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Lot 1296
Victorian walnut framed four panel folding screen, the pediments in the form of rose flower heads with extending leafage and flanked by foliate finials, the eight glazed panels containing still life watercolours of floral compositions and rose bushes, above figured walnut panels with applied carved garlands and ribbons, within a border of incised overlapping shell motifsDimensions: Height: 150cm Length/Width: 186cm
Lot 105
A Vienna-Style Porcelain Campana Vase, late 19th century, painted in the manner of Joseph Nigg with a continuous still life of flowers in a basket on a gold ground, with circular socle and square base56cm highSigned Nigg (see image), no factory marks.No chips cracks or repair (examinbed under UV lighting). Some gilt wear throughout. Some glaze pitting. Tension bolt loose but attached.
Lot 1175
Follower of Jacob van Walscapelle (1644-1727) Dutch An abundant still life with silver plate and spoon, a cut lemon, oysters, wild strawberries, a vine and grapes, pink Roses, cherries, and glassware, with butterflies and insects Oil on panel, 40cm by 33cm Frame size: 54cm by 47.5cm The panel is one single board, with a horizontal batten in the middle of the back, minor old knocks to all sides, and canvas stuck to the back of the panel. There are no splits visible, and the panel is held flat in the frame.There is a fine brittle age craquelure throughout, all stable with no elevation or history of flaking. In passages the cracks are wider, and these have been suppressed in a campaign of retouching, slightly discoloured (see images). The cracks are most evident in raking light and a higher concentration through the table top and plate. Small scattered retouchings to suppress the cracks in the background, and small retouched losses to the right of the righthand glass, further retouched losses in the left hand glass, and above this near the top edge. A small newer unretouched loss to the left of the lefthand glass. There is a diagonal line of retouching running towards the top left corner from the top of the vineleaf, a retouched loss to the end of the vineleafe above the grapes and further small scattered minor retouched losses. Some retouching to cracks in strawberrys, lemon, and a small filling and retouching to the right end of the cherry stem. There is a larger brown retouching above the oyster.Possibly some minor losses to the delicate glazes, but mostly intact.There is what appears to be a retouched or removed? signature or inscription above the butterfly on the left. Visible clearly in UV (see images) and as a pale milky patch in normal light. Wipe marks in the varnish bottom left and right. An old varnish layer, slighly opaque in places.Examined in frame.
Lot 1173
Emilie Preyer (1849-1930) German Still life of a peach, black grapes and cobnuts on a marble shelf Signed, oil on canvas, 15cm by 19cm The unlined canvas is on what appears to be the original stretcher, with tacking margins. One key missing, but canvas retains good tension. One slight linear diagonal distortion to the picture plane running from top right towards the middle of the painting only noticable in reflected light. Old brittle age craquelure throughout - barely noticeable.Two diagonal parallel scratches with minor small unfilled but retouched losses to the ledge below the peach. There are a series of small scratches and losses to paint along bottom of the ledge, which are retouched, and a small unretouched white scratch (2mm). Further minor small rouched losses/scratches to bottom left corner and lower right edge. One very small rouching to the background. Very minor abrasion along the bottom edge from movement within the frame rebate, and to end of signature.A fairly recent glossy varnish, not noticably discoloured, and minor surface dust. Overall, in good condition.Examined in Frame, not examined under ultra violet light.
Lot 1174
Manner of Willem Kalf (1619-1693) Dutch A still life of a silver platter with olives, a peeled lemon, an oriental bowl and cover, a roemer, and a bowl of fruit on a table draped with a tapestryOil on canvas, 57cm by 70cmA fairly rigid lining, one key damaged in stetcher. Good tension, but slight separation of lining canvas at corners at reverse. Widespread brittle age and impact craquelure throughout, made more prominent by white dust highlighting cracks. Possibly where varnish has powdered as paint has moved/lifted very slightly. Some slight elevation/cupping, with larger cracks in the green curtain. All appear secure. Some slighly matt broad brushstrokes of overpaint in loop of green curtain. Difficult to see quite what is happening in the background due to thick old varnish, but possibly some futher overpaint, particularly to the top left edge. Slightly opaque varnish and a thicker yellowed old varnish partially removed in the lighter passages of paint. Slighly uneved surface gloss. Surface dirt, and layer of dust and debris.
Lot 1172
Henk Helmantel (b.1945) DutchStill life with canistersSigned and dated 2008, signed and dated verso, oil on masonite, 50cm by 68.5cmVery minor old knocks to he corners of the composition board at the back, not extending to the picture plane which is flat and even. Paint and ground layers in excellent condition. Slightly uneven natural surface gloss associated with the materials and technique of the artist. A light layer of surface dust, and scattered fibre/debris caught in the surface layer.
Lot 1176
Follower of Pieter Hardimé (1677-1748) Belgian Still life of Convolvulous, Roses and Sweet Peas, arranged in a vase Oil on panel, 30cm by 24cmOne panel, edges covered with paper at reverse but no splits apparent from the face. Good, even plane with no warping.Fine scale brittle age craquelure to the paint and ground in places and a more apparent very fine network of cracks which appear to be in the thick varnish layer. This makes the surface slighly crizzled rather than glossy.No major losses to paint and ground apparent, all paint layers stable with no history of flaking.There has been some abrasion to the upper paint layers, most apparent in the left hand side, where the orangy ground shows through the upper paint layers. The whole top left corner has been overpainted in a murky brown. There is also a splattered brown encroaching into the flowers in this area (see images). There is some abrasion to the bottom left flowers, and to the butterfly on the right, and rose leaves bottom right. Some possible small reinforcing retouchings scattered.The cracked varnish layer/s are thick and yellowed.Examined in frame.
Lot 212
Elizabeth Trevor Sutcliffe (British 1854-1944): Still Life of Spring Flowers, oil on canvas signed 37cm x 55cmNotes: Studied at Manchester School of Art, France and Italy. Lived in Wales, Whitby and Leeds, married to the fellow artist Lester Sutcliffe (1848-1933)Condition Report: Small indentation, mid upper left, some craquelure but stable paint and tight canvas, otherwise ready to hang
Lot 251
A collection of framed watercolours by W M Ranson, A still life of pineapple and apples, signed and dated '93, Still life of a bowl of apples, signed and dated '93, Still life of a bowl of fruit and a pitched, signed and dated '93 and a Still life of fruits, signed and dated '93. (10.5cmx15cm) (4)
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