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Lot 1090

Laurence Biddle (1888-1968), oil on board, Still life of flowers in a vase, signed and dated 1945, 17 x 13in.

Lot 1104

Jean Clark (1902-), unframed oil on canvas, Still life of flowers in a vase, signed, 20 x 24in.

Lot 82

After Marcello Giachino, still life, print, a pair, together with a Constable print, four bird etchings and a continental water-colour

Lot 643

Louise G Annand (b.1915) Temple Repairs Pattern Xian Signed watercolour, 1985, 12.5cm x 17.5cm, Two prints, Francis Flint, Cumbrae lighthouse, signed watercolour, 25 cm x 36cm, and Holding, Still life, a pair (6)

Lot 678

Herbert Davis Richter RSW (1874-1955) Still life with Chinese figurine and flowers Signed, oil on canvas, 62x75cm

Lot 732

Frank Patrick Martin (1883-1966) Still Life Signed oil on canvas, 61x51cm

Lot 111

Edith Grey (19th century), A still life of flowers, signed, watercolour, 27 x 20 cm, oval

Lot 142

Marion L. Broom, (1878-1962.), A still life with white roses in a blue bowl, signed, watercolour, 51 x 61 cm

Lot 38

ROBERT ALLISON. Signed and dated 1953 watercolour on paper, still life study of a model boat, tools and paint, etc., on a workbench, see label verso. 14.3/4" x 18.3/4"

Lot 52

F.W.KNIGHT. Signed and dated 1892 oil on canvas, still life study of flowers in a vase, see label verso. 27" x 18"

Lot 201

GEORGE F. HOROBIN. Signed oil painting on board, Modern British School, still life study of roses in a vase. 10 3/4" x 14 1/4".

Lot 227

A.WINTER SHAW. Signed with initials, watercolour on paper, still life study of flowers in a bowl `Ramblers In Glass Bowl`, see Royal Institute of Painters in watercolours label verso. 10.3/4" x 15"

Lot 317

M.H.DEAN. Signed oil on canvas, impressionist still life study of flowers in a vase `Tulip`, see label verso. 23.1/4" x 19.1/4"

Lot 326

HERON. Bears signature and date 1975, oil on board impressionist still life study of flowers in a vase. 9.1/2" x 7"

Lot 327A

Tulips in a jug, still life, oil on board

Lot 331

C A Droi, still life of flowers, oil on canvas

Lot 706

20/21st Century- Still-life of fruit in a basket; oil on canvas, in a gilt swept frame, 60x90cm

Lot 727

* Graham Fry, late 20th century- Still-life of pots, lamps, books and pottery laid on a table in an artist`s studio; oil on board, inscribed verso, in a hardwood cushion moulded frame, 60x120cm. Provenance: Paintings in Hospitals, London (may be subject to Droit de Suite)

Lot 843

Steff Wijnhoven 1898-1969- Still-life of Blossom in a glass bowel; oil on board, signed, 30x40: European School, mid 20th century- Still-life of poppies; oil on canvas, indistinctly signed, (2)

Lot 354

CONTINENTAL SCHOOL STILL LIFE SIGNED INDISTINCTLY OIL ON CANVAS

Lot 140

An Oil on Canvas still life vase of roses, unsigned in gilt frame, 34cm x 44.5cm

Lot 143

Robert Sears, Watercolour depicting floral garden driveway with house behind, signed, unframed, 27cm x 37cm, also Patrick Fraser, album of loose pencil sketches, bird`s nest, tree trunks, still life etc.

Lot 145

A Modern Peter Hodson, Oil on Card river landscape with church in background, signed, 25.5cm x 36cm, D. Platt, oil on canvas laid to board depicting oriental seated lady, signed and another D. Platt oil on board still life flowers and a fan (3)

Lot 146

A Watercolour still life jug of roses, in black frame, 47cm x 30cm, also a watercolour depicting figures standing on wooded lane, in black frame (2)

Lot 159

K. Vukovic, Small Oil on Board still life vase of roses with teapot and cup on white linen table, signed in walnut-style and gilt frame, 12cm x 14cm

Lot 636

ALBERT WAINWRIGHT (1898-1943). Watercolour, study of two crabs, unsigned, 25cm x 36cm; another still life with a plate of vegetables and a bottle, 35.5cm x 25cm. Both unframed. (2).

Lot 676

C H SLATER. Watercolour, still life with pear and plums, signed, 15.5cm x 20.5cm, framed.

Lot 685

A Bloor Derby plate decorated with an armorial and still life, diameter 26cms, a/f

Lot 8

* Brabazon (Hercules Brabazon, 1821-1906). Still life of flowers, watercolour heightened with white bodycolour, signed lower left (signature partially indistinct), 24.5 x 23.5cm (9.5 x 9.25ins), framed and glazed (1)

Lot 13

* Broom (Marion L., 1878-1962). Still life with hydrangea and white berries, watercolour, signed lower right, 55 x 76cm (21.5 x 30ins), gilt frame, glazed (1)

Lot 18

* Chase (Marian Emma, 1844-1905). Still life with apple and honeysuckle, watercolour, heightened with bodycolour, signed and dated 1887 lower right, 25 x 35cm (9.75 x 13.75ins), gilt frame, glazed (1)

Lot 19

* Chase (Marian Emma, 1844-1905). Still life of fruit, flowers and goblets, watercolour, heightened with bodycolour, signed and dated 1875 lower left, 35 x 28cm (13.75 x 11ins), gilt frame, glazed (1)

Lot 35

* Hibbert (Phyllis J. 1903-95). Still life of Summer flowers, large watercolour signed in pencil to lower left corner, 54.5 x 76cm (21.5 x 30 inches), framed and glazed (1)

Lot 136

* Italian School. Still life, c.1870, oil on canvas, occ. small chips to image, 29.5 x 24cm (11.5 x 9.5 inches), decorative gilt and gesso frame (1)

Lot 152

* Zvetkoff (Alexis, 20th century). Still life of Lilacs in a vase, 1939, oil on canvas, signed and dated lower left, 60 x 72cm (23.5 x 28.25ins), framed (1)

Lot 269

* Piper (John, 1903-1992). Still Life of flowers in a vase, colour etching with aquatint, signed and marked A/P, plate size 55 x 39.8cm (21.75 x 15.6ins), with margins, framed and glazed (1)

Lot 272

* Piper (John, 1903-1992). Still Life of flowers, colour etching with aquatint, signed in pencil, plate size 40.5 x 55cm (16 x 21.5ins), with margins, framed and glazed (1)

Lot 349

* Hassall (Joan, 1906-1988). Still life of flowers in a glass vase, oil on canvas, signed lower right, 37.5 x 30cm (14.75 x 11.75ins), framed and glazed (1)

Lot 513

Mabel Marston Still life of roses and glass vases Oil on board 58 cm x 50 cm By the same hand Still life of flowers in a green glass vase Oil on card Signed lower left 8 cm x 13.5 cm (2)

Lot 566

Sylvia Levine (1911-98) Still life of flowers and two glass vases Oil on card Signed lower right 30 cm x 26 cm Sylvia Levine began painting in 1956, when she took an Art class at the West of England School of Art. Her chosen medium was with oil with a flexible palette knife. Her paintings are distinguished by their rough surfaces and include wild flowers, landscapes, seascapes and nudes. Her work has been exhibited at the Royal Academy, the Mall Galleries and in many exhibitions throughout the UK and overseas; particularly in the United States.

Lot 568

Sylvia Levine (1911-98) Still life of flowers in a clear glass vase Oil on board Unsigned 58 cm x 34 cm

Lot 571

Sylvia Levine (1911-98) Still life of flowers in a green glass vase Oil on card Signed lower right 30 cm x 48 cm

Lot 572

Sylvia Levine (1911-98) Still life of Autumn flowers Oil on card Signed lower right 40 cm x 32 cm

Lot 574

Sylvia Levine (1911-98) Still life - Marrow Oil on card Titled verso 28 cm x 50 cm

Lot 577

Sylvia Levine (1911-98) Still life of flowers Oil on card Signed lower right 35 cm x 35 cm

Lot 578

Sylvia Levine (1911-98) Still life of flowers Oil on card Signed lower right 35 cm x 43 cm

Lot 579

Sylvia Levine (1911-98) Still life of ferns and flowers Oil on card Signed lower right 35 cm x 42 cm

Lot 235

G.F. Ainscow, Still Life of Flowers, signed and dated 1879, watercolour and scratching out, 30 cm by 40.5 cm

Lot 32

S. Shiel - Still Life Study of a Flower-charged Vase beside Fruit, oil on canvas, signed and dated 9.84, approx 73cm x 58cm, within a gilt frame.

Lot 1475

A Royal Worcester bone china vase, circa 1950, painted by D. Bowkett, signed, with a still life arrangement of fruit, black printed marks to base, height approx 11.5cm, together with a Worcester circular pin dish, painted by Maybury, and a teacup and saucer indistinctly signed (saucer repaired).

Lot 44

ENGLISH SCHOOL 19th Century oil on board, Still life study birds nest, flowers and insects, unsigned, 10" x 8", framed.

Lot 142

ROBIN MacKERVOY Oil on board, Still life study spring flowers in a vase, signed, 24" x 20", framed.

Lot 201

FIGGE FREDRIKSONN Oil on canvas, Still life study flowers in a vase, signed, 26" x 21", framed.

Lot 214

Mid 20th Century oil on canvas, Impressionist still life flower study, unsigned, 20" x 16", framed.

Lot 215

Mid 20th Century oil on canvas, Modernist still life study basket of fruit on a red chair, unsigned, 24" x 16", framed.

Lot 314

ITALIAN SCHOOL Oil on board, Portrait of a young boy, unsigned, 10" x 6", T ZERMAN, oil on board, Still life study and a watercolour, Village scene, (3), framed.

Lot 429

* Page (William, Private in the 38 Regiment of Foot). An unusual archive of fifteen autograph letters from the low-ranking soldier William Page to his parents Mr. and Mrs. Joseph Page (corkscrew maker and later steel toymaker), Wolverhampton, 27th May 1807 to 1st July 1812, written in a reasonably clear hand that improves over the years, describing details of his life and health and colleagues and wishing his parents and friends well, sometimes asking for money and usually signing himself as their `undutiful son’, the first three letters written from Lichfield and Alton, one letter written from Bandon, Ireland, six letters from Guernsey (Doyle Barracks and variously in Captain Rogers, Captain Wrench’s, Captain Taylor’s and Captain Forster’s Company, 2nd Battalion, 38th Regiment), one letter from Oxford, and one each from Lisbon, Sobigol, Nava Froas(?) and Coinbra, together with a letter from a friend Thomas Watson writing to his parents on his behalf giving them an update on his situation in June 1807 and a clearly written letter by a colleague, Thomas Morris, from the plains of Almeida, 21st May 1811 (written to Morris’s wife), plus a fragment of a letter from Page to his parents in Ireland, all somewhat soiled and with numerous fold splits and occ. chips and tears, many with indistinct name or date strikes, a total of approx. 38 pp., mostly folio, plus two unusual period corkscrews, presumably made by Joseph Page, one with a screw-thread fitting into a purpose-made case and loop handle, the other with a butterfly screw nut through upper stem, both approx. 8cm. Included with the bundle of letters is an old bible page with some family notes written to blank verso: `Benjamin Page, the son of Joseph and Mary Page, born 31st March 1806. Hannah, wife of the above, daughter of Joseph and Ann Lloyd, born 25th September 1806. Benjamin Page, died February 2nd 1869’. Benjamin Page who is described in one of William’s letters as `always my favourite’ of an unknown number of brothers was only a baby when William joined the army. This unusual collection of letters from a low-ranking soldier, while containing much of family concerns, also gives good insight into his army life and concerns. Letter one: `...I have been very ill for this two days with a very violent purging & other pains for these last two or three nights I have up and down every five or ten minutes for the living is so unregular to what I have been used to and the duty so very strict that I am really weary of my life tho’ there is plenty of meat and bread but you are put in the rooms from the [?] & nobody to cook for you but you are obliged to cut a bit of [?] & frizle it how you can that is a Soldiers Living from Year to Year without any [?] Except you can buy them yourself which is unpossible for we get but one shilling & 7d a week besides your Bread Meat & Washing which the pay for themselves & out of that small trifle you have pipe clay & oil & many other small articles and if you have any Small Beer you must pay a penny a pint & what money I thought of Receiving what stopt for I cursed thing or another I have not settled yet...’ (27th May 1807). Letter fifteen: `...I was obligated to go into the rear owing to having a rupture come on by hard Marching and heavy fatigues which rendered me incapable of Marching with my regiment so I was sent to General Hospital but was well in health three Days after I left the Regiment I got to be a Clerk in the Commissary Department and had a guinea per week wages besides my corporals pay from the regiment at which place I continued for five months and was allowed besides my wages what provisions Spirits & wine I wish for my Own use and a friend if I Choosed During which time I saved more than Eleven Guineas which I have by me at this time and ten months pay Due at the Regiment which would be of great service to me if please god I was at Home Again... I have very Little to inform of Concerning the State of Affairs in this Country [Spain] for being Away so long from them and so very far off that I see nothing of it and hear very little at this time I ham as much as much as three Hundred Miles away from them the Army are a Considerable long way in Spain Driving the French before them & if the Spanish troops stand firm I am of Opinion that we will be Clear out of the two Countries this Summer which will be a happy Day for Soldiers here for their hardships are undescribable but still fight with the Greatest of ardour and firmness never undertake a Battle but what the Complete it with Spirit & loyalty the British Army is prior to the Eyes of All nations and a Severe terror to their Enemy tho of a much infiror number I can give you but Very Little Account of the Battle of Badajoz but our Loss is Estimated at three thousand men as I hear our Regiment Got very much Hurt... `. Recent typed transcriptions of the letters are included with the lot. (a bundle)

Lot 384

WILLIAM A. MARTIN - Still life, a vase of primroses, signed watercolour, 9 1/2" x 13 1/2"; a coastal view signed Denman; and 19th Century English school "Dun Fainary, Loch Etive, July 1897", watercolour, 9 1/4" x 17" (3).

Lot 251

Three copper scuttles, one with Art Nouveau embossing, jam pan, and fire tools, various brass candlesticks and a pair of miniature still life oil on panels

Lot 421

A still life oil, and a quantity of prints

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