Margaret Morris, British 1891-1980 - Head of J. D., 1916; charcoal on paper, 19.5 x 11.5 cm (ARR) Provenance: Jocelyn Gunson and thence by descent Exhibited: Cyril Gerber Fine Art, Glasgow, Margaret Morris Centenary Exhibition, 1991', no.59 (according to the label attached to the reverse of the frame) Note: Margaret Morris was known primarily as a dancer and choreographer, creating the Margaret Morris Movement technique and teaching her language of dance which is still used today. She met J.D. Fergusson in 1913 in Paris and they would later found the Margaret Morris Club in London in 1915, which became a focal point for British artists and writers previously associated with the avant-garde in Paris, such as Katherine Mansfield, Charles Rennie Mackintosh and Wyndham Lewis. Morris painted and drew throughout her life, and exhibitions have been held of her work in Scotland since the 1980s.
We found 77111 price guide item(s) matching your search
There are 77111 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
77111 item(s)/page
Alfred Wolmark, British/Polish 1877-1961 - Still life with flowers; oil on canvas, signed with monogram lower left, 54 x 65.2 cm (ARR) Provenance: Galerie Bonaparte, Menton (according to the stamp on the reverse of the stretcher); private collection, purchased from the above Note: Wolmark was famed for his bold colour palette, influenced by French Modernism, and in an early exhibition in the 1910s at the International Society of Artists, his work was placed beside Vincent Van Gogh, as the only artist of comparable intensity. Wolmark exhibited at the influential 'Manet and the Post-Impressionists' exhibition at the Grafton Gallery in 1910, organised by Roger Fry.
Lots 9-39 Property of the Late Reverend John Watson - Harry Phelan Gibb, British 1870-1948 - Floral still life with green apples, 1930 (with 'Urban scene' on the reverse); oil on board, signed and dated lower left 'Phelan Gibb 1930', 68.8 x 63.8 cm Provenance: The Property of the Late Reverend John Watson (1939-2019) Note: a memory of Reverend John Watson from Ted Few, I first met John Watson at the Olympia Winter Antiques Fair in 1994. I was wondering how to make my wares more appealing to the disappointing trickle of visitors when I became aware of a pensive, engaged man making a thorough examination of the stand before settling on a patinated plaster bust of a woman by Hamo Thornycroft which had come from the collection of Siegfried Sassoon at Heytesbury Manor. After a while we exchanged a few words and then he took his leave. The next afternoon he returned, had another cursory look at the rest of the stand, and then began to ask me very informed questions about the bust. I couldn't make him out. Was he an academic? He certainly knew his stuff. A prospective purchaser? His attire gave nothing away. He seemed slightly unworldly - not remotely acquisitive. And then once again he thanked me and left. When he returned the following day I thought he was frankly either mad or deadly serious, but as he handed me a cheque my curiosity was assuaged. Thus began a relationship which lasted a quarter of a century and grew in scope and interest. He had, in that first interaction, demonstrated so many of his essential characteristics. He was quiet, thoughtful, thorough, curious, enthusiastic, prudent, unassuming and educated; a man of enormous integrity and kindness with a sense of humour to boot. I learned that during his ministry he had bought pictures and sculpture from several of the top West End dealers but when he retired he was free to indulge his passion far more widely, buying initially from dealers, then additionally at auction and latterly extending his sphere of interest to global Works of Art, and even Modernism. He had an inbuilt radar which steered him towards the unusual, and a natural attraction for works of the finest quality, not to mention a nose for anything secondary or specious. And his passion for the New Sculpture Movement exemplified these preferences.It is a privilege to have been invited to advise his family and a pleasure to be working with Roseberys once again, dispersing the unique collection of a much missed collector and friend via a favourite saleroom which espouses so many of his values.
Lena Pilichowska or Pillico, Polish/British 1884-1947 - Still life with flowers; oil on un-stretched canvas, signed lower left 'Pillico', 48.7 x 28.5 cm: together with a watercolour on paper by the same artist, 24.3 x 34.5 cm and a coloured lithograph by the artist's husband, Leopold Pilichowski 1869-1934 -, 'Rabi Reading', signed and numbered 'no.2', 23.3 x 13.6 cm (3) Provenance: the Family of the Artist Note: the artist's work is currently on display as part of the exhibition, ' "Sheer Verve": The Women's International Art Club' at the Ben Uri Gallery, London, alongside works by Dora Gordine, Clara Klinghoffer, and Orovida Pissarro.
A ROYAL WORCESTER CHINA CABINET TEA CUP AND SAUCER, modern, the cup with solid gilt interior, extenally painted in colours by P. Stanley with a still life of peaches, blackberries and grapes on a mossy bank, the saucer similarly painted by M. Morris, signed, printed mark in black, saucer 6" diameter (Est. plus 24% premium inc. VAT)Condition Report: No chips, cracks or restoration. Saucer impressed IIE(?) gilt dot under mark, scuffs to gilt centre, cup generally good
A ROYAL WORCESTER CHINA CABINET COFFEE POT AND COVER, 1922, of baluster form, painted in colours by Ricketts with a still life of apples, cherries and blossom on a mossy bank, signed, printed mark in puce, 6 1/2" high (Est. plus 24% premium inc. VAT)Condition Report: Cover has old opened crack from edge of inner flange through the cherries and stops just short of knop, chip and loss to flange, pot has a tiny chip to gilt rim near spout, no crazing
A ROYAL WORCESTER CHINA SMALL VASE, 1922, of rounded ovoid form, painted in colours with a vignette still life of two peaches and cherries, shape 286/H, printed mark in puce, 4" high, together with a lobed pot pourri, 1923, painted with two apples and cherries, shape 291/H, printed mark in puce, both signed by Ricketts, 4 1/4" high (2) (Est. plus 24% premium inc. VAT)Condition Report: Vase has small chip to rim, otherwise good, pot pourri lacks cover(s?), otherwise good
A ROYAL WORCESTER CHINA SMALL VASE, 1938, of waisted cylindrical form, painted in colours by E. Townsend with a still life of two apples and blackberries on a mossy bank, signed, puce mark, shape G923, 4 1/2" high (Est. plus 24% premium inc. VAT)Condition Report: No chips, cracks or restoration. Very minor small scratches/wear to gilding. Not re-gilded.
Full title: A polychrome porcelain 'flower still life' plaque, probably K.P.M., Berlin, Germany, 19th C.Description:Work: 24,6 x 16,6 cm Frame: 35 x 27,5 cmCondition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
Full title: James Ensor (1860-1949): Still life with painting, two flower vases and a Tanagra figure, coloured pencil on paperDescription:Work: 16,8 x 11,8 cm Frame: 34,5 x 29,5 cm The work is full of references to the oeuvre and world of James Ensor. - Drawing 'Optocht met maskers' (top left): the same work is visible in the background of 'Un bon coin chez moi' (1938, MSK, Ostende, link) - Chinese blue and white vase on the plinth: the same vase is visible in 'Bibelots' (1935, Museum de Fundatie, Heino/Wijhe and Zwolle, link) - Blue octagonal vase: visible in different works, a.o. 'Un bon coin chez moi', also for example 'Accord Bleu' (1917, Tricot, no.496), 'Harmonie en bleu' (1919, Tricot no.504). The vase was also part of the private collection of Ensor, as visible on a photo by Maurice Antony (1937: interior Ensor, see the added picture) - Tanagra figure: the same sculpture visible in a.o. 'Roses et Tanagras (1917, Tricot no.494) and in other works (link). On a picture of Ferdinand Naeyaert ('Ensor in his interior'), the figure is clearly visible on the chimney.Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
Full title: Illegibly signed: Still life with vegetables, fruit and a jug, oil on canvas, 20th C.Description:Work: 67,5 x 52 cm Frame: 73,7 x 58,8 cmCondition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
Full title: Jules Jacques Boulez (1889-1960): Still life with fruit, oil on canvasDescription:Work: 85 x 75 cm Frame: 115 x 105 cmCondition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
Full title: Frans Mortelmans (1865-1936): Still life of flowers, mixed media on paper, first quarter 20th C.Description:Work: 100 x 59 cm Frame: 116 x 75 cmCondition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
Full title: European school: Still life of flowers, oil on panel, 20th C.Description:Work: 74,3 x 54 cm Frame: 89,2 x 68,7 cmCondition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
ATTRIBUTED TO JACOBUS LINTHORST (DUTCH 1745 - 1815) EXTENSIVE STILL LIFE WITH FLOWERS IN AN URN AND A BIRD'S NEST Oil on canvas 124.5 x 96.5cm (49 x 37 in.)Provenance: Purchased from a Mr Wilson in the late 1960s, as part of a property purchase in St. Peter Port, Guernsey Property from the Phillip Lucas Collection, Spitalfields House Condition Report: The canvas has been lined and cleaned. Rubbing and abrasions to the framing edges. Some surface cracking throughout, some of which is just starting to lift - most noticeably to the lower left quadrant. Inspection under UV reveals evidence of scattered retouching and infilling throughout, however the extent to which this has been applied is unclear as a very heavy masking varnish has been applied.Condition Report Disclaimer
Rolling Stones LPs, nine mainly original UK Albums comprising Sticky Fingers (Small zipper with insert EX/VG+), Beggars Banquet (Mono VG+/VG), Get Yer Ya Yas Out (Unlaminated rear EX/EX), Goats Head Soup (both inserts EX-/EX-), It's Only Rock n Roll (EX/VG), Emotional Rescue (with poster EX/EX), Still Life (EX/EX-), Dirty Work (Stickered shrink EX+/EX+), Flashpoint (with booklet EX-/EX) sold together with Rolling Stones and Rolling Stones No 2 original albums without Sleeves both in poor condition
Roxy Music / Brian Ferry LPs, sixteen UK release albums by Roxy Music and Brian Ferry comprising Roxy Music, For Your Pleasure, Stranded, Country Life, Siren, Heart Still Beating, Manifesto, Flesh and Blood, Avalon, Musique, Street Life, Greatest Hits, These Foolish Things, In Your Mind, Another Time, Another Place and Lets Stick Together - various years and conditions
A large Leonardo model, of a Greyhound, 44cm high; Brentford Football Club, a model of an early 20th century footballer, red & white shirt, 52cm high; Vinyl Records - Lionel Richie, 1950's; Neil Diamond; Silverstone and Motoring ephemera; modern sign, Cruisin The Route; Pictures - H W Waterhouse - Still Life of Roses; Bubbles, The Garden Room; Salisbury Cathedral; The Haywain; all signed, oils, various sizes; Route US Cruisin the Route sign etc
Loading...-
77111 item(s)/page