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Clarke Hutton (1898-1985), Still life with wine ewer and lemons, initialled and dated 46, oil on canvas, 29.5 x 39.5cm.; 11.5 x 15.5in. * Hutton's paintings were exhibited at the Royal Academy; London Group; Royal Institute of Painters in Watercolours; Redfern Gallery and elsewhere. The British Museum and Victoria & Albert Museum hold his work.
Michael Wishart (1928-1996): Hand-written letter to Francis Bacon from Park Farm, Pulborough, Sussex, dated March 12th/13th 1978. Two pages written on both sides, 10" x 8", signed Michael. Michael Wishart was a long time friend of Francis Bacon from the 1950s, he was a writer and a painter. The letter refers to "odious and silly" remarks made when Bacon was drunk. He also says "most of your recent released work seems innovated and habitual as well as repetitive in a boring way". "I am nearly 50.... and despise myself for not daring to take my life". On Lucian Freud he says "I find the paint and colour boring and repetitious, I think Lucian's worthwhile work ended with Caroline". For financial reasons he refers to his sale of Lucian's portrait of his mother and his self portrait, he finishes "thanks again for writing, I only minded the insults so much because I once loved and still admire you so very, very much". In a PS he refers to a letter from Graham S. [Sutherland] having written to him enthusiastically about his book. Provenance: The Robertson Collection
Jerome (St.). Omnes quae extant D. Hieronymi Stridonensis lucubrationes, [edited by Desiderius Erasmus], vols. 1-3 (of 9) only, 3 vols. in one, Basileae, [in officina Frobeniana], 1536-37, Froben's woodcut device on each title-page, and at the end of vols. 1 and 3, historiated woodcut initials, without AA-CC6 in vol. 1, containing Jerome's life, small hole at the centre of the first title-page, which is restored at the head, the leaves immediately following similarly restored, some other leaves damaged in the top margin, some staining, some passages censored, either scored through or marked with a single line and then pasted over with printed or ms. waste, sometimes still in place, otherwise with residual adhesion marks and damage, contemp. blind-tooled calf over wooden boards, the leather extensively restored on each cover, rebacked, earlier backstrip retained, formerly with catches and clasps, folio. A part of Adams J117. Adams entry underlines the fact that the work is often found incomplete. (1)
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77168 item(s)/page