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Lot 336
Richard Sebright for Royal Worcester Set of three porcelain cabinet plates, decorated with still life of fruit, bears signature 'R Sebright', marked to the reverse, in later gilt frames, one plaque on the framed dated 1920, exposed plate measures 19.5cm across, the overall frame 37.5cm x 37cm (3)The frames with overall wear and some losses. Would benefit from being cleaned. The plates are mounted in frames so we have been unable to remove them to ascertain their condition. We can see no condition issues on the areas we can see. Some crazing.
Lot 338
Richard Sebright for Royal Worcester Porcelain cabinet plate decorated with a still life of fruit, bears signature 'R Sebright', marked to the reverse, in later gilt frames, plaque to the frame dated 1910, exposed plate measures 20cm across, the overall frame 39.5cm x 39cmThe frame with overall wear and some losses. Would benefit from being cleaned. The plate is mounted in a frame so we have been unable to remove it to ascertain its condition. We can see no condition issues on the areas we can see. Some crazing as expected.
Lot 115
Dorothy Southern. Still life. Oil on board. A label on the back reads 'Invited by Alfred Daniels'. Alfred Daniels (died 1900) was know as the 'Lowry for Londoners'. He exhibited regularly at the Mall Gallery annual RBA exhibition and probably enabled Southern's inclusion in the show. The painting was priced at £400. H.66 W.82.5cm
Lot 869
British School, late 19th century- Still life with roses and honeysuckle; oil on canvas, signed with artist's monogram and dated 'EB 1887' (lower left), 25.5 x 40.8 cm. Provenance: Private Collection, UK. Condition Report: Some paint losses and minor abrasions, middle left. Patches of craquelure visible throughout. A dent on upper right. Overall, fair condition.
Lot 873
British School, late 19th century- Still life with books and a violin; oil on canvas, signed with initials 'B.S.C' (lower right), 45.8 x 66.3 cm. Provenance: Private Collection, UK. Condition Report: Framed, not examined out of frame. Some marks and chips to the frame generally. Fine and settled craquelure in areas. An area of significant abrasions and losses to the paint surface towards the centre of the canvas. Evidence of further light abrasions in areas, particularly towards the edges, due to contact with the frame. Possible browning/discolouration of the varnish in areas. Light surface dirt generally. Otherwise in fair to poor condition overall.
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