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Lot 319
§ Charles Williams, NEAC, RWS (British, b. 1965) Kitchen still life Signed with initials "GW" lower left by the edge of the frame oil on canvas 30 x 30cm (12 x 12in) Minor chips to the frame.Please note this lot is sold with brochures on the artist's work - for his solo exhibition at The Bakersfield Museum, California, 2004; and a selection of his works shown at the Stuckist Exhibition at the Walker Gallery & The Lady Lever Gallery, Liverpool.
Lot 380
§ Rachel Ruth Selby-Bigge (nee Humphries) (British, 20th Century) Still Life of Cape Gooseberries, signed lower right "R S Bigge", oil on panel, 16 x 23cm; and Still Life of an Apple and White Grapes, signed lower right "R S Bigge", oil on panel, 11 x 16cm oil on board in gilt frames (2) 11 x 16cm (4 x 6in) Condition: A little dirty and Cape Gooseberries has scratches and a crack through the panel 2in down, running horizontally. Apple also has a crack to the panel.
Lot 379
§ Leonard Daniel Philpot (British, 1877-1976) "Pink and White" - a still life of white roses in a pink pot signed lower right "Leonard Philpot" oil on board 24 x 29cm (9 x 11in) Other Notes: Leonard Daniel Philpot was born in London and studied at the South Kensington Schools. Best known for his paintings of gardens and flowers which he studied in Britain, China and America, Philpot exhibited at the Royal Academy and the Fine Art Society. He also practised as an architect and an interior designer. He was the brother of the artist Glyn Philpot, RA (1884-1937). Works by him are in the collections of the Harris Museum, Preston and the British Museum. Artist's note with address to the reverse: "Pink and White" Leonard Philpot Pine Grove Moorlands Road Westmoore Dorset Condition is fine
Lot 382
§ Evelyn Mary Dunbar, NEAC, RWS, ARCA (British, 1906-1960) Roadworks signed lower left "Evelyn Dunbar" oil on canvas, unframed 36 x 46cm (14 x 18in) Provenance: By descent within the family of the artist Other Notes: Evelyn Dunbar was a mural artist, illustrator and teacher, born in Reading, Berkshire. She studied at Rochester and Chelsea Schools of Art and The Royal College of Art (1929 - 33). She painted murals at Brockley County School, Kent and at Bletchley Training College, Buckinghamshire. During World War II, Dunbar was the only woman artist to receive a salary for commissions, depicting civilian contributions to the war effort on the Home Front. After the war she was appointed as a part-time teacher at the Oxford School of Art as well as a visiting teacher at the Ruskin School, Oxford. Christopher Campbell-Howes writes: "Road Works' is quite early, I should think 1926, most probably an exercise set by Dunbar's tutor, Harold Shimmell, during the first of her two sessions, 1926 and 1928, at Rochester School of Art, each of which she attended for a month or two before dropping out. The signature however appears to date from the early 1950s, when a quantity of her work was divided up and in some cases authenticated between members of her family. 'Road Works' went to her brother Alec and his wife Jill, and thence by descent to Evelyn's great-nieces. The scene is probably somewhere between The Cedars, the Dunbar family home in Strood, Kent, and Micawber Cottage, Alec and Jill Dunbar's house about a mile away up the hill towards Gravesend, but the urban configuration has changed so much in the last 90 years that it is impossible to identify exactly. It is very rare in the sense that there are only two other urban scenes in her entire known output, the others being 'Mobile Canteen' (Private Collection, a similar student exercise from 1928) and 'The Queue at the Fish Shop' (1942-45, Imperial War Museum)". In late 1938 Dunbar opened The Blue Gallery, a large first-floor room above the shop run by her sisters Marjorie and Jessie at 168 High Street, Rochester. Here she displayed her own work and included some of her mother's floral still-life paintings. She invited Charles Mahoney (with whom she remained on friendly terms) and prominent contemporary artists , to contribute their work to her first group exhibition, which opened in March 1939. The Blue Gallery did not prosper and it closed after a few months.Condition: Unframed. Scuffing to the edges and some scuffing to the right of the signature.
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