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Lot 355
A collection of various paintings and prints including an oil painting on board of a beach scene, the reverse painted with a ghostly figure holding a flag, 7 1/4" x 15", another portrait of bearded gentleman signed B. Buffet, a print by Janet Elly-Lead, signed in pencil and dated '77, a watercolour drawing of an interior of a Malaysian house, and a print of a still life.
Lot 150
Nameplate VANGUARD - WARSHIP CLASS", ex British Railways Type 4 B-B Diesel Hydraulic "Warship" Class Locomotive number D801 built Swindon Works in 1958, one of 38 diesel hydraulics built there for the Western Region. Introduced new to Laira in November 1958, where it spent all its working life until withdrawal from there in August 1968 and subsequent cutting up at Swindon in October 1970. Cast aluminium measuring 39½" x 11¼", face painted red, plenty of maroon remnants around the edges and the back is typical with paint traces, pitting and corrosion. A wonderful example and the first to be named after an actual warship, D800 of course was Sir Brian Robinson. Note: The Royal Navy had 10 vessels named Vanguard. The first ship was a 32 gun Galleon launched in 1586. The 9th and last ship was the 1956 'flagship' Battleship which was actually used in the filming of 'Sink The Bismark'. The 10th isn't a ship but a 'boat', i.e. the current nuclear submarine still in service.
Lot 666
Kip Gresham, British, b.1951- "Gamma"; lithograph printed in colours, signed and dated 94, 52x58cm: together with further similar lithographs by the same hand: Ruth O'Donnell, Irish, b.1952- Still-life of pots; aquatint, A/P, signed, together with one other example by the same hand: Megan Fishpool, late 20th century- "Score Red Vonal KSZ"; etching with aquatint printed in colours, signed, (15) (unframed) (may be subject to Droit de Suite)
Lot 730
Pat Lambshire, late 20th/early 21st century- "Still life"; gouache , pastel and collage, 33.5x33cm: June Lloyd- Jones- "Asters"; oil on canvas board, signed with monogram: June Lloyd-Jones- "Sweetpeas"; oil on canvas board, signed: Lynn Breeze- "I Made a Birthday Card"; pen and black ink and watercolour, two, in shared mount and frame, signed twice in pencil: Lynn Breeze- "Black Drop"; pen and black ink and watercolour, two, in shared mount and frame, signed twice in pencil: Lynn Breeze- "I Made Flowers"; pen and black ink and watercolour, signed in pencil: Ann Carol Sutherland- "All The Summer Isles"; gouache and collage, signed and dated 1984 in pencil. Provenance: with The Mercury Gallery, London, according to label attached to the reverse of the frame: Laura de la Mare- "Still Life with Mackerel on a Plate"; gouache and acrylic on paper, all the above artists late 20th/early 21st century, (9). Provenance: Paintings in Hospitals, London (may be subject to Droit de Suite)
Lot 789
Michael J Mounsey, late 20th century- "Simon"; drypoint etching, signed, titled, dated 1997 and numbered 1/10, 43x33cm: with one other example by the same hand, depicting a still life, signed and numbered 1/10: together with other 20th century etchings to include Cornelius McCarthy, Irish b.1935 Torso; artist's proof, signed and dated 92: Mark Clarke, late 20th Century- Nude female study; drypoint etching, signed, dated 99 and numbered 11/120:T D Pryce, Late 20th Century- "Room With a View"; etching, signed, numbered 2/50 and dated 96, (5) (may be subject to Droit de Suite)
Lot 315
The Following Life Association of Scotland prints by Michael Brown are the property of Mr Ken MacPherson recently retired Golf Professional at Walton Heath G.C. who acquired the prints from his father and Ronald Cutting both of whom worked for the Life Association Of Scotland Insurance Group - His father was based at head Office in Princess Edinburgh for over 40 yrs. Where he was always in contact with his opposite number and manager of the London Brach Ronald Cutting, who on retirement left the remaining prints to Ken which were left over from the WWII blitz on London - all were removed from their calendar mounts due to damage from the raids. Ken confessed that many of the calendars, which were brought home by his father, were used by he and his sister (while growing up) as cutting boards!!!! HoÉÉ Ken!!!! Hence all the prints are genuine and some still retain the original calendar mounts.. 1907 Original Golfing Calendar for The Life Association of Scotland titled "Surviving Amateur Champions - Hoylake 1906" after Michael Brown - note a vertical tear to centre hence A/F - m & f overall 18.5x 23.5". Illus.
Lot 152
A CUP, COVER AND STAND, of tapered cylindrical shape with entwined or ring handles, painted by S D Nowacki, signed, with a still life of luxuriant fruit and two birds on a ledge in gilt oval frame reserved on a yellow ground with raised gilt 'jewels', 13.5cm h, gilt monogram, late 20th c ++In fine condition
Lot 783
‡ SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) VARIATIONS IV signed, signed again and inscribed on the backboard, watercolour, 49.5 x 68.5cm Provenance: Frost & Reed Ltd. from which bought by the late owner, c1962. Exhibited: Royal Academy, Diploma Gallery Exhibition of Works by Sir William Russell Flint, 1962, No19 (lent by the artist ) Illustrated: Pictures From the Artist's Studio, p19. Published by Frost & Reed Ltd as a signed print in an edition of 850 in 1966. In the entry in the RA Catalogue, Sir William Russell Flint wrote about Variations IV: It tickles my fancy to notice how some commentators assume that whenever I paint a dark-haired girl she must be Spanish. I have not painted in Spain since before World War II, though I have visited it and often wish I could paint there again. France, not Spain, is my painting country. It is there I have spent a good many years of my life and though to my sorrow I shall never master her graceful tongue I always feel at home there. I know her varied regions far better than most Frenchmen. My sister and I agree that there still must be some sympathy and understanding inherited from 'The Auld Alliance' between France and Scotland. My wife, who had an amazing - and most amusing - knowledge of French history always felt the same, but then some of her forebears - plump parsons, if you please! - had gallivanted off to Paris and Bordeaux to enjoy themselves while their curates carried on at home on miserable pittances. As she had also been 'brought up' in France her liking was natural. ++In fine condition
Lot 853
FRENCH SCHOOL, 19TH CENTURY STILL LIFE WITH FLOWERS INCLUDING ROSES TULIPS AND CHRYSANTHEMUMS IN A SCULPTED URN ON A LEDGE canvas laid on panel, oval, 65 x 53cm ++Some ingrained surface grime and dirt, the pigments a little dark in certain passages but a decorative 'old master' on a fairly broadly woven canvas cloth of probably, first half of the 19th c date. In 19th c ornate giltwood and composition frame with losses
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