royal Watercolour Society Member since 2003, Wendy Jacob exhibits regularly in their shows at Bankside Gallery.   Education   Hammersmith College of Art now part of UCA   Select Exhibitions/Awards   RA Summer Exhibition, Discerning Eye , Sunday Times Competition.   Gallery Representation   Cambridge Contemporary Art   Statement about AOAP Submitted Artwork   These very small still life paintings are typical of my current work.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Anna Calleja Homebound, 2022 Oil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About   Anna Calleja (b.1997) is a Maltese multidisciplinary artist primarily working in paint, print and sculpture. Calleja has exhibited across the UK and abroad, at Spazju Kreattiv in Valletta, at Tate St. Ives, Porthmeor Studios, and at the Mall Galleries in London amongst others. Calleja was the recipient of a Winsor and Newton Young Artist Award at the Royal Institute of Oil Painters Annual Exhibition for her 2020 painting 'Alone in Quarantine'. Calleja was recently a finalist for the Premju ghal-arti award for Best Young Artist of the Year, an award by the Malta Arts Council that celebrates the main achievements in the Maltese cultural scene. Her work retires to the comfort and melancholy of home, using the process of painting to create quiet moments of introspection. She looks back on her own notions of comfort to confront an anxious present and grapple with an uncertain future. Calleja's interest lies in dualities; the tension and dissonance between comfort and melancholy, isolation and connection, love and pain.   Education   First class honours in BA (hons) Fine Art from Falmouth University   Select Exhibitions/Awards   Awards: Finalist Premju Ghal-Arti Best Young Artist, 2022 (pending results) Winsor and Newton Young Artist Award, ROI Annual Exhibition 2020 Best Emerging Young Artist, ARTZ ID, 2020 C-A-S-T Residency, Helston 2019 Midas Award at the Newlyn Art Gallery and the Exchange 2019 Malta Arts Scholarship, 2017-2020 Exhibitions: 2022 Domestic Bliss, Beaux Arts Bath, Bath Works on Paper 4, Blue Shop Cottage, London Sea Sunset Moon, Spazju Kreattiv, Valletta, Malta 2021 Anna Calleja: On Hold, New Craftsman Gallery, St. Ives RP Annual Exhibition, Mall Galleries, London Homebound solo exhibition, Palazzo de La Salle, Valletta, Malta Launch Exhibition, Morgans, Falmouth ROI Annual Exhibition, Mall Galleries, London 2020 Extraordinary Postcards for Extraordinary Times, Newlyn Art Gallery Postcard Exhibition, Highgate Art Gallery, London 2019 Environments, Tate St. Ives Tate Collective Producer at Otobong Nkanga: Ustudio, Tate St. Ives Anna Calleja and Will Calver, Porthmeor Studios, St. Ives   Statement about AOAP Submitted Artwork   These four works (one oil painting and three ink drawings) sit in between comfort and melancholy suspended in quietude. I look back on my own notions of comfort to confront an anxious present and grapple with an uncertain future. Two of the ink drawings depict my cat, sitting still in silent ambivalence or bathed in morning light. While the world grows ever more turbulent, divisive and moves steadily towards climate crises, the cat passively sleeps on, as do we. 'Homebound' portrays a figure suspended in time, between past and present, life and death and comfort and melancholy while 'Scissors' plays on the Ancient Greek myth of Atropos, one of the three fates, who holds the shears that cut the thread of life. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Anna Calleja Scissors, 2022 Chalk and Ink on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About   Anna Calleja (b.1997) is a Maltese multidisciplinary artist primarily working in paint, print and sculpture. Calleja has exhibited across the UK and abroad, at Spazju Kreattiv in Valletta, at Tate St. Ives, Porthmeor Studios, and at the Mall Galleries in London amongst others. Calleja was the recipient of a Winsor and Newton Young Artist Award at the Royal Institute of Oil Painters Annual Exhibition for her 2020 painting 'Alone in Quarantine'. Calleja was recently a finalist for the Premju ghal-arti award for Best Young Artist of the Year, an award by the Malta Arts Council that celebrates the main achievements in the Maltese cultural scene. Her work retires to the comfort and melancholy of home, using the process of painting to create quiet moments of introspection. She looks back on her own notions of comfort to confront an anxious present and grapple with an uncertain future. Calleja's interest lies in dualities; the tension and dissonance between comfort and melancholy, isolation and connection, love and pain.   Education   First class honours in BA (hons) Fine Art from Falmouth University   Select Exhibitions/Awards   Awards: Finalist Premju Ghal-Arti Best Young Artist, 2022 (pending results) Winsor and Newton Young Artist Award, ROI Annual Exhibition 2020 Best Emerging Young Artist, ARTZ ID, 2020 C-A-S-T Residency, Helston 2019 Midas Award at the Newlyn Art Gallery and the Exchange 2019 Malta Arts Scholarship, 2017-2020 Exhibitions: 2022 Domestic Bliss, Beaux Arts Bath, Bath Works on Paper 4, Blue Shop Cottage, London Sea Sunset Moon, Spazju Kreattiv, Valletta, Malta 2021 Anna Calleja: On Hold, New Craftsman Gallery, St. Ives RP Annual Exhibition, Mall Galleries, London Homebound solo exhibition, Palazzo de La Salle, Valletta, Malta Launch Exhibition, Morgans, Falmouth ROI Annual Exhibition, Mall Galleries, London 2020 Extraordinary Postcards for Extraordinary Times, Newlyn Art Gallery Postcard Exhibition, Highgate Art Gallery, London 2019 Environments, Tate St. Ives Tate Collective Producer at Otobong Nkanga: Ustudio, Tate St. Ives Anna Calleja and Will Calver, Porthmeor Studios, St. Ives   Statement about AOAP Submitted Artwork   These four works (one oil painting and three ink drawings) sit in between comfort and melancholy suspended in quietude. I look back on my own notions of comfort to confront an anxious present and grapple with an uncertain future. Two of the ink drawings depict my cat, sitting still in silent ambivalence or bathed in morning light. While the world grows ever more turbulent, divisive and moves steadily towards climate crises, the cat passively sleeps on, as do we. 'Homebound' portrays a figure suspended in time, between past and present, life and death and comfort and melancholy while 'Scissors' plays on the Ancient Greek myth of Atropos, one of the three fates, who holds the shears that cut the thread of life. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Anna Calleja Censu, 2022 Ink and Chalk on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Anna Calleja (b.1997) is a Maltese multidisciplinary artist primarily working in paint, print and sculpture. Calleja has exhibited across the UK and abroad, at Spazju Kreattiv in Valletta, at Tate St. Ives, Porthmeor Studios, and at the Mall Galleries in London amongst others. Calleja was the recipient of a Winsor and Newton Young Artist Award at the Royal Institute of Oil Painters Annual Exhibition for her 2020 painting 'Alone in Quarantine'. Calleja was recently a finalist for the Premju ghal-arti award for Best Young Artist of the Year, an award by the Malta Arts Council that celebrates the main achievements in the Maltese cultural scene. Her work retires to the comfort and melancholy of home, using the process of painting to create quiet moments of introspection. She looks back on her own notions of comfort to confront an anxious present and grapple with an uncertain future. Calleja's interest lies in dualities; the tension and dissonance between comfort and melancholy, isolation and connection, love and pain.   Education   First class honours in BA (hons) Fine Art from Falmouth University   Select Exhibitions/Awards   Awards: Finalist Premju Ghal-Arti Best Young Artist, 2022 (pending results) Winsor and Newton Young Artist Award, ROI Annual Exhibition 2020 Best Emerging Young Artist, ARTZ ID, 2020 C-A-S-T Residency, Helston 2019 Midas Award at the Newlyn Art Gallery and the Exchange 2019 Malta Arts Scholarship, 2017-2020 Exhibitions: 2022 Domestic Bliss, Beaux Arts Bath, Bath Works on Paper 4, Blue Shop Cottage, London Sea Sunset Moon, Spazju Kreattiv, Valletta, Malta 2021 Anna Calleja: On Hold, New Craftsman Gallery, St. Ives RP Annual Exhibition, Mall Galleries, London Homebound solo exhibition, Palazzo de La Salle, Valletta, Malta Launch Exhibition, Morgans, Falmouth ROI Annual Exhibition, Mall Galleries, London 2020 Extraordinary Postcards for Extraordinary Times, Newlyn Art Gallery Postcard Exhibition, Highgate Art Gallery, London 2019 Environments, Tate St. Ives Tate Collective Producer at Otobong Nkanga: Ustudio, Tate St. Ives Anna Calleja and Will Calver, Porthmeor Studios, St. Ives   Statement about AOAP Submitted Artwork   These four works (one oil painting and three ink drawings) sit in between comfort and melancholy suspended in quietude. I look back on my own notions of comfort to confront an anxious present and grapple with an uncertain future. Two of the ink drawings depict my cat, sitting still in silent ambivalence or bathed in morning light. While the world grows ever more turbulent, divisive and moves steadily towards climate crises, the cat passively sleeps on, as do we. 'Homebound' portrays a figure suspended in time, between past and present, life and death and comfort and melancholy while 'Scissors' plays on the Ancient Greek myth of Atropos, one of the three fates, who holds the shears that cut the thread of life. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Wendy Jacob Courgette Seedlings, 2022 Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   A Royal Watercolour Society Member since 2003, Wendy Jacob exhibits regularly in their shows at Bankside Gallery.   Education   Hammersmith College of Art now part of UCA   Select Exhibitions/Awards   RA Summer Exhibition, Discerning Eye , Sunday Times Competition.   Gallery Representation   Cambridge Contemporary Art   Statement about AOAP Submitted Artwork   These very small still life paintings are typical of my current work.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Anna Calleja Morning Light, 2022 Ink and Chalk on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Anna Calleja (b.1997) is a Maltese multidisciplinary artist primarily working in paint, print and sculpture. Calleja has exhibited across the UK and abroad, at Spazju Kreattiv in Valletta, at Tate St. Ives, Porthmeor Studios, and at the Mall Galleries in London amongst others. Calleja was the recipient of a Winsor and Newton Young Artist Award at the Royal Institute of Oil Painters Annual Exhibition for her 2020 painting 'Alone in Quarantine'. Calleja was recently a finalist for the Premju ghal-arti award for Best Young Artist of the Year, an award by the Malta Arts Council that celebrates the main achievements in the Maltese cultural scene. Her work retires to the comfort and melancholy of home, using the process of painting to create quiet moments of introspection. She looks back on her own notions of comfort to confront an anxious present and grapple with an uncertain future. Calleja's interest lies in dualities; the tension and dissonance between comfort and melancholy, isolation and connection, love and pain.   Education   First class honours in BA (hons) Fine Art from Falmouth University   Select Exhibitions/Awards   Awards: Finalist Premju Ghal-Arti Best Young Artist, 2022 (pending results) Winsor and Newton Young Artist Award, ROI Annual Exhibition 2020 Best Emerging Young Artist, ARTZ ID, 2020 C-A-S-T Residency, Helston 2019 Midas Award at the Newlyn Art Gallery and the Exchange 2019 Malta Arts Scholarship, 2017-2020 Exhibitions: 2022 Domestic Bliss, Beaux Arts Bath, Bath Works on Paper 4, Blue Shop Cottage, London Sea Sunset Moon, Spazju Kreattiv, Valletta, Malta 2021 Anna Calleja: On Hold, New Craftsman Gallery, St. Ives RP Annual Exhibition, Mall Galleries, London Homebound solo exhibition, Palazzo de La Salle, Valletta, Malta Launch Exhibition, Morgans, Falmouth ROI Annual Exhibition, Mall Galleries, London 2020 Extraordinary Postcards for Extraordinary Times, Newlyn Art Gallery Postcard Exhibition, Highgate Art Gallery, London 2019 Environments, Tate St. Ives Tate Collective Producer at Otobong Nkanga: Ustudio, Tate St. Ives Anna Calleja and Will Calver, Porthmeor Studios, St. Ives   Statement about AOAP Submitted Artwork   These four works (one oil painting and three ink drawings) sit in between comfort and melancholy suspended in quietude. I look back on my own notions of comfort to confront an anxious present and grapple with an uncertain future. Two of the ink drawings depict my cat, sitting still in silent ambivalence or bathed in morning light. While the world grows ever more turbulent, divisive and moves steadily towards climate crises, the cat passively sleeps on, as do we. 'Homebound' portrays a figure suspended in time, between past and present, life and death and comfort and melancholy while 'Scissors' plays on the Ancient Greek myth of Atropos, one of the three fates, who holds the shears that cut the thread of life. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Wendy Jacob Two Pears, 2022 Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   A Royal Watercolour Society Member since 2003, Wendy Jacob exhibits regularly in their shows at Bankside Gallery.   Education   Hammersmith College of Art now part of UCA   Select Exhibitions/Awards   RA Summer Exhibition, Discerning Eye , Sunday Times Competition.   Gallery Representation   Cambridge Contemporary Art   Statement about AOAP Submitted Artwork   These very small still life paintings are typical of my current work.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Wendy Jacob Stag's Horn Fern, 2022 Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   A Royal Watercolour Society Member since 2003, Wendy Jacob exhibits regularly in their shows at Bankside Gallery.   Education   Hammersmith College of Art now part of UCA   Select Exhibitions/Awards   RA Summer Exhibition, Discerning Eye , Sunday Times Competition.   Gallery Representation   Cambridge Contemporary Art   Statement about AOAP Submitted Artwork   These very small still life paintings are typical of my current work.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Jonni Cheatwood I'm Baby 1, 2022 Oil and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Jonni Cheatwood is a Brazilian-American visual artist working across many different disciplines including painting, photography, graphic design and textile art. Cheatwood's work describes the broad visual ideas stemming from still life, abstraction and minimalism, but his approach is a wonderful amalgam of his artistic disciplines in which veritable scraps of canvas are hand-sewn together before his idiosyncratic mark-making is thereafter applied to the newly created surface.   Select Exhibitions/Awards   2022 The Juice Is Loose, Over the Influence, Los Angeles, CA, USA 2021 It Might Be Me, MAKASIINI CONTEMPORARY, Turku, Finland Live! From Therapy, BEERS London, London, UK 2020 Fresh Out of Fiddles, MAKASIINI CONTEMPORARY, Turku, Finland 2019 Tyger Tyger, Urban Spree, Berlin, Germany That's Dallas Baby, Artual Gallery, Beirut, Lebanon 2018 Dressed Up For the Letdown, Over the Influence, Hong Kong She's Heavy on the Razzmatazz, MAKASIINI CONTEMPORARY, Turku, Finland   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Jonni Cheatwood I'm Baby 2, 2022 Oil and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Jonni Cheatwood is a Brazilian-American visual artist working across many different disciplines including painting, photography, graphic design and textile art. Cheatwood's work describes the broad visual ideas stemming from still life, abstraction and minimalism, but his approach is a wonderful amalgam of his artistic disciplines in which veritable scraps of canvas are hand-sewn together before his idiosyncratic mark-making is thereafter applied to the newly created surface.   Select Exhibitions/Awards   2022 The Juice Is Loose, Over the Influence, Los Angeles, CA, USA 2021 It Might Be Me, MAKASIINI CONTEMPORARY, Turku, Finland Live! From Therapy, BEERS London, London, UK 2020 Fresh Out of Fiddles, MAKASIINI CONTEMPORARY, Turku, Finland 2019 Tyger Tyger, Urban Spree, Berlin, Germany That's Dallas Baby, Artual Gallery, Beirut, Lebanon 2018 Dressed Up For the Letdown, Over the Influence, Hong Kong She's Heavy on the Razzmatazz, MAKASIINI CONTEMPORARY, Turku, Finland   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Jonni Cheatwood I'm Baby 3, 2022 Oil and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Jonni Cheatwood is a Brazilian-American visual artist working across many different disciplines including painting, photography, graphic design and textile art. Cheatwood's work describes the broad visual ideas stemming from still life, abstraction and minimalism, but his approach is a wonderful amalgam of his artistic disciplines in which veritable scraps of canvas are hand-sewn together before his idiosyncratic mark-making is thereafter applied to the newly created surface.   Select Exhibitions/Awards   2022 The Juice Is Loose, Over the Influence, Los Angeles, CA, USA 2021 It Might Be Me, MAKASIINI CONTEMPORARY, Turku, Finland Live! From Therapy, BEERS London, London, UK 2020 Fresh Out of Fiddles, MAKASIINI CONTEMPORARY, Turku, Finland 2019 Tyger Tyger, Urban Spree, Berlin, Germany That's Dallas Baby, Artual Gallery, Beirut, Lebanon 2018 Dressed Up For the Letdown, Over the Influence, Hong Kong She's Heavy on the Razzmatazz, MAKASIINI CONTEMPORARY, Turku, Finland   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Janet Golphin Still Life with Lilies, 2022 Mixed Water Based Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Member of the Royal Watercolour Society since 1992 Vice President of the Royal Watercolour Society 1996-99 Works mainly in mixed Water-based media on a paper support Lives & works in West Yorkshire   Education   Leeds College of Art Bradford School of Arts & Media 1st Class (Hons)Degree Contemporary Surface Design & Textiles   Select Exhibitions/Awards   £1000 Jeffrey Archer Award Royal Watercolour Society Open 1992 Widely exhibited at RA, Summer Exhibition, Royal Scottish Academy Summer Exhibition Sunday Time Watercolour Exhibition and galleries around the UK Works in collections in the UK Germany and New York   Gallery Representation   The Russell Gallery. Putney Bankside Gallery Blackfriars London The Walker Galleries Harrogate   Statement about AOAP Submitted Artwork   My Art on a Postcard Summer 22 Collection are representational of still life paintings often produced but on a much smaller scale. Composition & juxtaposition of colour & shapes being key. My intention being for the viewer to visually engage and experience a physical connection to my work. The invitation to produce 4 postcards gave me a reason to test my intentions on a much smaller scale, a valuable process of creativity giving me much food for thought to take forward. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.  

Janet Golphin Blue Stripes, 2022 Mixed Water Based Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Member of the Royal Watercolour Society since 1992 Vice President of the Royal Watercolour Society 1996-99 Works mainly in mixed Water-based media on a paper support Lives & works in West Yorkshire   Education   Leeds College of Art Bradford School of Arts & Media 1st Class (Hons)Degree Contemporary Surface Design & Textiles   Select Exhibitions/Awards   £1000 Jeffrey Archer Award Royal Watercolour Society Open 1992 Widely exhibited at RA, Summer Exhibition, Royal Scottish Academy Summer Exhibition Sunday Time Watercolour Exhibition and galleries around the UK Works in collections in the UK Germany and New York   Gallery Representation   The Russell Gallery. Putney Bankside Gallery Blackfriars London The Walker Galleries Harrogate   Statement about AOAP Submitted Artwork   My Art on a Postcard Summer 22 Collection are representational of still life paintings often produced but on a much smaller scale. Composition & juxtaposition of colour & shapes being key. My intention being for the viewer to visually engage and experience a physical connection to my work. The invitation to produce 4 postcards gave me a reason to test my intentions on a much smaller scale, a valuable process of creativity giving me much food for thought to take forward. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.  

Janet Golphin Pot of Peonies, 2022 Mixed Water Based Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Member of the Royal Watercolour Society since 1992 Vice President of the Royal Watercolour Society 1996-99 Works mainly in mixed Water-based media on a paper support Lives & works in West Yorkshire   Education   Leeds College of Art Bradford School of Arts & Media 1st Class (Hons)Degree Contemporary Surface Design & Textiles   Select Exhibitions/Awards   £1000 Jeffrey Archer Award Royal Watercolour Society Open 1992 Widely exhibited at RA, Summer Exhibition, Royal Scottish Academy Summer Exhibition Sunday Time Watercolour Exhibition and galleries around the UK Works in collections in the UK Germany and New York   Gallery Representation   The Russell Gallery. Putney Bankside Gallery Blackfriars London The Walker Galleries Harrogate   Statement about AOAP Submitted Artwork   My Art on a Postcard Summer 22 Collection are representational of still life paintings often produced but on a much smaller scale. Composition & juxtaposition of colour & shapes being key. My intention being for the viewer to visually engage and experience a physical connection to my work. The invitation to produce 4 postcards gave me a reason to test my intentions on a much smaller scale, a valuable process of creativity giving me much food for thought to take forward. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.  

Henry Woolway We're Almost There, 2022 Acrylic on Panelled Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Henry Woolway's wide ranging body of work is a candid look at this relationship with life experiences both recent and from his childhood growing up in Cornwall, England. Visually taking aesthetics from Scandinavian and European design and culture as well as Early mid century modern design. This tied in with simplistic and rudimental techniques gives the air of form over function or indeed a linear meaning to his work. Born in Plymouth, England in the late 1980's, Woolway's work reflects on the semi-rural upbringing and the simpler state of life one can take. Through stripping back the substance or noise one can see the simple basic emotions or time locked statements in his work. The use of limited materials and colours allows this personal look back to show more truly whilst still allowing the viewer to understand and find their own meanings. Woolway's oeuvre encompasses paintings, wall hangings, sculptural and and array of works on paper. the physical elements of his more recent works include torn and cut canvas which demonstrates a desire to break from the norm whilst the structure in his pieces shows a longing to conform. This juxtaposition forms the base of his work and is something that runs throughout.   Select Exhibitions/Awards   Woolway's work has been shown in Liverpool at the Bridewell Gallery in 2020. He has had his work in two auctions with the Auction Collective in London in November 2020 and June 2021. His works have featured in print including House and Garden Dec 2020 and Le Mile in March 2021. Aspirational brands such as Gabriel Scott Lighting have used his work in Advertising campaigns. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

Henry Woolway So Far From The Start, 2022 Acrylic on Panelled Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Henry Woolway's wide ranging body of work is a candid look at this relationship with life experiences both recent and from his childhood growing up in Cornwall, England. Visually taking aesthetics from Scandinavian and European design and culture as well as Early mid century modern design. This tied in with simplistic and rudimental techniques gives the air of form over function or indeed a linear meaning to his work. Born in Plymouth, England in the late 1980's, Woolway's work reflects on the semi-rural upbringing and the simpler state of life one can take. Through stripping back the substance or noise one can see the simple basic emotions or time locked statements in his work. The use of limited materials and colours allows this personal look back to show more truly whilst still allowing the viewer to understand and find their own meanings. Woolway's oeuvre encompasses paintings, wall hangings, sculptural and and array of works on paper. the physical elements of his more recent works include torn and cut canvas which demonstrates a desire to break from the norm whilst the structure in his pieces shows a longing to conform. This juxtaposition forms the base of his work and is something that runs throughout.   Select Exhibitions/Awards   Woolway's work has been shown in Liverpool at the Bridewell Gallery in 2020. He has had his work in two auctions with the Auction Collective in London in November 2020 and June 2021. His works have featured in print including House and Garden Dec 2020 and Le Mile in March 2021. Aspirational brands such as Gabriel Scott Lighting have used his work in Advertising campaigns. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.

Hannah Mooney Tree at Ballyglass, Mayo I, 2022 Pen, Ink and Graphite on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Hannah Mooney (b.1995) is an Irish painter based in the west of Ireland. She currently works in two distinct subjects; still life and the landscape.   Education   2013-14 Art and Design Foundation, University of Ulster. 2014-17 BA Painting & Printmaking, Glasgow School of Art.   Select Exhibitions/Awards   Deanes Award for High Achievement, University of Ulster 2014 RSA John-Kinross Scholarship 2017 RSA Landscape Drawing Prize 2017 James Nicol McBroom Memorial Prize 2017 Armour Prize 2017 Glasgow Print Studio Publication Prize 2017 Hottinger Prize for Excellence 2018 House for an Art Lover Award 2018 Selected for RBA Rising Stars Exhibition 2018, Framers Gallery, London Art in Healthcare Prize 2018 Fleming-Wyfold Bursary 2018 Solo Exhibitions: 'Fleming-Wyfold Bursary Winner' 2019, John Martin Gallery, Mayfair, London. 'Notes From the West' 2019, The Scottish Gallery, Edinburgh. 'Emerging Talent' 2020, Messums, Wiltshire. 'Into the Landscape' 2021, The Scottish Gallery, Edinburgh.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.      

Hannah Mooney Tree at Ballyglass, Mayo II, 2022 Pen, Ink and Graphite on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Hannah Mooney (b.1995) is an Irish painter based in the west of Ireland. She currently works in two distinct subjects; still life and the landscape.   Education   2013-14 Art and Design Foundation, University of Ulster. 2014-17 BA Painting & Printmaking, Glasgow School of Art.   Select Exhibitions/Awards   Deanes Award for High Achievement, University of Ulster 2014 RSA John-Kinross Scholarship 2017 RSA Landscape Drawing Prize 2017 James Nicol McBroom Memorial Prize 2017 Armour Prize 2017 Glasgow Print Studio Publication Prize 2017 Hottinger Prize for Excellence 2018 House for an Art Lover Award 2018 Selected for RBA Rising Stars Exhibition 2018, Framers Gallery, London Art in Healthcare Prize 2018 Fleming-Wyfold Bursary 2018 Solo Exhibitions: 'Fleming-Wyfold Bursary Winner' 2019, John Martin Gallery, Mayfair, London. 'Notes From the West' 2019, The Scottish Gallery, Edinburgh. 'Emerging Talent' 2020, Messums, Wiltshire. 'Into the Landscape' 2021, The Scottish Gallery, Edinburgh.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.      

Ceren Oykut The Jury, 2022 Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Ceren Oykut was born in 1978, Istanbul. Her drawings, which are often created on small size of papers spread over paper rolls and onto the walls, extend the classic techniques in terms of size and space. Focusing on small details, Oykut conveys a condensed image of an ungraspable panorama that explores the absurdity of daily life's circumstances. Oykut uses the images she produces as a field of study. She creates new stories by cutting and tearing her drawings. Her artistic range expands to drawing performances on stage and regularly implies collaborations with artists from different disciplines.   Education   Mimar Sinan Fine Arts University Painting department, Istanbul   Select Exhibitions/Awards   Her works were presented in various international publications such as Vitamin D3/Today's Best In Contemporary Drawing (Phaidon, 2021), Unleashed: Contemporary Art from Turkey (Thames and Hudson, 2011) She participated in international exhibitions such as 1st Architectural Biennale of Tbilisi (2018), Istanbul/Passion/Joy/Fury (MAXXI, 2015), Jerusalem Show (2014), 10th International Lyon Biennial (2009),10th International Istanbul Biennial (2007). Her latest solo exhibition titled "Still Here" took place in the Apartment Project Berlin in 2018. In 2021 she received the Research grant from The Senate Department for Culture and Europe, DE   Statement about AOAP Submitted Artwork   The two drawings titled "The Raid" and "The Jury" actually follow each other. They are quickly depicting two short moments from daily life on paper. Influenced by Turkish poet Edip Cansever's poem "Table", the drawing fantasizes about what a desk can carry. The drawings include two compositions of the story, which begins with raindrops dripping from an open window falling on an old miniature drawing depicting a dervish lodge in Istanbul, on an old book lying open on the table. Despite the chaotic appearance, a calm existence in a constant movement prevail in both compositions.     You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.    

VAN DER GRAAF GENERATOR: 'Vital' CVLD 101, 'The Quiet Zone/The Pleasure Dome' CAS 1131, 'Still Life' CAS 1116, 'Godbluff' CAS 1109, 'Pawn Hearts' CAS 1051 and PETER HAMMILL 'Over' CAS 1125 (6, vinyl and sleeves VG-VG+)

Oliver Clare (British, 1853-1927), Still life of fruit on a table a pair, oil on board, signed lower right, modern reproduction swept frames 13¼ x 9¼in. (33.6 x 23.5cm.). (2) * Good condition – have clearly been cleaned and revarnished in the past 20-30 years. Under UV, possible scattered dark strengthening touches visible to detail across both pictures.

Circle of Eloise Harriet Stannard (British, 1828-1915), Still life of fruit and a butterfly in a stone alcove oil on canvas, unsigned 14¼ x 19in. (36.25 x 48.25cm.) * Has been restored in the past 20-30 years, but does not appear to have been relined. The canvas is well stretched but slightly convex. Good, clean visual condition. Under UV, scattered retouches to paint chips and craquelure, mainly to margins, and a patch of heavier repainting to the lower left corner on the stone ledge. Frame regilded.

A set of six English School miniature still life oil paintings, early 20th century, on board, each signed with initials 'GW', five in the manner of the Dutch masters and the sixth in the manner of Oliver Clare, size varying from 2 7/8 x 3 ¾in. (7.25 x 9.5cm.) to 1 ¾ x 2 ½in. (4.5 x 6.3cm.), in ebonised frames. (6). * Three with small retouches visible under UV. All in good, clean condition. Chip to corner of one frame.

Andreas Gyula Bubarnik (Hungarian, 1936-2010), Still life of a fruit basket, wine glass, stein and pewter plate on a table oil on board, signed lower right, reproduction gilt cornered frame 15 x 19in. (38.1 x 48.25cm.) * Good condition, with no faults.

J. Luckton (British, early 20th century), Still Life of a beer tankard, grapes and glass tazza on a ledge. oil on canvas, signed and dated 1928 lower right, modern giltwood frame. 14 x 11 ½in. (35.5 x 29.2cm.).

A George F Cruickshank watercolour, still life of roses, dated 1908, in gilt frame

An Andrew Warren oil on canvas. Depicting a still life, 19cm x 24cm, framed

English School, Still life with a copper jug, oil on canvas, 50 x 60cm; and Henry Reich, Still life with butterfly,23x30cm.Qty: 2

Continental school, 20th centuryStill Life of fruit and a platterindistinctly signed l.r., oil on board26.5 x 34.5cmCondition ReportCracking to paint. Resulting in flaking and a small paint loss to left centre.

Peter Brouwer (1935-2010)Still life with vase of sunflowers and lilacs, canvas, 100x80 cm

Unclear signed, flower still life, canvas 60x18 cm, behind glass andsigned Romano, L, South European street scene, panel, 40x30 cm, behind glass

Antoon Markus (1870-1955)Still life with mushroom, canvas dated 9-10-1924, back Markus number 1071 and sticker Stichting voorheemkunde in the municipality of Renkum no. 58, Markus exhibition 1992 Doorwerth Castle no. 5, and written in pencil "Op 7 october 1924 I set up in Wolfheze 18. Wolfhezerweg Oosterbeek a mushroom still life and turn it into this", 41x61 cm

Unclearly signed, flower still life, board 33x41 cm

Walnut veneer 1-door curved corner cabinet with maquetry flower still life in door and bronze fittings, 101 cm high, 50x50 cm deep (2 pieces of veneer from the edge of the top missing)

Gerbrand Frederik van Schagen (1880-1968)Still life roses in vase, canvas dated 1940, 40x50 cm

Rien Poortvliet (1932-1995)Still life with mushrooms and autumn leaves, canvas 30x40 cm

Jan Deckers (1865-1942)Still life with roses, panel dated 1917, 35x25 cm

Signed Duyts, D, still life cherries on a scale and flowering hydrangea, panel dated 1926, 60x31.5 cm

Unclearly signed, still life with flowers on a jug and bowl on the table, canvas 40x50 cm

Jan van der Meer (1942-)Still life after old master, panel 56x66 cm

Signed AJL de Geer-Boers, asian houses, panel 30x38.5 cm and signed Heinz Lennartz, ruin by the sea, panel dated 1941, 37x40 cm and Frits de Miro, still life with copper aker, pewter dish with grapes and jar, canvas 47x78, 5 cm (damage)

Signed Rudolph, F.L, still life floral bouquet with insects including fly, butterflies and ladybug, panel dated 13 March 1863, 66.5x55 cm

Ditta van den Bosch (1914-2004)Flower still life, canvas 40x50 cm (dent in canvas)

Signed Hes, Julius, still life with sunflowers in a vase and standing on a kilim carpet, canvas dated 1928, 100x80, in richly decorated frame, a total of 124x104 cm

Jacobus Johannes Doeser (1884-1970)Flower still life, canvas 107x78 cm, incl. frame, total 127x98 cm

J LEACH, STILL LIFE STUDY OF FLOWERS, OIL ON CANVAS TOGETHER WITH FILLIPA WHITFORD, FRUIT AND CHINA, STILL LIFE PRINT PLUS ONE OTHER (3)

PAIR OF MODERN ORIENTAL STILL LIFE PRINTS OF FRUIT

Oil on canvas, still life study in gilt frame

A framed and glazed oil, signed to bottom right Obbies together with two framed and glazed collages depicting still life studies

Two oil still life studies contained in gilt frames together with an oil on canvas portrait study of a nude female, indistinctly signed and dated bottom left

A gilt oval framed mirror, James Allen oil, entitled "Winter Pansies"; a religious needlework and two circular framed still life studies