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Lot 162

RABOUS (20th Century) "Flowers in a vase on a table", a still life study, oil on canvas, signed bottom right, 60.5 cm x 50.8 cm

Lot 212

19TH CENTURY ENGLISH SCHOOL "Flowers in a classical style urn on a stone ledge", a still life study, oil on canvas, unsigned, 76 cm x 41 cm

Lot 79

S S CHURAKOV (20th Century) "Pumpkins and fruit in a basket", a still life study, oil on board, signed and dated '83 top left, inscribed verso and bears old labels, 56 cm x 64 cm CONDITION REPORTS Damage to the top right hand corner, chunk missing, damage to the paint, paint cracking and flaking top left hand corner, small amount of damage to the bottom right hand corner also. General light scratches, three areas appear grey under UV light to each pumpkin. All over slightly cloudy appearance under UV light. All over various general signs of wear and tear throughout - see photograph for type of board

Lot 71

S E RUMYANCEV (20th Century) "Peonies", still life study of flowers in a jug on a table, oil on board, signed and dated '78 bottom left, inscribed verso and bears old label, 95 cm x 61 cm

Lot 605

Mary Fedden (1915-2012), Still Life with Feather and Caxton & Whitfield Jar, pencil and watercolour wash, signed and dated 1973, 76cm x 56cm. DDS

Lot 698

* Dame Elizabeth Blackadder OBE RA (Scottish), Still Life with Iris, screenprint, signed and numbered 47/75, 42.5cm x 53cm. Vat on the hammer DDS B470- 12

Lot 25

δ William Scott (1913-1989) Still Life (Archeus 60) Lithograph printed in colours, 1988, signed and numbered from the edition of 60 in pencil, printed at the Curwen Studio, Chilford, with full margins, 580 x 780mm (22 ¾ x 30 3/4in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 20

δ Ben Nicholson (1894-1982) Still Life Lithograph printed in colours, 1962, signed in ink verso, numbered from the edition of 95 in pencil, published by Mourlot, Paris, with full margins, 470 x 660mm (18 1/2 x 25 7/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 102

δ David Hockney (b.1937) Figures with Still Life (S.A.C 187) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 525 x 456mm (20 5/8 x 18in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 185

*The N.G.S. Trafalgar awarded to Midshipman William Rowe, R.N., who served under Captain William Hargood aboard H.M.S. Belleisle during the Battle of Trafalgar. As the second ship of the Lee Column, she engaged no fewer than seven ships of the combined French & Spanish Fleet, comprising: Naval General Service, 1793-1840, single clasp, Trafalgar (William Rowe, Midshipman.), last letter of rank lightly struck, old cabinet tone, with original ribbon, extremely fine or better. Midshipman William Rowe of Torpoint, Cornwall – just a short boat crossing from the great naval harbour of Plymouth, was born c.1785. He entered the Royal Navy as an Able Seaman in February 1805, and was promoted to Midshipman in June that year. Official records state that this was following an order made by ‘Admiral Young’ – this presumably being Admiral William Young, who at that time was Commander in Chief at Plymouth. The reason for this – perhaps through family influence, or through application, is not clear. In any case, Midshipman Rowe served aboard H.M.S. Belleisle under the command of William Hargood, which saw a great deal of action during the Battle of Trafalgar on 21 October 1805. Second into battle after the Royal Sovereign, during the course of the battle she engaged the French ships l’Aigle, Achille, Neptune, and Fougueux, as well as the Spanish ships Santa Ana, Monarca and San Juan de Nepomuceno, and suffered a great deal of damage in the process. She was completely dismasted (being the only British ship to suffer extensive damage), but ‘she remained unconquered, and suspended a Union Jack at the end of a pike and held it up to view, while an ensign was made fast to the stump of the mainmast. She was… unable to take further active part in the fighting (but) subsequently sent her last remaining boat to take possession of the Spanish Argonauta’ (The Trafalgar Roll, by Mackenzie, refers). In addition to having her masts shot away, her hull was heavily damaged, her bowsprit and figurehead were also shot away, and her crew suffered 127 men killed and wounded. William Rowe was awarded prize money of £10 / 14s / 2d for his involvement in the battle, and removed again as Midshipman to H.M.S. St George. On 14th July 1808 he addressed a letter to the Admiralty concerning ‘an affair of the most serious nature having occurred in my family which requires my immediate presence at home’ requiring ‘a discharge into H.M. Ship Salvador del Mundo, it being of the highest importance to both my present, and future welfare.’ Presumably relating to the death of a parent or loved one, it appears that he did indeed return home, but that his future as a Naval Officer was subsequently cut short. The muster rolls confirms that he was indeed discharged in 15 August 1808, with an indecipherable note that appears to cite ‘Admiral Gambier’ perhaps as for permission for discharge. Coincidentally, the next year in 1809 two men of this same name (perhaps father & son) were registered as Pilots in and around the waters of Plymouth, and the recipient may also have taken up administrative work as a Clerk at the Naval Dockyards in later life. Another man of this name opened a hotel in Plymouth. We do know that his NGS medal was sent to him at Plymouth in 1849, and that a man of this name is listed as a being employed by the ‘Navy’ in the 1851 census. Later still, a man of this name is listed as a ‘Dockyard Pensioner, but owing to this being a popular name for the region, further research is recommended. This medal is offered with two original handwritten envelopes, marked ‘grandfather’s Trafalgar medal - my mother’s Father William (Harvey) Rowe.

Lot 177

Wilfred Stanley Haines (British, 1905-1944), a tapestry carpet, designed by Wilfred Stanley Haines, and dated 1936, 120 x 164cm; with two Still Lifes of flowers in a vase, oil on panel, each 47 x 32cn (unframed), and a Still Life of flowers, watercolour, 40 x 35cm - the tapestry made by Morris and Co., Merton, to a design by Wilfred Stanley Haines, 120 x 164cm (4) Condition appears fine. Carpet 120 x 164cm.

Lot 222

A pair of oil on canvas, still life studies of flowers in vases, 16ins x 12ins

Lot 249

Pat Cornwell, two oil on board, still life studies of flowers, 14ins x 14ins and 11.5ins x 13.5ins

Lot 256

A 19th century Dutch style, oil on canvas, still life study of flowers in a vase, with classical decoration on a ledge with a grey parrot, 38ins x 27ins

Lot 232

M Pearson, oil on canvas, still life of bunch of roses in a mug, signed bottom right and dated 1925

Lot 220

Louis Silas, oval still life study of flowers in a vase, oil on board, signed, 22ins x 19.5ins

Lot 219

In the Dutch style, oil on copper, still life study of flowers in a vase on a ledge, 17.5ins x13.5ins

Lot 221

An English school oil on canvas, still life study of fruit and a stein on a table, 23ins x 18ins

Lot 571

Attributed to Adolf Hitler Artwork - Stilleben, Still Life shows apples, nuts, flowers and a clock. Overall 43.5 x 34.5cm, aquarelle on carton. Signed "Adolf Hitler" in bottom left. On the back partially stamped by H.O.A. Horvath, Archiv für NS Zeitgeschichte (Archive for NS Contemporary History)

Lot 154

VINCENT CLARE (BRITISH, 1855-1930) Still Life of Grapes and a Basket, watercolour, signed lower right, 22cm x 29.5cm.

Lot 914

Collection Of Framed Prints and Photographs (9) in total to include small gilt framed landscape, three photographic images of Victorian family groups, floral still life and three architectural photographs

Lot 918

Collection Of Framed Cashs Woven Silk Pictures And Trapunto Works (5) items in total, to include three coaching scenes machine embroidered on silk by Cashs, the first titled 'The Four-In-Hand', the second, 'The Tandem', the third, 'The State Coach'. Also, two framed trapunto images, the first depicting a Georgian street scene with coach and horses, the second, a floral still life in muted shades of pink, blue and green.

Lot 99

6 Framed coloured prints including a still life on copper and a pair of animal prints

Lot 259

Francisco Castillo Cabezon, Spanish (1926-1999) "Don Quixote Still Life" Oil on Canvas Signed Lower Left. Depicts a scene of a conquistador standing with Don Quixote and a open book. Good condition. Brochure included. Measures 17-1/2" H x 12-1/2" W (sight), frame measures 20-1/2" H x 15-3/4" W. Shipping $115.00 (estimate $50-$100)

Lot 399

Mid 20th Century American School Oil on Masonite "Still Life with Vases". Illegibly Signed Lower Right. Good to Very Good Condition. Measures 16 Inches Tall and 20 Inches Wide, Frame Measures 25-1/2 Inches Tall and 29-3/4 Inches Wide. Shipping $130.00 (estimate $25-$40)

Lot 218

HERBERT DAVIS RICHTER (1874-1955) Still life - a jug of flowers and upturned bowl upon a ledge, signed, oil on canvas, 39 x 50cm

Lot 319

SIMON GARDEN (CONTEMPORARY) Still life in a window, oil on board, 25 x 29.5cm

Lot 35

ANDRÉ BICÂT (1909-1996) Still life - a jug of flowers, lithograph, pencil signed in the margin and numbered 6/75, 55 x 41cm (im); and one further by the same hand, both unframed (2)

Lot 361

M * L * Still life - a vase of daffodils, signed with monogram, watercolour, 47 x 26cm

Lot 366

THOMAS G. HILL (20TH CENTURY) Still life - a vase of mixed flowers upon a ledge, signed and dated '74, oil on canvas, 49 x 60cm; and one further similar by the same hand, 60 x 49cm (2)

Lot 410

JOHN WAINWRIGHT II (act. c.1860-c.1869) Still life with vase of flowers and gold fish in a bowl and books upon a partially covered table surface, signed and dated '186...', oil on canvas laid onto panel, 52 x 42cm

Lot 411

20TH CENTURY SCHOOL Still life of a vase of summer flowers, oil on panel, 24.5 x 19.5cm

Lot 419

S * G * MORLEY Still life with mixed fruit and statue upon a marble ledge, signed, oil on canvas, 44 x 60cm

Lot 421

VAN JAKOB (20TH CENTURY) Still life - a vase of mixed flowers upon a ledge, signed, oil on panel, 25 x 20cm

Lot 567

Thomas Whittle the Elder (fl.1854-1868), Still life with grapes, plums and raspberries, signed and dated 1861, oil on board, 20 x 24cm.; 8 x 9.5in. Condition Report: The painting is in very good, original condition with no obvious faults to report. The painting is framed but not glazed.

Lot 416

Gordon Radford (1936-2015), Floral still life, signed, oil on canvas, 39 x 29cm.; 15.5 x 11.5in. Artists' Resale Right ("droit de suite") may apply to this lot.

Lot 417

Margaret Evangeline Wilson (1890-1977), Floral still life of roses in a vase, signed, oil on canvas, 62 x 74.5cm.; 24.25 x 29.25in. Artists' Resale Right ("droit de suite") may apply to this lot.

Lot 355

MANUELA BONETIVA, STILL LIFE WITH FLOWERS, SIGNED, OIL ON CANVAS, 49 X 39CM AND TWO OTHER PICTURES

Lot 171

Muriel Smith - a still life of meadow flowers in a blue and white vase, oil on artist board, signed lower right corner, 17 x 13 3/4, framed

Lot 27

Late 20th century Dutch School - a still life study of cherries in a blue and white bowl on a table, oil on copper, indistinctly signed lower right, 9 1/2 x 11 3/4, framed

Lot 116

Chamia (Contemporary)Still Life, Teapot, Glass and Orangesigned, dated 05, 39cm x 49cm

Lot 98

English School (19th century)Still Life, Budlea and Lilieswatercolour

Lot 434

AFTER FRANCE HILON (b.1942 FRENCH), a Limited Edition colour print of a bowl of flowers, numbered 116/150 and signed in pencil, approximately 40.5cm x 50.5cm, together with two watercolours, still life of flowers by Marion Tuffrey and S.J. Andrews (3)

Lot 405

WW2 RAF Pilot's Immediate Distinguished Flying Medal Awarded to Sergeant James Eric Williams who's gallantry over Bremen resulted in the award of the DFM, he would later loose his life on a training flight. Comprising: Distinguished Flying Medal "1255892 SGT J.E. WILLIAMS RAF". Retaining original ribbon and pin fitting ... Accompanied by a small quantity of original ephemera including Buckingham Palace Letter ... Letter giving details of his death at RAF Kinloss in October 1942. The citation for the award of the Distinguished Flying Medal appeared in the London Gazette on the 24th July 1942. An Immediate Award"Sergeant Williams was the Captain of Wellington aircraft X.3351 which was detailed to attack Bremen on the night of the 2nd/3rd July 1942. After he had bombed his objective and whilst still in the target area, the aircraft was struck by what appeared to be flak but which subsequently has been found to be incendiary bombs from another aircraft and the port engine, hydraulics and flaps were put out of action. The remains of one incendiary bomb were found in the carburettor of the port engine on return. Height was lost from 10,000 feet to 4,000 feet before Sergeant Williams was able to regain control and the chances of reaching this country with the damage occasioned by the incendiary bomb seemed extremely remote. Despite all efforts. height was slowly but steadily lost and Sergeant Williams gave orders to his crew to prepare to abandon the aircraft. Shortly afterwards the aircraft was subjected to intense flak and avoiding action had to be taken, causing the aircraft to loose height to 1,000 feet. Sergeant Williams then informed the crew that he intended to try and get back to this country. Shortly before leaving the enemy coast, he had to open up fully his one good engine in order to maintain height and get as near to the English coast as possible in case of a forced alighting at sea, giving strict instructions that no SOS was to be sent owing to possible interception by hostile fighters. By superb skill in the handling of his aircraft and the one engine, he succeeded in making the crossing of the North Sea and regained his base, reaching the latter at only 100 feet. Here he calmly carried out the correct R/T procedure, requesting permission to land, which fact had a material bearing on the safe landing of other aircraft which were circling at the time. By use of emergency gear, he had managed to lock the undercarriage and then carried out a perfect single-engined landing without flaps on his own aerodrome. By his grim determination in the face of what appeared impossible odds, this NCO effected the safe return of his crew and aircraft to this country. This act is, however, but the culmination of an operational tour of outstanding success achieved by Sergeant Williams in all his 34 sorties. This NCO has been a shinning example to his fellow Captains in the Squadron, both by courage and intense devotion to duty."Sergeant Williams was screened from operations and on the 29th October 1942 he was Captain of a Whitley Bomber of 19 OTU based at RAF Kinloss. He had been briefed for a night training flight and all appears to have gone well, his aircraft had radioed it was preparing to land, whoever the Whitley was flying through an electrical storm and whilst on approach appears to have been struck and caught fire, both Sgt Williams and his Co-pilot Flying Officer Charteris of the RNZAF stayed at the controls to allow two other crewman to bail out.

Lot 650

After Anne Cotterill; limited edition colour lithograph, still life of flowers in jug, no.794/850, signed in pencil lower-right, 28 x 22cm, framed and glazed.

Lot 462

R B Hunter Oil on Canvas Panel 12" x 10" Still Life, Pink Flowers in a Blue Jug

Lot 290

Pippa Ayres (fl 1984). Still life, mixed media, unsigned, attributed and labelled verso, 57.5cm x 84cm.

Lot 492

20thC School. Street scene, hand touched engraving, watermarked, 14cm x 30cm, various other pictures, prints, tapestries, Dorothy Rushden watercolour, still life, etc. (a quantity)

Lot 486

19TH CONTINENTAL SCHOOL FLORAL STILL-LIFE oil on canvas, laid down on board 100cm x 80cm (39.25in x 31.5in)

Lot 652

GEORGE H HALL, signed oil on canvas, "Still life of lillies and flower blossom in green glass vase", 11.5" x 9.5"

Lot 671

JOHN FRANK SWINGLER, signed water colour "Still Life of Fruit and Wine Bottle", 10.5" x 28"

Lot 679

G HUGHES, 19th Century English school signed oil on canvas "Still Life of Hanging Game, Fruit and Pottery Jug", 23.5" x 19"

Lot 701

ORIENTAL PAINTING ON RICE PAPER, "Still Life of Flowers", 70" x 10"

Lot 32

A COLLECTION OF WATERCOLOURS TOGETHER WITH AN OIL ON BOARD, TO INCLUDE A STILL LIFE BY MONA WALLIN, BARMOUTH 1937 BY L. PETHERICK, ETC (5)

Lot 57

An early Victorian woolwork embroidered picture, of a still life of a basket of flowers, with two butterflies, in a glazed bird's eye maple frame, 67 x 57.3cm.

Lot 300

A bronze still life of a dead woodcock, originally mounted, 18th / 19th century, 36.5cm long.

Lot 486

A watercolour, by Marion Broom - a still-life study of flowers in a bowl, signed.

Lot 515

Colour prints: still life, after Jackie Simmonds; and a garden scene with statue, after Walter Hancock. (2)

Lot 156

CHV Knight, 'Still life study of blue flowers in a vase', signed oil on canvas, 60 x 50cm, together with a signed Russell-Flint print 'Victorian Diversion' and coloured chart of 'Plymouth Sound and Approaches', (3).

Lot 53

F J Snell, 'Still Life, Apples', a signed watercolour, 24 x 50cm and other pictures and prints.

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