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Lot 331
ARR MARGARET EVANGELINE WILSON (British 1890-1977), Still life of lilac held in a glass pedestal bowl, oil on canvas, signed to lower right, 31cm x 46cm, together with a view of the Ponte Vecchio Florence, by the same hand, oil on board, unsigned, 25cm x 36cm (2) Provenance: With the artist and then by descent
Lot 78
Music Vidal (Antoine), La Lutherie et Les Luthiers, 1889, portrait frontis, 29 plates, half cloth; Spohr (Louis), Louis Spohr`s Grand Violin School .., nd, folio, portrait frontis, 3 plates, cloth (worn, boards detached, spine breaking, w.a.f.) [Print] le Maltois, Quaedam Sensuum Instrumenta, 1704, still life study of musical instruments engraved by I Coelemans, impression 330mm x 450mm, (puncture hole in image) (3)
Lot 232
*After Bernard Buffet, `POISSON` Lithograph printed in colours, numbered 42/220 in pencil; Hans Fischer (Swiss 1909-1958), `LE CHAT` Lithograph, signed and numbered 182/200 in pencil; Gabriel Zendel (French 1906-1992), STILL LIFE Lithograph printed in colours, signed and numbered 54/200 in pencil, with blind stamp for Guy Spitzer; Francis Tailleux (French 1913-1981), INTERIOR WITH A GIRL IN A CHAIR Lithograph printed in colours, signed and numbered 179/200 in pencil, with Guilde de la Gravure blindstamp; Jacques Houplain (French b.1920), KNIGHTS FIGHTING ON HORSEBACK Etching, signed and numbered 51/900 in pencil, with Guilde de la Gravure blindstamp, various image and paper sizes, unframed (5)
Lot 308
*Margaret Olley (Australian 1923-2011), STILL LIFE OF BOWLS OF FRUIT, A BOTTLE OF WINE AND A GLASS, A COASTAL VIEW BEYOND Oil on board 50 x 75cm. Margaret Hannah Olley was an Australian painter, born in Lismore, New South Wales. She was primarily a still life artist and the subject of more than ninety solo exhibitions. She received the inaugural Mosman Art Prize in 1947. In 1997, a major retrospective of her work was organised by the Art Gallery of New South Wales. In 2006 she donated more works to the Art Gallery of New South Wales. Her donations comprised more than one-hundred-and-thirty works valued at $7 million. Olley died at her home in Paddington in July 2011, aged 88. Part of her Paddington house, well known for items that she collected and used as subject matter for her art, is to be recreated at the Tweed River Art Gallery, in an area not far from where the artist was born. The architect of the Tweed’s new Margaret Olley Centre, Bud Brannigan, said that it would be faithful to Olley’s house. There is a comprehensive photographic record of her studio and work, shot on the morning she died, by artist photographer Greg Weight.
Lot 310
*Donald Bain (Scottish 1907-1979), STILL LIFE OF ROSES IN A YELLOW VASE AND A RED APPLE Signed l.r., oil on board 40 x 32cm. In 1920, Bain was introduced to the work of the Scottish Colourists, S.J. Peploe and J.D. Fergusson, by ‘Glasgow Boy’ painter, William York MacGregor. Whilst working in Glasgow shipyards in the early 1940s, he became associated with the New Scottish Group, before moving to France. He exhibited in salons in Paris and was influenced by the rich paint texture and palette of Cézanne.
Lot 18
Watercolour Anonymous drawing "Conway Suite", original watercolour study for advertising of Everest Upholstery Limited, titles and inscribed, drawing No 327, 25 x 35cm together with "The Goodwood Suite", another drawing by the same hand, smaller and a needlework still life study, after Picasso (3)
Lot 436
OOC - Still Life of Strawberries on Cabbage Leaf, Berries and Apples Around, initialed `HL` lr, circa 1880, in birdseye maple frame with gold liner, SS: 13 1/2" x 17 1/2", OS: 18 1/2" x 22 1/2", cleaned and relined, includes 1983 letter describing restoration work done by Jan Stenson of Northampton, Mass.
Lot 894
MONUMENTAL OOC - `Homage to Velasquez` by Deane G. Keller (CT, 1901-1992), signed lr, titled on stretcher, a still life of objects on tabletop occupying the top third of the image, the lower in draped fabric, in wood slat shadowline frame, SS: 60 1/4" x 47 3/4", OS: 61 3/4" x 49 1/2", fine condition.
Lot 180
A fine pair of Royal Worcester cabinet plates by Richard Sebright, each with tooled gilt borders framing still life fruit paintings, one depicting apples, blossom and blackberries and the other peaches, grapes and raspberries, signed gilt back stamp and retailers mark for Mappin & Webb, 10.5" diameter.
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77111 item(s)/page