We found 77111 price guide item(s) matching your search

A Vintage Black Painted Wooden Fire Screen, detailed in relief with still life flowers in a jug, raised on metal legs, overall height 69.5cm; a wicker stair basket. (2)

(20th Century), A vanitas still-life with flowers and a snail, indistinctly signed 'Jan' [?], oil on board, framed, 70 x 55 cm (total)

William Frederick Longstaff (Australian, 1879-1953), still life of flowers in a vase, signed, oil on canvas, 50 x 60 cm.

Michael Foreman (British). 'Jack of Hearts', watercolour on paper, signed. Image size 23.5 x 16.5cm. Michael Foreman was born in Suffolk in 1938 and grew up near Lowestoft. He studied at Lowestoft Art School, and at St Martin's School of Art and the Royal College of Art in London. His first children's book was published while he was still a student.After completing his studies, he travelled all over the world, making films and television commercials and doing hundreds of sketches which he later used as the inspiration for many of his books. Before becoming a full-time author and illustrator, he lectured at various Schools of Art.He has illustrated books by authors such as Dickens, Shakespeare, The Brothers Grimm, Roald Dahl and Rudyard Kipling, has designed Christmas stamps for the Post Office, and regularly contributes illustrations to American and European magazines.Michael Foreman also writes and illustrates his own books. He enjoys writing about earlier periods of history, including conflict and war, in books such as War Boy: A Country Childhood (1989), War Game (1993), and After The War Was Over (1995). The latter is about the soldiers of the First World War, was shortlisted for a Kate Greenaway Medal and won the Nestlé Smarties Book Prize (Gold Award 6-8 years category and overall winner) in 1993. His latest books are The Littlest Dinosaur's Big Adventure (2009), A Child's Garden: A Story of Hope (2009), Why the Animals Came to Town (2010) and The Tortoise and the Soldier (2015). He has twice been nominated for the biennial, international Hans Christian Andersen Award for his contribution as a children's illlustrator, first in 1988 and again in 2010. Many of Michael Foreman's books also feature Cornwall, where he lives when not in London. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

Lizzie Riches (British, b.1950). 'Queen of Spades'. Oil on canvas, signed. 40 x 30cm. I was born in East London and grew up on the edge of Epping Forest which is where I first began to love natural history. I was a poor student at Art School, in fatc, it was probably the only period in my life when I didn't paint! I wasted that opportunity but I think I new that I had no interest in fitting in to anyone else's idea of what art should be. I had the great good fortune to join the Portal Gallery in the mid 1970s when they were still in Grafton Street London. Proponents of Naive and Outsider Art in those days, that unique institution enabled me to make a living as an artist. The gallery's style and taste changed over the years and although now online and at art fairs, the ethos of idiosynchratic painting continues. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

STILL LIFE IN DECORATIVE FRAME TOGETHER WITH SATIRICAL PRINTS

JITKA KOLÍNSKÁ 1930 - 1992: STILL LIFE WITH A MOON 1958 Oil on canvas 72 x 90 cm Signed: On reverse "Jitka Kolínská Zátiší s měsícem 1958" Jitka Kolínská's magical realism acted as a revelation at the exhibitions of the Máj57 group. One of the paintings contained a quote from Shakespeare, which made her a suspect for the censors. Several painting groups in Germany initially sought after her to join their painter groups. Sophisticated stylization and the color palette used create tension and at the same time look extremely tender and poetic. Jitka Kolínská also devoted herself to illustrations of books for the youngest. It is her ability to project emotions into images and illustrations through symbols and visual poetry that is characteristic of her works.

ZDENĚK RYKR 1900 - 1940: A CAFE 1930 Oil on canvas 84 x 95 cm Signed: Upper right "Rykr 30" Zdeněk Rykr was one of the peculiar solitaires who, despite theadversity of the fate, did not hesitate to devote himself to art. He was never accepted at the Academy of Fine Arts, but received his doctorate from the Faculty of Philosophy, where he studied art history and classical archeology. He approached art very thoroughly, mastering a considerable number of styles, until he was often criticized for not creating a more coherent opinion. The opposite was true, Zdeněk Rykr approached his own path through art methodically and sought the path himself and did not downplay it in any way. His friend Jaromír Funke understood its variability in such a way that he reached every goal very easily, so he lost interest in him. Thanks to his talent for creating advertising design and free graphics, he was not dependent on the sale of his works. He believed that advertising should cultivate the viewer, and we still buy some of his designs on the packaging today - for example, the star of Orion (Czech chocolate factory). His success allowed him to paint completely unobtrusively. Café darkness and still lifes with thonets inspired Zdeněk Rykr to transform a civilian theme into a play of lines and shadows. It mimics a familiar environment shortly before the first customers arrive, or shortly after the last one leaves. Such a still life is a harbinger or reverberation of movements, sounds and perceptions hidden in absolute silence. It creates tension in the middle of a moment of rest.From the expert assessment byPhDr. ReaMichalováPh.D.: "The dominant line reflects the author's joy of painting, summing up the impression evoked by sensory experience, Rykr enjoyed entertainment, socialized, danced and also traveled, and the painting "Cafe" is the result of the author's extremely happy life and creative constellation in the early 1930s."

JAN KAŠPAR HIRSCHELY 1695 - 1743: PAIRED FLORAL STILL LIFES First half of 18th century Oil on wood 35,5 x 25 cm Signed: Unsigned The cabinet still life comes from the calmperiod of Hirschely's work, when the author does not use luxury objects and expensive mannerist vases to compose still lifes, but arranges live flowers in simple glass flasks to highlight their natural beauty. When painting floral still lifes, Hirschely emphasized the aesthetic tone of the work. The painter created a rich mannerist arrangement with strong color tones appearing in the foreground and tried to meet the requirements of the time for the archaization of form. Later, he devoted himself to other motifs in his work, such as fruits and birds. The botanical composition of the bouquets often went beyond one season. In one case, they control the color range of red chrysanthemums and yellow feather tulip. In the background are small-flowered daffodils and deep blue Aquilegias. In second case around the central motif of a variegated tulip with delicate petals, the author concentrates carefully selected variations of daffodils, Aquilegias, iris, roseand amaryllis.Works consulted with PhDr. Hana Seifertová.

MARIE FIALOVÁ 1860 - 1933: FEMALE NUDE Late 19th/early 20th century Oil on canvas 172 x 61 cm Signed: Lower right "Fialová" Unfortunately, Marie Fialová is one of the forgotten authors today. She studied painting under Opitz, Josef Ženíšek and under Dr.AgathonKlemt. From 1888 to 1891 she studied in Munich with the painter Tina Blau Lang. She exhibited with other female authors, mostly painting flowers, old streets of Prague, still lifes and flowers. We also know line drawings from her. This life-size female nude represents a completely new dimension of the painter's work, to which she has paid special attention here and which has not yet been published anywhere.

Abramowicz Leo Blumenstillleben auf Silbertablett mit Äpfel und Gefäß Öl auf Leinwand Signiert rechts oben 46,7 x 37,2 cm gerahmt Abramowicz Leo Flower Still Life on a Silver Tray with Apples and a Jar Oil on canvas Signed upper right 18,4 x 14,6 in framed

After Jan van Balen (Flemish 1611-1654) Still life with flowers, oil on canvas, bears a signature lower right. The picture 60X50cm, framed 74X64cm.

Emma Walter framed and glazed still life watercolour titled Just Gathered, signed and dated 1857 bottom right, 51.5 x 65cm

A. Nikolesky framed oil on canvas still life of chrysanthemums, signed bottom right, 53 x 69cm

J. CLAPHAM. BRITISH 20TH CENTURY Still life of primroses and bird's nest on a mossy bank. Watercolour 10½' x 12¾'

JOHN W. GOUGH. BRITISH 20TH CENTURY Still life. Signed. Oil on board 15' x 18½'

20th CENTURY SCHOOL Still life of fruit. Pastel 13' x 19'

J. CLAPHAM. BRITISH 19th/20th CENTURY Still life of bird's nest, prunus and butterfly on a mossy bank. Signed. Watercolour 8½' x 11¼'

Style of Cedric Morris, still life of summer flowers, oil on canvas, 91 by 60cm, unframed 

Dutch School, late 19th Century, oval still life of flowers in a vase on a ledge, signed Jan l.r., 72 by 61cm, gilt frame  

John Yardley (1943-) - Watercolour - 'Still life of two vases of flowers on a side table, signed in pencil lower right, 47cm x 62cm, framed and glazed, bearing Alexander Gallery label verso, Artist Resale Rights May Apply Condition: **General condition consistent with age

19th Century oil on copper - Still-life of flowers, unsigned, 17.5cm diameter within a gilt frame Condition: Some craquelure to the paint surface - **General condition consistent with age

Mary Potter (1900-1981) - Oil on canvas - Still-life - Vase of lilies and armchair before a window, signed lower left, 73cm x 53cm - Provenance: From the Kathleen Hale OBE (1898-2000) Collection, framed, Artist Resale Rights May Apply, Mary Potter studied at the Slade School 1918 specialising in still-life and landscape painting Condition: **General condition consistent with age

Kathleen Hale OBE (1898-2000) - Oil on board - Still-life with sunflowers and gourds, signed lower left, 49.5cm x 39.5cm, in a gilt frame - Artist Resale Rights May Apply - Provenance: The Kathleen Hale Collection: Kathleen Hale OBE (1968-2000) was the creator and Illustrator of the eighteen children’s books featuring ‘Orlando – The Marmalade Cat’. Her autobiography ‘A Slender Reputation’ published in her 96th year chronicled a life that included a stint as Augustus John’s secretary prior to the creation of Orlando, her Utopian feline character, a bed-time favourite for generations of bedtime story recipients. The extensive collection of artworks in a variety of media together with her copies of Orlando books in various languages are offered for auction on the instructions of the Executors of the estate of Nicholas McClean, Kathleen’s son. Condition: **General condition consistent with age.

19TH CONTINENTAL SCHOOL STILL LIFE OF FLOWERS oil on board(63cm x 45cm (24.8in x 17.7in))

19TH CENTURY BRITISH NAIVE SCHOOL CHILDREN AT PLAY watercolour and ink(12cm x 19cm (4.75in x 7.5in))Footnote: Note: After many years of living and working in exotic and far-flung parts of the world, including New Guinea, Nigeria and Cairo, Angus and Alison Hill returned to Glasgow to make Scotland their permanent home. Spending time between the fashionable west end of Glasgow and the pretty Black Isle home in Cromarty, Alison now had plenty of time to indulge her passion for naive country antiques. These were not yet fully appreciated by native buyers when Alison first started to buy in the 1970s. And Alison had what is known amongst dealers and collectors as ‘a good eye’. She followed her instincts and bought with her heart. Much of what she bought was then sold, some to North America where there was and still is a greater admiration of painted and simple furnishings. One client she referred to as ‘Blue Chicken’. Some things would be bought by the famous Kensington Church Street emporium The Lacquer Chest who shared her taste and were, like Alison, ahead of their time. What we see in this sale is the collection of special objects which she could not bear to part with. Is it too fanciful to believe that some of her pared-down aesthetic derived, in some part, from her early childhood home at Port Charlotte on the island of Islay, with its white-painted croft houses? She eschewed the popular mahogany and ‘smart’ antiques. Instead, her eye was drawn to the quiet and understated charm of objects often discarded - the painted post box, the child’s wooden alphabet, the delicious collection of milk and cream cans, with the names of the original owner inscribed. The painted miniature portraits of Regency children were her companions on the walls, with some sailors sewn pictures and a painted pigeon portrait thrown in. The drawers in the lovely Cromarty home were stuffed with some of the many small wooden treen objects- a cornucopia of delights. These sat alongside art nouveau and Glasgow Style ceramics, glass and metalwares (see our last Decorative Arts sale). This collecting habit had begun in Cairo. Visits to both the elegant Glasgow flat and home in Cromarty were always a delight, with intelligent and witty conversations, many tales of life overseas. Assam tea was served in breakfast cups. And our eyes were drawn to the many desirable objects which will now find new and appreciative homes

VICTORIAN WOOLWORK STILL LIFE 19TH CENTURY depicting flowers in an urn below drapery, on a checked floor(54cm x 44cm)

Constance Carswell, (20th century), watercolour, still life of flower in a vase, 36cm x 53cm

Robert Cox, still life of flowers, oil on canvas, signed, 19x24cm

Oil on board, still life of copper jugs and tulips, 37x50cm; together with a Cecil Aldin print, 'Mother Duck', 28x72cm

Still life of jug and egg, oil on canvas, 32x28cm

Edward Ladell, Still Life, Grapes and Fruit Upon A Table With Ewer, Oil on Canvas, 29cm x 35cm

Nan Parker, British 20th century, still-life of Spring flowers in a vase, signed, oil on canvas, 44cm x 34cm,

Helen Cordelia Angell, British 1847-1884, still-life of roses in a vase, signed, watercolour, 22.5cm x 17.5cm, The Hampton Hill Gallery label verso,

Paul Raymond Seaton (British, b.1953), still life of flowers and a pipe signed and dated 91 oil on canvas, 29cm x 34cm

B. Gardner (20th century), Still life of flowers, oil on canvas, signed lower right, 100 x 74.5cm

Reginald Mills, oil on board, still life interior with flowers and a bowl of fruit, signed, 40 x 30 cm

JONIAK, JULIUSZ JONIAK, JULIUSZ 1925 Liwi/Ukraine Titel: Ohne Titel. Datierung: 1990. Technik: Öl. LeinwandMaße: 71 x 60,5 x Bezeichnung: Signiert und datiert oben rechts: Joniak 90. Sockel/Rahmen: Modellrahmen. Erläuterungen zum Katalog Juliusz Joniak Polen Figurative Malerei Nachkriegskunst Unikate 1990er Stillleben Gemälde Öl Obst JONIAK, JULIUSZ JONIAK, JULIUSZ 1925 Livi/Ukrainian Title: Untitled. Date: 1990. Technique: Oil. canvasMeasurement: 71 x 60,5 x Notation: Signed and dated upper right: Joniak 90. Frame/Pedestal: Craftman's frame. Explanations to the Catalogue Juliusz Joniak Poland Figurative Painting Post-War Art Modern Art 1990s Still Life Painting Oil Fruits

KOKOSCHKA, OSKAR KOKOSCHKA, OSKAR 1886 Pöchlarn - 1980 Montreux Titel: Gelbe und violette Iris. Datierung: 1960. Technik: Farblithografie über gelblichen Fond auf Velin. Darstellungsmaß: 60 x 39,5cm Blattmaß: 65 x 50cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Grafos-Verlag, Vaduz (Hrsg.). Exemplar: 68/85. Rahmen: Rahmen. Zustand: Blatt unter ehemaligen Passepartoutausschnitt gebräunt. Ecken minimal bestoßen. Verso Reste alter Papiermontierung. WVZ. Wingler/Welz, Nr. 528. Lithografie nach einem Aquarell. Erläuterungen zum Katalog Oskar Kokoschka Österreich Expressionismus Moderne Kunst Grafik 1960er Stillleben Druckgrafik Lithografie Blumen KOKOSCHKA, OSKAR KOKOSCHKA, OSKAR 1886 Pöchlarn - 1980 Montreux Title: Gelbe und violette Iris. Date: 1960. Techinque: Colour lithograph over yellow-ish ground on vellum. Depiction Size: 60 x 39,5cm. Sheet Size: 65 x 50cm. Notation: Signed and numbered. Publisher: Grafos-Verlag, Vaduz (publisher). Number: 68/85. Frame: Framed. Condition: Sheet discoloured under former mat window. Corners with minimal bumping. Verso remains of an old paper mounting. Cat. rais. Wingler/Welz, no. 528. Lithograph after a watercolour. Explanations to the Catalogue Oskar Kokoschka Modern Art Prints 1960s Still Life Print Lithograph Flowers

STEINER, HEINRICH STEINER, HEINRICH 1911 Kaiserslautern - 2009 Rom Titel: "Gelbe Vase mit roten Blättern". Technik: Aquarell auf Büttenkarton. Maße: 47 x 65cm. Bezeichnung: Signiert unten rechts: H Steiner. Betitelt verso: Gelbe Vase mit roten Blättern. Rahmen/Sockel: Passepartout. Lit.: Galerie Koch (Hrsg.): Heinrich Steiner, Von Rom bis Lerici, Hannover 2006, S. 66, Abb. Nr. 34. Erläuterungen zum Katalog Heinrich Steiner Deutschland Expressionismus Figurative Malerei Moderne Kunst Unikate Stillleben Papierarbeit Aquarell Blumen STEINER, HEINRICH STEINER, HEINRICH 1911 Kaiserslautern - 2009 Rome Title: "Gelbe Vase mit roten Blättern". Technique: Watercolour on laid card. Measurement: 47 x 65cm. Notation: Signed lower right: H Steiner. Titled verso: Gelbe Vase mit roten Blättern. Frame/Pedestal: Mat. Lit.: Galerie Koch (ed.): Heinrich Steiner, Von Rom bis Lerici, Hannover 2006, p. 66, ill. no. 34. Explanations to the Catalogue Heinrich Steiner Germany Figurative Painting Modern Art Post War Still Life Works on paper Watercolour Flowers

FEINSTEIN, PAVEL FEINSTEIN, PAVEL 1960 Moskau Titel: Ohne Titel. Datierung: 1987. Technik: Öl auf Leinwand. Maße: 60 x 73cm. Bezeichnung: Signiert und datiert unten rechts: PAVEL 87. Verso bezeichnet: 291. Rahmen/Sockel: Modellrahmen. Erläuterungen zum Katalog Pavel Feinstein Zeitgenössische Kunst Unikate 1980er Stillleben Gemälde Öl FEINSTEIN, PAVEL FEINSTEIN, PAVEL 1960 Moscow Title: Untitled. Date: 1987. Technique: Oil on canvas. Measurement: 60 x 73cm. Notation: Signed and dated lower right: PAVEL 87. Verso inscribed: 291. Frame/Pedestal: Craftman's frame. Explanations to the Catalogue Pavel Feinstein Contemporary Art Post War 1980s Still Life Painting Oil

BÖTTGER, HERBERT BÖTTGER, HERBERT 1898 Krefeld - 1954 Büderich/Neuss Titel: Stillleben auf Hobelbank. Datierung: Um 1928. Technik: Öl auf Leinwand. Maße: 40 x 50cm. Bezeichnung: Monogrammiert oben Mitte: HB (ligiert). Unleserlich bezeichnet verso auf Keilrahmen: Herbert Böttger. Rahmen/Sockel: Rahmen. Ausstellungen: Kunstverein für die Rheinlande und Westfalen, Düsseldorf 1960, Kat.-Nr. 7, o. Abb. (Holzspäne, 1928). WVZ. Jacobs, Nr. 39. Erläuterungen zum Katalog Herbert Böttger Deutschland Neue Sachlichkeit Moderne Kunst Unikate 1920er Stillleben Gemälde Öl Werkzeuge BÖTTGER, HERBERT BÖTTGER, HERBERT 1898 Krefeld - 1954 Büderich/Neuss Title: Stillleben auf Hobelbank. Date: Ca. 1928. Technique: Oil on canvas. Measurement: 40 x 50cm. Notation: Monogrammed centre top: HB (ligated). Illegible inscription verso on stretcher: Herbert Böttger. Frame/Pedestal: Framed. Exhibitions: Kunstverein für die Rheinlande und Westfalen, Düsseldorf 1960, cat. no. 7, w/o ill. (Holzspäne, 1928). Cat. rais. Jacobs, no. 39. Explanations to the Catalogue Herbert Böttger Germany New Objectivity Modern Art Post War 1920s Still Life Painting Oil Tools

Preyer, Ernest Manchester 1842 - Düsseldorf 1917 154 x 127 cm Blumenstilleben auf einem Steinpodest vor Seelandschaft. Öl/Lwd., unten links signiert und datiert 1896, rückseitig auf der Leinwand datiert Okt. 1896. Provenienz: Aus der Familie des Künstlers. PREYER, ERNEST (1842-1917). Still life of flowers on a stone pedestal in front of a lake landscape, Oil/canvas, signed and dated 1896 lower left, verso on the canvas dated 1896. Provenance: From the artist's family.

Preyer, Ernest Manchester 1842 - Düsseldorf 1917 168 x 140 cm Prächtiges Blumenstilleben neben einem Teppich vor terrassierter Parkanlage. Öl/Lwd., unten links signiert, rückseitig auf der Leinwand datiert 3. März 1898 sowie 30. Juli 1902. Provenienz: Aus der Familie des Künstlers. PREYER, ERNEST (1842-1917). A magnificent still life of flowers with a carpet in front of a terraced park landscape. Öil/canvas, signed lower left, verso on the canvas dated 3. März 1898 and 30. Juli 1902. Provenance: From the artist's family.

Niederlande 17. Jahrhundert 57 x 80 cm Stilleben mit Austern, Früchten, Nautilus, Stangenglas und Fayencekrug. Öl/Lwd., doubl. DUTCH SCHOOL (17th ct.). Still life with oysters, fruits, nautilus, glass and a faience jug. Oil/canvas, relined.

Deutschland 17. Jahrhundert 55 x 70 cm Stilleben bei Kerzenschein mit graphischer Darstellung der Geburt Christi, Schmuckstücken, geöffnetem Psalterium, Früchten und umgestürztem Glas. Öl/Lwd. GERMANY (17th ct.). Still life by candlelight with a print showing the Nativity, pieces of jewelry, an opened psaltery, fruits and an overturned glass. Oil/canvas.

Luyckx, Carstiaen Antwerpen 1623 - um 1670 81 x 100 cm,o.R. Jagdstilleben mit erlegter Beute. Falke, Hunde sowie Jagdutensilien sind um eine Flinte gruppiert. Öl/Lwd., doubl. Provenienz: Aus einer bedeutenden bayerischen Privatsammlung. Obwohl dieser vielseitige Künstler heute kaum einem breiteren Publikum bekannt ist, war er zu seinen Lebzeiten äußerst erfolgreich und genoss im Antwerpen des 17. Jahrhunderts hohes Ansehen. Carstiaen Luyckx wurde bei Philips de Marlier ausgebildet und 1642 auch bei Frans Francken III. 1645 wurde er als Meister der örtlichen Gilde anerkannt und ist bis August 1653 in Antwerpen dokumentiert. Nach den französischen Inschriften vieler seiner späteren Werke zu urteilen, ist er möglicherweise von Antwerpen weiter südlich nach Nordfrankreich gezogen. Es sind nur zwei datierte Werke von ihm bekannt, weshalb es schwierig ist eine Chronologie seines Werkes zu erstellen. Ein Teil seines Oeuvres besteht aus Jagdstilleben, die von Frans Snyders und insbesondere von Jan Fyt beeinflusst wurden, wofür die vorliegende Komposition ein hervorragendes Beispiel ist. Man wird es wohl auf die Übergangsphase des Künstlers zwischen seiner Antwerpener und der französischen Zeit in die 1650er Jahre datieren können. LUYCKX, CARSTIAEN (1623-c.1670). A hunting still life of partridges and a hare grouped together with a gyrfalcon and dogs around a musket and hunting gear. Oil/canvas/canvas. Provenance: Important Bavarian private collection. Though scarcely known to a wider public today, this versatile artist was successful and held in high regard in seventeenth-century Antwerp. Carstiaen Luyckx trained under Philips de Marlier and in 1642 with Frans Francken III. In 1645 he was accepted as a master of the local guild and is documented in Antwerp up to August 1653. To judge from the French inscriptions on many of his later works, he may have moved south, away from Antwerp to Northern France. Only two dated works are known to exist, making it difficult to establish a chronology for his oeuvre. A part of his output consists of game still lifes, influenced by Frans Snyders and especially by Jan Fyt, from which the present composition is an excellent example. It is most probably datable to the artist's transitional phase between his Antwerp and French period in the 1650s.

Deutschland 17. Jahrhundert 68 x 106 cm,o.R. Küchenstilleben mit Pastete, Flusskrebsen, Brötchen, Obst und Kohlkopf. Öl/Lwd., doubl. GERMANY (17th ct.). Kitchen still life with pasty, crayfishes, bread roll, fruits and a cabbage. Oil/canvas, relined.

Uhlig, MaxUhlig, Max (1937 Dresden - lebt in Dresden). Landschaften und Stilleben. Konv Uhlig, Max Uhlig, Max (1937 Dresden - lebt in Dresden). Landschaften und Stilleben. Konvolut von 55 Lithographien auf verschiedenen Papieren. 1968-82. Von 9,4 x 25,6 (25 x 37,7) bis 50 x 96,5 (75,8 x 107) cm. 54 Blatt signiert u. datiert. Teilweise nummeriert, bezeichnet u. mit Widmung versehen. 22 Blatt abgebildet in: Max Uhlig. Druck. Dresden, Kupferstich-Kabinett der Staatlichen Kunstsammlungen, 2013, Vgl. hierzu Katalog-Nr. 50, 53, 54, 56, 60, 62, 68, 69, 76-78, 86, 96, 99, 106, 107, 114-117, 122 und 207. - Teilweise leichte Lagerspuren. - Landscape and still life. Collection of 55 lithographies on various papers. 54 signed and dated, partly numbered, entitled and with dedication. Partly slightly with shelfwear.

TortoiseshellGilt metal trimsPainted still life to coverUnreadable signatureEurope, 19th centuryProvenance: D. Manuel de Souza e Holstein-Beck Collection, Count of Póvoa. Diam.: 8 cm

Moyra Barry (1885-1960) Still Life with Flowers Oil on canvas, 63 x 75cm (24¾ x 29½'') Signed

Martin Mooney (b.1960) Still Life with Chinese Vase Oil on board, 60 x 73cm (23½ x 27½'') Signed with initials and dated 1999 Provenance: With Waterman Fine Art, label verso.

Gladys MacCabe HRUA ROI FRSA (1918-2018) Still life study of mixed flowers and fruits Oil on board, 47 x 36 (18½ x 14'') Signed

Peter Collis RHA (1929-2012) Still Life with Fruit Oil on canvas, 33 x 40cm (13 x 15¾'') Signed

Jonas Wood (American, born 1977)Large Still Life Offset lithograph printed in colours, 2017, on wove, stamped with the artist's name, title, date and exhibition verso, from an edition of unknown size, this poster is published on the occasion of 'Shio Kusaka & Jonas Wood' exhibition by Voorlinden Museum, Netherlands, the full sheet printed to the edges, 585 x 585mm (23 x 23in)(SH)For further information on this lot please visit Bonhams.com

Patrick Caulfield R.A. (British, 1936-2005)Still Life Ingredients (Cristea 49) Screenprint printed in colours, 1976, on wove, signed and numbered 14/76 in pencil, printed by Kelpra Studio, London, published by Waddington Graphics, London, with full margins, 532 x 534mm (20 7/8 x 21in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

20TH CENTURY SCHOOL - STILL LIFE WITH FLOWERS AND FRUIT, INDISTINCTLY SIGNED, OIL ON BOARD, 52 X 63CM Good condition

SCOTTISH (?) SCHOOL, 20TH CENTURY - STILL LIFE, OIL ON BOARD, 34.5 X 30.5CM. BENEATH GLASS With much dust/dirt beneath the glass in early 20th c gilt frame

Prints - Rex Trayhorne, a pair, Poppy Fields; Still life, Flowers; three oval framed miniature portraits; others. (9)

Rima oil painting on board, still life flowers in vase. 75 cm x 61 cm, signed and in ebonised frame.