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Lot 729
PAINTINGS AND PRINTS, to include a landscape oil on canvas, signed Conti bottom right, approximate size 60cm x 121cm, six still life oils on canvas by various artists, -S. Hill, T. Hansen etc, largest approximately 29cm x 39cm, two Adrien Chancel reprints 'Aviary in Winter' and 'Dining Room in Summer', size 69cm x 49cm, three Sue Manson still life flower watercolours, size 6cm x 6cm etc
Lot 824
HERMANN FECHENBACH (1897-1986) 'ROSES IN A GLASS VASE', a still life study of flowers, signed and dated 1946 bottom right, oil on board, framed, approximate size 38cm x 31cm, some losses to frame, together with still life study of chrysanthemums, signed L. W. Ewence 1961, framed approximate size 53cm x 53cm, small losses to flowers (2)
Lot 407
THREE ROYAL DOULTON FIGURES AND VARIOUS COLLECTORS PLATES, comprising 'Autumn Breezes' HN1934, 'Cissie' HN1809, and 'Sandra' HN2275, four Royal Albert 'Butterfly Garden' plates, a set of twelve Royal Worcester 'Cottage Gardens' months of the year plates and a set of four Royal Worcester 'Old Worcester Still Life' cabinet plates, (Condition Report:- Overall Ok)
Lot 586
* JOHN G BOYD RP RGI (1940 - 2001), FLOWER PIECE oil on canvas, signed; further signed and titled verso 50cm x 50cm Framed and under glass. Provenance: Exhibited and acquired in 1996 at The Contemporary Fine Art Gallery, Eton. Labels verso and original sale ticket with price (£2000). Note: John Boyd was born in Stonehaven, Kincardineshire in 1940. He studied at Gray's School of Art, Aberdeen (1958 - 1962) where he was taught by Robert Henderson Blyth. He briefly studied at Hospitalfield where he met John Byrne and Sandy Fraser, who was to become a lifelong friend. Boyd moved to Glasgow and from 1967 - 1988 he taught at Glasgow School of Art before turning to painting full time. His first solo show was held in Edinburgh in 1967, after which he exhibited regularly at the RA, the RSA, the RGI and RSPP. A major retrospective of his work was held in Glasgow, in 1994. Boyd won numerous awards and was elected a member of the Royal Glasgow Institute of Fine Arts in 1982 and a member of the Royal Society of Portrait Painters in 1989. His work is held in private collections owned by, among others, the Earl of Moray and Lord MacFarlane as well as numerous corporate collections including The Fleming Collection, Bank of Ireland, Murray Johnson and Arthur Anderson. Public collections include the Paisley Art Gallery, the People's Palace, Glasgow Museums and the Lillie Art Gallery, Milngavie. He was noted for his strongly coloured landscapes, portraits and still life's, mostly in oils, with his best work being produced in the last ten years of his life.
Lot 595
* CLAIRE HARKESS RSW (SCOTTISH B. 1970 - ), POLAR BEAR watercolour on paper, signed, dated 1998 label verso 26cm x 18cm Mounted, framed and under glass. Label verso: Gallery 41, Edinburgh Note 1: In 1998, Claire worked as Artist in Residence with The Royal Zoological Society of Scotland. While at Edinburgh Zoo she was filmed as part of the BBC "Ex-S" series and a fascinating documentary about her work was broadcast in November of that year. This work is a portrait of a specific animal at Edinburgh Zoo and it's likely that many Edinburgh residents and visitors to the Zoo will recognise this animal.. Note 2: Claire Harkess was born in Ayr, Scotland, graduating from Glasgow School of Art in the early 1990s. In recent years her painting has taken her to fragile lands to study and interpret life on the edge. Antarctica, Outback Australia and St Kilda are all places where, in such extreme environments, survival is difficult and the balance of life is delicate. Harkess has also worked on the Galápagos Islands, made famous by Charles Darwin’s ‘The Origin of the Species’. This isolated volcanic outpost remained relatively untouched by man, evolving to become one of the World’s unique ecosystems. The balance present in nature is clearly communicated through Claire's paintings. Painting in watercolour or gouache offers a unique directness; the essential qualities of light and energy present in the natural world are the very essence of the medium itself. The delicacy of her palette and oriental economy of her mark-making creates a subtle tension representing a world that is ‘holding still’, giving a sense of freedom, spirit, time and place. Claire's work is exhibited at The Scottish Gallery, where her most recent highly successful solo show was in July 2020, and at other prestigious galleries around the UK.
Lot 688
Seascape with crashing waves, watercolor, signed lower right, matted and framed. Overall size: Sight size: Lewis Suzuki was born in Los Angeles, and was an important figure in the watercolor movement known as the "California Style". Since the 1950's he has resided and painted in the San Francisco area. He specializes in cityscapes and still life floral works, done with the wet-into-wet watercolor painting style. Overall size: 25 x 31 in. Sight size: 14 1/2 x 20 1/2 in.
Lot 967
Floral still life, signed lower left. Harriette Bowdoin was born in South Hadley Falls, Massachusetts. Known as a painter, illustrator, and worker in crafts and as a teacher she spent most of her adult life in and around New York City. Overall size: 43 1/2 x 33 1/2 in. Sight size: 39 x 29 in.
Lot 1169
Gregory D. Ridley, Jr. (1925-2004) American artist from Tennessee. Abstract Oil on board, still life. Restored. Greg Ridley, born in Smyrna, TN, was an African-American artist and teacher. He moved with his family to Nashville, TN in 1936. After his service in the US Navy during WWII, he earned a degree in art education from Tennessee State University, and went on to become the first person of color to receive a master's degree in fine arts from the University of Louisville. Ridley also attended Fisk University (where he later worked), and where he studied under Aaron Douglas, the Harlem renaissance painter and muralist, who remained a close friend and mentor until his death in 1979. Ridley enjoyed a long career as a teacher at various Southern universities as well as the City University of New York. One of his last works was the creation of 80 copper panels for the Grand Reading Room of the Nashville Public Library, Nashville, Tennessee. Signed lower right. Overall size: 29 x 33 in. Sight size: 27 1/2 x 31 1/2 in.
Lot 1207
Titled "Roof Tops Stonington", oil and charcoal on paper, signed lower left: R. Moore, framed Overall size: 38 3/4 x 44 3/4 in. Sight size: 29 1/2 x 35 1/2 in. Rosaline Moore is a contemporary oil painter whose work includes landscapes, interiors, figures and still life. Her images are influenced by the places she loves and the things she loves to look at. The work is painterly in style and combines a fascination with light and space and a keen sense of color. She enjoys ambiguity of space and lets her imagination enter the work in a playful way. Her paintings are both intimate and joyful.
Lot 1262
Surrealistic color lithograph, signed Arona, dated '81, and numbered 10/35. Overall size: 16 x 15 in. Sight size: 6 x 4 3/4 in. Arona Reiner was born in Boston in 1940 and raised on a kibbutz in Israel. She had her first one-woman showing in 1972 in Jerusalem which established her reputation instantly as one of the best of Israel’s surrealist painters. Her paintings follow the European tradition of Dali and Magritte. Compositionally, they present unusual juxtapositions of still life and figurative elements.
Lot 1279
Titled "Bell Jar", lithograph numbered 24/25, surreal landscape with a timepiece. Signed and dated in margin: Arona/81. Overall size: 16 x 14 1/4 in. Sight size: 8 1/2 x 8 in. Arona Reiner was born in Boston in 1940 and raised on a kibbutz in Israel. She had her first one-woman showing in 1972 in Jerusalem which established her reputation instantly as one of the best of Israel’s surrealist painters. Her paintings follow the European tradition of Dali and Magritte. Compositionally, they present unusual juxtapositions of still life and figurative elements.
Lot 246
Robert Cox (1934-2001) Oil on Board. Still life of flowers in a bamboo basket. Signed lower left. Cox found much inspiration for his floral paintings in California and became one of the most prolific painters of the 1970s and 1980s. He employed the palette knife to create his stylized flowers, often selling his paintings for little money because he believed that original art should be available for the general public to enjoy. Sight size: 7 1/2 x 9 1/2 in. Overall size: 13 x 15 in.
Lot 263
Southwest landscape watercolor of mountains set against big sky, signed lower left: Pellew. Overall size: 16 3/4 x 19 1/4 in. Sight size: 8 3/4 x 11 1/2 in. Watercolorist John Pellew was born and educated in England, active/lived in Connecticut, New York. He is known for landscape, marine, genre, still life, and teaching and writing.
Lot 267
Still life floral arrangement, oil on board, signed lower left. Overall size: 10 1/4 x 8 1/4 in. Sight size: 6 1/2 x 4 1/2 in. Robert Cox's paintings were primarily brightly colored floral stills that were created using a palette knife. Cox paid special attention to natural light and shadow, especially on the petals and leaves of his pieces.
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77111 item(s)/page