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A xenomorph egg from Paul W. S. Anderson's sci-fi action film AVP: Alien vs. Predator. Eggs of this size and style appear numerous times throughout the film as they hatch the parasitic facehuggers, the second stage in the life cycle of a Xenomorph.This custom-made egg is made of silicone and latex over a thick wire frame. It is hollow and features an opening at the bottom to allow puppeteers to insert their arms into facehugger puppets "hatching" from the egg. Similarly, there are long slits on either side of the egg. It is hand-painted in brown, burnt orange, and pink. This egg exhibits some signs of wear and age, including damage to the foam rubber and latex, as well as residue from the signature xenomorph slime still prominent around the top and insides. Dimensions: 45.75 cm x 40.75 cm x 61 cm (18" x 16" x 24")£1500-2500 Ω Δ
Roy Lichtenstein (American, 1923-1997). "Brushstroke Still Life with Apple [variation #2]". Color offset lithograph. 1983. Signed in pencil, lower right. Edition unknown, presumed small. White wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf Doering/Von der Osten 38. Provenance: Estate of a private collector, New York City (Manhattan), part of an extensive collection of Lichtenstein posters formed over a 20 year period. Overall size: 24 7/8 x 29 1/2 in. (632 x 749 mm). Image size: 20 3/8 x 24 1/4 in. (518 x 616 mm). An uncommon poster. Only six auction records in the past 25 years located. The image in the Doering/Von der Osten catalogue is of Variation #1 (offered elsewhere in our multi-day auction), and the catalogue does not picture or make mention of Variation #2. Image copyright © Estate of Roy Lichtenstein. [28551-6-800]
* JACQUELINE WATT (SCOTTISH CONTEMPORARY), THE FIELD'S LETTER mixed media, signed in pencil 30.5cm x 24cm Framed. Label verso: Stenton Gallery, East Lothian. With title, artist's name and cat. no. 136JW/0506. Note: Jacqueline Watt is a graduate of Edinburgh College of Art who exhibits both nationally and internationally. Watt’s work has been informed by the Scottish landscape and its elemental forces and is strong, expressive and colourful as a direct result. Her innovative use of paint and colour is firmly grounded in, and influenced by, her Scottish art education. In 2011 she was awarded the prestigious Charles Rennie Mackintosh Residency in Collioure, South of France, which gave her the opportunity to explore and develop new directions and subject matter in her work. As a direct result of this in 2014, Watt was the invited contemporary Scottish artist to show alongside the Hayward Gallery's touring exhibition, Henry Matisse - 'Drawing with Scissors'. Her most recent work explores new still life colour palettes.
Roy Lichtenstein (American, 1923-1997). "Brushstroke Still Life with Apple [variation #1]". Color offset lithograph. 1983. Signed in pencil, lower right. Edition unknown, presumed small. White wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Doering/Von der Osten 38. Provenance: Estate of a private collector, New York City (Manhattan), part of an extensive collection of Lichtenstein posters formed over a 20 year period. Overall size: 24 7/8 x 29 1/2 in. (632 x 749 mm). Image size: 20 3/8 x 24 1/4 in. (518 x 616 mm). An uncommon poster. Only six auction records in the past 25 years located. The image in the Doering/Von der Osten catalogue is of Variation #1, and the catalogue does not picture or make mention of Variation #2 (offered elsewhere in our multi-day auction). Image copyright © The Estate of Roy Lichtenstein. [26914-6-800]
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