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Lot 677
Herbert Scheurich, Two Arabian Nights studies, gouache on paper, signed, 28.5cm x 23cm (one framed); together with two Still Life works and Butterfly and Flowers pen wash, (5)Herbert Scheurich was a German artist who's work and name became seen by millions on a daily basis through his prolific newspaper print cartoons and illustrations. In 1957 he was awarded the Joseph Drexel Priz for his contribution to the Press, for whom he published works in over 200 German titles. Scheurich was much more than a tabloid cartoonist, as the works offered here demonstrate. His accomplished hand, and diversity in output, from pastels, to pen and ink drawings, even to clay and terracotta sculpture often displaying his whit and humour.
Lot 860
Edward Julius Detmold (British 1883-1957)/Strawberries/watercolour, 14cm x 21cm/a pencil sketch of budgerigars attributed to the same and another still life depicting flowers Condition Report: In good condition, they are both mounted, glazed and framed.ARR Artist's Resale Right may apply to the sale of this lot. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 911
Allan Gwynne-Jones (British 1892-1982)/Still Life with Jug, Shells and Eggs/inscription verso/oil on canvas, 58cm x 72cm/Provenance: Sally Hunter Fine Art; Rosemary Gwynne-Jones, no 51 in the exhibition 'The Gwynne-Jones Family', Sept 1997 Condition Report: The oil painting is in good condition with no obvious signs of damage, it is glazed and framedARR Artist's Resale Right may apply to the sale of this lot. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 1256
Gordon Groves, mid-20th century oil on canvas - still life with lemons, signed and dated '48, in gilt frame, 38cm x 51cm.Provenance: Paisnel Gallery, Duke Street, April 2001. Sold with original receipt.N.B. It was suggested by the Paisnel Gallery at the time of purchase that this work "...is by an artist within the Colquhoun / MacBryde circle. It is very likely that it was painted by Robert MacBryde whom, as Peter Nahum suggested, did not always sign his own works with his own name" CONDITION REPORT Excellent condition overall, however the frame is very grubby
Lot 775
A watercolour of a floral still life with dahlias in a blue vase, 31x35cm, an oil painting on board of white Japanese anemones, with label verso Doris Hellawell, an oil painting on board of a vase of summer flowers, signed bottom right Edward?, an oil painting on card of oval form showing a parrot on a branch signed bottom right Robert Morris, 43cm max in oval gilt frame, etc
Lot 534
NEW ORDER/JOY DIVISION - A wonderful collection of CDs and cassettes including promotional and sealed releases! Titles include Heart And Soul (4 x CD 828 968-2), Closer (Collector's edition sealed CD set and cassette 926495-4 sealed ), Unknown Pleasures (collector's edition sealed and cassette 925840-4 sealed), Still (collector's edition sealed CD and 926495-4 still sealed), Closer (cassette 925841-4 sealed), Substance (925747-4 cassette sealed), Brotherhood (Fact 150c cassette box set, sealed), Low-Life (Fact 100c box set), Power, Corruption & Lies (Fact 75c box set) and Movement (Fact 50c box set). Condition is generally excellent.
Lot 374
Princess Diana's Arabella Pollen silk ensemble, worn for an Official Royal visit to Adelaide, 5th April, 1983, labelled, 'Pollen London', in caramel, white and primrose stripes, comprising: loose jacket with self-covered buttons, horizontally striped patch pockets, pleated silk skirt and cummerbund tie sash, chest approx 97cm, 38in, waist 74cm, 29in; together with a letter of provenance (4)Provenance: The dress was given to the vendor who worked as a nanny for a well-connected family from Northamptonshire who were good friends of 'Fergie' as she was affectionately known - Sarah, Duchess of York. She was a regular visitor and on one occasion also brought with her to dinner HRH the Prince and Princess of Wales. Princess Diana and the Duchess of York each donated two dresses to the vendor's employer to sell for charity. But on Christmas morning 1987, to the vendor's delight she was given this striped silk ensemble as a surprise present as she was such a huge fan of the Princess. It has remained in her possession ever since.Princess Diana wore this ensemble on the first day the Royal tour of South Australia, worn with a straw boater and a blouse with ruff collar which had become synonymous with the 'Lady Di' style.The Royal couple were taken to the Adelaide Town Hall where they were treated to a State Reception followed by a trip to the Community Centre to watch a keep fit class amongst other pursuits, which were recorded on newsreels of the day.Princess Diana seemed smiling and self-assured, but later admitted that she found the first few days of the Australian tour traumatic. Although she disguised it well, the Princess was feeling unwell, believed she looked 'too thin' and found it difficult to cope with the sweltering temperatures. She also keenly felt the separation from young Prince William to whom Australian Prime Minister, Malcolm Fraser, had thoughtfully extended the invitation. However massive crowds and 95 degree temperatures made it unsuitable. Still at the crawling stage, Prince William was safely ensconced with his nanny at Woomargama, a 4000 acre sheep station in New South Wales which Prince Charles and Princess Diana visited as often as they could amid their hectic schedule but at least Diana knew he was under the same sky. With a population of 17 million, over a 1 million Australians turned up in person to greet the couple on their four-week tour. But everywhere they went, the crowds clamoured for the Princess and complained when Prince Charles went over to their side of the street on a walkabout, much to his obvious displeasure.However, the success of this gruelling tour marked a turning point in Diana's Royal life. Andrew Morton, in 'Diana Her True Story - In Her Own Words', p142, wrote:'She went out a girl, she returned home a woman...(the Australian trip) signalled the slow resurrection of her inner spirit'The international press complained that Diana was often dressed more like a dowager than a young Princess. US fashion critic Mr Blackwell, put the Princess at the top of his Worst Dressed List, stating she had gone from 'a very young, independent, fresh look' to a 'tacky, dowdy' style. However, the loose flowing lines of this ensemble made it cool, practical and drew attention away from her slender form. CONDITION REPORT: Waistline on the skirt has been widened, otherwise good condition.
Lot 569
A Continental Enamelled Gold Snuff Box, unmarked, in the manner of Jean Ducrollay, possibly 19th century, rectangular, set to the cover, base and sides with enamelled panels after Francois Boucher, the borders chased with rococo ornament and basse taille blue enamels over diapered and striped grounds, one side panel probably a replacement, tests as 20ct gold, 8cm wide, 6cm deep A box of very similar design by Ducrollay, with en plein still life enamels, can be found in the collection of the Musee de Louvre, Paris
Lot 162
Seascape, mixed media signed Sylvia Clegg 30cm x 30cm, Country Path and Houses, 20th century charcoal drawing indistinctly signed, Still Life of Fruit and Jug and Fairyland Scene, two 20th century watercolours unsigned max 52cm x 76cm (4) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 229
Bonnie Kate, early 20th century chromolithograph after Hermann Schmiechen in period Oxford frame, Going to School, aquatint after Frederick Morgan (British, 1856-1927), pair of Classical Bust Portrait prints, Fashion print and Still Life print max 65cm x 40cm (6) Condition Report Click here for further images, condition, auction times & delivery costs
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