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Circle of Gerard van Spaendonck, Dutch 1746-1822- Still life of flowers on a ledge; oil on canvas, indistinctly signed lower left, 34.5 x 43 cm. Provenance: Private Collection, UK. Note: The quality of the brushwork in the present work, entirely evocative of the technique of van Spaendonck, is brilliantly displayed: the vase and marble ledge on which the flower arrangement rests effectively create a strong textural contrast with the soft petals and leaves.Please refer to department for condition report

Circle of Gerard van Spaendonck, Dutch 1746-1822- Still life of flowers in an ornamental urn on a ledge; oil on canvas, 76.5 x 63.4 cm. Provenance: Private Collection, UK (by descent). Note: The present work is closely related to a canvas held at Anglesey Abbey, Cambridgeshire entitled 'Still Life with Flowers in an Urn and Two Parrots' (NT 515449), which has been attributed to Jakob Bogdani (1658-1724) or Philip Reinagle, RA (1749-1833). The quality of the brushwork in the present work, entirely evocative of the technique of van Spaendonck, is brilliantly displayed: the vase and marble ledge on which the flower arrangement rests effectively create a strong textural contrast with the soft petals and leaves. The canvas is taut on the stretcher and sits well within the frame. Relined. The paint surface is stable on the support. Fine and settled craquelure in areas. Areas of minor paint separation/shrinkage, particularly in the central area of the bouquet. An area of paint loss (roughly 7 irregular spots) lower left, the largest approx. 2 cm. Two minor spots of further paint loss lower right. A minor and unobtrusive retouched loss upper left corner. An area of possible abrasion upper left, to the left of the irises. A cluster of very minor white marks upper centre. Very minor abrasions upper right corner and right edge. Minor marks, some surface dirt, and minor abrasions generally. Inspection under UV light reveals significant areas of retouching across the work, particularly upper centre and centrally, just below the upper roses (see images). Overall, in good retouched condition and ready to hang.

Circle of Johann Jakob Dietzsch, German 1713-1776- Still life with fruit on a table; bodycolour on thick paper, 16.4 x 22.5 cm., (unframed). Provenance: Private Collection, Sweden. Note: For an example of Johann Jakob Dietzcsh's oeuvre, from which the anonymous artist here surely derived inspiration for the present work, see his ‘Still life with shells and coral on a table’ which sold at Christie’s, New York, 27 January 2022, lot 98. Please refer to department for condition report

Quantity of 20 pictures in one box including several still life

Modern album containing over four hundred Edwardian and later postcards including churches and church interiors, real photographic and printed topographical, shipping and boats, still life studies, locomotives etcCondition Report:Condition varies but most in reasonable condition.

ATTRIBUTED TO JULES DUPRE (FRENCH 1811-1889)A STILL LIFE OF PEARSOil on canvas31 x 45cm (12 x 17½ in.)Condition Report: Canvas has not been lined. Craquelure all over. Surface dirt and discolouration of the varnish. Abrasions around the edges.Condition Report Disclaimer

CIRCLE OF GEORGE SMITH OF CHICHESTER (BRITISH 1714-1776)A STILL LIFE WITH A LOBSTER AND A BREAD ROLL ON SILVER DISHESOil on canvas62 x 75cm (24¼ x 29½ in.)Condition Report: The canvas has been relined. Surface dirt and discolouration of the varnish. Very fine craquelure all over and visible stretcher marks. Paint loss to the edges. A few surface scratches, including one running from the edge centre right (approx.. 5 cm), one in the lower left corner of the table (approx.. 5 cm), one from the edge lower left (approx. 5 cm), one running up behind the lobster (approx. 26 cm). An indentation above the lobster to the left of the bowl. UV reveals scattered retouching. Condition Report Disclaimer

Cruells - still life oil painting signed to the lower right corner, 75cm x 75cmLocation:

A framed cross stitch still life, a feather and straw picture of two chickens, an early 20th Century cross stitch picture of two young musicians and a signed watercolour depicting a vase of flowersLocation: RWM

A gilt framed oil on board depicting a still life with flowers. Indistinctly signed to bottom right. Approx. 40cms x 50cms. Est. £30 - £50.

A framed oil on board depicting a still life of flowers and a Dutch figure ornament. Signed (H. Kraemer:48). Approx. 34cms x 28cms. Est. £20 - £30.

20thC School. Still life, vase of flowers, oil on canvas, unsigned 52cm x 35cm after gross stating his case, a case of courting prints, various other prints pictures, framed bank notes to include, Beale one pound ten shilling etc., shipping picture, sketch print etc. (a quantity)

T. B. S. (20thC). Twilight Thames scene, oil on board, initialled, 51cm x 48cm, figure on a bridge, mixed media, print, still life, various other pictures, prints, portrait of a lady, nude lady, etc. (a quantity)

20thC School. Castle ruin, oil on board, unsigned, 46cm x 75cm, various other pictures, prints, still life of a child amongst trees, another silhouette, photographic picture of a lady with pencil signature, watercolour of a ship, TNS caravan on a twilight evening. (a quantity)

English School, 19th c - Still Life of a Bird's Nest, oil on canvas, 26cm x 30.5cm  Fair condition. Some surface deposits and wear. Flaked losses to gilt-painted frame.

Follower of Jean Cocteau - Surrealist style  Still Life of Fruit, with a Bottle, Flagon, and Pipe, bears signature in ink, oil on board, 25.5cm x 32cm Good condition, with some surface wear.

A Baroness bone china vase and cover, late 20th c, painted by S Mottram, signed, with an all over still life of fruit, and gilt, 22.5cm h, green printed mark Good condition

After Jan Van Kessel, early 20th century 'Still life of flowers in a vase', with roses, daffodils, irises and other flowers, with a butterfly on a ledge, oil on board, signed bottom left Jan Van Kessel, gilt frame board 55 x 44.5 cm., overall 68 x 58 cm.Condition:Good condition

John Hall Thorpe (Australian, 1874-1947)'Flowers and Fruit' still life, coloured woodblock, signed and titled in pencil to lower margin48cm x 31cmCondition:Wear, staining and losses throughout. Paper discoloured through

Mary Fedden R.A. (British, 1915-2012),'Still Life with Apple and Pear', 2002, watercolour, signed and dated lower left corner 'Fedden '02', framed and mountedoverall 27cm x 36cm, within frame 13cm x 18cmCondition:

§ LAWRENCE BIDDLE (BRITISH 1888-1968) STILL LIFE WITH NETSUKE Signed and dated '25, with artist's own label verso, oil on boardDimensions:25.5cm x 30cm (10in x 12in)

§ LAWRENCE BIDDLE (BRITISH 1888-1968) STILL LIFE IN A CHINESE BOWL Signed and dated '20, oil on boardDimensions:25.5cm x 35.5cm (10in x 14in)

ATTIC BLACK FIGURAL STEMMED KYLIX CIRCA 500 BCE painted front and back with bull fighting scenesDimensions:18.5cm wide, 8cm highProvenance:Provenance: The Estate of the late J. E. Adam Note: Note: Collected by Charles Richard Fox (1796-1873). He was the son of Henry Richard Vassall-Fox, 3rd Baron of Holland, and Lady Elizabeth Webster, herself a fascinating character, well-known as an intellectual.Fox was an acclaimed numismatist, collecting vast amounts of Greek coins and writing several books about them. His travels, both with the army and privately later in life, led him across Europe and Asia Minor, and gave him a chance to acquire coins and antiquities from an array of places.The coin collection was bought by the Royal Museum of Berlin after his death, where they are still on view today.The antiquities have remained in the family until now, they were passed down from Charles Richard Fox to his nephew Charles Frederick Fox Adam, to his son (F E F Adam) who had no children and left his possessions to Janet Adam’s father.

Signed oil painting, still life of fruit, flowers and a drinking vessel

unsigned oil Parry Gyula still life depicting copper kettle, brass and glass jars on a table. 48cm x 59cm

Signed oil G Denar still life depicting copper kettle, wine bottle and fruit.

A Still life painting including a duck

A Royal Worcester shaped circular bowl, painted with still life fruit, signed M. Tandy, 25cm diameter

WILLIAM CROSBIE RSA RGI (1915-1999) A QUANTITY OF WORKS IN VARIOUS SUBJECT MATTER  To include figurative, still life and surrealist sketches, various media (a lot) Condition Report:Available upon request

CLET ABRAHAM (France, 1966).Untitled.Stickers on road sign.Signed.Size: 60 cm in diameter.This work is part of the artist Clet Abraham's best-known project, which consists of intervening or "redesigning" the traffic signs of various cities. His intention is to ironically distort their restrictive meaning without impairing their legibility, as Abraham has stated in several interviews.A French painter and sculptor active in Italy, Clet Abraham trained at the École des Beaux-Arts in Rennes, and after exhibiting in several galleries in Brittany, he moved to Rome, where he will devote himself to restoring antique furniture. From there he organised exhibitions of his work in numerous galleries, not only in Rome but also in Paris and Brittany, as well as in various cultural institutions. In 2005 he moved to Florence, where he still lives and works today. His works enjoyed considerable success thanks to the interest of private collectors in Paris, Monte Carlo and New York, as well as numerous private institutions, such as the Banca Popolare dell'Etruria e del Lazio, the Istituto Tommaso Crudeli in Undine and the Castello di Poppi, which commissioned major projects from him. He has also participated in the three editions of the group exhibition Fuori Luogo, organised by the Chiessi e Fedi society at Palazzo Strozzi (2008), Teatro della Pergola (2009) and Palazzo Medici-Riccardi (2010). Although he is not a street artist as such, in recent years Cleet Abraham has been exploring street art as a form of artistic expression in the context of everyday life. He has made urban interventions, usually on road signs, in various cities in Italy, Belgium, the United Kingdom, Spain, France, Japan and the United States.

JOAN PONÇ BONET (Barcelona, 1927 - Saint-Paul, France, 1984)."Untitled (still life with glasses in Cadaqués)", Suite Cadaqués B-1, ca. 1967.Oil on canvas.Signed on the back.Work referenced in the online catalogue raisonné of the Associació Joan Ponç, cat. no. 1490.With Joan Prats Gallery label on the back.Measurements: 116 x 81 cm.In this canvas Joan Ponç offers us a still life with glasses painted during his time in Cadaqués, a town in Empordà where he spent some years of his life and where he coincided with such illustrious neighbours as Salvador Dalí, Modest Cuixart and Antoni Tàpies.A painter and draughtsman, he trained in Barcelona, in the studio of Ramón Rogent and at the Academy of Plastic Arts with Ángel López-Obrero. After devoting himself to painting and drawing in anonymity, he held his first individual exhibition in 1946 at the Galería Arte in Bilbao, which was to be his definitive establishment on the national art scene. In 1948, together with Tharrats, Puig, Cuixart, Tàpies and Brossa, among others, he founded the avant-garde group Dau al Set. Selected by Eugenio D'Ors, he took part in the Salón de los Once in Madrid in 1951 and 1952. In 1952 he took part in the Hispano-American Biennial, and the following year he spent some time in Paris, where he met Joan Miró and managed to exhibit at the Musée de la Villa. On the latter's recommendation, Ponç gained access to Brazilian artistic circles, settling in São Paulo from 1953 to 1962. In 1954, the year of the dissolution of Dau al Set, he held an exhibition at the city's Museum of Modern Art, which was so successful that the organisation acquired all his works. In Brazil he visited the equatorial jungles, where he was impressed by their fauna, especially insects, which he incorporated into his imagery. In 1955 he founded the Taüll group with Marc Aleu, Modest Cuixart, Jaume Guinovart, Jaume Muxart, Mercadé, Tàpies and Tharrats. After returning to Catalonia due to illness, as a fully established artist he shows his work in New York, Rio de Janeiro, Bonn, Paris, Frankfurt, Geneva, Antibes and various Spanish cities. In 1965 he won the International Grand Prize for Drawing at the São Paulo Biennial. Ponç's paintings present phantasmagoric images that are both painful and tortured, in which the subconscious is the protagonist. For the painter, art is nothing more than an introduction to the mystery and secrets of the spirit. More of a draughtsman than a painter, his work is extremely detailed and meticulous. Ponç's production can be divided into six periods: the Dau al Set period (1947), the Brazilian period (1958), the metaphysical-geometric period (1969), the period of the metaphysical characters (1970), the acupainting period (1971) and a final period of synthesis (1972). He is currently represented at the Museo de Arte Contemporáneo de la Universidad de São Paulo, the Museo Patio Herreriano in Valladolid, the MACBA in Barcelona, the Centro-Museo Vasco de Arte Contemporáneo in Vitoria, the Museo de L'Empordà and the Museo Nacional Centro de Arte Reina Sofía.

MANUEL VIOLA (Zaragoza, 1916 - San Lorenzo de El Escorial, 1987)."Harlequin with a Cockerel".Oil on panel.Signed in the lower right corner.Size: 36 x 27 cm; 56 x 48 cm (frame).José Viola Gamón adopted the name by which he is known, Manuel Viola, after the Civil War. A member of the El Paso group, his painting is characterised by an informalist and colourist treatment, in line with the avant-garde developed in Spain from the 1950s onwards. He began studying Philosophy and Arts in Barcelona, but was forced to abandon them because of the war. His first drawings date from these years. After the war he went into exile in France, where he wrote for the surrealist poetry magazine "La main à plume". There he began to exhibit his work in the exhibitions of the so-called Spanish School of Paris. He returned to Spain in 1949, and in 1958 his truly personal style began to emerge, and at the same time he joined the avant-garde pictorial group El Paso, to which Antonio Saura, Rafael Canogar, Luis Feito and Manolo Millares, among others, belonged. He began to express himself through abstract painting with a strong expressionist character and great attention to colour. He definitively left behind the figuration that had prevailed until then in his work. Throughout his life he was awarded numerous prizes, such as the Condado de San Jorge Prize, the Lissones Prize (Milan) and the Gold Medal of the City of Saragossa. He exhibited in the most important galleries in Spain and also abroad, in cities such as Oslo, New York, Venice, São Paulo and Houston. While he was still alive, important retrospective exhibitions of his work were held: in 1965 at the Dirección de Bellas Artes de Madrid, in 1971 at the Museo de Arte Contemporáneo de Madrid, in 1972 at the Lonja de Zaragoza, in 1983 at the Armas Gallery in Miami, and in 1986 in Houston. After his death, anthological exhibitions of his work continued to be held in international galleries and museums. Manuel Viola's work can be seen in the Reina Sofía Museum, the Museum of Modern Art in Cologne, the Museum of Fine Arts in Bilbao, the Guggenheim in New York and Bilbao and the Museum of Spanish Abstract Art in Cuenca, among many others.

Jessica Bird Escargot and Eau de Parfum, 2022 Charcoal, Chalk and Oil Pastel, Crayon and Acrylic Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jessica Bird is an award-winning Scottish artist and fashion illustrator based in London. Jessica worked in the fashion industry before becoming a full time artist in 2018. Now primarily working as a fashion illustrator Bird's work often focusses on the moving body and capturing its brief moments of stillness. Bird has worked with a range of clients such as MatchesFashion, Harrods, ELLE and SkinCeuticals - often working live backstage at fashion shows and events. She has a talent at capturing the pace of the people and objects she draws, ensuring everything is alive through her spontaneous, improvised strokes. Working with highly pigmented paint, brightly coloured chalk pastel and willow charcoal Jessica's intuitive hand is guided by her medium, the environment of her subjects and colour.   Education   Gray's School of Art - Aberdeen - BA Fashion Design   Select Exhibitions/Awards   Winner - Fashion Illustration and Drawing Awards 2020 Solo Exhibition - Bermonds Locke, London, 2022 Solo Exhibition - Hoxton Hotel Holborn, London, 2019 Group Exhibition - Gallery48, Dundee, 2017   Gallery Representation   Fashion Illustration Gallery (small selection of work)   Statement about AOAP Submitted Artwork   My recent evolution into still life has allowed me to combine my love of beautiful objects with storytelling through symbolism. With my background in fashion the artworks are often inspired by fashion campaigns, editorial imagery or stories i've heard. The objects have a narrative that flows not only between them but also hopefully out into the spaces they inhabit. Mahjong and Mollusc for example is inspired by recent Loewe campaigns and Miu Miu imagery inspired my piece Escargot and Eau De Parfum. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Jessica Bird Lego Bricks and Landline, 2022 Charcoal, Crayon and Chalk Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jessica Bird is an award-winning Scottish artist and fashion illustrator based in London. Jessica worked in the fashion industry before becoming a full time artist in 2018. Now primarily working as a fashion illustrator Bird's work often focusses on the moving body and capturing its brief moments of stillness. Bird has worked with a range of clients such as MatchesFashion, Harrods, ELLE and SkinCeuticals - often working live backstage at fashion shows and events. She has a talent at capturing the pace of the people and objects she draws, ensuring everything is alive through her spontaneous, improvised strokes. Working with highly pigmented paint, brightly coloured chalk pastel and willow charcoal Jessica's intuitive hand is guided by her medium, the environment of her subjects and colour.   Education   Gray's School of Art - Aberdeen - BA Fashion Design   Select Exhibitions/Awards   Winner - Fashion Illustration and Drawing Awards 2020 Solo Exhibition - Bermonds Locke, London, 2022 Solo Exhibition - Hoxton Hotel Holborn, London, 2019 Group Exhibition - Gallery48, Dundee, 2017   Gallery Representation   Fashion Illustration Gallery (small selection of work)   Statement about AOAP Submitted Artwork   My recent evolution into still life has allowed me to combine my love of beautiful objects with storytelling through symbolism. With my background in fashion the artworks are often inspired by fashion campaigns, editorial imagery or stories i've heard. The objects have a narrative that flows not only between them but also hopefully out into the spaces they inhabit. Mahjong and Mollusc for example is inspired by recent Loewe campaigns and Miu Miu imagery inspired my piece Escargot and Eau De Parfum. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Jessica Bird Tunnocks and Treefrog, 2022 Charcoal, Crayon, Oil Pastel and Acrylic Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jessica Bird is an award-winning Scottish artist and fashion illustrator based in London. Jessica worked in the fashion industry before becoming a full time artist in 2018. Now primarily working as a fashion illustrator Bird's work often focusses on the moving body and capturing its brief moments of stillness. Bird has worked with a range of clients such as MatchesFashion, Harrods, ELLE and SkinCeuticals - often working live backstage at fashion shows and events. She has a talent at capturing the pace of the people and objects she draws, ensuring everything is alive through her spontaneous, improvised strokes. Working with highly pigmented paint, brightly coloured chalk pastel and willow charcoal Jessica's intuitive hand is guided by her medium, the environment of her subjects and colour.   Education   Gray's School of Art - Aberdeen - BA Fashion Design   Select Exhibitions/Awards   Winner - Fashion Illustration and Drawing Awards 2020 Solo Exhibition - Bermonds Locke, London, 2022 Solo Exhibition - Hoxton Hotel Holborn, London, 2019 Group Exhibition - Gallery48, Dundee, 2017   Gallery Representation   Fashion Illustration Gallery (small selection of work)   Statement about AOAP Submitted Artwork   My recent evolution into still life has allowed me to combine my love of beautiful objects with storytelling through symbolism. With my background in fashion the artworks are often inspired by fashion campaigns, editorial imagery or stories i've heard. The objects have a narrative that flows not only between them but also hopefully out into the spaces they inhabit. Mahjong and Mollusc for example is inspired by recent Loewe campaigns and Miu Miu imagery inspired my piece Escargot and Eau De Parfum. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Lotta Camilla Teale Caribbean Turquoise, 2022 Oil on Board Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Lotta paints figurative oil paintings, and is inspired by early 20th Century painters such as the Scottish Colourists and William Nicholson. For the last few years she has lived between Islamabad, Tuscany, Bangkok and London, and she recently moved to Jerusalem. Raised in London she trained as a barrister and worked for 14 years in law and development, living for many years in Sierra Leone and Pakistan. Having painted since she was young, in 2018 she started painting professionally, and has developed a practice focusing on still lives and plein air. She aims to paint loosely, with accuracy of colour and drawing, while maintaining a certain liveliness.   Education   Primarily self-trained, with short courses at the Slade, Ecole National Superieure des Beaux Arts (Paris), Charles Cecil Studios (Florence) and Art Student's League of New York.   Select Exhibitions/Awards   Solo show, Panter and Hall, Mayfair, June 2022 First prize, the British Art Prize, 2021 Exhibit frequently at Mall Galleries in various Open Exhibitions (ING Discerning Eye, New English Arts Club, Society of Women Artists, Royal Institute of Oil Painters, Royal Society of Marine Artists) Other mixed Open Exhibitions include: Royal West of England Academy, Chelsea Arts Society, London Art Biennale, Chelsea Arts Club. Prints of her work are available at John Lewis   Gallery Representation   Panter and Hall (Mayfair), Jerram Gallery (Sherborne), Nadia Waterfield Fine Art (Hampshire), Anecdote (Chicago)   Statement about AOAP Submitted Artwork It is a life-sized paint tube of Michael Harding Caribbean Turquoise.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.  

Archie Franks Waitrose Flat Peaches, 2022 Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Archie Franks Ghost Train, 2022 Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Archie Franks Village Cricket Featuring Cows, 2022 Oil Pastel and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Archie Franks M&S Pie, 2022 Oil Pastel and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jennifer Hornyak Beaujolais, 2022 Acrylic on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jennifer Hornyak is known for her vivid and distinctly textured paintings that blur the line between figuration and abstraction. Drawing inspiration from her surroundings, she creates work that is both intimate and universal. Through both color and texture, Hornyak builds a structure for each painting that emanates a still life motif.   Education   Born in England, she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious galleries across North America and international art fairs. Her paintings are part of numerous private and public collections.   Select Exhibitions/Awards 2020 Oeno Gallery 2019 Galerie de Bellefeuille 2018 Oeno Gallery 2017 Galerie de Bellefeuille Wallace Galeries 2016 Oeno Gallery Studio 21 Fine Arts 2015 Galerie de Bellefeuille Wallace Galeries McClure Gallery 2014 Oeno Gallery 2013 Galerie de Bellefeuille Wallace Galeries 2011Galerie de Bellefeuille Galerie St-Laurent Plus Hill Wallace Galleries 2010 Trinity Galleries 2009 Galerie de Bellefeuille 2008 Wallace Galleries Studio 21 2006 Galerie de Bellefeuille 2004 Studio 21 2003 Galerie de Bellefeuille 1998 Galerie de Bellefeuille 1995 Eleonore Austerer Gallery 1994 Galerie de Bellefeuille 1991 Eleonore Austerer Gallery 1987 Nancy Poole Studio 1985 Galerie Claude Lafitte 1983 Galerie Claude Lafitte   Gallery Representation   Galerie de Bellefeuille Wallace Galleries Galerie St-Laurent Plus Hill Oeno Gallery Ian Tan Gallery   Statement about AOAP Submitted Artwork   These are impulse driven pieces that cover my customary subjects such as the figure, still life and abstract. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jennifer Hornyak Wandering Madder, 2022 Acrylic on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jennifer Hornyak is known for her vivid and distinctly textured paintings that blur the line between figuration and abstraction. Drawing inspiration from her surroundings, she creates work that is both intimate and universal. Through both color and texture, Hornyak builds a structure for each painting that emanates a still life motif.   Education   Born in England, she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious galleries across North America and international art fairs. Her paintings are part of numerous private and public collections.   Select Exhibitions/Awards 2020 Oeno Gallery 2019 Galerie de Bellefeuille 2018 Oeno Gallery 2017 Galerie de Bellefeuille Wallace Galeries 2016 Oeno Gallery Studio 21 Fine Arts 2015 Galerie de Bellefeuille Wallace Galeries McClure Gallery 2014 Oeno Gallery 2013 Galerie de Bellefeuille Wallace Galeries 2011Galerie de Bellefeuille Galerie St-Laurent Plus Hill Wallace Galleries 2010 Trinity Galleries 2009 Galerie de Bellefeuille 2008 Wallace Galleries Studio 21 2006 Galerie de Bellefeuille 2004 Studio 21 2003 Galerie de Bellefeuille 1998 Galerie de Bellefeuille 1995 Eleonore Austerer Gallery 1994 Galerie de Bellefeuille 1991 Eleonore Austerer Gallery 1987 Nancy Poole Studio 1985 Galerie Claude Lafitte 1983 Galerie Claude Lafitte   Gallery Representation   Galerie de Bellefeuille Wallace Galleries Galerie St-Laurent Plus Hill Oeno Gallery Ian Tan Gallery   Statement about AOAP Submitted Artwork   These are impulse driven pieces that cover my customary subjects such as the figure, still life and abstract. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jennifer Hornyak Summer Green, 2022 Acrylic on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jennifer Hornyak is known for her vivid and distinctly textured paintings that blur the line between figuration and abstraction. Drawing inspiration from her surroundings, she creates work that is both intimate and universal. Through both color and texture, Hornyak builds a structure for each painting that emanates a still life motif.   Education   Born in England, she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious galleries across North America and international art fairs. Her paintings are part of numerous private and public collections.   Select Exhibitions/Awards 2020 Oeno Gallery 2019 Galerie de Bellefeuille 2018 Oeno Gallery 2017 Galerie de Bellefeuille Wallace Galeries 2016 Oeno Gallery Studio 21 Fine Arts 2015 Galerie de Bellefeuille Wallace Galeries McClure Gallery 2014 Oeno Gallery 2013 Galerie de Bellefeuille Wallace Galeries 2011Galerie de Bellefeuille Galerie St-Laurent Plus Hill Wallace Galleries 2010 Trinity Galleries 2009 Galerie de Bellefeuille 2008 Wallace Galleries Studio 21 2006 Galerie de Bellefeuille 2004 Studio 21 2003 Galerie de Bellefeuille 1998 Galerie de Bellefeuille 1995 Eleonore Austerer Gallery 1994 Galerie de Bellefeuille 1991 Eleonore Austerer Gallery 1987 Nancy Poole Studio 1985 Galerie Claude Lafitte 1983 Galerie Claude Lafitte   Gallery Representation   Galerie de Bellefeuille Wallace Galleries Galerie St-Laurent Plus Hill Oeno Gallery Ian Tan Gallery   Statement about AOAP Submitted Artwork   These are impulse driven pieces that cover my customary subjects such as the figure, still life and abstract. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Florent Stosskopf Vase Flowers Still Life, 2022 Acrylic and Markers on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   FLORENT STOSSKOPF (1989, Rennes, France) is currently based in Brittany, France. The self-taught young artist.Stosskopf's work deftly blends traditional themes and archetypes through a contemporary perspective   Education   BA in Web and Graphic Design and an Advanced Technician Diploma in Communication from L'école Multimedia   Select Exhibitions/Awards   Beers London Gallery in London (2021) "Eternal Flowers" Durand Mashaal Gallery (2022) at Future Fair (New-York City) "Master of botanical"   Gallery Representation   Beers London - Durand Mashaal Gallery - Over The Influence   Statement about AOAP Submitted Artwork   Some flowers in a perspective view Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Rose Electra Harris From The Morning I, 2022 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Rose Electra Harris (b.1991) is a London-based printmaker and painter. Having completed a degree in printmaking at the University of Brighton in 2015, she now works from her studio in south London. Rose uses her work to explore interior space, using the obscure and everyday objects to which she's drawn to create her still lifes. Fascinated by colour, line, shape, texture and pattern, Rose places these objects - some from memory, some imagined, some collected over time - in her roomscapes, playing around with them until she finds the perfect composition, always in search of balance and harmony.Rose reimagines the colourful dialogue that exists between space and furnishings, as interested in the negative space between objects as she is in the objects themselves. She isn't concerned with portraying objects exactly as they are, but more how they make her feel, making use of a singularly distorted, ever so slightly off-kilter, perspective to do so. To her, a room is an oasis and the things within it are what bring it to life.   Education   Turps Banana Correspondence Course, 2021-2022 Brighton Faculty of the Arts, Fine Art : Printmaking BA Hons 2012-2015 City and Guilds London Art School, Foundation Course, 2012   Select Exhibitions/Awards   Solo Exhibitions 2021 I Dream in Colour, Greatorex Studios, London 2019 Moving Rooms, Partnership Editions, Islington Square, London 2018 Sicillian Setaccio, William Yeoward, London The Modern Society, London The Difference Between Things, Blue Shop Cottage, London Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Rose Electra Harris From The Morning II, 2022 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Rose Electra Harris (b.1991) is a London-based printmaker and painter. Having completed a degree in printmaking at the University of Brighton in 2015, she now works from her studio in south London. Rose uses her work to explore interior space, using the obscure and everyday objects to which she's drawn to create her still lifes. Fascinated by colour, line, shape, texture and pattern, Rose places these objects - some from memory, some imagined, some collected over time - in her roomscapes, playing around with them until she finds the perfect composition, always in search of balance and harmony.Rose reimagines the colourful dialogue that exists between space and furnishings, as interested in the negative space between objects as she is in the objects themselves. She isn't concerned with portraying objects exactly as they are, but more how they make her feel, making use of a singularly distorted, ever so slightly off-kilter, perspective to do so. To her, a room is an oasis and the things within it are what bring it to life.   Education   Turps Banana Correspondence Course, 2021-2022 Brighton Faculty of the Arts, Fine Art : Printmaking BA Hons 2012-2015 City and Guilds London Art School, Foundation Course, 2012   Select Exhibitions/Awards   Solo Exhibitions 2021 I Dream in Colour, Greatorex Studios, London 2019 Moving Rooms, Partnership Editions, Islington Square, London 2018 Sicillian Setaccio, William Yeoward, London The Modern Society, London The Difference Between Things, Blue Shop Cottage, London Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Rosanna Gaddoni The Young Robin, 2022 Charcoal and Graphite on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Rosanna Gaddoni (1972) is an Italian award-winning realist artist. From an early age, art has been her interest and drive and throughout her life, she has always drawn and painted honing her technique through practice and insatiable self-education. In 2010 she moved from Italy and she is now based in the Netherlands, where she currently lives and works. Her art has been internationally recognized, exhibited, and awarded. Her works have been recently awarded 'Best Drawing' and 'Best Animal and Birds' winner in the PleinAir Salon International Art Competition. She was exhibitor at the prestigious Summer Exhibition 2022 at the Royal Academy of Arts in London. She is a member of The Portrait Society of America and she has been awarded 2nd place in the category - Animals as the subject - in December 2021 in the last yearly Members Only Competition. She won a Finalist award in the Boldbrush Painting Contest in August and in September 2022 three of her works have been selected in the first judging round of the Art Renewal Center 16th Salon. Gaddoni's artworks are part of private collections in Italy, the Netherlands, Belgium, Germany, Spain, France, UK, US, Canada, Turkey, Iran. In 2021 she has been invited by the Copelouzos Family Art Museum to participate in the "35×35 art project" and her work is part of the permanent collection of the CFA Museum in Greece. In 2022 she has been invited again by the CFA Museum to join a new art project called 'COV-Art'.   Education   Self Taught practice and studies 2016 Art courses at Gerrit Rietveld Academy and at the Teekenschool van het Rijksmuseum (Amsterdam) 2018 - 2019 Private ateliers - Classical Drawing and Painting lessons 2018 - 2020 Sumi-E Japanese classical ink painting course   Select Exhibitions/Awards Exhibitions Summer Exhibition 2022 - Royal Academy of Arts London Invited artist for the COV-ART art project 2022 - CFA Museum / Athens Greece Invited artist for the 35 x 35 art project 2021 - CFA Museum / Athens Greece Juried International Sumi-E Exhibition Collective 2021 / Tokyo Japan Selected artist for the juried exhibition HUMAN NATURE 2021 - Colors of Humanity Gallery Juried International Sumi-E Exhibition Collective 2019 / Tokyo Japan   Awards: Winner Finalist Award at August 22 Boldbrush Painting Competition Semi-Finalist at Art Renewal Center International 16th Salon Winner Drawing Honorable Mention July 22 PleinAir Salon International Art Contest Winner "Best drawing" April 22 PleinAir Salon International Art Contest Winner "Best Animals and Birds" April 22 PleinAir Salon International Art Contest Winner 2nd place Portrait Society of America - Members Only Competition - Category: Animals as the Subject. Statement about AOAP Submitted Artwork   I grew up on a small farm in the north of Italy: my house was in the middle of nowhere, surrounded by fields and I can remember them changing colors with the natural cycle of the seasons. In that small corner of Earth, there was nothing, and yet I had everything I needed to feel blissful, I was surrounded by Life in every form. In my work, I still seek that Life's presence: I want to perceive, explore, and celebrate it as ineffable and precious. My submitted works are the result of the observation of the world around me, which I attentively approach and never ceases to amaze me. I drew "The Young Robin" because robins are regular visitors in my garden and I enjoyed seeing the young robins changing their feathers' color. They are now ready to face the world with the first gust of wind and unfold their secret geometry in the sky. It is a drawing of hope for the future. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Rosanna Gaddoni Rainy Day, 2022 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Rosanna Gaddoni (1972) is an Italian award-winning realist artist. From an early age, art has been her interest and drive and throughout her life, she has always drawn and painted honing her technique through practice and insatiable self-education. In 2010 she moved from Italy and she is now based in the Netherlands, where she currently lives and works. Her art has been internationally recognized, exhibited, and awarded. Her works have been recently awarded 'Best Drawing' and 'Best Animal and Birds' winner in the PleinAir Salon International Art Competition. She was exhibitor at the prestigious Summer Exhibition 2022 at the Royal Academy of Arts in London. She is a member of The Portrait Society of America and she has been awarded 2nd place in the category - Animals as the subject - in December 2021 in the last yearly Members Only Competition. She won a Finalist award in the Boldbrush Painting Contest in August and in September 2022 three of her works have been selected in the first judging round of the Art Renewal Center 16th Salon. Gaddoni's artworks are part of private collections in Italy, the Netherlands, Belgium, Germany, Spain, France, UK, US, Canada, Turkey, Iran. In 2021 she has been invited by the Copelouzos Family Art Museum to participate in the "35×35 art project" and her work is part of the permanent collection of the CFA Museum in Greece. In 2022 she has been invited again by the CFA Museum to join a new art project called 'COV-Art'.   Education   Self Taught practice and studies 2016 Art courses at Gerrit Rietveld Academy and at the Teekenschool van het Rijksmuseum (Amsterdam) 2018 - 2019 Private ateliers - Classical Drawing and Painting lessons 2018 - 2020 Sumi-E Japanese classical ink painting course   Select Exhibitions/Awards Exhibitions Summer Exhibition 2022 - Royal Academy of Arts London Invited artist for the COV-ART art project 2022 - CFA Museum / Athens Greece Invited artist for the 35 x 35 art project 2021 - CFA Museum / Athens Greece Juried International Sumi-E Exhibition Collective 2021 / Tokyo Japan Selected artist for the juried exhibition HUMAN NATURE 2021 - Colors of Humanity Gallery Juried International Sumi-E Exhibition Collective 2019 / Tokyo Japan   Awards: Winner Finalist Award at August 22 Boldbrush Painting Competition Semi-Finalist at Art Renewal Center International 16th Salon Winner Drawing Honorable Mention July 22 PleinAir Salon International Art Contest Winner "Best drawing" April 22 PleinAir Salon International Art Contest Winner "Best Animals and Birds" April 22 PleinAir Salon International Art Contest Winner 2nd place Portrait Society of America - Members Only Competition - Category: Animals as the Subject. Statement about AOAP Submitted Artwork   I grew up on a small farm in the north of Italy: my house was in the middle of nowhere, surrounded by fields and I can remember them changing colors with the natural cycle of the seasons. In that small corner of Earth, there was nothing, and yet I had everything I needed to feel blissful, I was surrounded by Life in every form. In my work, I still seek that Life's presence: I want to perceive, explore, and celebrate it as ineffable and precious. My submitted works are the result of the observation of the world around me, which I attentively approach and never ceases to amaze me. I drew "Rainy day" because the landscape outside my windows was visually translating my feelings towards what is currently happening in the world. It is a drawing of memory, longing for lost summers and full of nostalgy. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Kelly-Anne Davitt Love Hearts, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Artist and curator Kelly-Anne Davitt is known for hyper-real virtuoso painting style in vibrant pop tones, and her humorous and provocative light-sculptures. Her electrifyingly immaculate canvases fuse traditional still life and portraiture with a contemporary approach, inspired by advertising imagery, pop culture, nostalgic childhood memories and feminist themes. She has exhibited widely across the UK from Cork Street to The Potteries. Education   London Guildhall University, BA Honours: Fine Art, 1999-2002   Select Exhibitions/Awards   Davitt's curatorial debut, The Most Powerful Woman In The Universe was held at gallery 46 in Whitechapel. This groundbreaking and timely feminist show met with much critical acclaim. Other recent exhibitions include: Pop Now! at Gallery 46, Kapow - The Art of Superheroes and Villains held at The Potteries Museum, Painting Now and 12 Hughes at Hix Art in old street. Successful solo shows include Beach Balls and Melons at Dadiani Fine art, Cork Street and Feel Good at Blacks, Soho.   Gallery Representation   Currently Kelly-Anne Davitt represents herself.   Statement about AOAP Submitted Artwork   Love Hearts is a still life oil painting inspired by popular culture. An intricate study of retro sweet packaging exploring a sensory nostalgia and a history of a love of sweets. Elevating an iconic and familiar sweet to a grandiose fine art status. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sean Worrall Margate Skyline No 51 (The Turner Contemporary), 2022 Acrylic and Varnish on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Sean Worrall is an artist, a painter, a paint addict, a maximalist, and a (slightly reluctant) curator. Currently based in East London where he co-runs Cultivate, a now nomadic gallery, previously housed in a space smack bang in the middle of East London's Vyner Street. Sean regularly exhibits both in galleries, alternative spaces and on the streets. Sean paints every single day, he also runs Organ magazine, has presented on London arts radio station Resonance FM, run a long-standing alternative record label, put on hundreds of left-field gigs and music events - all this very much fuelled by a DIY punk rock ethic. Sean has mostly being focusing on larger paintings this summer although for the last 800 days and more he has been painting a series of daily concluded paintings, a series called "Ten" - one painting brought to a conclusion every single day, always on a 10cm square canvas. Meanwhile his #43leaves pieces go on - the most recent #43leaves drop was on the streets of Bristol during Upfest weekend where Sean had been invited to paint testival, The #43Leaves pieces are paintings on found recycled material, paintings left hanging on the street for people to just take - art drops, leaves left, there has now been well over 2000 paintings left on the streets Sean was brought up on the isle of Anglesey, made his first artistic moves in North Wales and North West England, he has now lived and worked in East London for more than half his life.   Select Exhibitions/Awards   2022 - The Sky Is Moving Sideways - an installation in the grounds of Stephens House, Finchley, London N3 2022 - #43Leaves for Bristol - on the streets of Bristol (During Upfest) 2022 - #43Leaves for January - on the streets of East London 2021 - A third and final #43Leaves for Deptford X - 43 Paintings on found recycled material left on the streets of Deptford, during the art festival 2019 - Harvey and Worrall - Chips, Starz, What Would Joan Jett do? Shipton St Gallery, London E2 2019 - The Fruit Shop at Shipton Street Gallery, London E2 - A solo show of fruit paintings 2018 - The year-long #365ArtDrop18 piece, a piece of work in 365 parts, 365 paintings on found material left hanging on the streets for people to take 2018 - HAMISH MACAULAY and SEAN WORRALL - Unframed? No Format Gallery, Deptford. SE8 2016 - HARVEY & WORRALL at WALL & JONES, a collection of paintings at an Edwardian tailor's shop, Hackney, London. 2016 - SOMETIMES THEY HAVE THORNS - Fount Gallery, Hackney, London. Statement about AOAP Submitted Artwork The ongoing matter of looking up is still very much just that, ongoing. Something that started in Margate in late Summer 2019 and goes on with several new paintings looking over the River Thames and most recently a painting looking beyond a church in Hackney. No idea where these Skyline paintings are going to go, or for how long the series of paintings will go on for, right now I'm enjoying the act of just looking up, of distilling the information, the sky, the space, the shape, the skylines, the sky beyond the rooftops or the spires or the light reflecting off the Shard. Someone asked if I was putting this series of paintings together for a show, no, I'm enjoying them without that pressure, just enjoying them   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sean Worrall Margate Skyline No 52 (The Turner Contemporary), 2022 Acrylic and Varnish on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Sean Worrall is an artist, a painter, a paint addict, a maximalist, and a (slightly reluctant) curator. Currently based in East London where he co-runs Cultivate, a now nomadic gallery, previously housed in a space smack bang in the middle of East London's Vyner Street. Sean regularly exhibits both in galleries, alternative spaces and on the streets. Sean paints every single day, he also runs Organ magazine, has presented on London arts radio station Resonance FM, run a long-standing alternative record label, put on hundreds of left-field gigs and music events - all this very much fuelled by a DIY punk rock ethic. Sean has mostly being focusing on larger paintings this summer although for the last 800 days and more he has been painting a series of daily concluded paintings, a series called "Ten" - one painting brought to a conclusion every single day, always on a 10cm square canvas. Meanwhile his #43leaves pieces go on - the most recent #43leaves drop was on the streets of Bristol during Upfest weekend where Sean had been invited to paint testival, The #43Leaves pieces are paintings on found recycled material, paintings left hanging on the street for people to just take - art drops, leaves left, there has now been well over 2000 paintings left on the streets Sean was brought up on the isle of Anglesey, made his first artistic moves in North Wales and North West England, he has now lived and worked in East London for more than half his life.   Select Exhibitions/Awards   2022 - The Sky Is Moving Sideways - an installation in the grounds of Stephens House, Finchley, London N3 2022 - #43Leaves for Bristol - on the streets of Bristol (During Upfest) 2022 - #43Leaves for January - on the streets of East London 2021 - A third and final #43Leaves for Deptford X - 43 Paintings on found recycled material left on the streets of Deptford, during the art festival 2019 - Harvey and Worrall - Chips, Starz, What Would Joan Jett do? Shipton St Gallery, London E2 2019 - The Fruit Shop at Shipton Street Gallery, London E2 - A solo show of fruit paintings 2018 - The year-long #365ArtDrop18 piece, a piece of work in 365 parts, 365 paintings on found material left hanging on the streets for people to take 2018 - HAMISH MACAULAY and SEAN WORRALL - Unframed? No Format Gallery, Deptford. SE8 2016 - HARVEY & WORRALL at WALL & JONES, a collection of paintings at an Edwardian tailor's shop, Hackney, London. 2016 - SOMETIMES THEY HAVE THORNS - Fount Gallery, Hackney, London. Statement about AOAP Submitted Artwork The ongoing matter of looking up is still very much just that, ongoing. Something that started in Margate in late Summer 2019 and goes on with several new paintings looking over the River Thames and most recently a painting looking beyond a church in Hackney. No idea where these Skyline paintings are going to go, or for how long the series of paintings will go on for, right now I'm enjoying the act of just looking up, of distilling the information, the sky, the space, the shape, the skylines, the sky beyond the rooftops or the spires or the light reflecting off the Shard. Someone asked if I was putting this series of paintings together for a show, no, I'm enjoying them without that pressure, just enjoying them Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sean Worrall London Skyline - Bankside Power Station (The Tate Modern No 11), 2022 Acrylic and Varnish on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Sean Worrall is an artist, a painter, a paint addict, a maximalist, and a (slightly reluctant) curator. Currently based in East London where he co-runs Cultivate, a now nomadic gallery, previously housed in a space smack bang in the middle of East London's Vyner Street. Sean regularly exhibits both in galleries, alternative spaces and on the streets. Sean paints every single day, he also runs Organ magazine, has presented on London arts radio station Resonance FM, run a long-standing alternative record label, put on hundreds of left-field gigs and music events - all this very much fuelled by a DIY punk rock ethic. Sean has mostly being focusing on larger paintings this summer although for the last 800 days and more he has been painting a series of daily concluded paintings, a series called "Ten" - one painting brought to a conclusion every single day, always on a 10cm square canvas. Meanwhile his #43leaves pieces go on - the most recent #43leaves drop was on the streets of Bristol during Upfest weekend where Sean had been invited to paint testival, The #43Leaves pieces are paintings on found recycled material, paintings left hanging on the street for people to just take - art drops, leaves left, there has now been well over 2000 paintings left on the streets Sean was brought up on the isle of Anglesey, made his first artistic moves in North Wales and North West England, he has now lived and worked in East London for more than half his life.   Select Exhibitions/Awards   2022 - The Sky Is Moving Sideways - an installation in the grounds of Stephens House, Finchley, London N3 2022 - #43Leaves for Bristol - on the streets of Bristol (During Upfest) 2022 - #43Leaves for January - on the streets of East London 2021 - A third and final #43Leaves for Deptford X - 43 Paintings on found recycled material left on the streets of Deptford, during the art festival 2019 - Harvey and Worrall - Chips, Starz, What Would Joan Jett do? Shipton St Gallery, London E2 2019 - The Fruit Shop at Shipton Street Gallery, London E2 - A solo show of fruit paintings 2018 - The year-long #365ArtDrop18 piece, a piece of work in 365 parts, 365 paintings on found material left hanging on the streets for people to take 2018 - HAMISH MACAULAY and SEAN WORRALL - Unframed? No Format Gallery, Deptford. SE8 2016 - HARVEY & WORRALL at WALL & JONES, a collection of paintings at an Edwardian tailor's shop, Hackney, London. 2016 - SOMETIMES THEY HAVE THORNS - Fount Gallery, Hackney, London. Statement about AOAP Submitted Artwork The ongoing matter of looking up is still very much just that, ongoing. Something that started in Margate in late Summer 2019 and goes on with several new paintings looking over the River Thames and most recently a painting looking beyond a church in Hackney. No idea where these Skyline paintings are going to go, or for how long the series of paintings will go on for, right now I'm enjoying the act of just looking up, of distilling the information, the sky, the space, the shape, the skylines, the sky beyond the rooftops or the spires or the light reflecting off the Shard. Someone asked if I was putting this series of paintings together for a show, no, I'm enjoying them without that pressure, just enjoying them Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Bijijoo Seed, 2022 Ink, Coloured Pencil and Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Bijijoo (given name: Michael Todd Horne; nickname/preferred name: B) was born in Atlanta, Georgia (USA) in 1975 and has lived in New York City; Seattle, Washington; and Eugene, Oregon. B currently resides in Portland, Oregon with his wife and daughter. B has been painting and drawing since childhood. He has experimented with figurative, abstract and conceptual work in a variety of media, including writing, music and video (an archive of B's music from 1993-2017 can be found here). B diverged from art practice to pursue technical studies in mathematics, physics, computer science and chemistry, culminating in a Ph.D. in biophysics in 2008 (select scientific publications can be found here). He then returned to painting by creating several series of surrealist works, including The Presidential Ham, Celebrity Still Life, and The Arthropod Companion. After pausing to remodel an old house and become a father, he began resetting his painting practice in 2018. B's current work draws on his technical background in math, science and computer programming, as well as his daughter's imagination and love of monsters.   Education   Ph.D., Chemistry (Biophysics), Portland State University (2008) Mathematics Graduate Studies, University of Washington (2000-2002) Bachelor's degree, Mathematics, Physics, Computer Science, Hunter College (CCNY) (2000)   Select Exhibitions/Awards   Sept. 2022: Kiaf SEOUL with Lorin Gallery, Seoul Aug. 2022: Group Show, VINS Gallery, Taipei July 2022: Group Show, Artual Gallery, Beirut June 2022: Solo Show, Villazan, Madrid May 2022: Group Show, Art Central HK with Lorin Gallery , Hong Kong May 2022: Group Show, 571 Art Space curated by City of Talents , Hangzhou, China April 2022: Group Show, MePaintsMe , Online Feb. 2022: Group Show, Cohle Gallery , Paris, France Dec. 2021: Solo Show, VINS Gallery, Taipei, Taiwan. Nov 2021: Group Show, La Luz De Jesus Gallery (Los Angeles, CA) Nov. 2021: Art Monster with VINS Gallery (Taipei, Taiwan) Oct. 2021: The Tax Collection / Guy Hepner Editions, New York, NY Sept. 2021: Group Show, Maison Ozman, Paris, France Sept. 2021: D'Arte (group show), Marian Cramer Projects, Amsterdam, Netherlands. Aug 2021: Group Show, VINS Gallery, Taipei, Taiwan. May 2021: Duo show with Vickie Vainionpää , GR Gallery, New York, NY. Nov. 2020: Amsterdam Art Gallery Weekend, Marian Cramer Projects, Amsterdam, Netherlands. Oct. 2020: Online Exhibition #4, Top Top, curated by Meredith Rosen. Oct. 2020: LIMBO, Act II (group show), Everday Gallery, Antwerp, Belgium. Sept. 2020: LIMBO (group show), Everyday Gallery, Antwerp, Belgium. Aug. 2020: Salt & Vinegar (group show), La Luz De Jesus Gallery, Los Angeles, CA. June 2020: Hot Paper supporting ACLU & Showhouse JayJay x Hot Paper, GIFC (online). June 2020: Showhouse JayJay #2 (online), curated by Sasha Bogojev, Heidi Ukkonen & Ralf Kokke. April 2020: Showhouse JayJay (online), curated by Heidi Ukkonen & Ralf Kokke. April 2020: Bijijoo - Monster, La Luz De Jesus Gallery (online), Los Angeles, CA. March 2020: Everything but the Kitschen Sync (group show), La Luz De Jesus Gallery, Los Angeles, CA. Sept. 2013: Unnatural Histories II (group show), Antler Gallery, Portland, OR. June 2013: Bugs, Holes, Heads, and How-tos (solo show), Good: A Gallery, Portland, OR. Feb. 2013: Night of the Hunter (group show), Antler Gallery, Portland, OR. Oct. 2012: Happy Little Trees, Bob Ross Tribute Art Show (group show), Screaming Sky Gallery, Portland, OR. April 2012: The Anthropod Companion (solo show), Antler Gallery, Portland, OR. Feb. 2012: The 100 Show (group show), Wieden + Kennedy, Portland, OR. Oct. 2011: The Celebrity Still Life (solo show), Good: A Gallery, Portland, OR. Feb. 2011: The Presidential Ham (solo show), The Basil Hallward Gallery, Portland, OR. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Andy Swani Wish You Were Here - Dinosaur Apocalypse, 2022 Indian Ink, Oil Pastel and Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Andy Swani was born in Birmingham in 1964, he currently works as an artist, painter, decorator, muralist and printmaker, living in East London. His work is a primal glorification of creation, expressing the wonder of the world, together with an awareness of its inevitable end. Having had some success with traditional still-life painting, mostly of dead fish, which tempered the sensual delights of perception with reminders of mortality, Andy began making paintings in an overtly decorative way, using childlike, naïve representations of creatures and environments as a basis for a joyous and dread filled dialogue with History, Art and lived experience. Influences from around the world and the European premodern age were able to flood into his work, though still rooted in the European painting tradition of Giotto, Goya and Matisse. Examples of his new work were included in The Royal Academy of Arts Summer Exhibitions of both 2021 & 2022. One of these works, a woodcut, 'Crocodiles (Fuchsia on Yellow)', is being used by The Royal Academy of Arts in its 2023 calendar. Education   1983 - 1986 - North East London Polytechnic - Ba Hons Fine Art 1982 - 1983 - Bournville School of Arts and Crafts - Arts Foundation Course Select Exhibitions/Awards   2022 - Royal Academy of Arts - Summer Exhibition 2021 - Royal Academy of Arts - Summer Exhibition 2013 - Burning Bright - Saatchi online - Hyatt Regency London 2003 - Really - Transition Gallery - London -Sense and Sensibility - Transition Gallery London 2001 - Discerning Eye - Mall Gallery - London Statement about AOAP Submitted Artwork   'Wish You Were Here - Dinosaur Apocalypse' - Based on an image developed in lockdown, when the precarious nature of our civilisation was made more palpable than usual, it was originally produced as a woodcut. To convey similar qualities to the gouging and cutting of a woodcut, a 'scraperboard' technique was used for this postcard. The surface was prepared by covering it with a layer of yellow ochre oil pastel which was then painted over with black Indian ink. The ink surface was then scraped and scratched with a toothpick to reveal the ochre beneath. Layers of fixative were then applied to stabilise the surface. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Andy Swani Crocodile Continuation, 2022 Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Andy Swani was born in Birmingham in 1964, he currently works as an artist, painter, decorator, muralist and printmaker, living in East London. His work is a primal glorification of creation, expressing the wonder of the world, together with an awareness of its inevitable end. Having had some success with traditional still-life painting, mostly of dead fish, which tempered the sensual delights of perception with reminders of mortality, Andy began making paintings in an overtly decorative way, using childlike, naïve representations of creatures and environments as a basis for a joyous and dread filled dialogue with History, Art and lived experience. Influences from around the world and the European premodern age were able to flood into his work, though still rooted in the European painting tradition of Giotto, Goya and Matisse. Examples of his new work were included in The Royal Academy of Arts Summer Exhibitions of both 2021 & 2022. One of these works, a woodcut, 'Crocodiles (Fuchsia on Yellow)', is being used by The Royal Academy of Arts in its 2023 calendar. Education   1983 - 1986 - North East London Polytechnic - Ba Hons Fine Art 1982 - 1983 - Bournville School of Arts and Crafts - Arts Foundation Course Select Exhibitions/Awards   2022 - Royal Academy of Arts - Summer Exhibition 2021 - Royal Academy of Arts - Summer Exhibition 2013 - Burning Bright - Saatchi online - Hyatt Regency London 2003 - Really - Transition Gallery - London -Sense and Sensibility - Transition Gallery London 2001 - Discerning Eye - Mall Gallery - London Statement about AOAP Submitted Artwork 'Crocodile Continuation' -- Camouflage has been a recurring interest, adding another layer of ambiguity to the interplay between representation and coloured stuff on a surface. The represented object taking the ambiguity further - wave or crocodile? animal or foliage? 'Crocodile Continuation' is one of a series of works exploring the decorative and expressive possibilities of stylised crocodile and wave forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Katharina Renneisen Aja With Dots I, 2022 Oil on Silver Gelatin Print Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Katharina Renneisen (*1978) is a German visual artist who uses analogue photography as her main medium. In her work, she focusses on classical subjects like the nude, the landscape, or the still life. Many of her silver gelatin prints are hand-coloured with oil paints.   Education   Humboldt-University of Berlin   Statement about AOAP Submitted Artwork   The submitted works are part of my ongoing occupation with the female nude. I first take the photographs with an analogue large format camera. From the negatives I then make silver gelatin prints, on which I finally apply oil paints. This technique not only allows for a more painterly depiction of the flesh, but it also gives me the possibility to freely create new compositions, which challenge the boundaries between photography and painting, figuration and abstraction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Katharina Renneisen Aja With Dots II, 2022 Oil on Silver Gelatin Print Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Katharina Renneisen (*1978) is a German visual artist who uses analogue photography as her main medium. In her work, she focusses on classical subjects like the nude, the landscape, or the still life. Many of her silver gelatin prints are hand-coloured with oil paints.   Education   Humboldt-University of Berlin   Statement about AOAP Submitted Artwork   The submitted works are part of my ongoing occupation with the female nude. I first take the photographs with an analogue large format camera. From the negatives I then make silver gelatin prints, on which I finally apply oil paints. This technique not only allows for a more painterly depiction of the flesh, but it also gives me the possibility to freely create new compositions, which challenge the boundaries between photography and painting, figuration and abstraction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Katharina Renneisen Aja With Dots III, 2022 Oil on Silver Gelatin Print Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Katharina Renneisen (*1978) is a German visual artist who uses analogue photography as her main medium. In her work, she focusses on classical subjects like the nude, the landscape, or the still life. Many of her silver gelatin prints are hand-coloured with oil paints.   Education   Humboldt-University of Berlin   Statement about AOAP Submitted Artwork   The submitted works are part of my ongoing occupation with the female nude. I first take the photographs with an analogue large format camera. From the negatives I then make silver gelatin prints, on which I finally apply oil paints. This technique not only allows for a more painterly depiction of the flesh, but it also gives me the possibility to freely create new compositions, which challenge the boundaries between photography and painting, figuration and abstraction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Katherine Perrins Washing 1, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Contemporary painter currently focusing on themes of the domestic and maternal   Education   Falmouth College of Art (Art foundation and BA) City and Guilds (MA Fine Art)   Select Exhibitions/Awards   Finalist For the Graduate Art Prize, 2017, Artist development Bursary Award, Somerset Art Works 2019/20 Close House- 'Between Still and Life' 2020 Royal Academy Summer Exhibition 2022   Gallery Representation   Close House Ltd   Statement about AOAP Submitted Artwork   This piece is based on a larger series entitled 'Washing'. It investigates the movement and ripple of light through a series of children's clothing hanging outside to dry. I wanted to focus on light in these pieces and connect the work to broader concerns within my practice of the temporal experience of motherhood. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Martin Davis Work-Life Balance Dice, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Martin Davis is an ex-firefighter turned artist. After university he spent more than 30 years in the fire & rescue service, during which time he found painting was a perfect antidote to the operational stresses of his working life. He committed himself fully to his art in 2008 after retirement and has spent the last 14 years finding his distinctive artistic voice. Martin is by admission an instinctive artist.   Education   He graduated from the University of Birmingham in 1976 (2.1 Economics) but in terms of art he is almost wholly self-trained, his only formal qualification being an Art GCE "O" level from his schooldays. Even so his artwork is bought by private collectors around the world and he has secured gallery space throughout the UK as well as in his native Derbyshire where he works from his home studio in Swanwick.   Select Exhibitions/Awards   Notable events: "Looking to the stars" Group Exhibition, Hornshaw Gallery, Brick Lane Gallery Annexe, Sclater Street, London 2016 Midlands Open Art Exhibition 2016, Tarpey Gallery, Castle Donington, Derbys Pentrich Revolution Bicentenary Group Exhibition 2017, various locations throughout the year Derbyshire/Nottinghamshire Great Sheffield Art Show 2017 & 2019, Open exhibition, Millennium Gallery, Sheffield. Summer/Autumn & Winter Exhibitions, D31 Art Gallery, Doncaster, 2021 Contemporary Portraits, Fronteer Gallery, Sheffield, 2021 Royal Cambrian Academy of Art Open Exhibition, Conwy, 2022 Salon Contemporary Arts 2022, Museum of Making, Derby 2022 Royal Academy Summer Exhibition 2022, London, Flux virtual Summer Exhibition 2022, Gallery Representation   Salon Contemporary Arts, Derby Leabrooks Arts Complex, Leabrooks, Derbys Courtney Gallery, Ashbourne Derbys Hornshaw Gallery, London   Statement about AOAP Submitted Artwork   "Flying the Flag" is a good example of my figurative art as it is inspired by light, colour and a certain feeling in the composition which is almost wistful and surreal. My compositions are often associated with distant memories from childhood, here of hazy summers and the play of light and shadows. "Work-life balance dice" I guess is a still life, but a rapidly executed one. Much of my inspiration comes from words and phrases and modern concepts. I love to use the play of words against an image when on suggests the other, even out of it's usual context. Language and visual art are natural bedfellows. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising